#PUNJABI
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littlevictorianghost · 6 months ago
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Pakistani Miku for today
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doyoulikethissong-poll · 1 year ago
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A. R. Rahman - Jai Ho 2008
"Jai Ho" is a song composed by A. R. Rahman for the 2008 film Slumdog Millionaire. He planned the score in two months and completed it in 20 days. The lyrics were written by Gulzar and are a combination of Hindi, Urdu and Punjabi, with a touch of Spanish.
"Jai Ho" is a phrase which can be roughly translated as "Let there be victory". At the time of its release, covers and remixes of the song and performances of the "Jai Ho" dance were posted on YouTube. It received universally favorable reviews from music critics, who cited it as the best song on the Slumdog Millionaire soundtrack, which peaked at #4 on the US Billboard 200 Chart.
"Jai Ho" won an Academy Award for Best Original Song and a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
Slumdog Millionaire won eight Academy Awards in total, including Best Picture and Best Original Music Score, seven BAFTA Awards, including Best Film and Best Film Music, and four Golden Globe Awards, including Best Film and Best Original Score. The soundtrack won two Grammy Awards, one for the album itself and another, as previously mentioned, for "Jai Ho".
It recieved a total of 63,8% yes votes! :D 💖
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simply-moon · 3 months ago
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me and who
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desigirldairies · 9 months ago
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— "Gutt te paranda tera karda kamaal ni" ✨️
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desibrownboys · 2 months ago
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mr-unknown0 · 5 months ago
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Thevidiya Moonji 👅
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Pundamaveh moonji parthale jivvunu pool thukkudhe 🍌 indhe thayoli virichi pottu gangbang la othu koodhiya kilikanum,semme katteya irukka milf thevidiya 😋💦. Comment and Reblog for more.
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komal01 · 11 months ago
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Phool dena mohabbat nahi hai;
Phoolon ki tarah rakhna mohabbat hai
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kaashni-words · 19 days ago
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Tu milya, Rabb milya
تو ملا، رب ملا
(When I found you, I found God.)
Mere sabar da mainu sabab milya
میرے سبب کا مجھے سبب ملا
(I found the reason behind my existence.)
Aaj milya, bhave kal milya
آج ملا، بھاوی کل ملا
(Whether I found you today or tomorrow, it doesn’t matter.)
Siveyan tak teri rooh nal miln da haq milya
سیویاں تک تیری روح سے ملنے کا حق ملا
(Till the graveyard, I got the right to connect with your soul.)
Tu har haneri raat da chanan banke
تو ہر اندھیری رات کا چاند بن کے
(You became the light of every dark night.)
Meri rooh vich aa ke aiwe ral milya
میری روح میں آ کے یوں ہی گھل ملا
(You merged into my soul, blending seamlessly.)
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maihonhassan · 26 days ago
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Read these lines somewhere and it's so touching;
"pee piyala sabar da, koi ni saathi qabar da."
[ Drink the cup of patience; there is no companion in the grave. ]
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maintohthakgayibhaishaab · 5 months ago
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If Mother Teresa was a punjabi, she’d be called nunpreet 😭
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throatgoat4u · 18 days ago
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guys! wedding season is soon and i need to pick something to get made. i have options but would really like y’all’s input!
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i’m just gonna tag some people cause like i need answers!
@snoopychris. @leoslaboratory. @onevison. @sturns-mermaid. @muwapsturniolo. @chrepsi. @channelbomb. @st7rnioioss. @boyfriendchrisenthusiast. @theyluvpeach. @sturnslutz.
sorry for the annoying tag btw ☹️
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doyoulikethissong-poll · 1 year ago
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Panjabi MC - Mundian To Bach Ke 2002
"Mundian To Bach Ke", also titled "Beware of the Boys (Mundian To Bach Ke)" or "Beware", is a bhangra music song produced by British musician Panjabi MC, with vocals and lyrics by Punjabi artist Labh Janjua. The song was produced by Panjabi MC in Birmingham, England, for his 1998 album Legalised. In addition to features of bhangra music, "Mundian To Bach Ke" also uses the bass line and part of the beat from "Fire It Up" (1997) by Busta Rhymes, which in turn is based around a sample from the television theme song for Knight Rider. Following its release as a single in November 2002, "Mundian To Bach Ke" achieved worldwide success, topping the singles charts in Italy and Wallonia and charting highly in many other countries. A remix of the song, released in 2003 and featuring American rapper Jay-Z, also charted highly in North America and Australia. The song sold an estimated 10 million copies worldwide, making it one of the best-selling singles of all time. "Mundian To Bach Ke" was released as a single in Germany on 25 November 2002. It sold over 100,000 in the first two days alone and debuted at number two on the German Singles Chart. On the Italian Singles Chart, the song reached number one for three weeks. In the UK, it was issued through Instant Karma and debuted at its peak of number five on the UK Singles Chart; it was the first bhangra song to reach the UK top 10. It has been featured in many movies and tv shows as well as the dance games Dance Central 3 and Just Dance 4. It received a total of 78% yes votes!
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yourdailyqueer · 9 months ago
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Harnaam Kaur
Gender: Female
Sexuality: Pansexual
DOB: 29 November 1990
Ethnicity: Indian - Punjabi
Nationality: British
Occupation: Activist, influencer, model
Note 1: Has PCOS which has caused her to have increased facial hair.
Note 2: In March 2016, Kaur became the first woman with a beard to walk at London Fashion Week. In September 2016, Kaur was included in the Guinness World Records as the youngest woman in the world to have a full beard
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desigirldairies · 5 months ago
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PUNJAB
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— "India begins here"
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read-write-thrive · 6 months ago
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part 1
“Waiting for the other shoe to drop”, while pessimistic, seemed to be a running theme in Charles Rowland’s life. It wasn’t really a phrase he heard when he was alive, to be fair, but at some point he’d come across it (probably hanging out with too many Americans, but can’t remember for sure) and it felt a little too much accurate. His dad’s come home angry again? Time to wait for the fallout. He’d gotten written up at school for not paying attention? Just a disaster waiting to happen. He goes against his best mate’s advice? There he goes, literally torn from Charles’s arms and back to hell, just as he’d said. Maybe the last one was a little dramatic, but that’s the gist.
The looming anxiety of it all usually slid off of him for the minor stuff, and was otherwise bottled up and shoved far away for the heavier stuff, but regardless he didn’t let it show. Have to keep up appearances and all. He’d only had one real instance of all those emotions blowing up (and he still blames the Night Nurse for all that mess) so he thought he was doing a bang-up job keeping himself together.
That was until his dad died. Yeah, it was rough, and he ended up berating the old man on his death bed, which probably was a shitty thing to do. And yeah, he’d needed a bit of a cry afterwards. So what? Blokes cried sometimes, and he was man enough to admit to his emotions and all that. The girls had done a good job of emphasising that he (and, mostly, Edwin) needed to express their emotions more. That it was healthier to let it out than bottle it all up. Not sure if they still needed healthy habits as ghosts, but it wasn’t hurting anyone. Just a little uncomfortable.
All that to say, it felt like his friends had been treading on eggshells around him ever since his dad died. Which was infuriating, yeah, but also didn’t make sense to him. Especially after he’d already cried—did they expect him to get angry again? To blow up over a dead man? He thought he’d gotten it out of his system just fine, so getting these weird vibes was starting to stress him out more than anything. He’d resolved to bring it up on their next movie night and ask why they were acting funny—didn’t want to mess up a case, after all.
However, he didn’t get the chance before it all came crashing down on his head. Ultimately, Edwin was the messenger.
“Charles, I—“ he took an unnecessary breath, “Have you checked on your mother lately?”
His undead heart went cold, but his default smiley ways were still stuck on, “Not really, why?”
Edwin’s eyes were sad, which was never good. He didn’t emote unless it was serious, “I think you need to visit her. She’s not faring well.”
And so they went. Turns out everyone hadn’t been waiting for Charles to blow up, but rather for his mother to pass and then for him to break down all over again. Edwin had been checking on her daily since his father’s passing, deducing correctly that Charles would be too swept up in the emotions around his dad dying to remember that his mum wasn’t getting any younger.
The girls weren’t free until the evening, but they promised to stay in touch and maybe visit later if they could (particularly if they could figure out how to visit the Hospice without rousing suspicion). And so Edwin and Charles were on their own.
Charles had rushed into the room, as if running at the issue would evade the emotions of it, or as if getting there quickly would reveal it was all a lie—neither of which were true.
Instead, he was face to face with a dying woman with some resemblance to the photo on the mantle in the house he grew up in—his grandmother, or maybe his great grandmother, or some favourite aunt, he couldn’t remember anymore— hair gone fully white, pulled back into a tight bun so as to keep her curls controlled, keeping her gaunt, sleeping face exposed. Unlike that photo, this woman was in a hospital gown, tucked into sterile sheets, with a tube under her nose to help her breathe. Gone were her usually loud and ornate earrings, her bare fingernails stained from years of colour. There was a singular blanket laid across her lap, on top of the sheets, that almost looked more familiar than the woman it covered. It was her, but apparently he hadn’t stopped to just look at her any time recently, if ever. It felt too much like looking at a ghost, as ironic as that felt.
She was awake, but halfway to dozing. There was someone at her side, adjusting the blanket and murmuring reassurances in what was definitely Punjabi. It had been so long since he’d heard it, added to having never properly learned anything besides English under the threat of his father, that he couldn’t make out the words. That realisation left a stinging feeling in his chest.
“A relation of yours?” Edwin asked at a whisper, coming up to stand beside Charles, almost entirely copying his position from that fateful hospital room. It didn’t seem as if either of the room’s living occupants had noticed them.
Charles blindly reached for Edwin’s hand for comfort, not looking away from the scene in front of him and matching his partner’s volume, “No idea. Don’t think I’ve seen them before.”
Edwin hummed, “Perhaps a little too young to have met you. Or someone your mother reconnected with recently—“
“I’m not really in the mood for deductions, love.” Charles said, not unkindly. Everything felt too fragile to be picked apart like that.
“Right. Apologies.” Edwin squeezed his hand and went quiet.
Charles squeezed his hand back in forgiveness, joining in the silence. He kept going back to what the stranger was saying, familiar consonants both soothing and devastating. What kind of a son was he, failing to comfort his dying mother, unable to speak her mother tongue, a stranger to his relatives? His tears were thankfully silent.
It took much longer for his mother to see them than his father. Several days passed, with the mystery relative coming and going more days than not, and the usual nurses and caregivers administering various care. Over time, the boys (the girls couldn’t figure out how to enter the space, but were supportive from their distance) had learned that the stranger’s name was Sangeeta, and she was a niece of his mother’s who’d noticed her steady decline and was the one to take her to hospital and then to hospice care. Charles’s mother had apparently stopped taking care of herself after her husband’s death, and she had refused other care, so at this point all they could do was make her comfortable. Charles spent a whole morning ranting to Edwin about it, how unfair it was that her life was so tied up in his asshole father’s that she wasn’t even trying to live after he was gone. Edwin, the deeply kind person he was, had let Charles rant until he ran out of steam, then gently pointed out that she’d been under the thumb of his father for far longer than Charles was, and that she’d now had to mourn her husband and her only child, which presumably takes a toll. Charles had started crying before Edwin had even finished talking, and Edwin had held him close on the plush sofa for the rest of the day.
It was hard to tell if it was a comfort or not when she finally saw them, but Charles decided that wasn’t important to think about right now, if ever. Right now, his mother could see him for the first time in forty years, and they didn’t know for how much longer. And yet, with all this time to prepare, he still found himself speechless when the time finally came.
“Mere laal,” She beat him to the punch, eyes glazed over but clearly locked on Charles, “I am glad to see you again, beta. It’s been so long.”
Charles let out a shakey breath, “Hi, mum. It’s—well— it’s been longer for you. I’ve visited a few times, over the years.”
She reached out a sinewy hand on a bone-thin arm, and Charles flew to the seat by her side, keeping his focus to make sure his hand stayed solid in her grasp. He vaguely noticed Edwin taking the seat beside him.
“Such a handsome boy. You were so young.” Tears welled up in her eyes.
Charles, all anxious energy and nerves, tears of his own threatening to spill, was quick to respond, “It’s alright, mum, I’m alright. No need to cry over me.”
She huffed, “Nonsense. You were the light of my life. Who else should I cry over?”
They were both crying at this point, tears streaming as they sniffled in turns. Edwin laid a careful hand on Charles’s back in a show of comfort.
However, that seemed to give Charles an idea, “No, really mum, it’s okay! See the bloke next to me? His name’s Edwin, and he’s been by my side all these years! He’s the one who first found me, and we’ve been helping people ever since. It’s been aces. Not sad one bit.”
Edwin stiffened at the mention, then all but froze when her eyes turned to him. He knew he looked night and day from Charles, and if he started talking she was bound to find him as abrasive as everyone always did, so why had Charles pointed him out!? If ghosts could sweat, Edwin would be drowning in his nerves.
Her gaze stayed on him for a long moment before she broke the silence, “He’s been good to you? Not like those other boys.”
Edwin wasn’t sure what to do with that, but thankfully Charles was quick on the uptake, “Not like them at all. He’s— he’s the best, mum. None of those tossers could even compare.”
“Because the boys— the ones who—“
Charles gripped her hand, “I know, I know. He’s a genuinely good person, Edwin. I was bad at picking friends in life, but thankfully I chose well with this one.”
His attempt at joking was overlooked completely by her, “Those boys, how could they do that? I knew their families, John Parish’s mother went to your funeral… Such cruel boys…”
“I’m alright, mum, I’m okay.” Charles kept going, smiling even as the tears continued, “It’s all in the past.”
“I should’ve fought harder for you… kept you close… mere laal, taken from me…” She was sobbing, her whole frame shaking with hiccoughs.
“It’s okay, it’s okay,” Charles took a steadying breath, “You know I couldn’t have stayed in that house, mum. And no one could’ve known those lads would go that far…”
Her sobs were worse for a moment, then stilled suddenly as she fought for oxygen. She coughed weakly.
At that, Charles’s crying intensified, despite all he did to keep himself together. He could tell. He knew what was coming. It was still devastating to see. Edwin pulled him in for a proper side hug, taking care not to jostle his grip on his mum.
This did not go unnoticed, and the dying woman suddenly smiled, as if the devastation was forgotten with the oxygen. She looked back to her son, “I am glad you have been happy, beta. You deserved happiness.”
“I’m happy, I’ve been so happy mum, I promise,” Charles tried to calm himself down, stuck in his reassuring her.
“Mere laal, light of my life, darling boy,” She breathed with difficulty, smile dropping, “Can you forgive me? I failed you…”
Charles’s frame shook with his vigorous nodding, “I forgive you, mum, you did the best you could, I love you so much—“
Her weak smile returned, glinting in the lamplight of the evening room, “Thank you, beta. You were too good for me, for this world…”
“All because of you, I swear it, all thanks to you—“
“Charles.”
“I love you, I’m sorry I wasn’t a better son, I’m could’ve been better, gotten you out of that house—“
“Charles, darling.”
“You deserved better, I love you, I forgive you—“
“My love, the light—“
Edwin was right, a deep blue light had filled the space, illuminating the still body of his mother. Her face was pulled into a slight smile, eyes closed, as if she was having a pleasant dream, even as the tear tracks dried on her cheeks.
“No, no I’m not ready—“ Charles immediately started to protest, gripping onto her hand like a lifeline.
“Charles—“
“I only just got to see her! She only just got free of him! No, no, I won’t—“
Edwin gently but solidly grabbed under Charles’s arms, “I’m sorry my love but we should go—“
Charles was nothing but hysterics by this point, head thudding onto the sheets for a moment before Edwin fully pulled him away. He said more, but Charles was too overwhelmed to process it properly, buzzing in his ears and headache behind his eyes making him feel alive in all the worst ways. Maybe it was just the first time he had cried this hard in his afterlife, or maybe being this close to an active death did something to their physiology—
Everything was a blur as they returned to the flat, Edwin all but carrying him through the mirror so that he wouldn’t get lost on the way. They collapsed onto the sofa, extra large cushions taken up by their ghostly presences. The girls were already there, and joined into the cuddle pile without another word (or perhaps with a few, Charles still wasn’t all there yet). Edwin jostled them all slightly to better position everyone before settling in again, making sure Charles was properly surrounded.
Charles sobbed for a while longer. He wasn’t quite sure for how long, or what day it was, or if he was bothering his friends by taking up their time and space like this. His devastation had seemed to take over his entire being. But, when he did breathe a little easier, when he was finally able to sit up, he couldn’t help but feel a sense of relief. His mom was dead, yes, but so was he, and dying had granted them both freedom from that man, from that house, from the cruelties of the world. And in his death he was surrounded by people who loved him, people who were there for him when he needed them and would still be there for him tomorrow, and the next, and the next. The other shoe had dropped, and it certainly hurt, but thankfully he had people around him to help him through it. He was truly lucky to have them.
~
hope you enjoyed this impromptu series exploring Charles and his parents and grief and loss and all those lovely things. this was inspired by the complicated emotions I have / had after my grandparents passing, and I heavily encourage you to do something similar if you’re ever struggling with these big emotions—therapists and such will say that journaling is where it’s at, but sometimes it’s easier to project onto fictional characters and that’s ok !!! and, just to drive the point home, I want to reiterate that you are loved, and there are people around you who are there to support you, I promise ❤️
also, just to make it abundantly clear, I’m a v white midwestern american and as such have vvv limited knowledge of cultural aspects of Charles’s mom—I did research and tried my best, but if I screwed anything up PLEASE let me know so I can fix it!!!!! same goes for Britishisms ig but mostly looking for feedback on her Punjabi and her various cultural elements :)
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komal01 · 1 year ago
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Har raat meri aankhein inhi sochon mein ghum ho jaati hain;
Ke mera maqsad-e-hayaat kya tha,
Aur mujhe thaka kin kaamon ne diya!
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