#Orlando Gibbons
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Sit Fast interprète 3 Fantaisies royales à trois violes d'Orlando Gibbons (1583-1625)
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Veja "Orlando Gibbons (1583-1625) - Fantaisies Royales (Jordi Savall, 2000)" no YouTube
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Orlando Gibbons was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The b...
Link: Orlando Gibbons
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Orlando Gibbons/Eastman Brass Quintet, In Nomines à 5 I Renaissance Brass Music, 1993
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the album this is from of Gould performing Renaissance era music originally for the virginal on the piano is one of my favorite December/winter albums I really can’t recommend it enough. Gould often claimed that Orlando Gibbons which he performs on it was his personal favorite composer (‘Orlando Gibbons is my favorite composer—always has been. I can’t think of anybody who represents the end of an era better than Orlando Gibbons does.”)
William Byrd, First Pavan and Galliard, performed by Glenn Gould
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Joe Orlando and Dave Gibbons - The Phantom #3 (1988) Source
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2024 Year In Review
2024 was another intense year. It was the first time in twenty years I wasn’t scoring a show for TV, and I got to concentrate on finishing albums and starting new projects. The year began with the premiere of my chamber symphony for Alterity Chamber Orchestra in Orlando and ended with guest-vocalizing with the Losers Lounge Band on a Bowie classic at Joe's Pub in NYC. I completed new albums for Xordox and Venture Bros, to be released in 2025. I released an Archer Soundtrack album and scored a Harry Smith film for L’Etrange Festival in Paris. Worked with Laura Wolf on a new project and premiered my Ensemble project at the Big Ears Festival in Tennessee. Recorded many overdubs for the next Foetus album, also to be released in 2025. Began a new series of sculptural wall pieces. We lost Phill Niblock in January and Steve Albini in May. We lost my colleague Roli Mosimann in September. I still woke up 5am in a panic on too many occasions. As a cultural omnivore, many sights, sounds and stimuli penetrated me.
Albums that I enjoyed in 2024
Sleepytime Gorilla Museum of the Last Human Being (Pelagic) Present This is not the end (Cuneiform) Tristan Perich/Ensemble 0 Open Symmetry (Erased Tapes) Drew McDowall A Thread Silvered and Trembling (Dais) Warrington-Runcorn New Town Development Plan Your Community Hub (Castles In Space) Extra Life The Sacred Vowel (Bandcamp) Geordie Greep The New Sound (Rough Trade) D-en Haut D-en Haut (Pagan) Aksumi Fleeting Future + Lines (Tonal Union) Louis Cole Nothing (Brainfeeder) Uniform American Standard (Sacred Bones) Zeal and Ardor Greif (Redacted) Shellac To All Trains (Touch and Go) Bangladeafy Vulture (Nefarious Industries) Ekko Astral Pink Balloons (Topshelf Records) Kee Avil Spine (Constellation) Fennesz Mosaic (Touch) Marewren Ukouk Round singing Voices of the Ainu 2012-2024 (Pingipung) Elysian Fields What The Thunder Said (Ojet) Melvins Tarantula Heart (Ipecac) Blood Incantation Absolute Elsewhere (Century Media) Aoife O’Donovan All My Friends (Yep Roc) Anna Thorvaldsdottir Aerial (Sono Luminus) Grace Bergere A Little Blood (Casa Gogol) Bob Vylan Humble As The Sun (Ghost Theatre 2) Andy Akiho Kin (Aki Rhythm) Yannis Kyriakides Hypnokaseta (Unsounds) Big | Brave A Chaos of Flowers (Thrill Jockey) The The Ensoulment (Cinéola / earMUSIC) Beth Gibbons Lives Outgrown (Domino) Beak >>>> / Kosmik Musik (Invada) Sebastian Tropic OST (Ed Banger) Chaser Planned Obsolescence (Decoherence Records) Jesus Lizard Rack (Ipecac) Ex East Islander Norther (Rocket Recordings)
Some books I enjoyed
Yuval Noah Harari Nexus Chris Stein Under A Rock Bill Buford Among The Thugs Patricia Highsmith The Talented Mr Ripley Sy Montgomery Soul Of An Octopus Malcolm Gladwell Revenge Of The Tipping Point
Some films I enjoyed
Furiosa ZEF Story Of Die Antwoord Joker Folie A Deux Kneecap Bad Faith Rebel Ridge Hundreds Of Beavers Ministry Of Ungentlemanly Behavior Teachers Lounge
I saw hundreds of concerts in 2024. Some highlights:
01.24.24 The Chisel at Bowery Ballroom 02.15.24 Jack Quartet play Austin Wulliman at Roulette Intermedium NYC. 03.09.24 Louis Cole / Genevieve Artadi at Brooklyn Steel 03.14.24 Kate NV at the Atrium at Lincoln Center 03.18.24 Sleepytime Gorilla Museum at Elsewhere in Brooklyn 03.23.24 Secret Chiefs 3 at Big Ears Festival 03.23.24 Hatis Noit at St John’s Cathedral in Knoxville TN for the Big Ears Festival 03.24.24 Kenny Wollesen’s Sonic Massage at Knoxville Art Museum for the Big Ears Festival 03.24.24 Elliott Sharp’s Void Patrol (with guests Cyro Batista and Colin Stetson) at Big Ears Festival 03.24.24 Aoife O'Donovan with the Knoxville Symphony Chamber Orchestra at the Big Ears Festival 04.01.24 Caleb Landry Jones at The Sultan Room i 04.06.24 Lovely Little Girls at Hart Bar. 04.19.24 Keith Fullerton Whitman performs ‘Playthroughs’ at Ambient Church 04.23.24 Mandy Indiana at Elsewhere in Brooklyn 04.26.24 Knower at the Brooklyn Bowl 05.04.24 Oberlin Contemporary Music Ensemble, directed by Tim Weiss, play Alex Paxton at Long Play Festival 05.04.24 Fuji|||||||||||ta at Long Play Festival 05.05.24 Ligeti Quartet perform Ligeti + Anna Meredith at Long Play Festival 05.17.23 Swans at Music Hall of Williamsburg 05.23.24 The Rolling Stones played at Met Life Stadium in New Jersey. 05.24.24 John Zorn’s ensemble, the New Masada Quartet 06.08.24 Rebekah Heller’s Bassoon Ensemble 06.25.24 Mdou Moctar at Bowery Ballroom NYC 07.12.24 C.Gibbs Review at Barbes 07.23.24 Bangladeafy at The Sultan Room in Brooklyn 08.18.24 Kid Congo and the Pink Monkey Birds at Union Pool 08.23.24 Alarm Will Sound play Marcos Balter’s Code-Switching, 09.30.24 Uniform at Bowery Ballroom 09.04.24 King Dunn aka King Buzzo (Melvins) and Trevor Dunn (Mr Bungle etc) at Music Hall of Williamsburg + White Eagle Hall in Jersey City. 09.13.24 Steven Bernstein and Nels Cline with the Arturo O'Farrill Latin Jazz Orchestra, playing James Bond themes. At Bryant Park in NYC. 09.15.24 PJ Harvey at Terminal 5, NYC 10.11.24 John Zorn’s Cobra in a 40th anniversary performance at Roulette Intermedium in Brooklyn 10.17.25 The The played at the Beacon Theater 10.22.24 Die Antwoord at Brooklyn Steel, 10.23.24 Boris played at Racket in NYC. 11.01.24 William Basinski for Age Of Reflections 11.04.24 Growing performing for Abasement at Artists Space in Manhattan 11.06.24 Pioneer Works presented a concert of Louis Cole Choral Music. 11.08.24 Lankum at Warsaw in Brooklyn 11.17.24 sunn o))) at Lincoln Center for the Unsound Festival 11.21.24 Extra Life at TV Eye. 11.24.24 Zeal and Ardor at Le Poisson Rouge NYC 11.25.24 Axiom, comprised of Juilliard students and conducted by Jeffrey Milarsky playing Solstice Ritual by Augusta Read Thomas 11.26.24 Blood Incantation at Elsewhere 12.01.24 Pharmakon’s awesomely unhinged performance at Union Pool. 12.11.24 Jesus Lizard played a great set at Brooklyn Steel 12.28.24 Grace Bergere / Jon Spencer / Gogol Bordello Capitol Theater Port Chester
Honorable mention to the multiple concerts I attended at the Abasement series at Artist Space, as well as multiple shows by S.E.M. Ensemble and Wet Ink Ensemble
#Extra Life#Zeal and Ardor#playlist#jg thirlwell#Augusta Read Thomas#Blood Incantation#Jesus Lizard#Grace Bergere#Jon Spencer#Gogol Bordello#Abasement#S.E.M. Ensemble#Wet Ink Ensemble#Pharmakon#Sleepytime Gorilla Museum#Ex East Islander#William Basinski#Fuji|||||||||||ta#Louis Cole#knower#uniform#Jack Quartet#Mdou Moctar#Tristan Perich#Warrington-Runcorn New Town Development Plan#chaser#Geordie Greep#Boris#Die Antwoord#The The
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in honor of @terrorscript reaching The Silver Swan: here is a large reason that scene had me leaping out of my chair on my first watch -- i learned a different arrangement of it (the orlando gibbons one!!) in early high school and we sung it ALL THE TIME and i hadn't thought of it in YEARS. so!!! i dug out my atrocious old USB mic and forgot to warm up and sang u some late renaissance/early baroque Swan Music. <3 hope u enjoy
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Orlando Gibbons (1583-1625) - Fancy for six viols
L'Achéron:
François Joubert-Caillet & Lucile Boulanger, Treble viols
Andreas Linos & Claire Gautrot, Tenor viols
Robin Pharo, Lyra-viol
Sarah van Oudenhove, Consort bass
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From The Story of the Trapp Family Singers by Maria Augusta Trapp, 1949:
On a memorable day in August, 1936, we were sitting together once more behind the screen of pines in our park. It was late in the afternoon, a Saturday. Everybody had stopped working and changed into Sunday clothes. Together we had said the rosary, a ritual which began our Sunday. During the week we had been working on the motet, “Jesu meine Freude” by Bach. Now we sang the movements already memorized, the different verses of the chorale and that wonderful fugue. And then we sang over and over again our newest favorite of which we were especially proud because it was in English: “The Silver Swan” by Orlando Gibbons. All of a sudden we were interrupted by a strange clapping of hands. A little bewildered, a little embarrassed, we went around the pine screen and met –who could describe our amazement? –the one whom we had so far admired from afar as Marschallin in Der Rosenkavalier, or as Fidelio–none other than the great Lotte Lehmann. She had heard that we had let our house in previous summers and wanted to inquire about renting it; and now, just by chance, she had heard us sing, hidden behind the pines. Right there and then she proved how really great she was, for only the great ones can appreciate the achievements of others. With what enthusiasm, her beautiful eyes glowing with warmth, she talked about our “art,” which made us blush and want to kiss her. “O, children, children,” she exclaimed over and over again; “you must not keep that for yourselves. That precious gift. You must give concerts. You have to share this with the people. You have to go out into the world; you have to go to America!” Her genuine enthusiasm swept us off our feet. Not that we believed it. Even the poor boy in the fair tale must have a hard time to believe it when he is suddently told he is a prince. “Don’t forget,” our illustrious guest continued, “you simply have gold in your throats!” But the mere thought of having to step on a stage was so frightening that the gold –hidden in the depths of our throats anyhow –was no temptation at all. “Tomorrow is the festival for group singing. You have to take part in that contest. You simply have to!” She coaxed earnestly and fervently. Pale with anticipated stage fright, we insisted: “Nnnno…nnnnever!” My husband was aghast. He loved our music, he adored our singing; but to see his family on a stage –that was simply beyond the comprehension of an Imperial Austrian Navy offer and Baron. “Madam, that is absolutely out of the question,” he said and meant it. “Oh, not at all,” Lotte Lehmann said with a twinkle in her eyes. Finally, believe it or not, she had us all convinced. She herself placed a telephone call, which, at this late hour entered us in the contest. After Lotte Lehmann had left with renewed expressions of her enthusiasm and best wishes for good luck for tomorrow, we woke up. What had we done?
Here’s some background of the Trapp Family Singers story:
The Little Drummer... the tune had been loosely based upon a traditional Czech carol which was adapted and published in 1941 by Katherine Davis. The first recorded version was by that “Sound Of Music” family in their album “Christmas with The Trapp Family Singers--Yuletide Songs of Many Lands.” The original track was issued on Decca album 9553 - Carol Of The Drum (Katherine Davis) by The Trapp Family Singers, conducted by Dr. Franz Wasner, recorded July 23, 1951.
Katherine K. Davis- The Little Drummer Boy "Almost Wrote Itself"
Katherine K. Davis wrote the Little Drummer Boy in 1941, and since then he has drummed his timeless message into the hearts of people everywhere. There are different versions of the story of Katherine Kennicott Davis’s creation of the Little Drummer Boy. One version of the story says that Katherine freely translated a Czech carol called The Carol of the Drum, in 1941. Another version of the story has it that she arranged the Little Drummer Boy with Harry Simone, Jack Halloran, and Henry Onorati and another version of the story says that she wrote the song herself while “trying to take a nap.”
The bibliography of her musical career indicates that Katherine K. Davis wrote and arranged The Little Drummer Boy in 1941, but she produced a lifetime of music before she wrote the Little Drummer Boy. Katherine Kennicott Davis Composed Her First Musical Composition at Age 15.
“Come, they told me/pa rum pum pum pum/A new born King to see/pa rum pum pum pum/ Our finest gifts we bring/pa rum pum pum pum/To lay before the King/pa rum pum pum pum/rum pum pum pum/rum pum pum pum/So to honor Him/pa rum pum pum pum/When we come.”
Katherine Kennicott Davis was born in St. Joseph, Missouri, on June 25, 1892, and she graduated from St. Joseph High School in 1910. When she was just 15, Katherine wrote her first musical composition called “Shadow March.” She studied music at Wellesley College in Massachusetts, and she won the Billings Prize for composition there in 1914. After she graduated, Katherine stayed on at Wellesley and taught music theory and piano as an assistant in the Music Department. She also studied at the New England Conservatory of Music in Boston and traveled to Paris to study with Nadia Boulanger.
After she returned from Paris, Katherine Kennicott Davis taught music at the Concord Academy in Concord, Massachusetts, and at the Shady Hill School for Girls in Philadelphia. She wrote many of her more than 600 compositions for the choirs at her school. She was a member of the American Society of Composers, Authors and Publishers and Stetson University in DeLand, Florida awarded her an honorary doctorate.
Katherine Kennicott Writes “Let All Things Now Living”
Katherine told colleagues that in the 1920 she had found the traditional Welsh folk tune, the Ash Grove in the Book of National Songs. She wrote the harmonization and a descant for the tune and published them in 1939, with her text under the name of John Cowley, one of her pseudonyms. She called her new song Let All Things Now Living, and it became a favorite Thanksgiving hymn of many church choirs and congregations.
Katherine Kennicott Davis Writes The Little Drummer Boy
“Little Baby pa rum pump pum pum/ I am a poor boy too pa rum pump pum pum/ I have no gift to bring pa rum pump pum pum/That’s fit to give our King pa rum pump pump pum, pa rum rum pump pum pum pum pum pum/Shall I play for you pa rum pump pump pum/On my drum.”
The Little Drummer Boy is the story of a poor boy who couldn’t afford a gift for the newborn Christ Child, so he played his drum at the manger with Mary’s approval. The baby smiled, delighted with the Little Drummer Boy’s skillful playing. The story of the Little Drummer Boy resembles a twelfth century legend that Anatole France retold as Le Jongleur de Notre Dame or Our Lady’s Juggler. The French legend said that a juggler juggled in front of a statue of Mary and the statue, depending on the version of the story, either smiled at him or threw him a rose. In 1902, Jules Massenet adapted the story into an opera and in 1984, the television film The Juggler of Notre Dame the statue both smiled at the juggler and threw him a rose. In 1955, shortly before they retired, the Trapp Family singers recorded the Carol of the Drum. This song resembles the Little Drummer Boy both in music and lyrics. The only difference is the line “The ox and lamb kept time.” In The Carol of the Drum, the line is the “The ox and ass kept time.”
Henry Onorati Arranges His Version of The Carol of the Drum
Mary nodded/pa rum pum pum pum/The ox and lamb kept time/pa rum pum pum pum/I played my drum for Him/pa rum pum pum pum/
In 1957, Henry Onorati re-arranged The Carol of the Drum for the Jack Halloran Singers to record on Dot Records, but Dot didn’t release the record in time for Christmas. In 1958, Henry Onorati introduced his friend Harry Simeone to the Carol of the Drum. Harry Simeone was a conductor and arranger from Newark, New Jersey, who had worked on several Bing Crosby movies and worked as conductor for a television show called The Firestone Hour from 1952-1959. Harry Simeone re-arranged the song and re-titled it The Little Drummer Boy. He recorded it with the Harry Simeone Chorale on the album Sing We Now of Christmas. Harry Simeone and Henry Onorati were given joint credit with Katherine K. Davis for the song even though they had only arranged it. This was Harry Simeone’s first album with a chorus and it was released at Christmas time every year from 1958-1962. It became a holiday classic.
The Little Drummer Boy Becomes a Beloved Holiday Carol
“I played my best for Him/pa rum pum pum pum/rum pum pum/ pum/rum pum pum pum”
Since the 1950s, The Little Drummer Boy has appeared in over 200 versions in seven languages in all kinds of music genres. In 1964 Marlene Dietrich recorded a German version of the Little Drummer Boy. The Beverly Sisters and Michael Flanders recorded hit versions of The Little Drummer Boy in 1959, and in 1972, the Pipes and Drums and Military Band of the Royal Scots Guards had a hit version of the carol. Bing Crosby and David Bowie recorded the most popular version of the Little Drummer Boy as a duet with Peace On Earth for Bing Crosby’s Television Christmas special in 1977. The duet version was written after David Bowie admitted he hated the song that he was scheduled to sing. Bing Crosby performed The Little Drummer Boy while David Bowie sang the new song Peace on Earth. The duet eventually became a classic.
In 2008, BBC disc jockey Terry Wogan and singer Aled Jones recorded a new version of the Peace on Earth/Little Drummer Boy duet for a charity album released to help Children In Need. Issued as a single, it climbed to a UK Top hit for them.
Katherine Kennicott Davis Writes a Lifetime of Music
“Then he smiled at me pa rum pum pum pum/Me and my drum.”
Katherine Kennicott Davis continued writing music until she fell ill in the winter of 1979-1980. On April 20, 1980, she died at the age of 87 in Littleton, Massachusetts. Her musical legacy included operas, choruses, children’s operettas, cantatas, piano and organ pieces and songs like Let All Things Now Living, and The Little Drummer Boy. She left all of the royalties and proceeds from her musical compositions to Wellesley College’s Music Program.
Katherine K. Davis once quipped that The Little Drummer Boy “had been done to death on radio and TV,” but musicians all over the world continue to sing and record her song.
#classical music#opera#music history#bel canto#composer#classical composer#aria#classical studies#maestro#chest voice#The Trapp Family Singers#Lotte Lehmann#dramatic contralto#contralto#The Little Drummer Boy#Carol Of The Drum#classical musician#classical musicians#classical history#historian of music#history of music#musician#musicians#diva#prima donna#Maria Augusta Trapp#20th Century Opera Singers#20th Century Singers
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Glenn had strong elements of sportsmanship and teasing, 'the kind of daring which accounts for his freshness, the great sense of inquiry which made him suddenly understand Schoenberg and Liszt in the same category, or Purcell and Brahms, or Orlando Gibbons and Petula Clark. He would suddenly bring an unlikely pair of musicians together in some kind of startling comparative essay.[……….] Here was a man you could really come to love. We became very close friends, but when he stopped playing in public, I saw less and less of him. I regret that, because it was a real relationship, based on a mutual appreciation of the sense of inquiry. He had an intellect that one could really play against and learn from. He was about fifteen years younger than I, I think, but I never felt that he was my junior, in any sense. He was a real peer, in every sense. When he died, l just couldn't bear it.
LEONARD BERNSTEIN , "The Truth about a Legend", first published in "Glenn Gould Variations: By Himself and His Friends"
[photos by Don Hunstein, 1957]
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Veja "Gibbons - Fantasias for 2 Viols" no YouTube
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Holidays 10.24
Holidays
American Bar Association Giving Day
Azad Kashmir Day (Pakistan)
Black Thursday Commemoration Day
Brain Cancer Awareness Day (Canada)
Child Care Worker & Early Childhood Educator Appreciation Day (Canada)
Day of Special Forces of the Armed Forces (Russia)
Diplomatic Workers’ Day (Kyrgyzstan)
40-Hour Work Week Day
Gormanudr (Old Icelandic)
House of Elrond Day (Lord of the Rings)
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World Origami Days begin (until 11.11)
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Food Day [ website ]
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4th Thursday in October
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Three for Thursday [Every Thursday]
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Weekly Holidays beginning October 24 (3rd Full Week of October)
Disarmament Week (thru 10.30)
International Dyslexia Association Reading Week (thru 10.26)
International Tree Climbing Week (thru 10.27)
Prescription Errors Education & Awareness Week (thru 10.31)
World Origami Days (thru 11.11)
Festivals Beginning October 24, 2024
Austin Film Festival (Austin, Texas) [thru 10.31]
Barbados Food & Rum Festival (Warrens, Barbados) [thru 10.27]
Cambridge Film Festival (Cambridge, United Kingdom) [thru 10.31]
Cork Jazz Festival (Cork, Ireland) [thru 10.28]
Food Industry Truck Driving Championship (Orlando, Florida) [thru 10.26]
Harvest on the Harbor (Portland, Maine) [thru 10.26]
Helsinki Book Fair (Helsinki, Finland) [thru 10.27]
Imagine Film Festival (Amsterdam, Netherlands) [thru 11.3]
Pumpkinpalooza (Starkville, Mississippi)
Tacoma Holiday Food & Gift Festival (Tacoma, Washington) [thru 10.27]
Top Taco (Matairie, Louisiana)
Feast Days
Al Feldstein (Artology)
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Anthony Mary Claret (Christian; Saint)
Betty Lou (Muppetism)
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Hebrew Calendar Holidays
Shemini Atzeret [22 Tishrei]
Lucky & Unlucky Days
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Shakku (赤口 Japan) [Bad luck all day, except at noon.]
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Premieres
The Alamo (Film; 1960)
American Pie, by Don McLean (Album; 1971)
Battle of Britain (Film; 1969)
Donald’s Camera (Disney Cartoon; 1941)
Episode 120 or 123 (Rocky & Bullwinkle Cartoon, S3, Ep. 120; 1961)
Equus, by Peter Shaffer (Play; 1974)
Fer-de-Lance, by Rex Stout (Novel; 1934) [Nero Wolfe #1]
Gattaca (Film; 1997)
Go Snow, Parts 3 & 4 (Underdog Cartoon, S1, Eps. 7 & 8; 1964)
Hot and Cold Penguin (Chilly Willy Cartoon; 1955)
John Wick (Film; 2014)
The Last Hurrah (Film; 1958)
Live at the Apollo, recorded by James Brown (Album; 1962)
The Manchurian Candidate (Film; 1962)
Mellon Collie and the Infinite Sadness, by Smashing Pumpkins (Album; 1995)
Mellow Yellow, by Donovan (Song; 1966)
Miss Fritter’s Racing School (Pixar Cartoon; 2017)
Moose Gets the Juice or Mourning Becomes Electra-Cuted (Rocky & Bullwinkle Cartoon, S3, Ep. 119; 1961)
Our Man in Havana, by Graham Greene (Novel; 1958)
Pancho’s Hideaway (WB LT Cartoon; 1964)
Parsley, Sage, Rosemary and Thyme, by Simon & Garfunkel (Album; 1966)
Shaved Fish, by John Lennon (Album; 1975)
The Silver Spoon, by Clelia D'Onofrio (Cookbook; 1950)
Smooth Criminal, by Michael Jackson (Song; 1988)
Springtime (Ub Iwerks Silly Symphony Disney Cartoon; 1929)
St. Vincent (Film; 2014)
The Super Salesman (Heckle & Jeckle Cartoon; 1947)
Taylor Swift, by Taylor Swift (Album; 2006)
The Wiz (Film; 1978)
Wotta Knight (Fleischer/Famous Popeye Cartoon; 1947)
Today’s Name Days
Alois, Aloisia, Anton, Armella (Austria)
Antun, Proklo (Croatia)
Nina (Czech Republic)
Proclus (Denmark)
Asmo, Asmus, Ermo, Rasmus (Estonia)
Asmo, Rasmus (Finland)
Florentin (France)
Alois, Aloisia, Anton, Armella, Victoria (Germany)
Sevastiani (Greece)
Salamon (Hungary)
Ponzia (Italy)
Ara, Modrite, Mudrīte, Renāte (Latvia)
Daugailas, Gilbertas, Rapolas, Švitrigailė (Lithuania)
Eilif, Eivor (Norway)
Antoni, Boleczest, Filip, Hortensja, Marcin, Rafaela, Rafał, Salomon (Poland)
Areta (Romania)
Kvetoslava (Slovakia)
Antonio (Spain)
Eilert, Evert (Sweden)
Valentine (Ukraine)
Denver, Rafael, Rafaela, Raphael, Raphaela (USA)
Today is Also…
Day of Year: Day 298 of 2024; 68 days remaining in the year
ISO: Day 4 of Week 43 of 2024
Celtic Tree Calendar: Gort (Ivy) [Day 26 of 28]
Chinese: Month 9 (Jia-Xu), Day 22 (Xin-You)
Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]
Hebrew: 22 Tishri 5785
Islamic: 20 Rabi II 1446
J Cal: 28 Orange; Seventhday [28 of 30]
Julian: 11 October 2024
Moon: 50%: 3rd Quarter
Positivist: 18 Descartes (11th Month) [Wincklemann / Fréret]
Runic Half Month: Wyn (Joy) [Day 3 of 15]
Season: Autumn or Fall (Day 33 of 90)
Week: 3rd Full Week of October
Zodiac: Scorpio (Day 2 of 30)
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Orlando Gibbons Fantazy à 4 no 2 | Fretwork
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