#Page-40

[nenoname]

Cute wholesome fics where Stan teaches Soos or Wendy how to drive were always so funny to me because...

And while he insists that everyone in town has ran over McGucket before, we also know he ran over Toby too and absolutely did not give a shit (understandable in that case)

But then again...

Also bless Mr Honeypants

And another detail I love is that his car is casually filled with parking tickets

How many tickets are in Ford's name...

[comicaurora]

[four-pointed-leaf]

why me?

[iindigoeyed]

saw this dress and purse and i KNEW i had to draw this, it's so her!!

[raideoarts]

"Is there something in the corner of your eye that you cannot get out?"

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1: What was left behind. - Part 1 (page 1-5) -here- -> Part 2

[s0fter-sin]

insecure soap whose insecurities don't stem from a place of inadequacy

he knows how talented he is, how hard he’s worked to get where he is; that he didn’t land a spot on an exclusive highly skilled taskforce for no reason. he's confident about his skills; doesn't brag or show off, doesn't need to because he knows he'll always live up to and surpass expectations the second someone doubts him

but he also knows he can always be better

there's records left unbroken, mental walls he can shatter; if he just keeps pushing, keeps training he'll be more. he's always trying to beat himself, not in search of validation or outward assurance but because he knows beyond a shadow of a doubt that his yesterday self was lesser

slower

weaker

every muscle that burns and tears heals stronger so he dedicates himself to ripping them apart. scarred skin doesn't flinch from heat so he welcomes the burns. he’s strict with his diet and stricter with his schedule, he spends hours in the gym and longer at the range and not a minute of rest goes by without him thinking it’s time wasted when he could be improving, always improving

soap knows he's good

because he knows he can be great

and he won't stop until he is, no matter how many times he needs to break himself to get there

[jesncin]

Clark and J'onn should hang out way more in and out of work, they get each other.

Shoutout to @amphibiousdestroyer for talking back and forth with me about alien sitcoms they would watch :>

[gmaybe666]

<?> YOU CAN HAVE MY ISOLATION

YOU CAN HAVE THE HATE THAT IT BRINGS

YOU CAN HAVE MY ABSENCE OF FAITH

YOU CAN HAVE MY EVERYTHING <?>

ACROBAT PAGE 2

[hitwiththetmnt]

Spitfire sketch dump :>

1) dragons can get zoomies

2) the best place to nap

3) dragon grooming

4) dance party

5) sibling dynamics

6) mirror

[too-many-lavellans]

Just one more kiss. And another. And another.

[loverofpiggies]

I STUMBLED ACROSS YOUR FIONNA AND CAKE COMIC AND WAS LIKE 'WOW THIS IS SO GOOD I SHOULD FOLOW THE PERSON MAKING THIS' AND THEN I LOOK AND I SEE LOVEROFPIGGIES!??!??? I USED TO FOLLOW YOU BACK IN YOUR UNDERTALE DAYS THIS IS SO SURREAL TO ME

HA HA YO WELCOME BACK TO MY HUMBLE LITTLE BLOG OVER HERE!!! you're not the only one who said that! I hope you enjoy what I got planned, it's gonna get nuts!

[desertangels70s]

[isbergillustration]

Stocked up on my fave sketchbooks (seawhite of brighton 140gsm a5 soft my beloveds) and it's. Good.

[tonydaddingham]

Source

Transcript of main article under the cut:

THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens' first season. The task cemented the pair's unconventional friendship. So what are divine beings who have fallen out of grace with both Heaven and Hell to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale's London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions- but also a more intimate tale.

"It's a mystery" showrunner Neil Gaiman tells SFX. "It kicks off a story that doesn't have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven't before.

"They get dragged in slightly against their will to try to sort out the love life of Aziraphale's tenant," he continues. "Her name is Maggie (Maggie Service) and she runs the

record shop next to the bookshop. You'll see the coffee shop over the road, which is Nina's (Nina Sosanya). The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles."

Truth be told, Gaiman never originally intended this arc to serve as Good Omens' second instalment. The TV series was based on Gaiman and Terry Pratchett's 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

"Because the hypothetical season three exists, there is a story that is there, and I didn't feel that we could drive straight from season one into that," Gaiman explains. "I knew what the stakes were. I knew what the parameters were. I also know that I had David and Michael. I had the angels from plot number one. I had demons from plot number one. And with anybody that I wanted to bring back, but didn't have room for right now, I did not have to bring them back as themselves.

"I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn't going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell's representative in London/the UK. Miranda's demon Shax is the best demon you could want."

It's late February 2012 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studies has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It's close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale's store and retrieve Gabriel.

"This is really Shax's first time out on Earth," Gaiman explains. "She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She's just discovering what Crowley has known for 6,000 years, which is that if you're a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She's coming to terms with that.

"She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell's requisition department - a legion of Hell - in an attack on a Soho bookshop."

When audiences catch up with Aziraphale again, he's enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he's meddling in Nina's love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He's grumpy about his current status quo, but frequently hangs out at Aziraphale's. The duo began as antagonists, but their history and blooming relationship will be fleshed out in flashbacks.

"One of the enormously fun things I came up with in the idea of minisodes," Gaiman explains. They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three (in season one). Whereas the longest one of those was four or five minutes, if that, these are full stories.

"You get to have the story of (put-upon Biblical figure) Job and you learn Aziraphale and Crowley's part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in," he adds.

"Finally, Jeremy Dyson and Andy Nyman reunite the League of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church I kept thinking, "What would happen if they essentially came back as zombies with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?"

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Bays. The two shoot within throwing distance of each other, but are both time-consuming endeavours.

"If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon (co-producer) and I got the phone call from the Amazon bigwigs to say, "We have

good news for you and interesting news for you," Gaiman recalls. "'The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.'

"I would go back to then and I would throw myself on the call and say, 'Neil, don't! This is unwise.' That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

"It's a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one which is great. We just have a whole new set of problems making season two."

[raccoonfan101]

the hero conventions have banned deku cosplays specifically because bakugou WILL criticize the cosplays and too many cosplayers have cried.

however the artist alley always has the artists leaving with bank cuz bakugou N deku buy so much art of one another. so they allow no deku cosplays bc banning bakugou means a decrease in revenue for artists.

(is deku as critical? No. he will tell you how to improve your dynamight cosplay though)