#PETER FETTERMAN GALLERY
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PETER FETTERMAN GALLERY
Alison Shaw
Tuscany
2018
#Alison Shaw#tuscany#PETER FETTERMAN GALLERY#artists photographie#original photographer#art#original art#colors nature aurora#photographer#art style#fotos art#xpuigc#xpuigc bloc
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Gianni Berengo Gardin (born 1930)
Gelatin silver print
Instagram: peterfettermangallery
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Byung-Hun Min, RT 055, 2011 | Peter Fetterman Gallery
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George and Astrid in 1977; photo © Astrid Kirchherr.
“Astrid was the one, really, who influenced our image more than anybody.” - George Harrison, The Beatles Anthology
“I had the strongest friendship with George. He was one of my best friends. We saw each other often, and he always looked after me, got in touch constantly to ask if I was healthy and if I have everything. Today […] I still meet up with his wife Olivia and his son Dhani.” - Astrid Kirchherr, translated from Hörzu, 2005
“[Olivia] is a special lady and a wonderful woman, she is only what you would expect from someone married to such a wonderful man as George. [...] I was invited to a beautiful memorial service with Olivia and their son Dhani, who is so like George, at their beautiful home where George was happy being a gardener.’” - Astrid Kirchherr, Liverpool Echo, August 26, 2003
“I was in London then [in the late Sixties] and George said he needed a photo for the inner sleeve of his Wonderwall album. I said, I just don’t feel like it, and anyway I haven’t got a camera. He smiled and said, ‘Darling, I just need to click my fingers and there’s any camera you want!’ So I had to do it, and I do really like that picture. Then later George said, ‘Come over to London and I’ll set up a studio for you and you can be a photographer here.’ But I was so unsure then if I was any good or not, that I just couldn’t accept his offer. I’d had years of being called ‘The Beatles’ photographer’. I’d go into a magazine with my portfolio, and all they would want to talk about was The Beatles. They didn’t care if picture was out of focus or not, especially in the ’60s, as long as it had a Beatle in it. So I started to question myself. Are you actually good, or are you only good because you took pictures of The Beatles? And under those circumstances, I didn’t feel as if I could do it any more. I still take pictures - but these days they’re just in my mind.” - Astrid Kirchherr, The Beatles: Classic, Rare & Unseen
“He was then [in the early '60s], he still is now: my Georgie boy.” - Astrid Kirchherr, translated from Spiegel, 2/1994
“George was always my favorite, his kindness and his wit. He was just a wonderful person and whenever I was in trouble, like with money and things, he was always looking after me and he invited me a couple of times to London and later on to Henley. I just miss him terribly because he was like a little guardian angel for me, I feel like I am in a way lost without him.” - Astrid Kirchherr, Astrid Kirchherr: A Retrospective
“[Kirchherr] last saw George Harrison in mid-2001, months before he died, when he invited her to [Friar Park] for a last weekend with his family. ‘I remember we had a little walk in his park, and I was so full of love and joy to be with him that I cried,’ she says. ‘He said, “You must not cry, I will always look after you.” He had no fear. No fear whatsoever. I miss his presence, but I’ve got the feeling he’s still around me.’" - Peter Fetterman Gallery, Artists: Astrid Kirchherr (x)
#Astrid Kirchherr#George Harrison#Olivia Harrison#Dhani Harrison#quote#quotes about George#quotes by George#The Beatles#George and Astrid Kirchherr
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Roger Minick (1944), Airstream at Monument Valley, Arizona, 1979 | Peter Fetterman Gallery
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Edouard Boubat (French, 1923-1999)
Gelatin silver print
Peter Fetterman Gallery
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Scout In the Blizzard, Rockport, Maine. 2017
Photo: Cig Harvey
- Peter Fetterman Gallery
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Peter Fetterman Gallery : Jeffrey Conley : Une Ode à la Nature
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Horst P. Horst, "Dali Costumes," Paris 1939,
Gelatin Silver Print,
Image - 13.5"x18", Paper - 16"x20", Mat - 20"x24"
Courtesy: Peter Fetterman Gallery
#art#design#fashion#women's fashion#fashion photography#dressing room#walking closet#luxury lifestyle#girls#dali#salvador dali#costumes#1939#horst p. horst#peter fetterman#black & white
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Grace Robertson :Women’s Pub Outing, Clapham, London, 1956 |Peter Fetterman Gallery
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Colin Jones (British, 1936-2021) Children Playing In Front of The Corner Shop Benwell, Newcastle Upon Tyne, England, 1963 Courtesy Peter Fetterman Gallery #colinjones #girls #england #unitedkingdom #newcastleupontyne #streetphotography #streetphotographer #street #game #playing #portraitphotography #portrait #portraitmood #bwphotography #bnwmood #blackandwhite #blackandwhitephotography #blackandwhitephoto #blackandwhitepic #bnw #bw #bnwphotography #photography #kids #children #kidsofinstagram #poor #friends #friendship #friendsforever @peterfettermangallery https://www.instagram.com/p/CpQe7_-sfXa/?igshid=NGJjMDIxMWI=
#colinjones#girls#england#unitedkingdom#newcastleupontyne#streetphotography#streetphotographer#street#game#playing#portraitphotography#portrait#portraitmood#bwphotography#bnwmood#blackandwhite#blackandwhitephotography#blackandwhitephoto#blackandwhitepic#bnw#bw#bnwphotography#photography#kids#children#kidsofinstagram#poor#friends#friendship#friendsforever
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BI WEEKLY POST #4: CIG HARVEY
This photo book by Cig Harvey is called Blue Violet, it consists of 208 colored pages and is 9.25 x 11.50 inches. From what I've read and seen, Blue Violet is an incredible exploration of the changing seasons and the sensory richness of everyday life. It's not just an art book; it blends elements of a botanical guide, a historical encyclopedia, and a collection of poetry. This unique compilation really celebrates beauty, color, and our connection to the natural world. The book weaves together plants, flowers, and people's experiences in nature, creating a tapestry that draws on all five senses. It takes readers on a personal journey through nature while capturing a wide range of human emotions.
I am absolutely in love with this book by Cig Harvey. I think this is by far the BEST series of photos I have come across. The aesthetic of the book, the topic, the colors, everything about this book is what I want my photographs to be. I am so inspired by this book and am so in love with it that I am going to go out and purchase this book myself. The way Harvey captures all five sense while weaving together plants, flowers, and peoples experiences in nature is just wonderful. The photos in these books are similar to my art and the way I want to display my art. I think it displays my art idea perfectly. With my art idea I like to draw a lot of women and display women empowerment through flowers. I use flowers as a representation of women strength and display that delicate, soft and beautiful things such as flowers can be strong and withstand storms.
When I saw these photos I interpreted Harvey's Blue Violet to be a beautiful celebration of women and nature, especially flowers. It feels as if Harvey weaves together plants and human emotions, creating a sensory experience that encourages me to slow down and really appreciate my surroundings. The mix of visuals and various texts reminds me of the beauty in nature and our connections to each other, making Blue Violet a truly immersive and meaningful journey for me.
Harvey, Cig. “In Conversation with Cig Harvey.” Lenscratch, 22 Feb. 2024, https://lenscratch.com/2024/02/in-conversation-with-cig-harvey/.
Harvey, Cig. “Blue Violet.” Peter Fetterman Gallery, 2024, https://www.peterfetterman.com/publications/59-cig-harvey-blue-violet/.
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Roger Minick (1944), Airstream at Monument Valley, Arizona, 1979 | Peter Fetterman Gallery
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Cig Harvey (b. 1973)
Emily The River
Peter Fetterman Gallery (peterfetterman.com)
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Green Street, London, 1964; photo by Max Scheler.
“[Kirchherr] last saw George Harrison in mid-2001, months before he died, when he invited her to [Friar Park] for a last weekend with his family. ‘I remember we had a little walk in his park, and I was so full of love and joy to be with him that I cried,’ she says. ‘He said, “You must not cry, I will always look after you.” He had no fear. No fear whatsoever. I miss his presence, but I’ve got the feeling he’s still around me.’" - Peter Fetterman Gallery, Artists: Astrid Kirchherr (x)
#Astrid Kirchherr#George Harrison#quote#quotes about George#George and Astrid Kirchherr#Friar Park#fits queue like a glove
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Fred Lyon 他是美國攝影師。 他曾以拍攝霧濛濛的舊金山以及1940年代至1960年代舊金山生活的照片而聞名。 里昂曾在攝影界擔任不同職務,包括擔任軍事攝影師,攝影記者,時尚攝影師,風景攝影師和街頭攝影師。 人們經常將他在夜間在舊金山拍攝的照片與匈牙利-法國攝影師布拉塞(Brassaï)相提並論。
He was an American photographer. He was known for shots of foggy San Francisco, and photos of San Francisco life from the 1940s to the 1960s. Lyon worked in different roles within photography, including as a military photographer, a photojournalist, a fashion photographer, landscape photographer, and as a street photographer. His nocturnal San Francisco photography was often compared with Hungarian–French photographer Brassaï.
San Francisco photographer Fred Lyon. (Fred Lyon/Peter Fetterman Gallery)
《霧夜,天涯海角》'Foggy NIght, Land's End,' 1953.
Fred Lyon, 1924 - 2022.
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