#Palestinian Magical Realism

[kosmic-kraft]

"June 21 2022 We transitioned in what we surmised to be near Gaza City in the mid 1800s. This was ottoman Palestine. Wali noticed it right away. " — Tom

" Thus it began... The possibility of being able to escape gaza permanently without moving. There was something deeply, profoundly attractive about this option.

On one hand, the desire to escape the bitter and violent perpetual occupation was strong, and the fact that in essence they were not really leaving Gaza seemed to offer a possible solution to the quandary of feeling that one must stay, that somehow one could never live with oneself, having left people behind, That one had failed to stay and stand up for palestine. " — Narrator

Gaza City Mid 1800s from " The Journeys of Tom and Nancy " (2024) by Will Eizlini 12 " x 9 " Acrylic, Posca, and Sharpie on kraft paper.

The Journeys of Tom and Nancy will be performed in Montreal at the Galerie du Viaduc, October 26, 2024, on the final day of the Exhibition "Hidden in Plain Sight" featuring works of Will Eizlini and Serene Daoud.

[zeinobia]

From the river to the sea, #Palestine will be free

"Dreams of Tomorrow" by legendary Palestinian painter Ismail Shammout. It is considered one of his last works.

It features the corpse of a Palestinian woman, in the shape of the map of Palestine, with red needlework on her dress representing the Dome of the Rock in #Jerusalem and spelling the words "love, good, patience, tomorrow…" and names of Palestinian cities "#Nablus, #Jaffa, #Jerusalem, #Nazareth…"

[queer-book-society]

Despite working at a bookstore I always support my local library, here's an amazing find from today!

Title: The Skin and Its Girl

Author(s): Sarah Cypher

Description: In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love. Decades later, Betty returns to her Aunt Nuha’s gravestone, faced with a difficult decision: Should she stay in the only country she’s every known or should she follow her heart for the woman she loves, perpetuating her family’s cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt’s complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the U.S. But as Betty soon discovers, her aunt hid much more than that.

[battyaboutbooksreviews]

🦇 Serpent Sea Book Review 🦇

Rating: ⭐⭐⭐⭐

❓ #QOTD What were you afraid of growing up? 🦇 Imani is a magic-wielding warrior sworn to protect her land from monsters that roam the desert. Now, an even worse enemy now threatens the Sahir. As the powerful Harrowlanders march south, Imani knows it’s only a matter of time before their invasion of her land begins...and it will be a losing battle for her people. There's one way to fight magic and win: with monsters. If she can restore djinn king Qayn’s stolen powers, they can summon a supernatural army to defend the Sahir from the Harrowlanders. One wrong move could cost them their lives—and everyone they love. But they may find that there is more than meets the eye crossing the Serpent Sea...and betrayal cuts deeper than any dagger.

💜 Maiya Ibrahim has not faltered in breathing life into Imani's magical world. This was one of my most-anticipated books of the year. After reading the ARC for Spice Road last year, I knew Ibrahim would become a long-time auto-buy author. Let's break the enchantment of Serpent Sea down: ✨ Characters: Unlike Spice Road, Serpent Sea is dual POV: first-person for Imani and third-person for Taha. While I appreciate seeing Taha's POV, especially when the two are forced to part, the different perspectives were jarring. Though Imani is our FMC and heroine, the story would have been easier to read in first-person for them both. Regardless, I appreciate the ongoing development of this story's vast cast. Our insight into Taha's POV set him up as the biggest source of character development. Being able to see his motivations after so much betrayal in the first book was invaluable. ✨ Plot and Pacing: This story dragged a little slower than its predecessor. There's SO MUCH going on here--travel across dangerous seas, an invasion, a tournament to the death, a heist. Some moments linger too long while some moments are a confusing rush. The occupation through Taha's POV was almost too painful for me to bear, being Palestinian, but I appreciate Ibrahim illustrating these injustices. Stories draw from our realities, and Serpent Sea pulls no punches about that cruelty. ✨ World-Building: Ibrahim's world expands with every chapter. There are concepts to the world-building I think people need to read, understand, and empathize with. At times, the world almost feels too big--just as it does in our reality. Ibrahim's world-building in this book creates a strong foundation for the next, and I'm eager to see where the next adventure takes us. ✨ Romance: Oh Imani. I've never read a love triangle quite as downplayed yet frustrating as this one. The story never dwells too long on the romances, providing a sense of realism given HOW MUCH is going on. The romantic moments between Imani and her boys are bound to catch your breath, while the will-they-or-won't-they tug allows tension to drive the story. Do I wish there was more romance? Yes. Does the story need it to succeed? Not at all! ✨ Mystery/Suspense: New romantasy readers will be delighted by this story's twists and turns. Unfortunately, Ibrahim lays the groundwork for all of them SO well that I guessed every reveal but one (regarding Bright Blade). The hints were so well-placed that for a moment, I thought the information was already common knowledge. Even anticipating the reveals, the ending is still powerful, creating a foundation for the story's third installment. ✨ Tone/Prose: As with Ibrahim's first book, every page of Serpent Sea is brimming with enchantment and beautiful chaos. The prose is vivid, capable of transporting you to the Sahir with only a paragraph. Only the first few chapters seem to deviate, as if Ibrahim needed a moment to step back into this world.

🦇 Recommended for fans of the Sands of Arawiya duology and The Rebel of the Sands.

✨ The Vibes ✨ ⚔ Part of a Trilogy ⚔ Romantic Fantasy ⚔ Love Triangle ⚔ Arabian-Inspired ⚔ Occupation ⚔ Dual POV ⚔ Slow Burn Enemies to Lovers ⚔ Monsters

🦇 Major thanks to the author Maiya Ibrahim @maiya_ibrahim and publisher Random House Children's @randomhousekids | Delacorte Press @delacortepress for providing an ARC of this book via Netgalley. 🥰 This does not affect my opinion regarding the book. #SerpentSea

💬 Quotes ❝ "Imani. It’s easier to dismiss those who hurt us as being senselessly evil than it is to accept that all our actions are trees, and all trees stem from roots, and all roots stem from seeds. No living being in any land propagates unaided.” ❞ ❝ There is nothing inherently evil about darkness. Even the light can burn if it shines too brightly. ❞ ❝ “Is that a compliment, an insult, or a threat?” “None,” he drawls. “It’s an invitation.” ❞ ❝ "I’d like nothing more than to have a companion to whom I could bare my soul. Someone I could trust. For them, I would grant any wish they asked.” ❞ ❝ ‘We two belong here, you and me, between the date palms and full moon, the desert and the sea.’ ❞ ❝ “I’m beginning to realize just how much I like you.” ❞ ❝ "I think we could find happiness together." ❞ ❝ “They fear your power, lady!” she shouts at me. “Kill them with it!” ❞ ❝ “I think the only reliable way an average person can improve their life is by holding the people in power accountable, or removing them.” ❞ ❝ I understand now that history is a collection of stories narrated by the people with the loudest voices, the mightiest quills, and the sharpest swords, inked in the blood of the vanquished. ❞

[aroaessidhe]

2024 reads / storygraph

The Skin and Its Girl

literary fiction with a little magical realism

follows a queer Palestinian American woman born with blue skin, recounting her childhood, to the great-aunt who helped raise her, and piecing together her great-aunt’s secrets

family, identity, and stories

[bookmuseum]

[REVIEW] The Master and Margarita by Mikhail Bulgakov

3/5 stars (★★★)

"He does not deserve the light, he deserves peace."

This was an oddly enjoyable read for the Christmas season. Before I read The Master and Margarita, I had zero idea what the book was about and 412 pages + a lot of reviews later I still can't exactly say what even happened here. The Gogolian influence was very persistent in Bulgakov's prose, so I highly recommend reading some of Nikolai Gogol's stuff before getting into TMaM. That being said, I agree with people that it's a novel that stands on its own in spite of its heavy context. I did some background research into Bulgakov's biography, the ten-ish years it took for him to write the book, Stalinist Russia, and the 25-year gap between when he finished the manuscript (which don't burn!) and the actual publication of it after his death. Critics seem to be unanimous in agreeing that the Master is a self-insert of Bulgakov himself, which I really felt to be most fitting during the scenes in the hospital where he discussed with Ivan the Homeless his philosophies on art and the current social order. I appreciated Bulgakov's harrowing criticism on Soviet Russia without actually being too grave about it; the dark humor is good because the "dark" is the adjective that informs the noun, not vice versa like a lot of "satire" plots which I feel fail in comparison. The magical realism was a good kind of wacky (although I wouldn't exactly call it magical realism, but that may be just because I'm more used to its South and Latin American literary uses). I liked Woland and all the beheading episodes. Bulgakov's tongue-in-cheek treatment of citizens "disappearing," private executions, political censorship of the Soviet intelligista, and the air of general repression felt in all people, especially artists, during the time were spot-on (though that's coming from someone who never experienced Stalinist Russia and have only done humble research into it). I think TMaM is a great testament to the political and social climate of Russia in the 20th century. Bulgakov captured everything so well whilst still retaining a sense of wonder, folkloric absurdism, and, at times, tender humanity.

Personally, I didn't like the scenes set in Yershalaim with Pontius Pilate and Yeshua Ha-Nozri, though I appreciate their symbolic meaning and narrative weight as a whole. I honestly found myself falling asleep, especially during the infamous conversation between Pilate and Jesus. That being said, I found Bulgakov's portrayal of Jesus very intriguing, as well as his decision to refer to ancient Jerusalem by an alternate transliteration from the Hebrew quite bold. It gave a sort of distancing effect to the otherwise well-known Biblical places that separated their religious (over)-associations with actual historic (and fictionalized) context. I like that Jesus became "Yeshua," with the name obviously coming from the Aramaic word for "the Lord is salvation." Bulgakov making Jesus' last name "Ha-Nozri" meaning "of Nazareth" specifically was quite beautiful to me, as it places him as coming explicitly coming from the town of Galilee (north of Palestine), which Jesus was said to have lived in before he began his ministry. Instead of "Jesus Christ" or "King of Israel," which are common ways he is referred to, Bulgakov opted to name him according to his native Palestinian roots first and foremost. There's a lot of literary analysis you can take from that, but it's inherently a very defiant decision that I appreciate Bulgakov for making, and I'm saying that as a reader in 2024. Bulgakov, amongst other subtle cultural references, also mentions the keffiyeh ("kefia") in his novel a handful of times, most strikingly in the scene when Matthew Levi essentially curses at God because he was too late saving Yeshua from crucifixion. Bulgakov here is writing almost 100 years ago from where I am with zero idea of the political climate happening now in my world (although Zionism was still obviously present in early 20th century Russia). Matthew Levi's keffiyeh was one of the book's most resonant images for me, even if Bulgakov didn't exactly intend it to be as jarring as it is since he couldn't have predicted the genocide happening in Gaza right now. However, this small link I've noticed between the past and now is just an example of literature transcending time and space by acting as a bridge for human connections. Long ago, one man from Palestine disrupted Jerusalem and Rome's established (tyrannical) order and then centuries later a writer in early 20th century Russia adapted Jesus' story to criticize the cruelties and ridiculousness of the Stalinist regime, and then I in 2024 am reading this as the mass killings are happening in Palestine. Through this one book, three generations -- three timelines -- are somehow connected.

My final comment is that TMaM, particularly that connection I've personally drawn as a modern reader, reminds me why humanities, reading, history, literature, the arts, etc. are so timelessly and universally important. I know I may sound crazy and "you're just trying to be deep," but it really honestly is the truth. Bulgakov explicitly highlighting Jesus as Palestinian in Soviet Russia as a form of political protest and me in 2024 reading this book just as Jesus' same homeland is being massacred during Christmastime ... it's so haunting. The book being finished in 1940, meaning it and Bulgakov's very Palestinian Jesus is older than the "state" of Israel is an even more damning fact in and of itself. Even though I gave the book 3/5 stars, it's surely a story I will remember. That final image of the four "horsemen" riding off into the distance just as another dawn is breaking over a dictatorial empire history knows is doomed to crumble that concludes the novel will stay with me.

[musingsofmonica]

Fall 2024 Diverse Reads

Fall 2024 Diverse Reads:   

•”Heir” by Sabaa Tahir, October 01, G.P. Putnam's Sons Books for Young Readers, Fantasy/Action & Adventure/Epic/Romance

•”The City and Its Uncertain Walls” by Haruki Murakami, translated by Philip Gabriel, November 19, Knopf Publishing Group, Literary/Fantasy/Magical Realism/Science fiction/Gothic/Mystery/Horror

•”Masquerade” by Mike Fu, October 29, Tin House Books, Literary/Coming of Age/World Literature/China/21st Century/LGBTQ

•”The Mighty Red” by Louise Erdrich, October 01, Harper, Literary/Contemporary/Coming of Age/Thriller/Suspense/Romance/Cultural Heritage

Native American & Aboriginal

•”Society of Lies” by Lauren Ling Brown, October 01, Bantam, Dark Academia/Thriller/Suspense/Mystery & Detective/Women Sleuth/Cultural Heritage/African American & Black/Asian American/Women

•”The City in Glass” by Nghi Vo, October 01, Tordotcom, Fantasy/Epic/Fairy Tale/Folk Tale/Legends & Mythology

•”A Song to Drown Rivers” by Ann Liang, October 01, St. Martin's Press, Historical/Ancient/Fantasy/Fairy Tales/Folk Tale/Legends & Mythology/Romance/Women

•”The Witches of El Paso” by Luis Jaramillo, October 08, Atria/Primero Sueno Press, Historical/Fantasy/Magical Realism/Family/Saga/Cultural Heritage/Hispanic & Latino

•”Blood of the Old Kings” by Sung-Il Kim, translated by Anton Hur, October 08, Tor Books, Fantasy/Epic/World Literature/Korea

•”This Motherless Land” by Nikki May, October 29, Mariner Books, Literary/Family Life/Adaptations & Pastiche/Diversity & Multicultural/Cultural Heritage/African American & Black/Women/World Literature/Nigeria/England 

•”The Most Wonderful Time” by Jayne Allen, October 08, Harper, /Contemporary/Romance/Romantic Comedy/Multicultural & Interracial/Diversity & Multicultural/Cultural Heritage/African American & Black/Holiday/Friendship/Women/Own Voice

.”Twenty-Four Seconds from Now” by Jason Reynolds, October 08, Atheneum Books, YA/Contemporary/Romance/Boys & Men/Social Themes/Emotions & Feelings/Cultural Heritage/African American & Black

•”Something Close to Nothing” by Tom Pyun, November 12, Bywater Books, Literary/Family Life/Adoption/Identity/Multicultural & Interracial/Diversity & Multicultural/Cultural Heritage/Asian American/LGBTQ

•”The Burrow” by Melanie Cheng, November 12, Tin House Books, Literary/Family Life/Animal/World Literature/Australia

•”Sand-Catcher” by Omar Khalifah, translated by Barbara Romaine, December 03, By Coffee House Press, Literary/Political/Absurdist/Cultural Heritage/Arab/Palestinian/World Literature/Middle East/Israel/Jordan

•”City of Night Birds” by Juhea Kim, November 26, Ecco Press, Literary/Coming of Age/Performing Arts/Dance, Theater & Musicals

•”The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World” by Tiffany Yu, October 08, Hachette Go, People with Disabilities/Disabilities/Disability Studies/Interpersonal Relations/Discrimination & Race/Social/Political 

•”The Message” by Ta-Nehisi Coates, October 01, One World, Essays/Current Events/American Government/Discrimination & Race Relations/Violence in Society/Writing/World Travels

•”Brown Women Have Everything: Essays on (Dis)comfort and Delight” by Sayantani Dasgupta, October 01, University of North Carolina Press, Essays/Women's Studies/Feminist/Cultural, Ethnic & Regional/Ethnic Studies/Asian Studies

•”Taiwan Travelogue” by Shuang-Zi Yang, November 12, Graywolf Press, Literary/Historical/World Literature/Japan/Taiwan/LGBTQ

[manuscripts-dontburn]

The Silence Factory

Author: Bridget Collins

First published: 2024

Rating: ★★★☆☆

What a stunning cover! While The Silence Factory is not AS good and enchanting as Collins´ previous two books, it is still a pretty solid Gothic historical fiction. It is not, though, a magical realism book, which I imagine lets some people down, because it was advertised as one. I also admit I expected the story to be a little more twisty and bendy because it is quite straightforward and the atmosphere and the plot had strength to hold...well...more.

Franklin's Flying Bookshop

Author: Jen Campbell

First published: 2017

Rating:  ★★★★☆

I was happy to find this book at a school fair and immediately snatched it for a baby girl in our family. Of course, first, I had to read it myself! It is a sweet, short story about the love of stories and books and how that love can bring people closer. I read the Czech translation and I imagine some of the verses were smoother in English. The illustrations are extremely cute, generously large and colourful.

Company of Liars

Author: Karen Maitland

First published: 2008

Rating: ★★★☆☆

Not great, not terrible. Or rather: it kept me entertained well enough throughout the whole thing and sometimes that is all you need from a book.

The Lights of Prague

Author: Nicole Jarvis

First published: 2021

Rating: ★★☆☆☆

I reached for this book mostly because I am always curious about how foreigners present my country. As a debut, this is not bad. You can really tell there is talent in the use of language, creating the atmosphere. Where it limps quite badly is the depth of the characters, their gradual development and especially the relationships. Some of the names and words chosen (never ever have I heard anyone call a vampire "pijavice" - literally a leech) sounded strange to a Czech, but I have seen and read so much worse before that I waved this away. The plot was very straightforward and the ending bored me, unfortunately.

My Salty Mary

Author: Cynthia Hand, Brodi Ashton, Jodi Meadows

First published: 2024

Rating: ★★★★☆

After the last instalment that was really just "mid", My Salty Mary returns with the easy wit, fluffy characters and some really funny (really well-timed) jokes. Perfect if you want to clear your head.

Gaza: An Inquest into Its Martyrdom

Author: Norman Finkelstein

First published: 2018

Rating: ★★★★★

An extremely important book, now more than ever. Norman Finkelstein simply slaps you in the face with fact after fact, there is nothing sentimental or pleading here, just bare and naked reality, meticulously backed by sources. Finkelstein focuses on the Israeli violence against the people of Gaza between the years 2002 and 2014, and you can see that everything that is being used by Israeli (And US) propaganda has already been used multiple times and, just like today, with no evidence to back it up. Most importantly it is clear now that every operation undertaken in the past twenty years has only been a dress rehearsal for the currently ongoing genocide of the Palestinians AND the attacks against Lebanon. Every page of this book made me feel sheer fury. Mostly because when you read it now you already know that the worst is yet to come for the Palestinian people.

The Lady and the Unicorn

Author: Tracy Chevalier

First published: 2004

Rating: ★★★★☆

Though at first I disliked pretty much all of the characters and did not understand the point of the story, it eventually grew on me to the point where I was looking forward to spending time within the pages of this book. You get to see the souls of the characters and love at least one (Ailienor, though I may have spelled that wrong), you learn something about the making of tapestries (which was surprisingly interesting) and see how our lives resemble tapestries with many threads that get pulled, with parts that need to be re-done and the fact that when we are gone, our meanings and intentions may not be clearly interpreted by the future. If the future should ever notice us at all. That all probably sounds terribly complicated, but that is the feeling I am leaving with.

The Shape of Darkness

Author: Laura Purcell

First published: 2021

Rating:  ★★★★★

The book has a slow start but when it grabs you, it is really difficult to put it down. Laura Purcell is brilliant in walking the tight rope between the supernatural and the real. Just when you think you have it all figured out, she is able to throw something at you that again makes you doubt your conclusions. She is also very skilful in creating a dark, Gothic atmosphere. Last but not least I appreciate her ability to tell the background story in pieces and insinuations rather than laying it all out for you at once. So yeah, this was good.

Eighteen: A History of Britain in 18 Young Lives

Author: Alice Loxton

First published: 2024

Rating: ★★★★☆

A wonderful non-fiction book for a young reader. By creating short and very readable cameos of actual historical figures, Alice Loxton had offered an entertaining yet educational and even inspirational album of fascinating live stories. And thought focused on the young, it can be enjoyed by the old as well :D

Songbirds

Author: Christy Lefteri

First published: 2021

Rating: ★★★★☆

I really, really like Christy Lefteri´s writing style. Much like her previous book, Songbirds is more of an exploration of souls and relationships than a thrilling adventure. Indeed the plot is very simple: a domestic worker goes missing and those around her are left to both try to look for her as well as to realize who exactly the woman was and what are their own lives without her presence in it. There are also musings on motherhood and what we are willing to do to better our existence, as well as commentary on social hierarchy and prevalent racism many migrants keep experiencing. I wished for a little more mystery when it came to Nisha´s disappearance, but perhaps the sad banality of it was necessary as a reminder of reality.

Wild: Tales from Early Medieval Britain

Author: Amy Jeffs

First published: 2022

Rating:  ★★★★★

This was such a curious book. Part mythology/legend retelling, part memoir and non-fiction to explain context and details, and if you listen to it on audio, also quite a banging folk music album. Gorgeously written, no matter which kind of genre it chooses to be at a given moment, I was surprised by how rich it felt, considering this is quite a thin volume.

A Dowry of Blood

Author: S.T. Gibson

First published: 2021

Rating: ★★☆☆☆

I´m not mad about this book, just kind of... disappointed. Great idea with some pretty good writing, but I felt that the characters never evolved, staying the same no matter how many centuries they have gone through. They also never seemed to be doing anything interesting besides a bisexual woohoo a few times. And I felt that the possibility of showing the immortals reacting to the ever-changing world around them was not explored at all, though that is one of my favourite things about vampires. Furthermore, these vampires felt altogether too human.

Garlic and the Vampire

Author: Bree Paulsen

First published: 2021

Rating: ★★★★★

I needed something soft and sweet and uncomplicated to close off October. This was a perfect pick for me. Also, I always knew celery was the lesser vegetable.

[loverslibraries]

So I've been trying to read more Palestinian books recently and boy let me tell you, this middle grade time travelling urban fantasy / magical realism triology set in palestine which also approaches occupation in a very child friendly and organic way is remarkably difficult to get my hands on!! let's talk about it:

Thunderbird by Sonia Nimr first came on my radar from this tweet of Palestinian book recommendations. I did a search on my library database for my county and there was zilch. I searched the authors name, aaaaaand, Nope.

So I decided to see if I could take out an interlibrary loan from another public library in Florida. Here the thing about that: In the entire state of Florida, there is only TWO copies of the first book of this trilogy, and ZERO for the second book (The third book has not been published yet, but according to this twitter user, the book will *allegedly* come out sometime in September 2024. Twitter user did not cite proof so I am unsure if that date will be impacted by the genocide in Gaza or whatever the case may be. I have replied to this tweet asking for a source, and if I get a response, I'll post an update and link to it here. Screenshot in case tweet gets deleted).

My nature will not allow me to let petty stuff like this go, so rather than starting this book, I decided to try and figure out where I can purchase the second book, seeing as I definitely cannot borrow it from the library.

My first thought is Amazon. This isn't very pro-library and independent bookstore of me but I figured if the library doesn't have it, my indie bookstore definitely won't have it in their purchasing database (foreshadowing 😈). I figured if anyone was going to have this godforsaken book, Amazon would.

You would be wrong. Temporarily out of stock???? I want my book and I want it NOW Jeffrey!!! Put it in stock!!!!

"But Alexis! Amazon has it available as an ebook! Why don't you read it like that?" Well dear reader, two reasons:

I'm actually considering it so maybe you should mind your own fucking business (/j) and

If there's a $3.51 difference between reading this book on my water damaged, glass-screen-protector-so-cracked-I-don't-think-I-can-take-it-off-and-replace-it-even-if-I-really-really-wanted-to and holding the book physically, I want to read the book physically.

Down on my luck, I decide to ask my indie bookstore about it during book club, and long story short, she ordered books one and two and I am such a fucking moron for not asking there first.

Nonetheless, now that you, the little internet people in my phone, know my plight to read this book, you will be forced to endure my updates about it. Enjoy.

[arisawati]

Revealing the meaning behind Denny Ja's selected work to 50: "Don't Cry Palestine"

In the 50th celebration of Denny JA's chosen work entitled "Don't Cry Palestine", hidden deep and stunning meanings. This work has been in the spotlight among literary and historical fans, with the emotional wealth offered by the author. In this paper, we will reveal the meaning behind this work and reveal why "don't cry Palestine" so important and influential. This work presents a strong picture of Palestine and conflict that continues to rage there. In Denny JA's view, Palestine is a symbol of endless suffering and misery. He uses sentences full of empathy and concern to explore this theme very deeply. In "Don't Cry Palestine", Denny Ja brings us into the story of Palestinian individuals who live in the midst of conflict and uncertainty. He described their daily lives in a very emotional way, inspiring sympathy and courage in the reader. One interesting aspect of this work is the way Denny JA combines realism with fantastic elements. He created a real world, but at the same time, he presented a magical and mysterious moment. The nature of this duality enriches the story and gives a deep feeling to the reader. Denny JA also uses this work as a medium to express his views on the struggle for human rights. He reflects the injustice that occurred in Palestine, describing how the people there struggled to live with self -esteem and intact dignity. In "Don't Cry Palestine", Denny Ja bravely explores various social and political issues related to Palestinian conflicts. He highlighted the inequality of power, refugees, and oppression experienced by the Palestinian people. This work is a call to pay attention and empathize with their fate. Denny Ja's work also showed his expertise in stringing words and expressing emotions beautifully. He uses simple but strong language, producing sentences full of meaning and strength. Every word and phrase is chosen carefully, creating a charming rhythm in his writing. Not only that, "Don't Cry Palestine" also invites the reader to look deeper and question what really happened behind news and media reports about Palestinian conflict. Denny JA encourages us to find a more comprehensive understanding and explore different perspectives. This work also provides inspiration and hope to the reader. By highlighting the extraordinary struggle of the Palestinian people, Denny JA showed human strength to survive and fight in the most difficult situations. He invites us to keep fighting and not give up in facing life challenges. In his conclusion, "Don't Cry Palestine" is a stunning and meaningful work. Denny Ja managed to present a strong story and arouse the emotions of the reader. He invited us to question, understand, and empathize with the struggle that occurred in Palestine. This work is a call to seek justice and peace in the world full of injustice.

Check in full: Uncover the meaning behind the 50th chosen work of Denny JA: "Don't Cry Palestine"

[writer59january13]

Mideast Peace: Oxymoron

Though descendent of Jews, I feel boggled at the brutal, nasty and wanton war between Israelis and Palestinians. Many innocent victims bred to know and hate their enemy impossible mission to reconcile one Semitic group of peoples from another. The bloody English begat and fomented debacle between Israelis and Palestinians. little more than a century ago, particularly usurping territory courtesy aggressive premise might makes right. The human species hell bent on making war reprisals rank as a bitch, and can never even the score I harken back to childhood, when our family lived at Lantern Lane, and the Dailey's (who threw rocks at Georgie our Dalmation/Boxer) rightfully earned before their time the title fear thy neighbor an altercation such as aforementioned above, would easily earn a spot on Investigation Discovery though deadly crimes violently hardcore reenacted minus the explicit killing fields not healthy for children and other living things, nevertheless even the most pious and peace loving exhibit fervent bloody ardour if kith and kin held at gunpoint. The annals of civilization since time immemorial replete with chronicles of battlefield bravura touting (with laurels of profuse praise) for ultimate sacrifice unnaturally, unstintingly, and unwaveringly bravely giving oneself to father/mother land. Beneath the surface of the skin we all bleed;

mortal kombat inked in Mesolithic Europe likewise dates to circa 10,000 years ago,

and episodes of warfare appear

to remain "localized

and temporarily restricted"

during the Late Mesolithic

to Early Neolithic period in Europe. Idyllic as the fantastical utopian yen, I feel pessimistic patriarchal wheelman who steer autocratic leviathan of state (witness Tiananmen Square student-led demonstrations known in Beijing, China

as the June Fourth Incident

lasting from 15 April to 4 June 1989) cuz twentieth century ruthless demagogues

wanted to squelch

pro-democracy movement, and not only stole demonstrators thunder but forcefully co-opted with lightning force their toys such as: sophisticated erector set and playpen

for dolls loving buoys Barbie and ken

the former coming to life

as a miniature equestrienne

experiencing magical realism.

[kosmic-kraft]

NANCY

We saw buildings with beautiful golden

and while domes, with an enormous

floating city off the coast, with

floating gardens and vines of flowers

that would ring in the wind. Flowers

that ring in the wind

TOM

It's impossible to describe the sound

those flowers make. The "fresh"

feeling was the strongest ever, as

though we were somehow "home". As

group we were galvanized into action.

Flowers that Ring in the Wind (2024) Will Eizlini 9x12” Acrylic and Posca markers on Kraft paperboard.

The journeys of Tom and Nancy will be performed live the last day of the exhibition “Hidden in Plain Sight” featuring works of Will Eizlini and Serene Daoud, October 22-26 2024 at the Galerie du Viaduc, in Montreal.

[flooding-my-heart]

Madonna of the oranges Ismail Shammout; 1997 Oil on Canvas

[nolabballgirl]

Eid 2022: Muslim Books Wrap-up and Review Part i

we've almost made it through ramadan, so with eid coming up, i figure i'd list out some of the recently published books (2017 to present) with muslim main characters i've read over the year with spoiler-free reviews. young adult and lgbtq muslim fiction reviewed in part ii!

these books represent a wide spectrum of the muslim experience. from practicing, non-practicing, or questioning one's faith to spanning cultures, nationalities, and ethnic origins from across the globe. and we're only scratching the surface. some thoughts:

contemporary fiction/poetry:

bless the daughter raised by a voice in her head (2022/warsan shire) - this poetry collection by ms. shire (somali-british) was so moving and gripping. poems about womanhood, trauma, racism, migration. all told through the backdrop of this somali muslim family. *chef's kiss*

home fire (2017/kamila shamsie) - winner of the women's prize and a longlist for the man booker prize. yes, i know it touches upon themes of terrorism but stay with me here. reimagined greek classics are all the rage nowadays, so here we have a re-telling of antigone but from the perspective of a group of young south asian/pakistani muslims in the uk.

exit west (2017/mohsin hamed) - a shortlister for the man booker prize. such a unique take on migration and refugees with elements of magical realism. this speculative fiction novella follows a couple from an unnamed city escaping war and moving from country to country. a quick read with beautiful imagery/writing.

a burning (2020/megha majumdar) - an indian muslim teenager makes an offhand comment on facebook and gets swept up in a govt investigation following the aftermath of a terrorist attack. this one stays with you. super relevant given modi/bjp’s india.

a woman is no man (2019/etaf rum *tw domestic violence) - oh the woes of generational trauma and how hard it can be to break free. this novel is told from the pov of three generations of palestinian women from the same family, diving into themes of a woman's place in society, abuse, trauma, and shame. enjoyed it, but i do wish we got a little more perspective from fareeda (the grandmother).

the beauty of your face (2020/sahar mustafah *tw: school shooting, gun violence) - this novel takes place during a shooting at an islamic girls school in the chicago area. but it's interspersed with the story of the principal, a palestinian american woman and her family growing up as immigrants in the us. i actually found her life story to be a lot more compelling than the actual school shooting chapters, which felt reductive.

the stationary shop (2019/marjan kamali) - just a lovely little story about a persian woman and her lost love, spanning the course of 60 years in both iran and the us. partly told through prose and partly told through letters, this bittersweet tale stuck with me til the very end.

fantasy/dystopian:

the city of brass (2017/sa chakraborty) - book 1 of the daevabad trilogy. super enjoyable read, fantastic world building with various elements from cultures across the muslim world. and of one the main leads is an unabashed, practicing muslim too? sign me up!

the bird king (2019/g. willow wilson) - gww of ms. marvel fame sets up this beautifully vivid world of moorish spain during the inquisition and combines it with mythological creatures from the region (think jinns and more!) the novel does drag in the middle but otherwise it's an immersive experience.

i hope you get this message (2019/farah naz rishi) - the world is about to end (think aliens!) and these three teens need to get their respective acts together before that happens. i ended up really invested in certain characters (adeem - pakistani muslim boy and his friendship with cate) and them navigating complex family dynamics. not exactly dystopian but more of a contemporary novel feel. wish there was a stronger ending but enjoyed the journey.

we hunt the flame (2019/hafsah faizal) - so we're not treading new ground in terms of fantasy tropes and story here, but the setting and characters are worth the read for exploring the mythology and lore of the arab world. the story follows a young huntress disguised as a man and the forces/friends/loves she meets on the way. a solid first effort.

graphic novels:

huda f are you (2021/huda fahmy) - such a cute coming of age, graphic novel about a egyptian american girl trying to fit in high school in dearborn, michigan. very clever and wholesome. (it's from the same creator as the "yes, i'm hot in this" webcomic. she also has a short graphic novel on marriage called "that can be arranged.")

[battyaboutbooksreviews]

🦇 Hope Ablaze Book Review 🦇

❓ #QOTD What books by POC have you read so far this year OR is there one on your radar? ❓

🦇 First, I just want to point out the irony that this SMP book approaches everything the executives at SMP still have not: Islamophobia and colonization. I'm not going to let the boycott keep me from praising this book, but I'd be remise not to mention the company's continuous silence.

[ Find my review below. ]

🦇 Though Nida's uncle was wrongfully incarcerated during the war on terror for his "radical" poetry, Nida has always found comfort in the written world. After a Senatorial candidate has her illegally frisked (her hijab torn off in the process), she writes a scathing poem in response; a poem she didn't intend for a mass audience, only for it to win first place in a national contest. When the poem in mentioned on the news, Nida must struggle with the aftermath, all while trying to demonstrate pride in her Islamic faith and Pakistani culture in a world of Islamophobia and racism.

💜 What a dazzling, thought-provoking, raw debut. As a Muslim who grew up in a post-911 world, I understand and empathize with Nida's fears and applaud her courage. Sarah Mughal Rana does a beautiful job at capturing so many familiar experiences; the power of a supportive community, the struggles of the immigrant experience, the conflict between wanting to hold onto your roots and culture only to be punished for what other people don't even want to understand. Hope Ablaze is a reminder that we must fight to find our voices, even when they're drowned out by oppressive, ignorantly righteous rallies of racism. Many of the layered themes in Nida's story reflect not only Palestinian experiences in America, but I'm sure similar experiences of other Middle Eastern and Southeast Asian immigrant families. While Nida is still a high schooler, this is a story many adults can benefit from reading. Nida's emotions BOUND off the page, not only through exposition or dialogue, but strongly through her poetry. I adored the use of poetry to describe scenes we didn't need full chapters of, giving us insight into Nida's emotions and thought process while keeping the pacing from stalling.

🦇 If you've read even a handful of my reviews, you know I thrive off experiencing other cultures through food, not because I'm a foodie, but because I think it's the easiest way for people to relate to one another. Nida's mother owns a catering business, so there's no end to Pakistani delicacies in this book. However, even with a modest understanding of Arabic (I can write it and pronounce it but not translate it, which is SO helpful), and a vast familiarity of Islam, I had to look up a few words. I'm worried that those unfamiliar with the religion or culture will have a difficult time relating to the story, even on a surface level. The magical realism feels a bit misplaced--was it the overactive imagination of a creative mind, or the ancestral magic of Nida's power over spoken word? Some sentences lacked context clues that would have helped. There are a few segments that felt repetitious--this novel would have benefited from an extra round of edits--but otherwise, a strong debut.

🦇 Recommended for fans of Internment, The Poet X, and All My Rage.

✨ The Vibes ✨ 🖋️ Thought-Provoking Debut 🖊️ Teen Muslim FMC ✒️ Magical Realism 📜 Poetry Letters 🖊️ Racism & Islamaphobia 🖋️ Immigrant Experience

🦇 Major thanks to the author @sarahmughal769 for providing an ARC of this book via Netgalley @netgalley. 🥰 This does not affect my opinion regarding the book.

Quotes ❝ The sharpest sword is the tongue. ❞ ❝ They cry, These are our human rights, but the right is just a pretty way of saying, We prefer the shade of white. ❞ ❝ "Mr. Daniels, it’s racist to think, a girl can’t have the right to her own beliefs, in a country that applauds itself on diversity, and multicultural plurality. Last time I checked, this is a free country, so let the Muslim girl wear her hijab and sweatpants in peace.” ❞ ❝ To write is to show the world your heart before letting them stomp all over it. That kind of permission was dangerous, because consent didn’t matter for our art when we never had ownership to begin with. ❞

[bookish-thinking]

Another long list of new releases for February 2021. Let’s get started with February 2nd: “Four Hundred Souls” edited by Ibram X. Kendi and Keisha N. Blain, a collection of essays about 400 years of African American history. “Land of Big Numbers” by Te-Ping Chen is a debut-collection of short stories about the diversity of China. “A History of What Comes Next” by Sylvain Neuvel, a satirical sci-fi historical fiction about the space race.

“Fake Accounts” by Lauren Oyler explores the internet and fake news, our personalities there and online communities. “The Removed” by Brandon Hobson talks about family trauma through Cherokee folklore. The psychological thriller “Girl A” by Abigail Dean revolves around a set of siblings facing their deeply traumatic past. And “City of a Thousand Gates” by Rebecca Sacks is a kaleidoscopic novel about the Israeli-Palestinian conflict.

Still on February 2nd, “The Bad Muslim Discount” by Syed M. Masood explores different ways of living as a Muslim immigrant in the United States. “The Kindest Lie” by Nancy Johnson combines the racial divide and questions about motherhood into one narrative. On February 9th, “The Absolute Book” by Elizabeth Knox will be released, a magical realism tale about libraries, stories and morals.