#PUBLIC DOMAIN (in the US) DAY?! | Explore Tumblr posts and blogs

mostlysignssomeportents · 25 days ago

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Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

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batboyblog · 10 days ago

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Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.

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zarameraki · 1 year ago

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♡₊˚⚜️・₊✧ 𝘆𝗼𝘂'𝗿𝗲 𝗲𝘅𝗽𝗲𝗰𝘁𝗶𝗻𝗴 𝘀𝘂𝗸𝘂𝗻𝗮'𝘀 𝗰𝗵𝗶𝗹𝗱, 𝘁𝗵𝗲 𝘂𝗻𝗱𝗲𝗿𝘄𝗼𝗿𝗹𝗱'𝘀 𝗰𝗿𝗶𝗺𝗲 𝗸𝗶𝗻𝗴 ♡₊˚⚜️・₊✧

: ̗̀➛ tropes: fem! reader 𖥔 mdni 𖥔 sukuna is a mafia kingpin 𖥔 teasing grumpy x sunshine 𖥔 pregnancy trope 𖥔 he'll burn the world for you 𖥔 "my wife" 𖥔 he's a great dad 𖥔 mentions of miscarriage 𖥔 mentions of physical and sexual assault 𖥔 mention of parental death 𖥔 major fluff 𖥔 sexual content 𖥔 alternate universe 𖥔 nsfw 𖥔 he loves eating you out 𖥔 anal play (yup.) 𖥔 last warning: mdni!

: ̗̀➛ words: 6.0k

: ̗̀➛ notes: no bc i love you all so much. it's insane how much you guys have supported my toji fanfic & and my nanami fanfic. i'll def be writing a part two to both of those masterpieces (yes i have self-confidence). as someone who's always imagined sukuna as a mafia leader, i decided to say fuck it and write it. please leave a comment, like, and reblog! thank you & ily. enjoy! (p.s. pregnancy trope>>>)

You never thought you'd be married to Sukuna Ryomen, let alone carrying his kid again. Yet, four years deep into this forced marital mess, thanks to your father owing a hefty debt to the kingpin of the underworld crime syndicate, here you were.

“Look at you, Mrs. Ryomen, radiant as ever!” chirped one of your husband’s associate's wives. You had studied a name list last night, but it all escaped your memory after you passed out from sheer exhaustion.

Sukuna wasn’t keeping a hawk's eye on you like he used to when you first stepped into the public eye. Gone were the days of his glares if you messed up a name. Never once had he laid a finger on you at home, despite your assumption that forgetfulness would earn you a beating.

“Thank you." You forced a smile at the woman, your patience waning as the mayor's birthday party stretched on. It was almost the end of the night, and your feet were protesting from traipsing around in flats. All you craved at that moment was your bed, pronto.

The woman and her husband attempted to capture Sukuna's lukewarm attention through political discussions and expressing gratitude for the illegal artillery shipments from your husband's syndicate. They made no effort to acknowledge your existence by his side.

Your hand rested on your belly, a mere eight months into your pregnancy—a new personal record. The first time you conceived, Sukuna demanded an heir, and you willingly agreed, knowing that the child would provide some distraction in the expansive estate that felt like a cage. Unfortunately, at the two-month mark, you experienced a miscarriage.

Feeling Sukuna's knuckles lightly tapping your back, you straightened your posture momentarily, only to slouch again almost instantly. It was futile. The discomfort of your swollen and cramped belly made it nearly impossible to maintain a poised demeanor in the midst of the party.

Disobeying Sukuna meant facing inevitable death, a fact well understood in his dangerous domain, and you had never dared to challenge that.

"Let's go," Sukuna said, cutting through the incessant chatter of the couple. He didn't grasp your hand, only your fragile wrist, a gesture you didn't mind. Yours was not a typical love; he, Sukuna Ryomen, a most feared monster in the criminal underworld, and you, a sacrificial lamb, a trophy collected three years ago, a means to his heir.

"I'm sorry," you whispered as you exited the venue, heading towards the limousine surrounded by fifteen armed guards under Sukuna's command. "I'm so sorry—"

"Get in the car." He held the door open for you, signaling his guards to disperse and take their positions in the Jeeps parked behind.

Silencing yourself, you cautiously settled into the back seat, and Sukuna joined you, slamming the door with force. His anger was discernible, and the memory of that night, losing your second unborn child to a kidnapping, plagued your dreams. You were uncertain if the nightmares were about Sukuna's wrath upon finding you or the horrors his enemies inflicted on you during your 48-hour captivity.

Sukuna noticed your struggle with the seatbelt and contorted his body toward you. Your fingers released their grip on the belt, allowing him to pull it taut and secure it snugly around your midsection. Click. He withdrew, distancing himself from your face that had been mere inches away.

“Tedious fucking party, anyway,” Sukuna grumbled, his left ankle casually perched on his right kneecap. He always adopted a specific posture, his elbow leaning against something, cheek resting on his knuckles, and his narrow eyes a rich brown that could almost pass for a deep shade of red. He exuded an unrelenting air of intimidation.

"I agree," you unintentionally voiced your thoughts, earning a sidelong glance from him. "I'm sorry. I didn't mean to."

His attention barely lingered on you as the car roared to life. You breathed a sigh of relief, stretching out your legs and leaning your head back against the seat's shoulder. Your palm absentmindedly traced circles on your belly. Goosebumps peppered your skin from the frigidness in the car, stirring an involuntary shudder.

"Turn on the heater," Sukuna ordered the driver in his smooth, languid baritone.

"Yes, sir."

As warmth gradually surrounded the backseat, you hummed a small "Thank you" and closed your eyes, enjoying a few moments of peace.

Disorientation clouded your senses, and you dispelled it by rubbing your eyes and using your knuckles to prop yourself against the headboard. A couple of contractions ripped through your gut, causing you to groan and hiss through gritted teeth.

The enormous room was devoid of Sukuna, its black silk sheets hinting at the luxury covering you. The fireplace casted a warm glow, and a soft, dim golden light spilled from the lamp onto the floor.

In the first year of your marriage and pregnancy, your bedroom was located three doors away. You were tended to by on-site nurses and doctors, surrounded by an entourage of maids for company. Days were spent aimlessly wandering the estate, occasionally crossing paths with one of Sukuna's mistresses, their curious smirks evident as they exited his room.

The second year brought a subtle shift. You still slept alone, but now there was a surprising addition of joining Sukuna for dinner. Positioned diagonally from him, an air of restrained silence hung above your head. Yet, between the utensils clattering and quiet chewing, Sukuna's glances toward you and your five-month-old belly revealed your anticipation for the impending arrival of your child.

One of your maids had been instructed to lure you into a private conversation in the back garden, and before you could react, a group of men clad in black drugged you and forcibly removed you from the cage, which in that cruel moment felt like a sanctuary.

Most details of the monstrosities forced upon you in that warehouse have been compressed by your mind—the merciless physical and sexual assault endured for hours. They callously bragged that raping Sukuna's Ryomen's wife was a personal victory, cackling like bloodthirsty hyenas as you bled from your legs. In the thick of your suffering, you lost your second child in a pool of your own sweat and feces.

When Sukuna discovered you, when he annihilated every man along with their bloodlines, you were left as a mere shell of a woman, practically lifeless. You've existed as a walking corpse for quite some time now. Following that dreadful night, you attempted every conceivable means to end your own life—drowning, leaping out of windows, creating a makeshift noose from bed sheets and tying them around balcony railings, teetering on the edge—but every attempt proved useless. Sukuna consistently interfered at the last minute, sweeping in and enveloping you in his arms as you wept until unconsciousness claimed you for days.

Therapy provided some relief, as did the medications. Sukuna heightened security measures tenfold, keeping only those workers who served during his father and grandfather's reigns. He moved your belongings into his bedroom, sleeping by your side with a gun beneath his pillow. There were times when you would doze off in the library while reading, only to wake up in his room.

Two years seemed like an eternity in the slow process of healing, both physically and mentally, from the torment that had befallen you. Stepping into the garden was a reminder of the progress you had made, yet the hope that blossomed in your womb now filled you with a different kind of fear.

You needed your baby. Even if it meant risking your own life during childbirth. The only thing that mattered was the precious life you carried within you, and as long as your baby took that first breath, you'd welcome death with open arms.

Sukuna's bedroom door creaked open, revealing his presence.

Mink-colored tendrils of hair obscured his eyes, disheveled from their usual spiked stance. The stark white of his dress shirt was marred by the unmistakable stains of someone else's blood, and a gun dangled casually from his grasp. In the subdued lighting, his facial markings, inked tattoos designed to mask the scars of his tormented childhood, appeared more ominous than ever.

Without acknowledging your ogling, he briskly entered his bathroom.

You slipped back under the covers, pulling the comforter up to your chin, soothing the sharp twinges in your belly. The rhythmic sounds of his shower served as a background melody. Sukuna took an eternity to freshen up, nearly two hours passing before the door finally creaked open. You had kept a close eye on it, lost in your own world and trying to ignore the persistent contractions. No complaints, though – you were at the eight-month mark, and this baby was determined to make its entrance into the world.

Draped in a sleek black silk robe, Sukuna strolled toward his side of the bed, his eyes locking onto yours. "Why are you still awake?" He tilted his head as if studying an unfamiliar creature. He always regarded you with a curious interest, unearthing some new revelations about you.

"Cramps," you whispered in the dimness, even though the first rays of morning sun began to seep through the curtains.

Sukuna strolled to his side of the bed, lifting the comforter to settle down. "Do you take any medication for it?"

You shook your head. "I don't want to take any risks."

"So you're just going to endure the night with a migraine?"

Your husband seemed oblivious to the concept of cramps. He hadn't bothered to educate himself about your pregnancy or even familiarize himself with basic menstrual cycle terminology. You hesitated to bring attention to his title and position, but he was, after all, born from a woman.

How could he not know?

"Answer me," Sukuna demanded, fixing you with a cold, indifferent gaze. How could two simple words carry such a heavy, intimidating weight? Your entire body shuddered, and you swore you felt your child kick in response to his attitude, causing you to clench your teeth.

"Cramps . . . are something women experience during their period and pregnancy. They're sharp, unpredictable pains in your gut and back," you explained, finding a position that eased the cramps and calmed your baby. "It's worse when you're pregnant—like someone attached a taser to your body without a switch to turn it off."

Sukuna's brow furrowed, and he seemed pissed off as if he held a vendetta against cramps. "Will it have any consequence on the baby?"

You were really trying to be patient. “The baby is the reason why.”

He ran his hands wearily down his face, casting a stern gaze at the ceiling, his breath quickening. "Is there any way to relieve the pain? Besides medication?"

“Well,” you said slowly, “when I first started menstruating, my mother used to place a warm rubber bottle on my stomach.” The recollection of nights spent groaning, tossing, and turning with your hand clutching your stomach brought a smile. After her passing in high school, you found yourself managing the household, dealing with your drug-addicted father, and taking care of yourself all on your own.

"Come here."

Startled, you shifted your focus to your husband, who raised the comforter like a makeshift tent with one arm. "You don't have to—"

"Come here."

With caution, you edged closer, lying flat and holding your breath. Sukuna propped himself up on one elbow, resting his temple on his knuckles while adjusting the blanket up to your neck. His left hand glided up your sweater and settled on your swollen belly.

An immediate sense of relaxation cocooned you, your eyes closing as warmth radiated from his palm onto your skin. The sensation passed through to your child, who quit kicking within seconds, seemingly recognizing their father's touch. It dawned on you that Sukuna hadn't touched you since you conceived, and you hadn't realized the volume of your misery and longing until this moment.

"Feeling better?"

"Mm-hmm." You nestled your face close to his neck. All you managed to whisper, your voice tinged with brokenness, was, "Please, don't let go."

Sukuna responded only with silence.

You'd woken up screaming bloody-mary.

The security team and maids hurried into the bedroom, their eyes widening at the sight of blood staining your clothes and darkening the black sheets. In a swift response, the doctor and her team of nurses rushed in while Uraume, Sukuna's trusted aide, calmly called for your husband from a corner of the room.

In the heat of your excruciating screams, five nurses attempted to guide your breathing and encourage you to follow a pattern. Guards carefully lifted you into a sitting position, and Uraume decisively cleared the room of all men. The doctor swiftly removed your sweatpants and panties, covering your lower region with a sheet, and instructing you to push.

Your body felt numb, your eyes rolling to the back of your head, and a black vignette closing in on your vision. Your head swayed left and right, on the verge of dropping if not for Uraume's unwavering support. Despite the intensity of your grip, they held steady, their only reaction being a stream of muttered curses amid the chaotic scene.

"I can't—Uraume—"

"You will, Mrs. Sukuna. You have come this far. Giving up now is not an option."

"I don't want to die," you whispered akin to a prayer.

"You won't," they softly replied. "He won't allow it."

Uraume, a silent figure from the past, now stood by your side, offering support and encouragement. The connection with them had been minimal, limited to the formalities of a marital contract signing. They had simply muttered, “He’s not half as evil as they say,” to you before packing up the papers and leaving you in the room with Sukuna.

The room buzzed with affirmations, reassuring you that they could see the baby's head and urging you to push with each breath.

The sound of the baby's cries stirred you awake.

You snapped to attention at the sweet, reassuring sound, realizing that your baby was close to arrival—alive and ready to face the world. Following two heartbreaking miscarriages and the pain endured as Sukuna's wife, the bearer of his lost children, you were finally on the cusp of welcoming motherhood.

"Two more pushes!" The doctor's voice cut through the air.

"AGH!" A guttural growl escaped your throat as you grappled with the harsh sensations. Your body trembled, and waves of fiery discomfort overflowed through your core as you exerted yourself to bring your baby into the world.

"Come on," Uraume whispered. "You can do this, Mrs. Ryomen."

You let out a powerful cry and strained with effort, bringing forth new life. The baby and you were crying at the exact wavelength, competing against who could be louder. The nurses and attendants, familiar faces from your previous pregnancies, clasped their hands in prayer for a safe delivery. Tears of relief streamed down your face as you pushed for your own well-being.

"Blanket!" the doctor urgently called out, prompting a nurse to rush over with a soft cream blanket. "Push!"

With a final, determined push, the weight lifted suddenly.

The slippery sensation of delivering the child and the immediate release of pressure left you slumping against Uraume's shoulder. As they laid you down, the doctor directed the staff to tend to you while the baby's cries filled the air.

The doctor approached through your hazy sight and gently laid your newborn on your chest. Overwhelmed with emotion, you showered your baby with kisses, tears of joy streaming down your face. Your little one was here. They were finally here.

"Congratulations, Mrs. Ryomen," the doctor announced as the cries of your newborn gradually faded into the background. "It's a girl."

You drifted into unconsciousness.

The soft cadence of Sukuna's voice filtered through the foggy boundaries of sleep, causing you to slowly come back to life.

“Why is this brat refusing to sleep?” you heard your husband grumbling.

With a laborious effort, you rubbed your eyes, summoning the strength to lift your head from the comfort of the pillow. The scene unfolded before you—Sukuna, the most feared criminal, pacing at the foot of his bed, cradling your crying newborn daughter in his arms, unsure of how to handle his little foe.

"What do you want? Food? You don’t have any teeth yet, little miscreant."

"Sukuna . . ." you whispered, a gentle plea for attention.

Your husband's gaze snapped in your direction, relief washing over his features as he realized you were conscious. "Thank fuck." Moving swiftly, he approached and took a seat at the edge of the bed.

His brown-reddish eyes lingered on the delicate scene unfolding before him—the intertwining of your index finger with your daughter's tiny, rattling fist. A calming magic seemed to stem from your touch, instantly soothing the cries to soft sniffles.

"Already playing favorites, I see," he remarked with a teasing tone, a wry smile on his lips.

"I have to feed her." Your voice was hoarse from the relentless screaming during the delivery. A series of deadly wheezes followed when you coughed, frightening your baby once more. Her cries started again, blending with the impatient curses of her father.

He gently placed her in the cradle, his strength used to prop you up against the headboard. The room carried the scent of coconut soap, your body freshly washed, the sheets beneath you brand-new. You were also dressed in a new set of panties and a nursing bra.

"Are you sure you have enough nutrients in your body to feed her?" Sukuna asked, holding your baby girl as you unclipped the front left cup. Rather than wasting your breath on a response, you focused on helping your daughter latch onto your nipple.

You winced once she caught it, then melted back as she started drinking. “I’m fine,” you finally answered. “Body . . . hurts.”

"No shit. You pushed an eight pound baby out of you." Despite the crude sarcasm in his tone, Sukuna tenderly caressed his knuckles over his daughter's cheek.

"Did you want . . . a girl?"

"Why do you ask?"

"I'm sorry," you mumbled, adjusting your baby onto your lap. "I assumed you'd prefer a boy as an heir."

"I'm not my father," he declared, putting an end to the conversation. "She's got your eyes."

Your daughter gazed up at you with a curiosity remarkably similar to yours. You smiled down at her, grateful she had made it. Grateful that Sukuna wasn't throwing a tantrum over the gender of your child but instead cupping the top of his baby girl's head and brushing his thumb across her forehead.

“You got a name for her?” Sukuna asked.

“Yes, but we can brainstorm if you don’t—”

“You carried the child, you birthed her, you will name her. Whatever it is, I agree.”

Something dead stirred inside your chest. Swallowing hard, you shared the chosen name, "Nobara."

He nodded in approval, and as he pronounced her name, Nobara responded with a wailing cry. "Her tantrums will be the fucking death of me." Sukuna took her into his arms again.

"Support the back of her head and rub her back. She needs to be burped," you advised.

He grunted but followed your instructions. Moments later, a tiny burp from Nobara made you chuckle, earning a slight eye roll and a hint of a smile from him.

"I'll take the next few weeks off to help you recover from the aftermath and the stitches," he announced, rising and walking towards his work desk, where he settled into a large leather chair, cradling your newborn.

You nodded appreciatively, easing yourself down.

"Oh, before I forget," Sukuna mentioned as you settled into bed, "I've arranged a new doctor for you."

“Did you fire the last one?”

“I fired at her, yes.”

Your eyes widened. "What? Why would you—? What?"

He shrugged, cradling the back of your newborn's head. "She suggested an additional stitch for you. Said it would make things 'tighter' down there for me."

Your face flushed. “So . . . you killed her?”

"Yes," he confirmed, his gaze fixed on you with those penetrating eyes, "I don't need a mere doctor questioning whether I'd still enjoy having sex with my wife after she gave birth to our child."

“But . . . you have mistresses. Don’t you?”

He lifted a brow. “I had mistresses up until . . . ”

Up until the kidnapping.

Sukuna never spoke of the crime after he’d saved you. Instead, he expressed his commitment through actions: sleeping beside you, teaching you how to handle a handgun, keeping a protective arm around your waist at social gatherings. Occasionally, you swore you felt him run his fingers through your hair as you slept.

"I wouldn't mind if you did," you admitted, a voice inside contradicting your words. "Given what my body has been through, I would find myself repulsive for pleasure, too. I understand if you feel disgusted."

Sukuna halted the gentle strokes on your daughter's back and straightened up. "What the fuck did you just say?"

An icy shiver ran through you, momentarily numbing the pain. "I-I just assumed—"

"You know, you make a lot of assumptions about me, wife. It gets under my fucking skin that you'd ever believe I could raise a hand on you. Day and night, every hour and minute, even now, in your presence, my mind is consumed with ways to kill the fear that's taken root in you.” He was infuriated yet vulnerable, with Nobara sleeping peacefully on his shoulder. “Everyone I’ve ever met has done nothing but fear me like I’m a curse on their soul, and while I’m flattered of the monster they’ve painted me out to be, I refuse to let my wife and daughter see me in that light. Do I make myself clear?"

You . . . nodded.

“And for your information, I had mistresses up until I married you.”

You took in a sharp breath, processing the confession. "But those women—"

"Spies," he clarified, his voice low and steady. "They operate undercover in my clubs, keeping an eye out for potential threats. I haven't fucked anyone since the day I put that ring on your finger." He offered a small, almost imperceptible apology to your baby for cursing.

"Oh."

All you ever heard were twisted stories about the Sukuna Ryomen, a young man who, against all odds, slaughtered his own father to ascend the throne of the underworld criminal realm. Whispers spoke of a chilling childhood, where a mother's desperate attempt to suffocate her son in his sleep. The scars etched into his skin, concealed beneath a tapestry of dark markings, bore witness to the brutal initiation rites inflicted by vengeful uncles. In his domain, everyone prayed to see him buried six feet under.

Which is why you felt sympathy for your husband. He was lonely. Too lonely. Despite all the riches and influence surrounding him, he was stuck in a fortress where danger lurked around every corner. He had no friends, no one he could truly confide in—except perhaps Uraume. Opening up about his emotions wasn't in his nature. He kept the tough exterior, convinced that being a monster, a curse, was the only path to earning respect and recognition.

But just now, when had cut himself open in front of you and bled a human color, he was Sukuna. Your husband. The one who just became a father. A man wrapped in a comfortable robe with his hair combed down and his skin clean of dirt and blood as he held his daughter, as he gazed at you like you two were the only people meant fighting for in his treacherous world.

Sukuna noticed your silence, tuned in to your steady breaths, and lowered his lashes. "You'll ask me to touch you. Not just for the sake of having another child but for your own pleasure. If I'm not around and you need me, you will call, and I'll rush home. If this little brat gives you any trouble, I'll handle it. Hell, maybe I'll let her in on a bit of the family business for a head start."

"No," you murmured, absorbing everything he'd just said. "Not now. I want her to enjoy a proper childhood."

"Is that a demand?" Sukuna tilted his head slightly, another method of asserting authority. Yet, after all he'd shared about dropping everything for you, about making love to you, the fear in you started to dissolve bit by bit.

"Yes," you affirmed. "It's a demand."

A small smirk played on Sukuna's lips as he rose from his spot, circled the bed, and settled down beside you, with Nobara resting peacefully on his chest. Summoning all your strength, you turned to run your fingers over your baby's soft cheek and tiny, parted lips.

“She sleeps like you, Mr. Ryomen.”

“Sukuna,” he corrected, his arm covering his eyes as he breathed with a slightly open mouth. “My wife will call me Sukuna.”

Teasingly, you asked, “Is that a demand, Sukuna?”

His arm shifted low, and his reddish-brown eyes softened, stealing your breath. “Only from my wife and daughter.”

You smiled, closing your eyes. “Goodnight, Sukuna.”

In response, he wrapped his strong arm around you, pulling you close to his side, his two girls snuggled against his body.

In the beginning, you knew you didn't belong in the hell Sukuna ruled. Your father's mistakes, pilfering drug shipments and peddling them locally, had sealed both his fate and yours. With thoughts of fleeing the disgrace your father brought upon your family, you had started packing, desperate to escape the clutches of your old man.

The following night, Sukuna and his henchmen barged into your cramped apartment, wreaking havoc on every piece of furniture. Rocking in the corner of your room, Sukuna casted his shadow over you like the God of Death, bathed in your father’s blood.

Crouching down to your eye level, he tipped your chin up, leaving a splotch of blood. He used the collar of your sweater to wipe it away. In a hushed confession, you revealed the hidden drugs under the sink and floorboards, along with your father's buyer list folded in the cereal boxes. Sukuna grinned and ordered his underlings to retrieve the concealed items. Then, the chilling question hung in the air: "Are you going to kill me, too?"

"I'm tempted," Sukuna replied, "but not to kill you." His gaze fixated on your left hand, and he raised it, studying your ring finger. "You will pay for your father's crimes with your life." He held your hand in front of your face. "You will take my last name." His smirk widened, revealing perfect teeth. "Isn't that the cruelest form of death, love?"

Unconsciousness claimed you then, but after seven years of marriage, enduring unimaginable hardships, and finally welcoming a baby into the world, your answer was clear. The true torment wasn't caused by the man you once perceived as a monster but rather by his enemies.

"How am I supposed to know if Mr. Munchkin wants more tea? He's a fucking stuffed toy. Can't talk, you know?"

"Sukuna," you warned, perched on the armrest while busy crocheting baby socks for your little one on the way.

Nobara, wielding a rubber, squeaky hammer, stood up from her seat, giving her father a bonk on the head each time he let out a curse. And you often heard the squeak of the hammer around the house.

Nobara's tiara was slightly askew, frustration evident in her curled lips and bared teeth. She was growing increasingly irritated with her father's lack of understanding about the rules of her tea party. "Mr. Munchkin wants tea, Papa. Give him tea! Give him tea! Give him—"

"Fine, I surrender. Here, you little bastard. Take the whole fu—damn pot." He shoved the plastic teapot towards Mr. Munchkin, a well-loved cat stuffed toy you had gifted Nobara on her last birthday. "Happy?"

"Cup," she insisted, pointing at the tea cup in front of Mr. Munchkin.

Sukuna sighed and poured the water from the kettle into the pink plastic cup.

"Me too," Nobara added, settling back in her kiddie chair. Sukuna had barely taken his seat before she had him on the floor. "Hurry!"

"May I pour for the other toys first, Your Highness?"

"Not toys. Friends."

Sukuna shot you a helpless glare, eliciting a chuckle from you. He filled the table with tea, and Nobara, holding her small cup, clinked it with her father's, followed by her collection of stuffed animals. Sukuna reluctantly mimicked the gesture. Instead of sipping the tea, he downed it like a shot.

“Papa!”

“Sukuna, come on.”

There wasn’t any winning with his girls.

Sukuna reluctantly poured himself another cup, sipping it with an air of royalty that mirrored a princess. Despite his resistance to the make-believe tea party, you couldn't ignore the genuine affection he showed toward his daughter. He would nod attentively when one of the stuffed animals "spoke," laughed along with Nobara, and even beautified himself with a glittering tiara, a feathered pink scarf, and deep purple-painted nails.

Sukuna was, without a doubt, a fantastic father. It came as no surprise that Nobara's first word was 'Brat.'

That night, you kissed your daughter goodnight and tucked her into her bed. Sukuna joked that he’d spent every last bit of his wealth decorating the brat’s room, filling it with the latest toys, and stacking her closet with whatever clothes she laid her finger or eyes on. She was truly the princess of her father’s heart.

"She's asleep," you informed him.

"I'll give her a kiss in a minute. Just need to finish this," Sukuna replied, pouring over his documents.

Letting out a sigh, you shuffled over, rolled back his chair, and settled onto his lap. He continued reading as you wrapped your arms around his neck, resting your cheek on his shoulder, peering at him through your lashes.

"I want you," you murmured.

Sukuna paused, lowering his gaze to meet your cheeky smile. "Later."

"It's late."

"I have to finish—" He halted as you began kissing his neck, moving up to his jaw and cheeks, tracing the contours of his face tattoos.

"Please, Sukuna," you whispered near his ear.

How could he refuse you anything when you appeared so stunning, radiating with the joy of expecting another child in your four-month-old belly?

“Take off your robe and get on the bed. Spread your legs for me.” He gave your ass a little smack as you happily skipped away, shedding your clothes and clearing the bed to settle in. With a grin, you opened your legs, propping yourself up on your elbows.

Sukuna stood up from his seat, loosening his robe as he did. He sighed, watching the moisture forming between your legs. Pregnancy seemed to heighten your lusts, and Sukuna was always ready to fulfill your needs.

“What pretty, wet cunt,” he whispered softly, leaning in to kiss your chest, trailing down to your stomach, your hips, your calling clit.

Over the years, you realized Sukuna enjoyed pleasuring you more than the opposite. He feasted on you like a starved man, whether it happened in the back of the limo, in a guest room during a party, or just minutes before a crucial meeting in his office. He insisted it was his way of relaxing, often pleading with you to spend a full hour on his face as he ate you out and drank every drop of your release. It had turned into a daily routine for him. And for you.

“Oh, Sukuna, yes, yes. Right there—ah!” Your back arched off the mattress when his tongue drove into your hole, flicking and exploring your clamping walls. His mouth was latched to your pussy, sucking it in, his cheeks hollowing rapidly. Your fingers tightened in his hair, hips voluntarily grating against his face, his sharp nose rubbing over your swollen clit.

Sukuna drew back as you came down with a muted cry behind your hand and lapped at the flow of your juices pouring out of you. His lips shone as he leaned over and gently kissed you, allowing you to taste yourself from his tongue. “If I don’t fuck you now, I will die.”

“Hurry, then.”

Sukuna pushed himself inside you, and that first wave of pleasure hit you so strongly that you sank your nails in his back and cried out heavenwards. He groaned and grunted, thrusts growing speed, his plump balls smacking against your ass. You loved that he fucked harder, faster, driving you to the brink of ruination.

After you'd healed from Nobara's birth, he would always make sure to get at least ten orgasms from you. From midnight to early morning, he'd fuck you in every possible position. But his favorite was always missionary, where he could have his eyes on you, writhing and whimpering beneath him, telling him it’s too much, he's too thick, all while using your heels to draw him in even closer.

Sukuna curled his arm around your waist and sat you up on his lap, thrusting up into you as you coiled yourself around his neck. “Oh, fuck, fuck, fuck. Your cunt was made for me, love. Your cunt was fucking made for me.” His hand threaded to the back of your head, grasping your hair and drawing your face back so you were looking him in the eyes without wavering, without bowing your head. He needed to know you didn’t fear him when he fucked you like this. It was an unspoken check-in, and when you smiled drunkenly, only then did he let you return to embracing him.

“Are you close?” you whispered.

“Not yet. I want to come in your ass.”

You shivered despite how scalding and sweaty your bodies were. “Do it.”

“Yeah?”

You nodded. “Please.”

Sukuna dragged you off his cock so you could get on all-fours, raising your ass up for him. He’s only ever been in your sacred spot a handful of times but never finished himself inside it. It appeared that tonight you were both a little extra spellbound.

Mounting himself behind you, Sukuna unfurled your ass and spit on his fingers, stroking the puckered hole. He gathered the creamy liquid dripping out of your pussy to lubricate the spot. His middle finger stretched you out, followed by his ring fingers, pushing in and out until he knew for sure you were prepared for him.

Sukuna’s steel-hard cock pushed into your tiny hole. The sight of it expanding to swallow his girthy size almost made him come right there and then. He started to move in sluggish movement, grabbing onto your waist. His hips cruised, brushing against your ass, making you impatient and push yourself back.

“Understood.” He chuckled and dug his nails into your skin, dragging out to the tip and shoving himself inside. Your face pressed into your pillows, crying and trembling as he abused your asshole non-stop. “You’re taking me so well, my love. Oh, fuck, fuck.” He rutted into you like a beast, claiming your body, rubbing your clit from the front, spanking your ass, brandishing you over and over again.

You both snapped in unison.

Sukuna sagged over your spine as he bucked in every last bit of his sloppy seed. His lips kissed your shoulder blades, holding you up by one arm. Gently, he pulled out, his cock growing floppy until you flipped onto your back, hair sticking to your sweaty, flushed face, belly slightly swollen, your tits larger in size, his release mingled with yours seeping out from your holes.

“Fuck, I love you,” he whispered, cupping your face like he didn’t just fuck your soul out of you. That smirk you’d come to love appeared on his lips. You reciprocated back, stretching out your arms so he could lean down and kiss you sweetly on the lips and cheeks and toss in a praise or two for what a good girl you were as he slid into you again, slower and more intimate with his game. “I fucking love you, Y/N.”

You smiled against his lips that continuously whispered the three beautiful words and said, “I love you, too, Sukuna,” before sealing it with a long, lasting kiss.

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infernothechaosgod · 4 months ago

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Reject "mickey is always good and has never commided any crime ever and would never hang around shady people bc he's an angel"

Embrace "mickey randomly pulls the most wild thing ever and knows lots of "shady" ppl and anytime someone mentions them or hardly describes them he's like

For solid 5 minutes because "Jesus what did they do this time" "

My dude was a part of a whole operation where he replaced the king in another country once He knows them people ToT

I do think he would try to me mostly moraly good But that doesnt mean lawfuly good, also tbh I do dig the good old 1920's rule of "sometimes will do bad for the funny/enjoyment"

#mickey mouse #public domain use #Can also go as headcanon for mouseverse #Also I think i'll start tagging Public domain versions/stories/stuff lmao #As #Rubberverse #Cuz i think it would be good to have all that stuff under a tag #Anyways back to tags #Mickey mouse #P.D mickey #He's chaotic at night and kinda not really put together at day

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oldtvandcomics · 1 year ago

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Just as long as we post educational things about the Public Domain: Bound by Law?:Tales from the Public Domain is a comic written with the explicit purpose to explain what exactly it is. It's a really nice introduction, though US-centric, if I remember correctly.

#it has been a while #Public Domain #Public Domain Day #I'm still confused about details to be honest #EU vs US copyright for one #but you can always look up specific works you need information on #this comic gives you a basic idea about what you are working with #comic books

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opencharacters · 1 year ago

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Public Domain Day 2024

Once again its the day we all wait for, public domain day. the day some thing get ripped out of the clasps of the claws of corporations. This year is notable for many things becoming public domain but specifically a certain mouse in the united states. Here's an example of some of the things but note that this is only a sampling of what's become public domain

In Europe and other life of author + 70 years areas:

The Wind Has Risen by Tatsuo Hori

The polish Koziołek Matołek comics by Kornel Makuszyński

Mr. Weston's Good Wine by T.F Powys

In New Zealand and other life of author + 50 years areas:

J.R.R Tolkien's work, but only the ones published during his lifetime. Things published by his son Christopher are not public domain

Margaret Wilson's The Able McLaughlins

The works of crime writer Lucy Beatrice Malleson (Anthony Gilbert)

In the US:

All things published in 1928

The big one of course, Steamboat Willie and the earliest incarnation of Mickey Mouse. Disney still owns trademarks so be careful and theres some things like his gloves that didnt appear until later and im sure the Mouse's lawyers are watching like hawks

The House at Pooh Corner, first appearance of Tigger

Orlando: A Biography by Virginia Woolf

Theres much more. Take a peek over at Project Gutenberg or The Internet Archive

#public domain #mickey mouse #tigger #books #copyright

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windvexer · 17 days ago

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Crafts of the Witch Useful to Learn

Welcome to December 25th, here's some stuff about witchcraft to think about because you're on your phone looking for a distraction :)

So anyway here's stuff that's really useful to learn how to do before you actually need it because putting it all together for the first time on game day is stressful.

Creation and Desecration of a Poppet

A poppet is a deeply sympathetic representation of someone or something (usually another person).

According to the law of sympathy, whatever you do to the poppet will happen to the person it represents. You could cleanse and bless it, or smite it.

Poppets can be made in a wide variety of ways, from paper dolls, to clay figurines, to crocheted stuffies - anything you like. They also must be worked over magically to link them to their target.

The most ideal poppet is decorated to look very similar to the thing it represents, and is imbued with a taglock (such as hair, nail clippings, footprint dust, etc).

Learning Prompts:

The handicraft of creating the poppet - start with any arts and crafts you're interested in and see if they'll work for you

Practice making several poppets - you do not need to consecrate them. How easy is it for you to decorate it just like the real person? How easy is it for you to include taglocks?

Find a disposal plan. ""Voodoo dolls"" are steeped in public awareness; will it be safe for you to throw away the poppet in the trash when you're done with it?

Consecration or enlivening poppet as target. Find or develop a ritual to fill the poppet with magical life so that it becomes the target. Practice this once or twice (perhaps on a poppet of yourself, to cast blessings or prosperity magic on yourself)

Desecration or severing link. Find or develop a ritual to end the sympathetic link between the poppet and its target. Practice this once or twice.

Storage and tending of enlivened poppets. They are alive and they act like it. If you intend to have poppets sitting around for long-term spells or to use as-needed, you will need a system of storing them so that they "go to sleep" and remain undisturbed until you need them.

Consecration, In General

Here I mean "consecration" to be an act of magic which anoints an object as sacred unto a purpose, and therefore primed for magical use. In crude terms: you're making an object magical and giving it a purpose at the same time.

Consecration is a very useful thing to know how to do. In and of itself it can form a kind of minor enchantment (I consecrate this mug of oolong tea to be a potion of survival +1), but it can also prepare the way for powerful enchantments (I consecrate this ring to become a divine protector, ready to receive the powerful enchantment I soon cast upon it).

Learning Prompts:

Find or create a minor consecration spell which can be cast in under a minute. Strive to obtain one which is covert and can be done even in the presence of others. (Perhaps we could call this a 'cantrip'). Such a spell tends to be suitable for moving fate a few degrees over, or to dig a shallow pool in the tides of reality.

Find or create a hefty consecration spell. Consider what abilities or access you have that allows you to redefine the fate and purpose of an object. Contemplation of this spell can provide great insight into one's own belief and path. Such a spell may completely reorient fate, and carve new channels into the waterways of reality.

Practice minor consecrations on 5 different types of objects. Consecrating the tea, that's easy - stir it a few times. But how to consecrate a hairbrush? How to consecrate a mirror?

Practice major consecration twice, unto two very different domains. Perhaps a pepper oil of fiery smiting, and a crystal bracelet of deep soothing. This is an opportunity to compare and contrast the powers you raise when you work within different domains.

Desecration, In General; and Spell Reversal

To make profane; as in, to remove the magic from something and make it no more than a lump of physical matter, or a meaningless event like scattered dust on the winds of fate.

In my opinion, all witches should learn this - "don't raise up what you can't put down" also includes "don't enchant shit if you don't know how to undo enchantments."

To know how to nullify magic also means you can nullify unwanted and harmful things around you, and take the force and energy out of them.

Learning Prompts:

Find or create a minor desecration spell, one that you can cast on the fly and without tools or ingredients. Such a spell may be like a slapping a broom on a dusty rug; it will shake free things not tightly held.

Find or create a major desecration spell. Such a spell is like steam cleaning and shampooing a rug; it must remove every particle of magic and leave nothing behind but stripped fibers.

Practice minor desecrations 5 times in day-to-day life, targeting stank vibes and irritating situations that do not serve you.

Practice minor consecrations and desecrations 5 times by consecrating a stone, candle, etc., unto a magical purpose, and then removing the consecration.

Find an opportunity to cast a major desecration, which you may find the opportunity to do the next time the need for banishment comes up; or when sorting through old magical tools you no longer need, etc.

Find or create a solid spell reversal, one that you can use without having to have physical spell remnants on hand. Note that reverse to sender is not the same as nullifying your own magic.

Binding Divination Tools to Veracity, and Sundry Divination Management

Or if you like, binding veracity to divination tools. Binding is not baneful magic. Binding means to attach one thing to another thing, or to prevent something from being ways.

You can cast a binding on your divination tools to constrain them to only tell the truth, to truly peer beyond the veil, and only deliver what it can see; and never reflect your personal whims.

There's plenty of magic you can cast for your divinatory tools to make your life easier.

Prepare a binding spell to constrain a divination tool to only reflect the kind of truth you want. Do you want a tarot deck to only show your true state of mind? Do you want a set of runes to only read the will of the gods? Do you want your charm set to only read on the future, and not the past?

Find or create a protection spell to stop undue influence on a divination tool. This does not mean "evil spirits are manipulating your reading." Undue influence also means the strong emotions of querents, random psychic garbage, and the like; but it can also have an impact on the way you phrase questions and work with the tool itself.

Find or create a spell to enchant your tool as a magical seer/oracle. You can use a tarot deck out of the box, of course. You can also enchant it to be a magical object that obtains truth from mystical sources. Try it and see if you like the difference.

Find or create a charging ritual to revitalize your divination tools. This is a good opportunity to examine elemental energies; what kinds of energies are best suited to the purposes of divination and seeing beyond? The full moon is classically used for such purposes. Challenge yourself to recharge your divination tools once a month for 3 months, and see if you like the difference.

Blessing, In General

You have the power to generate and coalesce benevolent and helpful energies, and to distribute them into the world around you. You can bless anything you like, and perhaps the more the merrier; it's a very fine way to transform a space, and put love into the world.

Try considering blessings to have 2 parts; the first is to evoke a desirable force, and the second is to apply the force in a certain way: You could evoke the winter dawn as a blessing power, and then ask it to do something specific (provide a calm day, to make wise choices, to avoid bad traffic, etc).

Write your own minor blessing spell that you can perform in a minute or less. Try centering this blessing around a wonderful and benevolent force, whether it be a certain god, mushrooms, unconditional love, and so forth.

Write a separate minor blessing spell using a very different focus. Try the deep blue calming waters of the deep ocean, or the sprightly breezes of alpine hills, or the feeling of the first sip of a perfect bowl of soup; but make it have really different vibes from the first blessing.

Practice both minor blessings and see the difference. Challenge yourself to use each blessing cantrip 5 times. Try clustering the blessings to fill a space with that kind of energy (such as five items on desk blessed under the alpine breeze, and five items in the bathroom blessed under the deep ocean). Can you feel a difference in the spaces as you move in and out of them?

Write a major blessing using the various benevolent and lovely powers of your practice. This is another good opportunity to explore your practice. When you are in need of love, kindness, grace, and softness, what part of your path rises to meet your needs?

The Big Practice

Consecrate a poppet unto yourself. Bind and enchant a divination tool to be a powerful oracle of truth, and read on the most helpful equipment the poppet needs (RPG style: weapon, armor, familiar, potion?).

Whatever the answer, make a tiny container spell which serves the purpose. Consecrate it to be the tool that the poppet (you) needs.

Give the enchanted container spell to the poppet and cast a blessing on it, to be empowered with the new tool it has been granted in life.

Carefully store the poppet and its tool.

Periodically, perhaps between 1 to 6 times a year, recharge your divination tool and discern what new tools the poppet might need. Desecrate the old tool if you need to (or let them stack up), and consecrate new tools.

Keep the poppet and its tools for as long as you like, carefully severing the link between yourself and it when you're done with it.

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