#Pan's Labyrinth 2006

[baronafanas002]

Have you seen this movie starring doug jones?

[savage-kult-of-gorthaur]

"THE BRITTLE BRANCHES ON HIS BACK CLATTER AS HE WALKS..."

PIC(S) INFO: Spotlight on unused concept art of an "ancient goat creature," translated as a "monstruo cabríon" (my viejo), artwork by American fantasy painter/illustrator William Stout, from the 2016 artbook "Guillermo Del Toro's Pan's Labyrinth: Inside the Creation of a Modern Fairy Tale," published in 2016 by HarperCollins.

Book by Guillermo del Toro, Mark Cotta Vaz, and Nick Nunziata.

Sources: https://monsterlegacy.net/2014/12/22/pan-labyrinth-laberinto-fauno/goatmonsterconcept, Illustration history, Pinterest, various, etc...

[classichorrorblog]

Pan's Labyrinth (2006)

[anyataylorjoys]

PANS LABYRINTH 2006 | dir. Guillermo del Toro

[goremaya]

pan’s labyrinth / el laberinto del fauno (2006) dir. by guillermo del toro

[guillotineman]

[junospooky]

El laberinto del fauno, 2006 dir. Guillermo del Toro

[ratstuckinamarble]

@a-dauntless-daffodil thanks for tagging me :)

tagging: it is apparently Tumblr tradition, so give it a shot! @sketch-the-spectre, @lulughoul, @cherry-purple, @just-someone-online, @crystal-clear-crystalline, @bluebelleisabelle, @sparklyaxolotlstudent, @m0nsterartgarage. Dauntless reminded us to stay hydrated so I'm telling you to eat smt. Don't be like me and wonder why things suddenly seem awful only to feel fine after fulfilling your basic needs.

Last song -> 'Raus aus meiner Haut' by OOMPH! It's either about a bi trans woman or a drag queen, the lyrics work with both interpretations and I couldn't figure out which one was intended. I have some notes but it's surprisingly progressive for 2012 Germany. Or 'another life' by mazie. I can't quite remember.

Currently reading -> Entangled life (a wonderful book about mushrooms) and Queer Little Nightmares, an anthology of monstrous fiction & poetry. Yes I bought it because I crave queer monsters in fiction. It's good so far, the first short story was about lesbian werewolves. There was a scene where the love interest left a sapphic book on her bed for the protagonist to find and while reading it she went "is this what's wrong with me?" and I was transported right back to being 14.

Currently watching -> Barbie life in the Dreamhouse, The Midnight Gospel and all the old mh movies (almost done with those now). I also watched Pan's Labyrinth today from a TOTALLY reputable website, yup. I thought it was a horror movie but not really? Still good though. I would have liked to see more of the actual fantasy aspects, especially the faun, but I'm glad I saw it.

Current obsession -> Queer monsters of any type. Gimme. Also Monster High, mushrooms, tiny things, stopmotion, horror.

I can never pick just one thing, can I.

[mywordsonskin]

I just rewatched Guillermo del Toro's 'Pan's Labyrinth'. I am a sucker for horror folktales and mythology in general.

however, I think that watching it now in my twenties with two active wars transpiring in Middle East and Northern Europe, I was able to appreciate it more. It really made contemplate a lot about the power of innocence and imagination in the face of oppression, brutality and tyranny.

[ur-such-a-beautiful-freak]

Autism & Guillermo del Toro

While some light research of "Guillermo del Toro autism" doesn't get many results, other than complaints and praise for The Shape of Water, it is apparent that many of his characters are autistic.

Aurora || Cronos (1993)

Aurora is near-mute, but has a lot of agency despite this. She isn't afraid to kill a bug or help Jesus defeat De la Guardia. In fact, she's the main heroine of our story, despite her silence. She shows intense feelings, especially of love for her grandfather, shown in scenes such as where she reaveals shes ripped the head off her beloved teddy bear to put the Cronos device inside. She's incredibly smart for her age and very capable, but I believe her (maybe not optional, but definitely not permanent) silence is vindictive of her autism. I cannot figure out what her special interest would be, though.

Chuy || Mimic (1997)

Chuy is another one of Guillermo del Toro's strong children. Shown first playing spoons incredibly skillfully and crafting creatures out of wire, Chuy has unique interests. He can tell the exact type of shoe down to the size because of his grandfather, and he has the ability to perfectly mimic the Judas' cry. He's nearly silent but not always, and he seems unaware of the rules of the world, leaving his home and entering the subways seemingly unaware of the danger. Upon watching a man get sucked into a gutter, he barely reacts. One pivotal scene showing his autism would have to be when he's trapped in the elevator shaft and has a meltdown. He also speaks in a somewhat unique manner. His special interests are obviously playing spoons and shoes.

Ofelia || Pan's Labyrinth (2006)

Ofelia is yes another child character who shows a lot of agency, going against what practically everyone tells her to follow her own path. But she's also very bookish, obsessed with her fairytales so much she believes anything the fantastic tells her. She crawls through the mud and talks back to adults, keeping a somewhat quiet demeanor otherwise. I believe her special interest is fairtales.

Newt || Pacific Rim (2013)

Not a child, but worth mentioning anyways, is Newt. He's obsessed with Kaiju, to the point of drifting with one multiple times (and eventually.. living with one?). He speaks fast and erratically, he knows every indexical fact about Kaiju, and he's obviously insanely smart. He's, however, balanced by his childlike wonder at everything. His love for kaiju is, of course, his special interest.

Hope you enjoyed my analysis! I'm missing plenty of characters simply because I haven't seen his full repertoire yet! But as an autistic person, I love to find it in everything else!

[sophieswundergarten]

Alrighty, I finally had a minute to sit down and smack out some of my thoughts. @itsgoghtime, I am tagging you as a full participant :)

Brought to you by the Moth Realization that I am in charge and can do whatever I want

Okay, so we're leaning more into the mirror-world stuff, with certain things being representations of real life and such.

It opens with Madge flying around the house and landing outside the window where Nathaniel is sitting, just as a little nod to the owl :>

Nathaniel is trying to fit in with his brother's family, but there are so many of them

One day, when he's trying to get some peace and quiet and read the copy of Ivanhoe that he swiped from Nicholas' office, the kids all burst into the room falling over each other and laughing and chattering and making an absurd amount of noise

Nicholas is, of course, right behind them, giggling and trying to keep from falling asleep

Nathaniel fully loses it, dropping the book and yelling at the children.

Nicholas ushers them out, and tries to calm his brother. It doesn't work, and Nathaniel just lets all of his frustrations and pent up resentment come out, shouting at his brother and leaving Nicholas stunned (and hurt)

Nathaniel storms out, going on a walk and trying to calm down after all the things he said. (He hadn't intended to get that upset, but it had all spilled over and gotten a little too close to comfort to a vulnerable heart-to-heart, so he had to leave in order to save face)

After a bit, he feels suitable under control again, and enters the house, only to find it totally empty

The place is ransacked, a complete disaster with books and papers scattered and flapping in the breeze from open windows

Nathaniel searches, but there's no one to be found, so he heads to Nicholas' office

There, he sees a suspiciously spotless room, and the Sister (We're calling her Eurus for simplicity's sake) sitting on top of Nicholas' desk, reading Ivanhoe

(She looks spooky and flashy, somehow more dramatic than Curtain but in a more old-fashioned style like Nicholas. Also purple, to round out the cool-colour sibling trio. Just look at this, because it's amazing)

Nathaniel demands to know what happened to his brother and the others, but she just laughs menacingly

Closing the book, she swings her legs off the desk, smiling at him

"Wouldn't you like to know, Natty?"

Nathaniel is affronted, and tries to cover his confusion with Awkward Curtain Bluffing

Eurus introduces herself, and mocks him further by revealing a model of Nicholas with a flourish, toying with it as they speak

"This is what you wanted, right? To be free of little Nicky and his nuisances? Now you can read your books and make your silly plans in peace."

Nathaniel vehemently states that he'd rather have his brother back to deal with on his own, please and thank you /s

(And his plans are not silly. They are genius)

"Oh, but he's mine now. I can't just give back such a fun toy. Besides, Nicholas will forget all about you soon enough, and then I'll have him and his friends to myself, permanently"

Nathaniel is, obviously, perturbed by this, and demands that she stop whatever game she is playing and return his brother and his associates

She laughs at Nathaniel again, and figurine in her hand turns into a pocket watch, with an abnormal thirteen hours on it

"Well, I do love games. And a game is no fun without some stakes to keep things exciting, so here are the rules: You have thirteen hours to win all of them back, or Nicholas stays with me. No more, no less"

She hands the pocket watch over, which starts ticking as soon as it hits Nathaniel's palm

He looks up to ask her who on earth she thinks she is, but she's gone, and so is the office

Nathaniel is standing outside a massive labyrinth, with no discernible entrance

As he's looking around, who should he find but Dr. Garrison!

Or, not Dr. Garrison, since she's wearing strange clothes and looks at him with confusion

(It doesn't matter, but I think she'd be wearing a typical fantasy poet shirt/tunic, red vest, and probably black pants. Her hair's braided, instead of cropped short or that longer style she kept in a bun)

Nathaniel addresses her and demands to know what's going on, and why she's a part of this ridiculous farce

Not-Garrison responds to her name, but maintains that she's never seen him before. She explains that she's the caretaker of the Labyrinth

Nathaniel sarcastically asks if she'll let him enter, and she shows him the gate

Nathaniel enters the Labyrinth alone and is confronted with a huge, apparently endless hallway that continues on in the same way for as far as he can see

(Part of me wants to include the Atrocious Hallway Painting just because)

Eventually, he stops, seeing that he's wasted a lot of time, and still gotten nowhere

As he's standing there, cursing the insanity of his situation, SQ appears!

(Also in different clothes! I know these aren't important, but I am a highly visual person and I love the artistic style of the movie, so we're going to have a lot of side-notes about how stuff looks)

(SQ is wearing a dark blue jacket [Slightly reminiscent of his dad's colors] and a red scarf, and carrying his sketchbook)

Nathaniel is startled by this, of course, but SQ introduces himself as if they haven't met before

Nathaniel carefully asks him what he's doing there, and SQ tells him he's been drawing some of the interesting creatures that live in the Labyrinth

SQ then inquires as to what Nathaniel is doing, and he exasperatedly explains that he's trying to get to the centre, but the whole thing is nonsensical and the endless hallway must be a trick designed to keep him from winning

SQ asks why he doesn't take a break, but when Nathaniel refuses, he says (somewhat cryptically) that maybe he just needs to look at things from a different perspective

**Clever Metaphor Plot Shenanigans Ensue**

And Nathaniel enters a new part of the Labyrinth

CUT TO WHAT EURUS IS DOING

Nicholas awakens in a spooky castle

He wanders through, looking for other people, but finds no one

Eventually, he comes across some guards, but they do not acknowledge him in any way, so he continues searching

He enters a weird throne room/office thing filled with books

(It looks like a warped version of his office, with lots of shelves and stacks of books all around, empty picture frames, a potted violet in the corner, and a big, impressive throne made of books in the middle)

He finds his copy of Ivanhoe on the ground, and opens it

This, and all the other books, are blank

Eurus appears, sitting on the throne and watching him

Nicholas tries to politely and calmly ask about what's going on, but she ignores his questions

Instead, she asks him about why he's bothered, since he obviously doesn't care about his family

And of course Nicholas is aghast at this and starts panicking over what she's done to the others

She goes on a spiel about how he left Nathaniel and he doesn't really care about his family and how he's only being so nice to Number Two/Rhonda/Milligan/the kids out of guilt

(She's kind of a terrible person in this, in case you hadn't noticed)

And Nicholas is horribly upset and trying to keep a lid on his emotions, when she gets up and walks over to him

"Now, wouldn't you like to be free of that guilt? To not have to worry about all of those strays you took in to make yourself feel like a good person? You're better off alone, you know that, so why not embrace it?"

CUT BACK TO NATHANIEL

Nathaniel comes across two doors, with Jackson and Jillson standing in front of them!

(Jackson is wearing a royal blue doublet/pants, and Jillson is wearing the same but in red. Both have floppy bard hats on)

Together, they communicate that one of them only tells the truth, and one only tells lies

(I've learned this is called a type of logic puzzle called "Knights and Knaves!)

One door leads closer to the castle, and one to "certain doom"

After some typical banter and circular logic, Nathaniel discovers which door to go through

He enters, and falls down into an oubliette

Garrison appears to let him out, and tries to get him to leave the Labyrinth

Nathaniel persuades her to guide him to the castle, and the two set off

(Garrison somewhat reluctantly)

They continue on their way for a bit, before Eurus shows up again

Nathaniel takes the opportunity to complain and ask why on earth she's doing this

She chooses not to answer this, and instead asks Garrison what she thinks she's doing

Garrison responds with cagey assurances that she hasn't forgotten her job in this, and Eurus threatens that she better not

Nathaniel demands to know what she's done with Nicholas, but she tells him that showing him would be cheating, and she isn't about to let the game end early

He asserts his confidence in being able to beat her, at which point she offers to make it more of a challenge

Eurus disappears and a huge machine starts pushing its way through the hall, about to crush Nathaniel and Garrison

Luckily, they escape, and find themselves in an upper part of the Labyrinth

In that area is Kate and Reynie!

(Reynie is wearing a brown tunic with a belt, and Kate is wearing a red tailcoat with feather designs)

The two of them are bickering about the way to the castle, and Nathaniel hesitantly approaches

He's used to the way things work now, and resigns himself to the fact that they are not going to be the people he knows normally

Eventually, he's able to get some even more cryptic advice from them, and he picks a random direction in frustration

Garrison attempts to leave him, but he steals her notebook and makes her agree to help him

Immediately after this, sounds of fighting come from nearby, and Garrison runs off

That's all I've got for now, but I will be adding onto this in a bit! Apparently this is the new thing my brain is refusing to let go, so we'll see what happens

[savage-kult-of-gorthaur]

"THE FAUN'S ENGRAVINGS REPRESENT THE LABYRINTH ITSELF...IN ANCIENT RITUAL MARKINGS."

PIC(S) INFO: Spotlight on one of many Faun concepts by Sergio Sandoval, from the 2006 Spanish-language dark fantasy film "Pan's Labyrinth," a.k.a., "El Laberinto del Fauno," written, produced, & directed by Guillermo del Toro.

PIC #2: Monster character actor Doug Jones as the Faun, filming one of the last sequences for the film.

MINI-OVERVIEW: "Responsible for the character’s design was conceptual artist Sergio Sandoval in collaboration with the director. The Faun combines traits of a human and a goat, with bark-like skin and features on its body. On the Faun’s skin are spiral engravings, similar to those found in several character designs in the "Hellboy" films, including Hellboy himself and Sammael. Unlike those, however, the Faun’s engravings represent the Labyrinth itself. “We carved in spiral engravings on his face and chest,” Marti said, “representing the Labyrinth in ancient ritual markings. Whenever Doug was resting on set, he looked like a weird wooden effigy, not a living animal.”

-- MONSTER LEGACY, "Las Criaturas del Laberinto del Fauno," c. 2014

Source: https://monsterlegacy.net/2014/12/22/pan-labyrinth-laberinto-fauno.

[teddypdf]

methinks mercedes from pans labyrinth deserves the miss honey from matilda treatment

[haverwood]

El laberinto del fauno Guillermo del Toro Mexico/Spain, 2006 ★★★★ No. He won't even know your name.

[moviehealthcommunity]

Pan’s Labyrinth (2006)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Pan’s Labyrinth has one brief scene with several guns firing in bright daylight, which mitigates the bright, single flashes from the barrels.

All of the camera work in this film is either stationary or very smooth.

Flashing Lights: 1/10. Motion Sickness: 0/10.

TRIGGER WARNING: There are several graphic moments of violence and gore, an injection, a stitching, and horrible injuries. One of the instances of horrible violence happens to a child. A person asks for euthanasia to avoid torture. A pregnant woman gets violently nauseous at the beginning, but does not vomit. She is shown severely hemorrhaging multiple times. There are a few creepy-crawler moments involving insects walking on people. Some of the creatures are famously terrifying.

NOTE: We have evaluated this film in the past, but we have determined that it merits this new evaluation, given that our methods of evaluating films for health hazards have expanded since the original post.  

Image ID: A promotional poster for Pan’s Labyrinth

[nicolasxiv]