Tumgik
#PAMPHLET
garadinervi · 1 day
Text
Tumblr media
«i / don't / want / to / frighten / you / but they mean to kill us all» ― e.e. cummings, in The Trial of Bobby Seale (The Conspiracy), (pamphlet, back cover), ca. 1969
89 notes · View notes
momxijinping · 12 days
Text
GIRLS YOU CAN HIT (original .pdf)
WHY DO FASCISTS WANT TO KILL TRANS WOMEN?
In a nine-day period between June 25 and July 3, six Black trans women - Brayla Stone, Merci Mack, Shaki Peters, Draya McCarty, and Tatiana Hall - were found murdered. The news barely made a ripple; Black trans women and trans women of color are murdered regularly - and no one is shocked, because the gender class structure is operating as usual. Liberal-individualist analysis claims that this is simply the result of amorphous personal "prejudices" -- that individual men, fearful of the unknown or afraid of change, attack trans women for personal reasons.
This is both idealist and ahistorical, a comforting fantasy that naturalizes and atomizes the oppression of trans women as a class and protects the underlying gender class structure of the empire.
In fact, reactionaries make trans women a primary target. ICE imprisons trans women in special separate concentration camps under under even worse conditions than cisgender men and women, and during protests, police subject captured trans women for especially brutal treatment. On July 25, a group of pro-police protesters outside Pittsburgh switched their chant from “all lives matter" to "kill transgenders" and "kill faggots." State power and reactionary elements target trans women specifically - but why? Because the oppression of trans women as a class is critical to the gender class structure of the empire, and by centering the oppression of trans women in our material feminist analysis, we can understand that class structure much more clearly.
WHAT IS THE GENDER CLASS STRUCTURE OF THE EMPIRE?
Fundamentally, the gender class structure is built on the domination of white men over women; white women constitute a subordinated but privileged class under the control ("protection") of white men, and reactionary white manhood is ultimately defined in terms of control of women.
WHAT IS THE ROLE OF TRANS WOMEN (AND NONBINARY TRANSFEMININE PEOPLE, WHO ARE TREATED LIKE TRANS WOMEN) IN THIS GENDER CLASS STRUCTURE?
Trans women, nonbinary transfeminine people, and feminine gay cisgender men are treated as a gender underclass. Structurally, they are "girls you can hit." They are also subject to substantial sexual violence in the form of sexual assault and rape. Cisgender women from oppressed and colonized nations are treated more like "girls you can hit" if they are less acceptable as potential members of the "protected" class of potential wives and mothers.
Thus, Black and Indigenous women are treated disposably as "girls you can hit." Likewise, sex workers, who are seen as disqualified from the "protected" class of women, are "girls you can hit." The further they are from the "protected" class of women, the more disposable they are, and they are treated more and more like trans women. This develops intersectionally as well; Black trans women are often accused of sex work to justify violent treatment, and Black trans women sex workers are murdered casually.
WHY DO CISGENDER MEN OPPRESS TRANS WOMEN? IN OTHER WORDS, HOW DO CISGENDER MEN BENEFIT MATERIALLY FROM OPPRESSING TRANS WOMEN?
This dynamic arises in childhood, where they are an acceptable target for violence and covert sex ("practice girls") by boys trying to enact their manhood. Men can gain status and an identity as controllers of women by hurting “girls you can hit." They "protect" (white, cis) women in the same way that the police "protect" communities: by enacting violence on the underclass, they gain control over the "respectable" class of women.
The threat to the women they control is supposed to be implicit, not enacted: "Serve me faithfully and you will never be hurt the way | hurt those sissies in middle school." But the opposite side of the coin is that any "protected" woman who refuses to comply in a serious and sustained way can be threatened with degradation to the underclass.
WHY DO CISGENDER WOMEN OPPRESS TRANS WOMEN? IN OTHER WORDS, HOW DO CISGENDER WOMEN BENEFIT MATERIALLY FROM OPPRESSING TRANS WOMEN?
They get to not be treated like trans women, sex workers, and other "girls you can hit." Their respectable status is contingent on having an underclass they are not part of.
HOW DOES THE OPPRESSION OF TRANS MEN (AND NONBINARY TRANSMASCULINE PEOPLE, WHO ARE TREATED LIKE TRANS MEN) FIT INTO THIS GENDER CLASS STRUCTURE?
The greatest threat to a trans woman's life is being treated like a trans woman. For trans men and nonbinary transmasculine people, the greatest threat to their lives is being treated like a cis woman. We can see this play out in fascist fantasies of "correcting’ trans men to become cis women, and in the way that transmisogynists like JK Rowling claim that "trans activists [code for trans women] are seducing your daughters into mutilating their healthy, fertile female bodies in an impossible attempt to become men." In fascist and reactionary rhetoric, trans men are framed as deluded, innocent cis women who have to be saved from a horrible error. In the material world, this agenda often plays out in the form of corrective rape and other atrocities.
Trans men from colonized communities are treated much more violently, as in the case of the murdered Tony McDade; there is no prospect of forcing them to be "protected" women, so they are treated disposablly, like trans women.
HOW DOES TRANS WOMEN’S LIBERATION THREATEN THE FOUNDATIONS OF THE EMPIRE? IN OTHER WORDS, WHY DO REACTIONARIES WANT TO WIPE OUT TRANS WOMEN?
The reactionaries are not mistaken to see the liberation of trans women (and sex workers) as linked to the liberation of cis women from colonized communities, nor is their targeting of trans women a mistake.
The liberation of trans women and "girls you can hit" in general would invert the gendered class structure of the empire and strike a critical blow to the control of "protected" women that reactionary men depend on for both social reproduction, personal exercise of power, and identity formation.
WHAT ARE THE IMPLICATIONS FOR US?
We must center the liberation of trans women, sex workers, and other “girls you can hit." This will immediately help to liberate cis women from colonized nations, remove the hierarchical power of "protected" white cis women over other women, degrade the power of white cisgender men over oppressed genders, and remove the basis for treating trans men and transmasculine people as deluded cis women.
127 notes · View notes
fuckyeahmeikokaji · 5 months
Text
Tumblr media
Meiko Kaji (梶芽衣子)
Scanned from a Showa Zankyo-Den (昭和残侠伝) / Female Convict Scorpion: Jailhouse 41 (女囚さそり 第41雑居房) promotional book published in 1972.
249 notes · View notes
yanchagraffiti · 9 months
Text
Tumblr media Tumblr media
1992 UK pamphlet. Several of these ponies are in different molds than the final product.
534 notes · View notes
webdiggerxxx · 3 months
Text
Tumblr media
꧁★꧂
165 notes · View notes
alienorchids · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Dir en grey - Final 2003 5 Ugly KINGDOM tour pamphlet
2003
86 notes · View notes
booksinantwerp · 1 year
Text
Tumblr media
Sculpture for the exhibition 'Issey Miyake: A-ŪN' in Musée des Arts Décoratifs Paris, 1988 follow on Instagram for more
658 notes · View notes
dame-de-pique · 10 months
Text
Tumblr media
Carlo Francesco Pollarolo - Almansorre in Alimena, Imprint: Reggio: P. Vedrotti, 1696
193 notes · View notes
arcadebroke · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
74 notes · View notes
anim-ttrpgs · 7 months
Text
The Eureka Kickstarter Pamphlet
Tumblr media
It’s not much of a secret that my career and future financial stability is riding on the upcoming Eureka: Investigative Urban Fantasy Kickstarter (April 10th-May 10th) being successful and hitting as many stretch goals as possible.
If you would like to help a disabled person have a viable career, and see more work from myself and A.N.I.M. in the future—well, first of all, back the Kickstarter on April 10th, but secondarily, spread the word so that others can at least know about it and may back it themselves.
Besides just telling people about us and reblogging our posts, a really helpful way for you to spread the word would be to go to this link here (it’s the same link as the one for downloading the free demo) and download the EurekaPaphlet3pg-1 PDF. It’s a foldable pamphlet you can print out and give to anyone who has an interest in TTRPGs at school, at work, at a con, etc. You can even print out a bunch of them and leave them at your local card&hobby store. These pamphlets even include QR code that will give anyone scanning them access to the free Eureka demo. Also, since it’s a PDF, you could also just send it to people online without actually having to print it out.
(Make sure when you do print it out, that you print it out double-sided!)
It’s a nice pamphlet with some of our best art on it, and does a good job of getting right to the point of what Eureka is.
Tumblr media Tumblr media
If any of y’all could hand this out and/or show it to people, it could mean a world of difference for making Eureka and A.N.I.M. a viable career path for someone who struggles to hold down any “normal” job.
Set a reminder for the Kickstarter launch here.
See a preview of the Kickstarter campaign here.
Join our Patreon for just $5 and get perpetual updates on the in-progress prerelease version of Eureka: Investigative Urban Fantasy and several adventure modules.
Visit our website or go to our itch.io page (follow us there too so you'll get notified when the game fully launches) for more information and a free demo! Also, in case anyone didn't know, the free demo isn't just a small chunk of the game anymore, it's almost the full game. Like, everything. If you previously downloaded the demo that kept most of the game hidden, go download it again to get access to all of that hidden stuff and more!
Interested in actually playing this game, and many others, with the developers? Check out A.N.I.M.'s TTRPG Book Club, a club of nearly 100 members at the time of writing this where we regularly nominate, vote on, and then play indie TTRPGs! At the time of writing this, we are playing Eureka: Investigative Urban Fantasy, and sign-ups are closed for actually playing it, but you can still join in to pick up a PDF club copy of the rulebook to read and follow along with discussion, and sit in on and observe sessions! There is no schedule obligation for joining this club, as we keep things very flexible by assigning multiple GMs with different timeslots each round, to try and accomodate everyone! This round, we had over thirty people sign up, and were able to fit in all but one! Here is the invite link! See you there!
Tumblr media
121 notes · View notes
anamon-book · 5 months
Text
Tumblr media
人形芝居 風流蝶花形 アトリエ ジュサブロー 写真・海老沢一郎、題字・飯塚康行、レイアウト・安彦勝博 監修・辻村ジュサブロー 原作=泉鏡花、脚本・演出=辻村ジュサブロー、語り阿部寿美子
80 notes · View notes
c86 · 2 years
Photo
Tumblr media
Gay Liberation Front Manifesto, 1971
Homosexuals, who have been oppressed by physical violence and by ideological and psychological attacks at every level of social interaction, are at last becoming angry
916 notes · View notes
imkeepinit · 2 years
Photo
Tumblr media Tumblr media
1K notes · View notes
elbereth-de-lioncourt · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Louis XVII
Complete Story Book, photos only. Scans
71 notes · View notes
conservethis · 6 months
Text
Today’s INCREDIBLE find in the ephemera collection is this 1963 pamphlet published by the State of Arizona’s office of employment
Poor Yul Brynner wouldn’t be able to get a job in AZ it seems…nor a pair of beatniks
Tumblr media Tumblr media Tumblr media Tumblr media
74 notes · View notes
misforgotten2 · 9 months
Text
Tumblr media
A book you very likely don’t have on your shelf #437
Cover by Alva Rogers -- 1945
111 notes · View notes