#PLEASE PLEASE PLEASE TALK TO ME I HAVE SO MUCH LORE

[ghoulangerlee]

HERE WE GO. dewther phone sex that probably could have gone on for another six thousand words if I'd continued writing instead of forcing myself to end it :)

there is some lore-y stuff in here because I am not me if I don't include my own personal lore, and at the end there's mentions of heats and knotting but neither of those actually happen :)

Dew is a lil mean in this but as it turns out, Aether really likes em mean.

-

The phone rings, pulling him from the inventory reports in front of him—it's the desk phone of all things, not his cell that sits face down a little further away and for a moment, he thinks to ignore it, to continue his work so he can finish quicker and get to bed sooner, but at the late hour it could be some kind of emergency— 

He picks it up, balancing his pen in his other hand as he cradles the desk phone between his ear and shoulder, “Infirmary, this is Aether speaking, how can I help you?”  

There’s silence on the line for a moment and Aether tilts his head, “Hello? Is someone there?”  

A sigh, familiar in its tone echoes across the line, “Hey Aeth,” Dew mumbles, sounding tired, “Didn’t know if you’d still be awake.”  

Aether glances up at the clock across the room, the hands ticking by slowly, it’s late, much later than he’d expected, “Ah,” he says, “I was finishing up some inventory reports in the infirmary, some new guy decided to double the amount of gauze we need so now we’re swimming in it but don’t have any more antibiotics,” he glances down at the papers in front of him, red lines crossed through black numbers, “Been down here most of the day counting things to get everything right again.”  

Dew hums, a pleased little sound, “I like hearing you talk about the work you do,” he says, tone bordering on that sappy-tired one he gets whenever he’s worked to the bone and sleepy, “I miss you.”  

“I miss you too,” Aether murmurs with a small smile, leaning back in his chair and focusing all of his attention on Dew, “How is guard duty with Frater Imperator?” he asks, a brief flash of worry catching him.  

“He’s safe,” Dew says, yawns widely over the line, “A little annoyed by the travel, a lot annoyed that there may still be something or someone after him despite everything,” he’s candid about it, and if Aether closes his eyes, he can almost see Dew sitting in front of him, waving a lazy hand in emphasis as he speaks. “Of course, we’re doing fine, this other church is okay, a little drafty and the ghouls here don’t really speak, but I guess it’s fine for a little while. The elders keep giving me dirty looks when they think Copia isn’t watching though.”  

A pang of regret goes through him, he’d almost went with Dew and Copia, but something had come up in the infirmary, someone had fallen ill and he’d been the best person to fill in, he wishes he were there with Dew right now. “Sounds exciting,” he says, “A little draft isn’t too much for a fire ghoul, right?” he asks teasingly, feeling the tension of the day fade the longer he speaks to Dew.  

“Cold day in Hell that a puny little church with an annoying clergy bothers me enough to make me leave early,” Dew says with a snort, “I wanted to talk to you though, time differences suck. We’re on different continents and everything so I can’t even really feel you right now either.”  

Aether gets it, he can feel the way his bond with Dew is weakened, barely there, dormant in the distance between them—in the back of his mind he can still feel him, but it’s a far cry from the usual. “I know, wisp,” he murmurs, “I wish we were closer too,” he admits, “Church is quiet without you here.”  

“Copia was giving me shit earlier,” Dew admits after a few moments of silence, “Said I looked sad, like someone stole something from me,” he pauses, clears his throat, “Told me to come call you, that you’d probably be up working still even at the late hour.”  

“He was right,” Aether says with a little laugh, “Not that he has any room to talk about what is and isn’t late,” he continues, and then glances up at the ceiling, “Are you still sad?” he asks cheekily, lazily spinning his chair to the side, “Do you need me to talk to you so you can fall asleep?”  

He means it as a joke, but there’s a serious undercurrent there, something they’d discovered before Copia’s lateral move, when Dew had toured but Aether stayed behind—sometimes, sometimes his brain wouldn’t let him sleep, not alone, and he’d call Aether, listen to the quintessence ghoul talk until his eyes grew heavy and he fell into a comfortable sleep—imagining his mate right there beside him.  

Dew hums lazily, “Maybe,” he starts, but this time, there’s something of a breathless quality to his voice, “Or maybe I want to talk to you about other things.”  

It takes Aether a moment, if he focuses hard enough, he can hear something on the other line, a slick sound, a hitch in Dew’s breathing, “Is this a booty call?” he can’t help but ask, the words spilling out before he can stop it, “Dew are you—” he cuts himself off, presses his palm against the bottom of the phone and glances around the office.  

It’s late, of course, and the door isn’t locked, but he’s the only one down here right now, having sent the rest of the staff off, only keeping a bare bones support staff in case of emergencies, but he can’t sense anyone else.  

“I am working,” Aether finally says, lowering his hand, feeling a flush come up the sides of his neck, “If someone were to walk into my office, they’d—”  

“They’d what?” Dew asks sharply, the hitch in his voice making it obvious what he’s doing, “They’d think you were on the phone, right, baby? That you’re working late, working so hard for everyone, making sure the inventory reports are all correct. You’re not doing something silly like touch yourself, are you? You’re on the phone and you’re working diligently.”  

Aether grits his teeth, pressing a fist hard into his thigh, “I’m not touching myself,” he says, and looks down at his desk again, numbers taunting him on the page, “I’ve stopped working for the moment to talk to you,” he inhales deeply, bites his lip when he hears Dew moan quietly over the line.  

“You’re being such a good boy,” Dew murmurs the praise, praise that shoots right down to Aether’s core, “I’m going to touch myself and you’re going to listen to me and keep working, aren’t you?”  

Aether bites harder at his lower lip, tilting his head back against the chair, “I am,” he finally agrees, after a long moment of listening to Dew breathe heavily, the slick sounds of his hand.  

Dew waits for a moment, almost as if he’s aware that Aether’s not working, waits for minutes until Aether sits up, scoots his chair forward and picks his pen back up, “If I were there with you, I’d situate myself under your desk,” he purrs, words going a bit high on the end. “You’d be a busy body about it, complain about me distracting you but we both know you want me to.”  

Aether digs the pen into the paper in front of him, keeping his gaze trained on the numbers on the page and he hums a little, “You are good at being a little shit sometimes,” he says, trying to keep his tone casual.  

A laugh, breathless and the slick sounds seem to get louder, “Uh huh,” he agrees, “I am, but you love me like that, you love when I push your buttons. Take you down a peg, big guy.” Dew grunts a little and Aether can only imagine that he’s fucking up into his fist, “You turn to putty in my hands the second I get my mouth on you,” he breathes.  

“Lies,” Aether says, trying to keep his voice firm as he presses his legs together, “You’re just running your mouth.”  

Dew swears softly, “Aether,” he moans out, “Strong words for the guy who begged me to fuck him right before I left,” he teases, and Aether feels hot under the collar when he thinks about it, how desperate he had been for Dew’s dick. “It’s okay big guy, I love when you fall apart for me, when you can barely speak because you’re so dick drunk,” he coos, “Thinking about how your skin’s so cold, but every time I get inside you, you heat up like a fire ghoul,” he teases, “Like I’m branding you from the inside out, isn’t that right baby, you’re all mine and no one can fuck you as good as I can.”  

Aether squeezes the pen in his hand tight enough that he can hear the plastic creaking, “Dew,” he says sharply, but doesn’t speak beyond that, knows if he says anything else he’s going to make a fool of himself, he’s going to start babbling about how much he wishes Dew were here now, down under his desk, mouth on him, making him come.  

As the silence stretches between them, Dew moans again, this time higher, another swear, the steady creak of bedsprings, little ah, ah, ahs falling from his lips as he does, “Say something sweet for me baby,” he finally says, breathless and oh so close. “Let me hear your gorgeous voice, tell me what you want me to do for you, baby.”  

And oh Dew’s begging now, desperate in the same way he gets when they’re together, even when he’s being mean and teasing Aether—when he’s close, when he just needs a bit more to come.  

The pen clatters to the desk and Aether’s quick to shove his hand down the front of his scrubs, so glad he’d opted for them instead of the stuffy slacks he normally wore when on administration duties, “I want your mouth on me,” he finally admits, “Wanna fuck your face while you wait under the desk for me to finish working,” he manages to get out, moans when his fingers meet his dick, stroking over it quickly. “Want you to put a couple of fingers inside me, something for me to squeeze around,” he swallows heavily, tilts his head back against the chair as he arches his hips up into his own touch, imagining the heat of Dew’s mouth around him, “I feel so empty, firelight,” he admits, voice breaking a little as he does, pants out in the open, “Feels so empty when you’re away, want you to carve a place inside me and never leave.”  

Dew swears again, louder, a litany of fucks falling from his lips and Aether thinks he comes, thinks if he focuses hard enough he can feel it, the heat of it inside him, that maybe their distance is driving him a bit mad with how much he misses him.  

“Come for me baby,” Dew’s voice, rough with his orgasm, fills Aether’s ears, draws a sharp gasp out of him as he clenches around nothing and comes, goes completely breathless with it as he continues to touch himself until he’s too sensitive and he has to pull his hand away though it doesn’t go far, arm falling limp between his thighs once his hand is free from his scrub pants.  

It takes a while for his heart to settle down, for his breathing to fall under control again and he allows it, floats there as he wishes that Dew were here with him right now, a warm weight between his legs, fire all down his chest and stomach as he cradles him close, chasing away the chill that always falls over Aether after coming.  

“—ay we’re going to be back tomorrow, we’ve done all the ground work here, anyway, the rest is just boring admin work that can be done over Doom meetings.” Dew’s murmuring when he comes back into focus, “As soon as I see you baby, I’m going to get my hands all over you just like you deserve,” he promises, filthy and low in his ear, “Gonna have you coming so much you’ll be satisfied for days.”  

Aether hums, interested when his brain catches on the first part, still mostly focused on the second half of Dew’s words, “Tomorrow?” he asks, hating the way his voice sounds so hopeful.  

Fuck, it’d been weeks though, since he’d last seen Dew. Since they’d been together. He misses him.  

“Yeah, baby,” Dew murmurs, “Our plane landed a bit ago, we’re at a hotel for the night, but Copia’s got a car coming to get us in the morning. We’ll be home before you know it.”  

Aether makes another noise, something choked, “Oh,” he says, looks down at the paper on the desk in front of him, half-finished inventory reports, “I’ve got to—”  

“Whatever it is, it can wait,” Dew says firmly, “You’ve got tomorrow off and maybe the day after, Copia’s feeling a bit benevolent,” he says that with a bit of a grin in his voice, “Inventory will be fine for a couple of days, besides, Copia said he’d work on whatever you didn’t finish, just leave it where you’ve got it and he’ll take over. No arguing with me, alright?”  

And well, Aether can’t argue, because he’s feeling a bit selfish, a bit like he wants to shirk his duties for a few days so he can spend time with Dew instead, something warm settling in the pit of his stomach. “Okay,” he settles on, feels the weight lifted off of his shoulders at the word as he leans back in the chair, making it squeak a bit under his weight.  

“Good boy,” Dew says sweetly, “Now, listen, I want you to hang up the phone and go get cleaned up, settle in our bed and before you know it, I’ll be there, waking you up with a kiss.”  

Aether thinks about his nest, the one he’d been working on since Dew had left, how it still smells like the two of them and how much he wants to be there now, “Okay, yeah,” he says, “I can do that.” He swallows, bites his lip, “I love you, Dew.”  

Dew hums softly, “I love you too, big guy, I’ll see you tomorrow, bright and early.”  

When he hangs up the phone, it’s with warm feelings, and as he levers himself up out of the chair, he feels like he’s floating.  

He grabs his phone, scrolling through the few notifications that he has, there’s a couple of text messages that he’s not too concerned with answering tonight, another text from Dew that’s just a heart emoji and then a singular calendar notification.  

Aether raises an eyebrow but thinks nothing of it at first, locks up the office and deposits the key in the safe box for another staff member to find before he heads up from the infirmary and to his and Dew’s bedroom.  

Once he’s showered and settled into bed, wearing only his underwear and a thin t-shirt that used to be Dew’s at one point and is entirely too short on Aether and stretched out the from the number of times he’s squeezed into it, he picks his phone up again.  

Taps the calendar notification and blinks at the entry that had been added recently.  

Mandatory Leave 10.26 - 11.3 – Accepted by F. Imperator  

There’s a text, one that had come in while he was in the shower, from Copia this time.  

Dew may be a little grumpy in the morning, our car arrives in three hours to pick us up, we’ll be back before your heat starts. The others have stocked your room while you were working and I’ve taken the opportunity to clear your schedule for the next week just in case. Let me know if there’s anything you need <3  

He feels a surge of affection, sends back a heart in response and takes a moment to take stock of himself, feels the low simmer of something that had been bothering him for a while, something gnawing at him the entire time he’d been without Dew—and he didn’t think that it was heat, thought it was just something happening because Dew had been away for so long. His mind races a bit, wonders why his heat had decided to show now of all times—  

His phone buzzes again, a text from Dew.  

Go to sleep, Aeth. I can feel you thinking from all the way out here. We’ll talk about it tomorrow.  

He huffs quietly, sends back a fuck you and a heart a moment later, almost immediately, another text comes through.  

Of course, big boy, anything you need. I’ll even let you knot me if you want <3  

[poetry-protest-pornography]

kpop sampler

my dear @auriette was asking about my non-skz kpop feelings, and i have so many of them, so i thought it would be fun to make a little playlist.

i'm sticking with the 10 link limit (which is v hard) but if you also have a lot of kpop feelings, please rb with a song/group rec of your own!

in no particular order:

The Rose (k-rock)

i love them. They are super funny on social media, and their music is incredible. Screaming this song at the top of my lungs fixes me a little every time. Woosung is also a soloist and he's amazing.

WOODZ

This song gives me the shivers.

He also has a cover of Hype Boy that is A+

The duality of man.

I think WOODZ is vastly underappreciated, and i wish more people were as into him as i am.

Ateez

i know i already talked about them a little bit, but i have to do it again because i love them. just a bunch of insanely talented, stupidly hot weirdos. i love that they're all nerds who make legos together and that everyone but hongjoong and jongho have zero concept of personal space. wooyoung and san are medalists in the kiss your homie olympics. (woo is also bffs with changbin and also yeonjun from txt)

i'm still obsessed with this song and this MV. the ateez lore is very intricate and this is basically cinema.

TXT

insane dance skills, super talented, great music. it was hard to pick which song of theirs to include here, but this is defintely a favorite. def check out devil by the window" also.

they collabed with the jonas brothers and anitta and both songs were incredible. yeonjun just released a solo album. more talented goofballs. i love them.

OnlyOneOf

i am obsessed with OOO. they are incredible. they do most of their own choreo, they committed to making their MVs queer af and include messages of acceptance and support for the lgbtq community in the notes for all their videos. they paired themselves up and talk about kissing each other casually.

and they back it all up with high concept MVs, insane choreo, and great music that will absolutley get stuck in your head. picking a song was hard, but this choreo is too iconic

Hwasa

i am obsessed with her. she is also in mamamoo, who are great, but i am currently absolutely obsessed with her cover of lunch. but this song which is a pretty direct call out of the rampant body shaming in the industry is so much fun.

KARD

kard is the only mixed gender kpop group i know of, and we need more.

they are all adults, and their music and MVs are, too. killer dancey tracks. their friendship is a lot of fun.

BM is also a soloist, and has some very explicit horny songs that don't bother with the (barely) innuendo that kard plays with. he's also hilarious on SM, and on the daebak show

Enhypen

they're just good. i love a concept album, and they killed it with this.

Evnne

i love them.

they were all on boys planet, and i love all the groups that formed from that show (i was going to cheat and make a whole playlist of bp groups, but i'm just going to share this one and i'll make a whole separate bp post)

this video and song are just so fun, and they're so good, and i wanted to yell about them.

(all the boys planet boys are also stray kids levels of obsessed with each other, which i appreciate --zb1 is probably the worst-best about this, but they're all super close)

oh gosh only space for one more... ahhhh who to choooose

Blitzers

this is just so much fun

no one really sounds like blitzers. the horns and big band elements are wholly unique and fit surprisingly well. they are super talented and clearly having a good time with what they do, and it's just a good time.

I hope you like at least some of these songs/groups!

(Now, to play by my own rules and not add another ten in a reblog unless specifically asked to do more!)

Please add your favorite kpop/krock groups to share the joy of good music that we can all be super normal about together!

[rutadales]

screams until someone talks to me about my superpower au

[xxplastic-cubexx]

hi i don't have the specific comic issue, but i do have this panel (in response to charles being a screamer). enjoy.

First person who finds this issue name gets a crisp and uncomfortably-cold handshake from me

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[cecils-dragons]

I hope things will get better for you!

as for a question about characters, do you have any that have any cool prosthetics? or mobility aids that theyve decorated/made more fun for themself?

I've been sitting on this because I wanted to draw my new guy Rhys for this because he has two prosthetics that are stylized to be like porcelain. Not pictured is his cane that is also rose themed(wooden with roses carved into it). He's a retired hunter who now runs a small nursery/flower shop so he has a brand and is staying on it haha. (I also missed his glasses but that's just me being lazy and forgetful). In my lore and stories, prosthetics are powered by magic, allowing them to be more intricate then current ones, so customization can get more intricate, but most still have to retain to the shape of the part they're acting as so the user's body can still operate them properly.(so no tentacle instead of arm as a practical use prosthetic as it would strain the user's mind and energy)

I have a good handful of characters with mobility aids and prosthetics, but another that comes to mind for customized is Stag, who has a custom arm made by his son who specializes in making custom pieces like that.

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[paris-geller-was-straightwashed]

okay so, having now seen furiosa: a mad max saga opening night and having Ruminated on my thoughts, I am going to give my two-pence on the movie even though nobody asked or wanted it - you're getting it anyway!

but before going into the full thing, I actually re-watched fury road today, bc I just wanted to contrast it now that we know furiosa's full story that lead her to her trek in fury road, and I just had mad max on the brain (and also I love that movie).

spoilers under the cut below!!

first, I already knew before seeing the prequel, that that scene in fury road where furiosa breaks down after learning about what happened to 'the green place,' was going to now hit 2x as hard once we learn what really happened the moment she was ripped away, and...yeah, it's super painful to watch. it was already a very emotional scene, but now having known how much pain and struggle it costed her, how many times furiosa desperately made her bet to get back home and fell short - you can really feel her grief

funnily enough though, I was shocked to find myself tearing up not during that scene, but when furiosa was reunited with the last of the many mothers. having just watched her ripped away so unfairly as a defenseless child, her whole world destroyed and clinging onto this dream of one day, getting to embrace her family - you can't help it!! I started tearing up when the other woman rushed to furiosa, embracing her with the gentle touch of their foreheads, 'this is our furiosa' 😭 like..she did it!! she made it home!!! - also, I learned in the credits - that woman was actually the same little girl, valkyrie, in furiosa who was her friend!!! that girl saw her friend get snatched and pulled away from their home, and then finally, both grown, they reuinite! I just thought that was sweet

what max says to her about hope in the scene after they find the mothers, 'if you can't fix what's broken..you'll go insane.' - my mind immediately jumped to dementus. we get this glimpse that he once had a wife and child(ren) he loved, that were either taken from him or killed, and he tells furiosa in their stand-off more or less how that destroyed him mentally, further plunging him into this hateful madman who acts so cruelly to others. he couldn't 'fix' it by getting them back ('I want them back!!' 'I can't!!'), the one thing he loved that kept him sane, and so he lost his humanity.

I saw a post of someone saying how ricktus's death (immortan joe's son) is 10x more satisfying after having seen what he (nearly) did to child furiosa...abso-fucking-lutely (though, I think with that in mind, furiosa should've gotten a part in it..)

also, max & and furiosa's dynamic after knowing about her & jack...the parallels! the parallels!! their gradual bond of trust, how fluidly they work together to kill/fight the enemies of the citadel akin to her and jack vs. dementus and gang, etc.

this saga, of course, is about hope and redemption, alluded to in both fury road and the prequel. in fury road, max says (I think in his opening monologue) how he was once strived to be a 'righteous warrior', who could do good and help others. later, when one of the wives finds the warboy nux, he's distraught bc he thinks his chances for greatness are gone, but then she tells him that maybe, he's destined for something greater - and that would be, of course, later sacrificing himself to save her and the rest by crashing the rig into the war party. in furiosa, jack says how his parents were valiant warriors, and how he hopes one day, he could be the same - also, later, fulfilling that by sacrificing himself so that furiosa might escape dementus and the destroyed gastown. it's just such an amazing string of parallels - all three men, looking to do something great, and then, through furiosa, they're given that chance and achieve something good even amongst the destruction!! but it's only bc of furiosa, this harbinger of hope, that they do so - she's the tie between them all, the embodiment of that goodness!!! it's! just! so! good!!!

honestly there's probably way more parallels out there I'm sure ppl will bring up, but those were the things that struck me. now, onto my actual thoughts on the prequel.

--I'll start by saying I was unbelievably excited to see this movie. I'm annoyed though, bc despite knowing about it and wanting to see it once it was released, I literally only learned it was coming out a week before the release date. straight up, the press for it was so poor, not once did I hear about it before the trailer randomly crossed my feed one day - and considering how popular fury road is, I find that bizarre (but, I'll bet you a good couple bucks, that the press/hype was deliberately poor bc of the movie company execs, due to this being a female lead film 😠) - but it did mean I didn't have to wait too long, and that I did watch the trailer about 13 times on my own accord until then..

--having read the reviews, I do agree, it is a bit slower then fury road - but, that's really only bc it's a character story instead. fury road takes places in the current time of the film and the actions that follow, whereas the prequel is specifically about furiosa, so it's honed less to the action and more about a certain character, in my opinion. but it's just as good for a character story! it does an excellent job of unfolding furiosa's journey, and really, if you're gunna compare everything in the franchise to fury road, it's never gunna live up. that said, there's still excellent action and real nail-biting moments.

--I will say though, that I found it almost...darker, then fury road? fury road is definitely intense and there's of course violence, but it never openly tips into anything past pg-13; the darkness that is there, is more or less touched upon by the narrative (like, we can get a sense of what must've happened to the wives (ie assault) and why they escaped once we see how immortan joe regards them as property, the suffering furiosa must've went through by the pure vitriol look she gives him when their cars are side-by-side and later, 'remember me?' before killing him (my favourite scene)). but it's never explicit - furiosa is. from the torture of her mother, to that scene right after the max cameo when he drops furiosa off at the citedel's underground where I literally had to cover my eyes and ask my friend to say when it was done..there's an overtone of darkness that gives to the tragedy of furiosa, this child molded from pain (not to mention, again, that scene of ricktus and her as a child which to me, was the most nerve-wracking moment). fury road gives you a glimpse, but furiosa doesn't hold back.

--chris hemsworth, meanwhile, made an excellent villain. not just as an actor, but dementus as a character was fantastic. he's got lots of great lines and brings in a lot of humor - he's both deranged and erratic, while also clever and simultaneously childish, and mostly, cruel. he's wonderfully dynamic. bringing in a backstory of losing his wife/child was a great added piece to his story (I love a good backstory), and the way he takes the loss of his kid and tried to mold it around furiosa, tries to fill that empty piece inside, was a great choice in terms of their dynamic. it made him more then just a mad-man who stole a child for yuks - he had a deeper desire to tote furiosa around, almost as a security blanket in the same way the teddy bear also acts as one. his final monologue was great - the ramblings of a hateful man, but it was, in the end, what got furiosa to see past vengeance, and become better - to choose hope, and not destruction.

--anya taylor-joy did a great job I thought - while I wish furiosa had more lines, she made up for it in just the facial expressions and how full they were, really giving us a glimpse of what furiosa was feeling. even still, it would've been nice to have known what was going on in her head, or even hear her talk about her past - the green place, and then dementus, are the pure driving force of her character, yet she doesn't ever mention or grapple with her grief around these things, simply stays silent (except for the final confrontation with dementus). I would've loved maybe, if she had confided in jack, or maybe even one of the wives, to give more depth to her feelings.

--I also wish furiosa could've bonded with someone else besides jack, or at least before him. it would've been nice for to have had at least one ally, or, I dunno, a friend? like that war boy who had dwarfism - she seemed almost sad, when realizing after the battle that he was dead. instead, she's alone, but a fellow misfit friend could've been nice.

--speaking of jack, loved him! thought he was great! it's unfortunate his part was so short, would've loved delve into his background (also, I'm as gay as they come, but he's like..an objectively Good Looking Man, so well done all around).

--I was really nervous, for how they were gunna do the romance. I was against it initially, bc the great thing about fury road, was that romance was not at all forced into the narrative - you can read that between max & furiosa if you want, but for one of the very, very few times when a woman and man team up, romance wasn't forcefully wedged in, and instead they could be respected allies. so I was skeptical - and then I totally fell for them. they were so sweet! the two actors had great chemistry - their bond was just so soft. the way, after they crash and are caught by dementus, furiosa, who can barely stand, gently leans herself into jack's shoulder, sweetly muttering to each other as he leans his forehead back against hers, like 😩😩 it was so lovely, and so tragic. you could really feel the respect and care they had for each other; it was so organic, bc jack genuinely wanted to help furiosa. he respected her and asked nothing of her - he was a purely good man, and through that, furiosa was able to open up to him and trust him. it's the great curse of the mad max universe though - no romance can escape it's claws, same with how nux and one of the wives were torn apart. in my heart of hearts though, there lives a little AU fic where dementus doesn't catch them, and they make their way back to the green place and live happily ever after with a kid perhaps, and maybe, furiosa and him go back to later rescue the wives (they say, like they're not thinking of already writing that very fic...).

--one more thing about furiosa I wanted to mention, if I can call back to earlier saying how she becomes a beacon of hope for the various men that enter her life (and the women too, when you think of the wives..) - that, despite all this horror handed to her, at the very end of the rope, she gives into her hero's heart. time over, we see, even as the destruction of the wasteland chips away at her, furiosa can never quite betray her heart. she runs back to her mother even after being pushed to leave, she goes back for jack despite having the perfect escape to finally make it back home, and in the end, takes all her hurt and anger wrapped up in dementus, and turns it and him into something that can bring good into the world. it's about choosing good, above all!! a hero's heart, even in the darkest of worlds!!!

--the trailer really emphases the green place, but we only see it for like...a couple minutes? I was looking forward to more lore about it, maybe seeing some of it's inhabitants like the mothers. but furiosa is taken immediately and then her mother starts her hunt after her, and that's it. kinda a bummer.

--there's a couple inconsistencies here and there - like, when furiosa is first brought to where the wives are kept, there's gotta be about 20 women in there, roughly. but then, as she becomes a young adult, we see at the very end her approach the 5 wives from fury road (I was expecting a call-back, so loved that) and it looks like there's only them there - what happened to the rest of the women??? did they all die in childbirth?? also, when furiosa runs away and hides herself as a warboy/mechanic, how did no one know she was gone?? it seems odd, since immortan joe specifically picked her out and probably has a mental line-up of all his 'treasures', you'd think he'd notice. or how, later on, the new 'imperior' with jack looks oddly similar to that young girl ¯\_(ツ)_/¯

--also, I wanna know how furiosa got away with being the only female imperior - you'd think immortan joe might snag her away instead to be a wife bc she's young and viable, or that she'd be either dismissed or preyed upon by his sons/the other men. maybe because she was partnered with jack it was easier, but that was kinda confusing.

--final thing, bc this post is already too long - my last gripe is mainly about furiosa's dynamic with immortan joe. in furiosa, her revenge is purely motivated towards dementus, but then, switching to fury road, she now holds contempt and anger towards the warlord. part of what I wanted to see in the film, was her past with immortan joe; we didn't know initially how furiosa got to the citadel, but my interpretation, was always that possibly (because she was branded with the logo on her neck) she was brought on as a wife, inevitably abused by him, and then something happened where she was no longer useful as a wife (maybe an accident that cost her her arm) but was still useful as a tool. but, immortan joe isn't really looked at in the prequel; he's here and there, but doesn't show any particular cruelty or act towards furiosa that I was expecting. that vitriol she shows in fury road, and of course, 'remember me?', makes you think there was something there to fuel furiosa's revenge. instead, nothing really occurs between them - of course, furiosa is brought on to breed him children and then is expected to do his every bidding in getting supplies, so, I think we're supposte to assume that she has seen how cruel he is up close, and so acts against him. still, I was expecting something deeper there.

all in all, I loved it and had a great time. fury road will always be one of my favourites, but this is a great addition. fury road is great on all fronts; a fascinating world, great characters, amazing action, a well-made and clearly cared for story, but the thing I love most - is that it's about hope. it's about choosing, every day, despite the horrors around you, to get up and hope for something better. to do something better, even at your own cost. it's about hope and what we mean to each other when we extend it. and I just love that so much

go see furiosa! support it! it's a great time!

[tetzoro]

good morning & happy friday friendz (ㅅ´ ˘ `) we have made it to the end of the week !! i hope you all have a wonderful day and an amazing start to your weekend !! friendly lil reminders : ෆ drink water ! unclench your jaws ! blow a kiss to the sky ! be gentle with yourself ! ෆ

[presidentofthelipglossclub]

has anyone else noticed just how messed up the rescue bots are like, biologically?? like obvi they're messed up in other ways too but that's not what this is about.

they all have their cabs intact in bot mode, which doesn't exist in other cybertronians, their eyes are these tiny pinpricks in empty sockets, they apparently don't sleep EVER, we've never had any mention of or even seen energon cubes that other bots need, their primary source of self repair is apparently stasis, they show exceptional strength for civilians (and war frames too), and are just in general odd. what's going on here.

anyways my theory is that rescue bots in general were genetically engineered to be as efficient as possible. especially because it's implied the rescue bots spent most of their time off cybertron, either in space or on other planets. they wouldn't have easy access to energon, so they were created to need it less. recharge would be hard to schedule what with emergencies and space travel, so it's not necessary. the eyes could be because they're harder to injure/break when they're small, and the cabs are to store smaller beings inside of themselves during dangerous situations. the super durability, strength, speed, maneuverability, and so on are useful make sure nobody dies, including themselves.

anyways that's also part of my au?? idk what to call it, maybe interpretation of the show?? and why there are no more rescue bots. part of it is that early on in the war they threw themselves into danger to help other bots (leading to high mortality rates), but part of it is that they were too dangerous to either side of the war. an army of super soldiers would easily win the whole thing, but when the factions realized neither would get them (they would continue helping anyone and everyone, including off planet rescues) they started killing them. most bots didn't go out of their way to harm rescue bots, but no one ever bothered to actually help them. all this caused them to die out slowly, instead of the genocidal deaths most would imagine.

yeah

[bleue-flora]

So ummmmm… Here’s something I’ve been wondering for awhile: Who was the lava room in the finale actually for?

[basketobread]

HEY!!! just wanted to say that i am sooo sorry to the people who have been waiting on a response to their ask 😭 you guys ask way too good of questions where i have to sit down and really think before i can give a response im happy with SFDIUHSFDI

[pizzainator]

I watched Jacks stream oh my gosh...

I thought I could handle a Dsmp stream in 2024 but nope. just- that felt SO much like just a stream that would happen in like 2021. the wandering around falling into random creeper holes, chat telling jack to get philza to help him, and to find michael, the mobs interrupting and how unplanned it all was. unscripted lore my beloved forever and ever.

the way that it's like in tommy and jacks conversation- they're talking about things in character that also relates to (presumably) their feelings in real life. just gosh...

when jack and tommy said their goodbyes and jack looked back at technos house to see the sun rising- like its so perfect in a way that the incidental roleplay always was. Like in the way I know I'm reading into it but it still works and it feels like real life when something happens and you find yourself in that moment and life looks almost like a movie- everything in it's proper place for the scene- but it's all just coincidence. the sun didn't rise because a writer wrote that it would. the sun just rises and falls and the conversation just happens to end at that exact moment.

idk just- I really felt it. It captured the feeling of peak dreamsmp that I've missed so much.

I don't even have a problem with nuke ending personally I think it's perfectly fine as an ending. How I've always seen it is: Everyones been hurt by everyone and violence begets violence so the great final act is nukes that will kill everyone that have all ready been launched so it can't be taken back. Then in the prison tommy sees the early parts of the server through Dreams pov and sees the good that was there at the start and how much that has been corrupted since and he wants that simplicity again (he and dream were even friends at one point) before everything went terrible for everyone. Dream turns his back on his plan that he's been building up to for so long cause what he really wants is the same thing as tommy. for things to be simple like at the start. but it's too late- its too far gone. the nukes have already been launched there's no going back. just the hope that maybe in another world things could've been different.

(also the added context of nuke ending being an elaborate character/relationship/map reset to setup a season 2 that never happened.)

So there's my nuke ending defense lol. I know it wasn't very popular with a vast amount of people and that's okay too.

I think ending something like dsmp was never gonna be easy or satisfy everybody, with how many individual povs there are and storylines. I always expected there to be things left unfinished. (unfinished symphony ;) Even if that's pretty unsatisfying for us viewers. (there's a particular stream I really wish had happened with foolish, dream, and eret)

idk there's a post I always remember when thinking about the ending that was like: "Maybe they couldn't write a happier ending at that time in their lives." (super paraphrasing) obviously talking about techno's passing. it's a bit assumptive but the CC's have talked publicly about how much that has affected them (of course it did). With something like that I imagine giving your minecraft server/roleplay character a happy ending is the last thing on your mind.

Todays stream felt like grief and nostalgia and complicated feelings for a time that has passed but still left it's marks on you:

“are you happier?” “I'm getting there”

like, that just says it all.

[samarecharm]

If i start posting dc stuff on here, it means i lost the fight w myself. The demons won. Im sorry

[crossbackpoke-check]

the deweys photos are from this video: https://youtu.be/5xTwJho44ao?si=bPw8MZZ327lCogVZ aren’t they just everything

kissing you and the minnesota wild official media team (with consent) full on the mouth, THANK YOU THIS VIDEO IS EVERYTHING 🥰🥰 i have seen pieces of it before i think (connor petting a shark 🥹) but the entire video start to finish is such a delight, 10/10 would recommend

[theetherealraphael]

Wait, wait, wait, wait, wait, wait.

You know about us?

You hosted Envy?

God that’s makes this so much easier.

( @local-pickpocket )

yes. im the archangel raphael, of course i know about my sin counterpart.