#PLS MENTIONS PLS WORK
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glo-shroom · 11 months ago
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yes & no by Natalie Wee | Trigun Ultimate Overhaul
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localwhiskeyuncle · 13 days ago
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If you were watching Nosferatu and you noticed the doctors talking about how Ellen had too much blood and that's why she was acting crazy - let me explain why (and also how excited I am that it was included in the script).
From ancient Greece through the Renaissance, we believed in The Four Humors in medicine. Essentially, they thought there were four fluids in the body (blood, yellow bile, black bile, and phlegm) and they determined a person's temperament; an imbalance of them was believed causes illness. The Four Temperaments (based on the balance of their humors) are as follows:
Sanguine: Optimistic and social - (affected by blood)
Choleric: Short-tempered and irritable - (affected by yellow bile)
Melancholic: Analytical and quiet - (affected by black bile)
Phlegmatic: Relaxed and peaceful - (affected by phlegm)
They were also connected to celestial bodies, seasons, body parts, and stages of life. Here's a neat little chart:
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Ellen was already rather macabre, and as she spiraled she became less able to adhere to social convention; it makes sense that a doctor of the time would consider that to be an imbalance of her blood. It also feels worth stating that a sanguine temperament can be likened to the manic phase of a bipolar episode, which Ellen's symptoms certainly could have been indicative of.
I also think it's an interesting (though possibly pointless) connection that a sanguine temperament is linked to the heart, to adolescence, and to Spring.
The heart obviously links to Ellen as she's a hopeless romantic. Adolescence also connects due to not only her young age in the film, but the events causing Orlok's fascination with her happened when she was quite young as well. I would argue that you can tie Spring into Ellen's character also - she was blooming, transforming, awaiting a new breath of life (death?).
It made me so happy to see it included so casually, it was such an accurate portrayal of how medicine would have actually been practiced at the time and it wasn't made into a huge thing. It shows the appreciation and effort Eggers brings to his work.
I can absolutely see how you may just brush past that part (it was brief), or attribute it to vampirism, but it's actually a super cool little detail of our real life medical history!
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tanoraqui · 8 months ago
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Kabru: [lies to Laios’s face about sharing his interests, in a deliberate scheme to befriend him]
Kabru: [watches Laios have a knock-down, drag-out fistfight with Shuro when he found out that Shuro has been lying to him for years about being friends]
Kabru: Huh.
Kabru: …Skill issue.
Kabru: [continues lying to Laios’s face]
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jinxedshapeshifter · 1 month ago
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Analyzing Klavier's Behavior Because I Am Nothing If Not Predictable*
*But also I made this post at 2am and am determined to see it through
Alright so a few days ago I posted this reblog of a response to a post I made mentioning that Klavier's behavior that is so commonly poked at as "Klavier, there was a murder" could very well be a coping mechanism. As you'll know if you've read the essay I wrote on the parallels between Ryulock and Homumiko, I really like to analyze fictional characters. So I have decided to analyze Klavier Gavin's behavior throughout his appearances because there's implications in there that I think aren't talked about enough.
(Also important to note because I feel like it'll come up; this is all my interpretation of Klavier's behavior based on a combination of personal experience and just how I read his behavior. I am not going to claim my analysis to be objectively correct.)
Part 1: A Brief-ish Summary of Klavier's Canon Appearances
Klavier's only canon appearances are in Apollo Justice: Ace Attorney and Turnabout Academy in Dual Destinies (which is a shame but that's not my point). In the latter, he's not acting as Prosecutor Gavin, he's acting as Rock God Klavier. I still think, for the sake of context, it's important to go over these appearances and how he acts during each one.
Turnabout Corner
Our first introduction to Klavier is in Turnabout Corner, the second episode of Apollo Justice. He's introduced as a cool, suave prosecutor that likes to throw his weight around a little (as indicated by him overriding the police and allowing Trucy and Apollo to investigate People Park), and it's easy to (correctly) assume pretty early on that he doesn't really care about giving information to the defense like every other prosecutor in the series (something that will come up later). In Turnabout Corner, we also learn about Klavier's status as a rockstar, and how he usually acts during court proceedings. Apollo's first impression, which carries over into Turnabout Serenade and is still part of how he sees Klavier into Dual Destinies, is that Klavier tends to not take things very seriously.
Turnabout Serenade
Turnabout Serenade is... interesting. We see a side of Klavier that he seems to want to keep under wraps at first — he's a perfectionist when it comes to his music, and his focus is on Daryan's missed cue, not the fact that a murder happened at his concert; notably, he's focused on Daryan's fuck-up, when he's not the only one who messed up during the concert. He comes off as irritable during investigation segments, seeming to put on a mask of his usual confident and carefree attitude when Apollo and Trucy show up.
This is also the first time Klavier starts to get honestly pretty mean when even the implication that something he didn't want to be true is true is suggested. The second Apollo implies LeTouse was murdered during the second set (which is when he first presents the igniter) Klavier gets mean ("Herr Forehead, don't destroy what little respect I have for you!" which implies he never had much respect for him in the first place, which I'd argue is not the case but I'll get into that later). We get into Daryan's testimony once it's made clear that Daryan's a suspect, and at that point he's less mean to Apollo and tearing into Daryan instead. Turnabout Serenade alone shows that Klavier's views of people can and will change on a dime.
Turnabout Succession (2019 section)
I'm gonna get it out of the way now, Klavier is a brat during the 2019 section of Turnabout Succession. This is relevant; he seems to have grown out of this by Turnabout Corner, but he's still prone to being a dick. Klavier's also much more egotistical during the 2019 section of Turnabout Succession; most notably, he brags about the success of The Gavinners multiple times during the trial (which Phoenix describes as an "utter lack of humility"). As a 24/25-year-old, he's not normally an egocentric asshole; this trait only really shows itself during times where he'd be stressed. Again, we'll get to that.
Turnabout Succession (responses to Kristoph's involvement)
The first reaction to Kristoph's involvement is when Vera mentions the commemorative stamp with Troupe Gramarye on it, and he gets intense about asking Vera about what the first forgery she made was. He actually scares Vera and concerns the judge:
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And this is where he first breaks down. Trucy gets concerned, Apollo has to tell him to calm the fuck down because he's badgering the witness (at which point Klavier calls Phoenix Apollo's "soiled, sullied mentor"), and then Vera collapses from atroquinine poisoning and the trial ends. I cannot imagine what the next span of time before the trial continued was like for Klavier.
Once Kristoph actually takes the stand, Klavier's quite quiet for a while, aside from defending Kristoph when you press certain statements (and even then, Kristoph will not hesitate to talk over Klavier). Apollo even mentions that Klavier's acting different, and decides it's because Kristoph's in the courtroom. Klavier gets so upset that he can't even function properly, which Kristoph blames on Apollo ("My, my. You've upset my poor brother to the point of uselessness."). Klavier does eventually snap out of it and accuses Kristoph of bluffing, and the rest of the trial he works with Apollo to convince the jurists that Kristoph is behind Drew and Vera's poisoning, not Vera (although he does tell Apollo he's leaving the case if he can't prove Kristoph is behind forging the evidence in the Zak Gramarye case).
Klavier's behavior in the 2026 sections of Turnabout Succession very much remind me of 17-year-old Klavier, and his breakdown sprite does not help this (which I've also done an analysis on. Parts of that analysis will be relevant later). Again, this will come up later.
Turnabout Academy
I personally think Klavier's behavior in Turnabout Academy is also similar to his behavior when he was 17, although in the complete opposite direction from Turnabout Succession. Looking at Klavier's behavior in Turnabout Succession's 2019 section vs his behavior during Turnabout Academy, I am immediately struck by similarities. Notably, Klavier exhibits some degree of inflated self-confidence (he calls his own voice "godlike" if you present the tape recorder to him, tells Apollo and Athena to find the Gavinners banner, leading Athena to wonder if he just wants his banner back, claims the burnt fragments of the Gavinners banner is a "challenge directed at [Klavier] and Gavinners fans everywhere"), which leads him to put down Apollo specifically (telling Apollo that the role of a fledgling lawyer is one he was "born to play," calling Apollo a wet blanket, "That feigned swagger does not suit you in the least," probably jokingly accusing Apollo of destroying the statues of Klavier and Phoenix).
It's all behavior that feels like it should come from 17-year-old Klavier, not 25-year-old Klavier, at least not under most circumstances.
Part 2: A Slightly More In-Depth Analysis of Klavier's Behavior
Klavier's behavior, notably, changes depending on the circumstances he's in. I think it's important to figure out what the baseline for adult Klavier's behavior is before we go any further however.
I, personally, think the baseline for Klavier's behavior is most clear in Turnabout Corner. He doesn't have any personal involvement in the case beyond Apollo getting Kristoph thrown in prison, and he's pretty chill the entire case. It feels like, at the very least, he's adhering to his rock god persona (and I don't think it's a stretch to assume that's at least partially what he's like when he's not masking anything). Turnabout Corner serving as the baseline for Klavier's behavior also makes sense from a writing standpoint. So, I'm going to use Turnabout Corner as a baseline for Klavier's behavior. Now that we have that out of the way, let's analyze Klavier's behavior.
Part 2.1: Turnabout Serenade
So, first of all, let's look at the transition from Turnabout Corner to Turnabout Serenade. Klavier's having fun, he's at a concert and performing with someone he looks up to and admires. Then, tragedy strikes. A murder happens during the third set. The pianist for the second set is arrested. Daryan missed a cue he shouldn't have missed. This is the first time Klavier is aggressive. It's the first time we see perfectionist Klavier. The second Apollo and Trucy show up, he starts acting like he did during Turnabout Corner. To be completely clear, I do think he was genuinely happy to see them. I don't think his behavioral change when Apollo and Trucy show up is entirely a front. At worst, he's pretending everything's fine by acting like he normally would. Two explanations I can think of for this:
Maybe he just doesn't want Trucy and Apollo to see him like that.
Maybe he doesn't actually care how Trucy and Apollo see him, and he pretends everything's fine by instinct.
Additionally, this is the first time we truly see the extent of how egocentric Klavier can get. He opts to completely ignore the fact that a murder happened at his concert and instead focuses on Daryan's missed cue. That's what we see, at least.
By the end of the case we find out that missed cue was crucial evidence. That missed cue had implications for the entire incident. It's also implied in Turnabout Corner that Klavier is always multiple steps ahead, and in Turnabout Academy he suggests that the missing Gavinners banner is relevant to the case, and it ends up being crucial to the case. Exactly like Daryan's missed cue.
I don't think Klavier was just being an egocentric asshole here. I think he knew that the missed cue was somehow relevant, especially if he noticed Lamiroir and Machi's mistakes during the second set. If he did notice the mistakes Lamiroir and Machi made, then noticed Daryan's missed cue, I don't doubt he'd think they were somehow related. The one thing saving him was that the entire case, both the defense's side and the prosecution's side, hinged on the murder taking place during the third set, so he gets fucking mean when it's implied the murder might've happened during the second set, because there goes any plausible denial. Once Apollo suggests the murder happened during the second set, Daryan's alibi goes out the window, and he becomes their prime suspect. Basically, Klavier's aggression in Turnabout Serenade, and potentially how set on figuring out Daryan's missed cue he was, was very likely him getting defensive.
Part 2.2: Turnabout Succession
Not gonna talk about the 2019 section of Turnabout Succession much here. Klavier's behavior in Turnabout Succession is very much like his behavior in Turnabout Corner. That is, until Kristoph is made a suspect in Drew Misham's murder.
Klavier's pretty much the same as he was in Turnabout Corner for most of the first trial of Turnabout Succession. He's enjoying himself (a fact Apollo and Trucy mention), he's having fun teasing Spark Brushel a bit.
And then Vera brings up the commemorative stamp with Troupe Gramarye on it. As I mentioned above, he gets so intense about finding out what Vera's first forgery was that he scares Vera, concerns the judge, concerns Trucy, and has Apollo telling him to calm the fuck down because he's badgering the witness. Even taking 17-year-old Klavier into account, that's incredibly out of character for him. 17-year-old Klav was a bit mean to witnesses, sure, but he never badgered them. This exact moment is where, upon replaying AJ:AA, I was like "holy shit, you can pinpoint exactly where and when Klavier realizes Kristoph's involved in this."
During the next trial day, he's out of character on the complete opposite end of the spectrum, by which I mean he's too quiet. Klavier's usually talkative and flamboyant. He likes to test Apollo and Apollo's theories. He likes getting under Apollo's skin. But the second Kristoph's on the witness stand we don't get any of that. He's just quiet and he lets Kristoph talk over him. Kristoph's presence is enough to make him uncharacteristically quiet (which makes me wonder what the fuck their history is, especially with Klavier's "Spinning out of whose control? Mine? ...Or yours?" line after Kristoph says he's spinning out of control and the fact that what triggers Kristoph saying that in the first place is Klavier saying "Let's clean out the family closet" and Kristoph claims Klavier's going to say something he'll regret, but that's a different post for a different time). Klavier eventually gets so desperate for proof that Kristoph killed Drew and tried to kill Vera that he literally begs Apollo to prove it. Once Klavier has seen evidence that would indicate that Kristoph is guilty of Drew's murder, he's mostly back to his normal self.
Part 2.3: Turnabout Academy
Turnabout Academy is interesting because Klavier's behavior still feels off but you aren't playing as Apollo; you're playing as Athena, who doesn't know what Klavier is usually like. Klavier's a lot nicer to Athena than he is to Apollo (he is still a bit mean to Athena at points, just to be clear). I personally think it's because Klavier knows Apollo but doesn't know Athena well, but that's just an assumption, I don't think there's really evidence to support it.
Anyway, Klavier's behavior during Turnabout Academy feels pretty similar to when he was 17 in my opinion. He is brutal with Apollo. Klavier:
Tells Apollo that the role of a fledgling defense attorney is one he "was born to play"
Calls Apollo a wet blanket
Calls Apollo a stick in the mud
Accuses Apollo of destroying the statues of Klavier and Phoenix TWICE (probably jokingly but that's still mean, Klavier. This is also, notably, reflective of Klavier accusing Apollo of setting his guitar on fire in Turnabout Serenade)
17-year-old Klavier, while he doesn't target anyone specifically, is a fucking brat. He's irritating and he likes harassing people (like how 17-year-old Klavier was ever allowed in a court of law is beyond me. Granted this is the same court system that let an 18-year-old with a whip prosecute cases but I digress). In some of 17-year-old Klav's dialogue, we also get a taste of just how egocentric he could get at 17. Some of 17-year-old Klavier's lines in the 2019 section of Turnabout Succession that had me like "wow, never has a more irritating 17-year-old existed":
"Herr Detective, this is my stage. Can the antics."
"And I haven't proven anything yet, beyond my good looks, and startling record sales."
"...Would you hold me accountable for a mistake made in my youth?" "That was just this morning!" "...I am still young."
"I would hope the defense refrains from its customarily broad, sweeping accusations."
"...Truly, there's no substitute for experience. Nothing blinds one to the truth so effectively."
I can 100% see some of those lines also coming from Turnabout Academy Klavier. That then begs the question; if Klavier had evolved past acting like this by the age of 24, why is he back to acting like that by the age of 25?
Simple; it's very likely the same reason his behavior was the way it was in Turnabout Serenade. Constance Courte had personal significance to Klavier and quite literally shaped how Klavier prosecutes cases. Klavier says this himself; "She may have taught the judge course, but she had a huge impact on me. She was fond of saying, 'The end is only justified through proper means.' She wouldn't tolerate dishonesty and always revered what was right beyond all else." From the beginning of the case, it's had more personal significance than any of the cases Klavier prosecuted (while other cases did have personal significance to him, it was only ever clear near the end of the trial).
The thing about Turnabout Academy is that, in terms of Klavier's role in the story, it is incredibly similar to Turnabout Serenade. Here's a list of similarities just to show what I mean:
Both cases involve Klavier having Apollo and the individual he's investigating with figure out something that doesn't seem to be significant to the case but is actually crucial evidence (Daryan's missed cue in Turnabout Serenade and the Gavinners banner in Turnabout Academy)
Both have personal significance to Klavier in some way (Daryan was the culprit of Turnabout Serenade and his mentor is the victim of Turnabout Academy)
You would not be blamed for saying "Klavier there was a MURDER" every time he shows up in both cases
Klavier's roles in Turnabout Serenade and Turnabout Academy are similar enough to me that it caught my attention almost immediately (in fact, I tagged the screenshot I posted of Klavier telling Apollo and Athena to look for the Gavinners banner as "turnabout serenade ass behavior"). That also means that his behavior is similar in both cases; the primary difference, in my opinion at least, is that Klavier's more intense and mean in Turnabout Academy (which was obvious to be quite quickly).
Part 2.4: Klavier's Shifting View of Kristoph
(This isn't important I just wanted to bring it up)
It's made pretty clear in Turnabout Succession's 2019 section that Klavier has a positive view of Kristoph. Klavier takes Kristoph at his word that Phoenix is going to present forged evidence and keeps him anonymous when he mentions that he gave him the tip that Phoenix would present forged evidence. He was excited to go against him in court (which just makes the fact that Kristoph forged evidence to beat him a lot more sad), something he even acknowledges when it's made clear that Kristoph forged the diary page that got Phoenix disbarred ("...Kristoph! We were supposed to face each other in that trial! A fair fight, brother to brother! I deserved that much! You let me borrow the victim's belongings... ...You showed me all your research on the case!").
We can literally watch this crumble during Turnabout Succession. He knows Kristoph is a good defense attorney; when Apollo first meets Klavier in court, Klavier says that he's prosecuting the case because he wanted to see the true strength of "the little boy who bested" Kristoph, which at the very least implies he respects Kristoph's skills as a defense attorney. That's completely crumbled by the end of Turnabout Succession, with Klavier literally telling Kristoph "You're not needed anymore." It's honestly really sad to watch too. It makes you wonder what was going through his head during that span of time during Vera's trial where Klavier's just not as talkative as he usually is and Kristoph's on the witness stand.
(To be clear, I think Klavier knew Kristoph was a piece of shit before Turnabout Succession. I don't think Kristoph's emotional abuse of Klavier started during Turnabout Succession, and I very much think Klavier knew that Kristoph was a piece of shit because of it. However, I don't really think he would've expected anything that came out during Turnabout Succession, which is why he reacts how he does. I also think it would be safe to assume that either Kristoph only started emotionally abusing Klavier after Zak's trial or Klavier realized that's what he was doing after Zak's trial, due to Klavier's attitude toward Kristoph holding the implication that if Kristoph was actively being abusive at that point in time, Klavier didn't realize it)
Part 3: What We Can Conclude About Klavier Based On This Information
I've mentioned it before (in fact it's in the Klavier breakdown animation analysis I linked earlier in the post), but Klavier's behavior comes off as him not having been able to properly grow up, whether because he became a celebrity when he was 17 or for some other reason. It's like he regresses back to 17 during traumatic situations, or possibly has some sort of relapse if we assume he got mental health treatment between the 2019 section of Turnabout Succession and the start of Turnabout Corner, and his behavior supports that, which is fucking heartbreaking. It's like he's putting on a mask of maturity because he was forced to. By who? Could be anyone. He could've felt obligated to do it by his status as an international celebrity. He could've been pressured into it by the Gavinners' record label (assuming they weren't indie). Kristoph could've pressured him into it because Klavier had eyes on his every action on a global scale. He could've experienced some kind of psychological trauma that caused it. There are so many potential explanations here and they're all fucking heartbreaking.
Part 4: Conclusion
So. 3.3k words later. This is longer than my Ryulock/Homumiko essay. Anyway, conclusion: I don't think Klavier's ever been flanderized. I think people are misreading his primary trauma response (that being, some form of regression or relapse). He's not even the only person this happens to in the series (*stares at Athena*), it's just not obvious with Klavier if you don't consider ALL his behavior together, including his behavior when he's 17 because that's really what explains his behavior in my opinion. Klavier's behavior isn't easily explainable in a nearly 3.5k word essay without knowing how he was at 17.
And yes, you could argue that this is all coincidence. You could argue that none of this was intentional, especially when you consider how Ace Attorney is written. Someone who goes into Dual Destinies without playing Apollo Justice first won't get the additional context required to recognize the full extent of Klavier's behavior.
I would beg to differ however. Some of Phoenix's bitchiness from Apollo Justice is still present in Dual Destinies and Spirit of Justice, and I very much think that was intentional. Apollo's behavior in 5-4 and 5-5 are very much indicative of him having trust issues as a result of everything that happened with Kristoph and that's a hill I'll die on. Simon still acts the same as he did in prison, likely as a result of either trauma, habit, or both.
If you think Ace Attorney doesn't reference past games in characters' behavior, you're underestimating Ace Attorney's writing. I absolutely think Klavier's behavior in Turnabout Academy and his behavior in Turnabout Serenade are meant to be reflective of each other. I'd be genuinely surprised if that's not an intentional parallel and if it doesn't indicate something about Klavier's response to traumatic events. Even worse, I am quite sure that Kristoph has put him down over this. Hell, you could argue that his comment about Klavier being stressed to the point of uselessness is him putting Klavier down for how he copes with trauma. It explains why he was so quiet while Kristoph was on the witness stand, actually.
I also don't think Klavier's as egocentric and quite as much of a perfectionist as he lets on. I think it's part of what I referred to earlier as Klavier relapsing. I very much think he might've been like that at 17, but much like his other behavior at 17 it feels like he grew out of it, and he has a tendency to fall back into it during traumatic situations, whether it's as a defense mechanism or just how his brain responds to trauma.
Essentially this causes traumatic situations for Klavier to turn into him bottling everything up, which comes across to other people (including anyone who decides to play Apollo Justice and Dual Destinies) as irritability. This happens to me too; I'm prone to emotional overreaction but I've gotten to a point where I tend to bottle it up instead of doing literally anything else.
Capcom, please for the love of the Holy Mother give Klavier therapy.
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givemedamage · 3 months ago
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ultimately!
#ELIIIIIIII YOU CANT SAY THAT ELIIIIIIIIIIII#audiof from not even emily latest video go watch literally its so fuckingfunny#dont even ask me how eli fits in hance' 5'2 dad's clothes pls ok#my art#digital art#oc art#anthro art#not even gonna lie i thfought i wasnt gonan finish this but we pulled thru#if quality gets murdered i will cry#swhy are all my favorite drawings baby sugar and eliyah interacting#i like themb#i was gonna add fucking comical cartoon slipping noises when her antler popped off but imovie literalsly. it didnt work it wpuldnt let me#vid too biggy#also noahs ark esque announcement for ppl thta read my evil ramble tags i miiight nuke sanguinary univers bc i love my ocs too much to like#like i dont wanna marry my first idea and i love them too much to box them into a project I PERSONALLY FEEL LIKE I FUMBLED LIKE#OK LITERALLY NO INSULT WHATSOEVER TO ANYONE WHO MIGHT LIKE IT BUT IT WAS my firsy ever comic and i feeeeel like i can do betteeerrr a#meowweooww#like if it was small things i wanted to change i could juts panel edit but its like. major things like when i started chapter 1 i had#LITERALLY NO PLAN JUST MY nerdy vampire obsession. which is still present. giggle h#breaking news boygirl learns that they arent rlly proudof the writing in comic thye started when they were a teenager#ALSO I LITERALLY HAVE LORE THAT IVE. BEEN MAKING THAT CONTRADICTS THINGS (? PROBABLY) SO ok trust me ok just trust m#also yes this is what i’ve been working on except that animatsuon i mentioned with eli crying because priorities or someth#not except wtf i mean insyead or some other shit#also i just looked at this wall of text on mobile and like ew shut up little gay
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dao-the-starlight · 4 months ago
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Alright, it's time....
Say hello to my main OLNF MC!!!!!
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This is my baby Marceline Jeandel!!! σ(≧ε≦σ) ♡
I want to make a much more formal post about them in the future where I go more in depth into who they are but that'll wait until later because I want to talk about Marceline and I want to talk about them NOW!! So this'll just be a quick intro (under the read more)
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So! At 10 years old little Marceline Jeandel moved to Golden Grove all the way from their birthplace, France! The move was a pretty daunting event, especially since they were travelling to a completely different continent, to Marceline it was as if they went to a different dimension entirely! But, Marceline had their Maman, their most loved and trusted figure in their life, if she was there then they'd be able to do anything
Marceline (in this step) is a young transgender boy with He/Him pronouns, their journey with their gender is one filled with quite a few twists, turns, and feelings that I won't delve into in full here, all you really need to know now is that they eventually figure out that they are genderqueer and primarily use they/them pronouns!
For the most part, Marceline is nonverbal in step one (in steps two, three, and four they're not necessarily nonverbal but they still talk very rarely). The reason for this is that they have a fairly severe form of Apraxia of Speech, a neurological disorder that essentially makes it extremely difficult if not impossible for the brain to send signals to the parts of the body that control speech, this renders Marceline unable to form coherent sentences and makes it so they can only really make random vocalizations and maaaybe say a word or two on good days. They are in speech therapy for this and are slowly but steadily getting better at forming proper speech but for now, they only really communicate through various vocalizations when it's needed. I will mention here as well that Marceline is also Autistic! I've done extremely thorough research into both of these conditions to make sure I'm representing both in a respectful way, I'm aware of the stereotypes a nonverbal autistic character can easily fall into and whenever I do anything Marceline related I always make sure I'm not running them right into any possible stereotypes
Lastly! Their relationship with the leads!
When it comes to romance, Marceline is paired with the one and only Qiu Lin, it was a crush at first sight for them, Marceline just couldn't resist the typical Qiu charm! For step one Marceline and Qiu are naturally very close but there is just a tad bit of a distance between the two simply due to the fact that because of their crush, Marceline holds Qiu on an extremely high pedestal and greatly admires them which ends up leading to Marceline never acting like they're on the same level as Qiu and letting them guide everything (basically, Marceline is accidentally feeding into Qiu's self-sacrificing behaviour, but don't worry! They grow out of it by step two I promise!!) Nevertheless, while the two go through many hardships they do end up on the other side as forever lovers <3
As for one Tamarack Baumann, she and Marceline are inseparable lemme tell you- From day one those two became the best of best friends and get along with each other better than anyone else. Their playful and carefree personalities and energy melded together perfectly which led to them almost immediately forming an unbreakable bond with one another that lasts all the way into adulthood. Whatever Tamarack needs Marceline will almost always be there, whether she needs a playmate, support, personal cheerleader, partner in crime, and whatever else Marceline will always be there. The only time there's ever any tension between the dynamic duo is if Tamarack's bossiness gets the better of her and annoys Marceline, but the two are always quick to apologize and make amends (and this pretty much stops being a problem entirely by step two as they both for the most part grow out of these habits)
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And I believe that's all the main stuff you need to know about Marceline! Now I can actually talk about them more!! Thank you so much for taking a look at my MC and have a wonderful day!
P.S. Dividers by @cafekitsune
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mouldycakes · 4 months ago
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TRANSLATION
Steve: Hi! Danny: Wow! Hey, how- how- how handsome, he, in his suit. Steve: It's for you. I wore it for you. Danny: Thank you. Steve: You're welcome.
Steve: Hey, what are you doing?
Danny: Is that a clip-on?
Steve: It's not a clip-on. What did I say?!
Danny: Your tie is crooked. Can I fix it, love?
Danny: Darling, come here.
Steve: Thank you.
Danny: I thought they didn't wear ties in Hawaii.
Steve: They don't, but it's a special day. So I wore it.
LatAm dub once again killing me here, with cuteness.
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cursedzucchini · 2 years ago
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DC x DP prompt #5
This is so dumb but Danny is Bruce's uncle.
And not in the Danny is old or whatever, no, my dude is 15 looks like he's 13 and when he was running away from home, he met this really really old lady which looked at him, looked at his wounds and went "aight I'm adopting u"
Danny thought she was a ghost and this was her obsession, so imagine his surprise when it turned out that not only this lady was alive, but also supposedly from very influential family??? Danny wasn't sure Abt that one, bc he himself never heard abt these "Waynes" like that just sounds weird, but hey. It made the lady happy so.
Anyway they part ways, bc the lady only wanted to adopt not care, and Danny decides, hey now that I have a new fam, maybe i should get to know them or something?
Well imagine his surprise when he found out some guy in his fifties is supposedly his nephew and has like bazillion kids.
Idk what happens next yada yada sheniganas happen and than Danny ends up in Gotham. And meets Bruce Wayne. Who obviously sees young child w si gns of abuse, black hair, blue eyes and is immidietly like "aight I'm adopting u" (like grandma like grandson huh)
Only this time, Danny is sure he isn't a ghost, and has a counter argument "u can't adopt me I'm ur uncle" and immidietly flees bc dealing w his problems isn't something he does.
Cue confused batfam or stuff idk, I'm so tired and this is just an excuse for crack
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ravenlexis · 30 days ago
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gonna say something controversial...
i'm going to put this under the cut bcs it got long. read at your own risk? check the tags?
i just backed out of a fic, which is smth that i do often when i don't like an aspect of it or when there's smth i'm uncomfortable with in the fic. there not actually anything like that with this recent one really, i'm not uncomfortable with anything or dislike anything about it.
just that not even third way through it, i realised that it's aventio. and while i'm a firm ratiorine enjoyer, the fic was rated T, i figured that i'll read it to see if i enjoy it, y'know?
i got through half of it before finally backing out.
this is where it might get controversial.
some months ago in the big year of 2024, there was a widespread discussion on many platforms (not just tumblr) on ship names. how it's all so boring nowadays, just the name of the characters smushed together and how dumb it is to differentiate one for when character A is the top and one for when character B is the top.
i do generally agree that some ship names could be better. there are some ship names that don't sound great no matter how their names are combined. but i do think it's actually important to differentiate the "top".
NOT just for PWP reasons, tho obviously that's one of the reasons why people have different ship names depending on which character tops. denying this particular reason is redundant.
mostly tho, from many (and i do mean, many) experience of reading fics, rated E, M, G, or T otherwise, people do write (and draw) differently depending on who tops.
this particular fic that i mentioned is one of them. aventio (and i'm using this bcs that's how the fic author intended it) were on a mission gone wrong (standard premise). ratio was escaping from the enemy, got cornered, got saved by avent, and off they went, improvising their escape route. during this whole thing, ratio was freaking out bcs avent was holding his hand (very cute author, plus ten points. we need more shy ratio in the fandom).
they got cornered into hiding and just when they were about to be able to escape unnoticed, ratio hit something in the dark and it crashed to the floor, loudly.
then they were both panicking, bcs clearly the enemy was investigating the noise. in a flash of brilliant problem solving, avent asked for ratio's agreement to fake make out with him (nothing fake about it tho, they both made the most of the situation and enjoyed themselves). the enemy was flustered (not recognising who they were), tried (and failed) to sternly warned them to evacuate (bcs after getting an eyeful of the smooching sesh, it's awkward for them lmao).
and i stopped reading there bcs i cracked up so hard i was late to work (and i'm not even joking).
bcs the author specifically typed smth along the lines of "Aventurine stayed where he was, covering Ratio with his body in the hopes to keep the guards from recognising him."
i was not prepared for that mental image, honestly.
i'm not making fun of the author in any way. it was refreshing to read up until that point. bcs in this fic, ratio is the one fumbling like a schoolgirl with a crush while avent was very assured in their partnership. but i just can't handle thinking that avent, who can stand behind ratio and hide without actually trying to, can actually hide ratio with his body.
and ngl, this fic writes ratio in an almost traditionally romance heroine way. he was blushy and giddy, even during the escape. freezing when the enemy cornered him and needed to be saved by avent.
i'm not saying ratiorine fics don't do this btw, there are fics that made avent a bit more traditionally feminine. (a damsel type of character, which just, no. he's very much capable, he had survived a lot canonically. i also backed out of those type of fics.)
what i am saying, and the whole point of this long post (which i thought was gonna be short), is that there's a necessity for the distinction of ship names. aventio and ratiorine both featured ratio and aventurine but they are depicted in vastly different ways. sometimes, the distinct ship name helps us find the art (be it fics or fanarts) that align with our characterisation of these characters.
every fan has different headcanons and characterisations for the characters they like, and while it may seem "confining" or "dumb" to care about who tops or bottoms, it actually impacts how someone writes (or draws) the characters.
i see so many artists that tagged their art as both ratiorine and aventio that clearly only needed to tag it as aventio and vice versa. there's a reason people use this system to begin with and it works for the longest time. those who don't care about who tops or just enjoy reading them switch dynamics usually use a third ship name.
honestly, if you reach this part, i appreciate you. be it bcs of curiosity or if you actually agree or reading just to disagree.
all that i ask is you actually pay attention and see if you can differentiate the distinction, how much the dynamics impact how the author or the artist portray them as individual characters. not just ratiorine in particular, but any ships you enjoy.
anyway, thanks for reading till the end. have a great time, be it early morning or late night or anything in between wherever you are. and if you do want to disagree, pls do so kindly.
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flowerakatsuka · 6 months ago
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「 Osomatsu-kun 」 60th Anniversary × 「 Osomatsu-san 」 6th Anniversary! Illustrated by Katta Yoshi ( 2022 )
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be-an-echo · 1 year ago
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happy (belated) valentine's day!
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leverage-ot3 · 1 year ago
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leverage tv/cinematic universe where there are different shows following the different leverage international teams when
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biblically-accurate-dca · 7 months ago
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super disorganized sketch page because i do what i want
#my art#not sure if i wanna tag these... hrm#i wonder if alt text shows up in search results.... shudders#well anyway. i wanna ramble about these!!#for willy mafton: i've been working on designing more of the human cast. mainly all the big name important ones#it's been a slow process + a little challenging but i like getting the chance to practice drawing faces! :]#in regards to His design specifically.. it's very much based off of his movie apperance#but with a reference to that Classic sprite thrown in#bc i thought making him a little cartoony and inhuman would fit him :] but idk im not an expert on his character or anything#about the rabbit lady: i forgot how i had that idea initially but it ended up looking so fucking cool tbh#im always a fan of making her design less of a feminine eye candy type of design and more of a Spooky Murderer type >:3c#it also gave me the idea to try making some similar designs for the glams...#but if i do that im not gonna be giving them that vintage rubber mask look... since they're meant to be super flashy and high tech looking#so i was thinking they could have faces with more of a silicone texture.. and that have a style based more off of their in game art work :]#so they'd be like giant dolls with weird moving faces rather than having a vintage animatronic look#also that van in the bottom middle is 100% a homage to a specific user i wont be mentioning but iykyk HFJZJFJF#ANYWAY the 🌞🌜 stuff: dont be weird about it please HFJZJG#im aware that these tags are very easy to ignore but like. genuinely pls dont be weird about them#dont romanticize it. its not meant to be ''y/ndere'' or anything like that#its actually a bit personal to me so like... interpret it as you like but be aware its not meant to be a happy or positive thing#anyway i think thats all i have to say... i've been trying to branch out a tiny bit regarding the things i draw#it's always nice to challenge yourself even if its tough... especially if its tough!!#i mainly draw just for my own sake but i hope ppl see something they like here#these tags got so fucking long oops... i'll stop now JFKZJFKSJGKSJG
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polux-aka-hyakunana · 5 months ago
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Cooking my own food between projects
check my previous post tags for context lol
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sinigangrobot · 6 months ago
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Artemis Fowl - Alex Rider Crossover #40
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ARCHIVE 🔖
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howdygravytrain · 4 months ago
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*jingles pathetically across the courtyard*
holy shit y'all, this was the most extensive set of gposes i've done yet. this took almost an entire week from me getting a room at my fc's crib and transferring all my shit from my apartment to there so i could make the bedroom, gathering/crafting everything for said bedroom, the poses themselves, desperately trying to find a crime for aymeric's earring before i said fuck it and photoshopped it on LMAO, the editing, putting the screenshots into panels since tumblr only allows 30 images per upload and finally typing up the transcript, I AM FINISHED.
all because a friend wrote a snippet about "what if aymeric fantasia'd into a lalafell?" i have not known peace since then 😩 /pos
btw i plan to make an introductory post for gravy sometime, but noT FUCKING TONIGHT PLS IF I HAVE TO OPEN PHOTOSHOP ONE MORE TIME I'M GONNA HURL MYSELF INTO THE AETHERIAL SEA
got a doozy of a transcript, find it below the break!
TRANSCRIPT
Panel 1: [ONE PECULIAR DAY WHEN GRAVY ARRIVED BACK HOME IN ISHGARD…]
Panel 4: Gravy Train: Huh, that’s weird…Aymeric always greets me when I come back home. Maybe he got holed up at work again?
Panel 7: <He hasn’t been to work in two days…The hell is goin’ on?>
Panel 10: Gravy Train: Howdy, Eddie. Aymeric home?
Panel 11: Edrant: Ah, welcome home, Lady Gravy. M’lord is currently upstairs in his bedchambers. He specified to let none interrupt him since yestermorn.
Panel 12: Gravy Train: He ain’t want no one to bother him? Is he alright, is he sick??
Panel 13: Gravy Train: Ayms, ya doin’ alright, sugar bear?
Panel 14: <Hmm, no answer. Maybe he’s in the bathroom?>
Panel 16: Gravy Train: The hell, he ain’t in there either??
Panel 17: Gravy Train: Now just where could he’ve gone off to? Surely if it was an emergency he’d’ve let me know somethin’...
Panel 18: Gravy Train: Maybe Estinien’s gotten into some shit that Vrtra couldn’t get him out of and Aymeric went to help? Or Lucia needed him in Garlemald? Naw, Lucia’s got her shit together, Estinien’d be the one who’d fuck around.
Panel 19: Gravy Train: Aight, that bastard better have his linkpearl in or I swear to goD–
Panel 20: ???: Darling, is that you?
Panel 21: Gravy Train: Huh–who in the–?!
Panel 22: Gravy Train: Hollup–Ayms, is that you?
Panel 23: Aymeric: Aye, and I assume by your expression the potion worked?
Panel 25: Gravy Train: Oh my god, yer my size! Holy shit this is so cool!!
Panel 26: Gravy Train: Oh wait, ya got any clothing that’ll fit?
Aymeric: That I do. I may have taken the opportunity to, ahem, borrow some of your clothing and have outfits of similar proportions made for myself.
Gravy Train: Ohhh, I wanna see those fits!
Aymeric: Of course, if you could excuse me for just a moment…
Panel 28: Gravy Train: Ahhhhhh ya look amazin’, honey!
Panel 31: Aymeric: Um, darling, is something amiss–
Panel 33: Gravy Train: I can do this t’ya now, sugar.
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