#OP your art style is so GOOD!!

[peepthatbish]

Omg look at them!!!

If chamber had baguettes/croissants instead of his weapons rip jett😔

valo art dump 😌

[gearvmac]

➥ sir crocodile & crack-shot luna commission from @taco-tuseday

[clegfly]

GTE OUT OF MY HEAD........ every liek. second post i see is you. what is this.... what is going on

Live footage of me using DARK MAGICS to beam my WICKED POSTS into tumblr user pickledmintpie’s head

[r0semultiverse]

It’s wild to me that some of you have entire discourse accounts dedicated to shipping hate & over analyzing shipping between the anime, manga, & light novels to the point of making harassment campaigns against the authors/writers of the side stories. Yet y’all don’t send the same hate towards Ikemoto & his highly suspect ass art style with the way he draws some of these kids.

[relaxxattack]

i miss tumblr user 6ds so much...

[sesamenom]

some funny snippets of a tentative timeline for the reverse gondolin au

[twentyfivemiceinatrenchcoat]

@mossmurdock

hungry,,,

[shithowdy]

this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣

so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?

your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.

Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.

Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:

-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.

-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?

-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!

-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?

Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.

peace n love

[centrally-unplanned]

California Crisis: Gun Salvo

I watched the 1986 OVA California Crisis, and it was really good! This anime, if you have heard of it all (which is unlikely), is famous for two things. One is its look:

Which in anime form did not exist before, and has not existed since. When you research “California Crisis” in English the source everyone pulls from is this essay by longtime industry man Fred Patten, and he describes it as “the over-solarized art style most commonly associated with the commercial artist Patrick Nagel, who was very ‘in’ at the time.” I believe him on that being an influence - he worked with the creators after all - and my primary documents from said creators are quite limited; but those that I have never mention him. They certainly were aiming for Americana - but what is causing this unique look is the use of thick, black outlines on the inner shading of the characters (something Nagel doesn’t really do), which producer Yoshikazu Tochihira mentions as a common technique used on vehicles in anime at the time. Given how heavily cars and ‘copters feature in this, I think the look was also sort of its own idea to create stylistic cohesion between the key parts.

I am not going to say it always works - on our main girl Marcia it is sketch, those eyes man:

But for our boy Noera it comes out a lot nicer:

He has less demand to be “typical anime”; bishoujo can’t blend here but surfer bum absolutely can.

You get used to it over time though, and it excels at capturing the idealized West Coast aesthetic. In particular, by being “not anime” it really helps you feel like it is somewhere else than Japan. The OVA is filled with long panning shots of detailed Los Angeles streets and beaches, named restaurants and garbled English menu items aplenty. Our friend Fred Patton - who isn’t a fan - comments that “Animation fans at the time said, only half-humorously, that it looked like the main purpose of the video was for a handful of Japanese animators to come to California and take a road trip from San Diego to Los Angeles for location shots.” But that never happened - this was made on a shoestring budget, and according to the same source as before no such site visit occurred. Instead, reference material was gathered by “searching bookstores, travel agencies, libraries, and even the American Cultural Center”, and it was a lot of work to get the details even half-right from that. Stop spreading lies, Fred Patton! Wait until you get my strongly worded comment on your blog, I don’t care if you passed away 6 years ago (RIP an absolute legend), get your facts straight!

Aided in this sense of immersion is the OVA's second source of notoriety: the absolutely banging city pop soundtrack by pop star Miho Fujiwara. The OP, Streets Are Hot, lives up to the name, straight fire:

And while not as peak, the rest of the OST doesn’t disappoint. Anime Youtuber STEVEM has a video on California Crisis that digs into the music side, as the history of city pop is absolutely his jam; for me I will just comment that it is a little lost now how western city pop was in Japan. Today it is of course “peak Japan” after its 2010’s retro internet boom, but if you listen to pop music from 1970’s Japan you still hear a lot of blending of western musical sensibilities and more traditional Japanese vocal stylings and instrumentation. City pop was one of the earlier genres to fully shed the past and embrace synth instrumentation and modern vocal approaches. And the aesthetic often pulled specifically from California - these are not album covers that scream Tokyo:

All of this is to say that this OVA is not only of its time, but it also embodies its time - a paean to the California Dream of the 80’s Tokyo youth:

Fucking vibes, man, for this alone the OVA really hits for me. Though of course, for all the Americana it is still an anime:

(Which by the way, Marcia rides a motorcycle on the highway and is clearly like 17, so Noera's rejection of an offer of sex here is more linguistic evidence for the bifurcated meaning of the word “lolicon” to refer to both actual prepubescent eroticization but also any preference for “youth” over “maturity” in typologies of femininity, intersecting with the bishoujo boom of th- okay okay, put the gun down, I’ll move on, geez…)

Sadly for California Crisis, its contemporary audience disagreed quite strongly with this being a symbol of the era; it was a huge flop. The OVA was the flagship project of a new anime venture by producer Hiromasa Shibazaki called Hiro Media Associates, and that shoestring budget was some very thin string. Shibazaki was launching his own anime+ magazine at the time, Globian (as seen in the links above), which was used to advertise their works - but towards that goal California Crisis only ever produced a single promotional image, which you see utilized everywhere it is mentioned:

So it just didn’t have the resources behind it to draw in a crowd. And the crowd it did draw in, best I can tell, wasn’t enthused; the art style was off-putting, the plot itself is a bit of a meandering mess, the long panning shots are ~vibes~ yes but also ~budget~ and obviously so, and the ending is a bit of a vague question mark. It was supposedly going to have a sequel, but Hiro Media, and Globian alongside it, closed shop soon after it was released, leaving audiences feeling that it was unfinished.

I won’t begrudge anyone their taste, or pretend it is not a very uneven work. However, I want to redeem the OVA’s core narrative from its reputation; I think it is honestly great, and it absolutely does not need a sequel. So let’s get into the plot - this is a story of a 20-something bar hand Noera, who runs into motorcycle-riding teen Marcia alongside a quasi-sentient UFO orb that just crash landed on earth. It beckons telepathically to be taken to Death Valley, a call which Noera resists but Marcia commits to heart-and-soul. Along the way the military, the CIA, the Soviets, every deep state boogeyman you can think of, all try to stop them, car chases and gunfire akimbo. Our duo bond, eventually they succeed, and the alien gives off a Kubrickian abstract flash of light and then vanishes - roll credits.

Ignore all the details, the mechanics, the CIA, all that shit. Puzzling and unsatisfying when you are watching it as a 17 year old, sure, but you are smarter now, you can separate the wheat from the chaff. Instead, why does Marcia want to follow a random alien orb into Death Valley?

Hilarious levels of on-the-nose buzzword dropping, oh sure. But behind that? Marcia is a teen, looking for meaning. She watches TV, reads books, dreams of being a hero, a protagonist, and this is it - the call of adventure! She is being offered the slot of main character and she isn’t going to turn it down. She literally name-drops Close Encounters of the Third Kind as part of her motivation, she is story-brained. When you first hear this line, you are like Noera, you eye roll it. But on reflection there is nothing more American than being the center of the universe - it truly is the American Dream.

But Marcia is not the main character of this story - the singular promotional image is lying to you. Noera is as well, and he has wisdom she doesn’t. Noera lives in the city fringe on a low wage service job, driving a beat-up Chrysler he presumably maintains himself. A blue collar man of habit, a himbo before it was hip. He follows Marcia to protect her, he casually rejects her post-car-chase adrenaline-rush-induced sexual advances. And, while they are escaping the military by hiding in a bar, he runs into an old high school friend Jack - who happens to be one of those military agents!

We have been seeing this guy the whole OVA, running the entire alien hunt operation. Top of the class, super genius, going places. Noera is unphased, and he and Jack reminisce about gags and girls from the old days. Noera congratulates his friend for “getting out” of his hometown, as it were, and then plot-duty calls, Jack’s real life calls, and he has to leave. As he does, Noera calls out to him, “Come visit me!":

And Jack leaves without saying anything:

Because it isn’t highschool anymore, right? This guy is in the Big Leagues, he isn’t gonna schlep out to some podunk bar in Long Beach because a dude he used to help do his geometry homework offers him a dri-

Oh, nevermind! Because none of that shit matters, right? We are all just dudes, let’s share a beer.

Marcia stares unaware through the entire scene by the way:

This is Noera’s “culminating moment” for his story, and she doesn’t track it.

Chasey chasey fighty fighty Death Valley journey and Marcia delivers the orb, she wins, with Noera’s help she saves the alien. And so it pulses out a sparkly rainbow, something that could maybe be interpreted as a thank you, and then leaves - giving them absolutely nothing to show for their efforts. Marcia is left on a panning shot, shocked and disappointed, holding a now broken piece of useless glass. She was never the main character of anything. She just ran an errand.

This is such good American Dream commentary! It ends the way all stories about the American Dream end - with it being a sham. Because it is. It’s all narrative, all marketing, all the outside trappings of something disconnected from the inner reality. Since this isn’t a midcentury novel but an anime OVA, the trappings of success aren’t a detached suburban home and 2.5 kids - it's being the hero of an action adventure epic. But fiction is fiction no matter the genre. Marcia doesn’t get that yet - but Noera already did before the VHS tape began to play. And Marcia’s budding realization is paralleled with Noera's own showcase of the socio-economic dilemmas that more typically define the genre - success doesn’t change who you are or what you need.

Once you step back from the sci fi spycraft stuff - which admittedly trails off - and see the themes, the ending is perfect, a sequel would totally ruin this. This is the best 80’s anime OVA commentary on the American Dream done through an otaku lens around. Definitely beats all the others in that category, for sure. Totally.

Anyway if you wanna fight me about my hot take meet me at the Waffen SS bar in 1980’s LA where I will be getting the shit kicked out of me for yelling my center-left political opinions while tipsily standing on the bartop:

All that research and I still have no explanation for this shot.

[energ00n]

Love your art! They all look so beautiful in your style!

This is a bit of a different take but honestly when you introduced Jazz I never thought of him as a romantic rival to D? Maybe it's that I rarely read J/OP, but to me he still feels like Orion's best friend. I would say //only// his best friend, but I think Jazz takes this very seriously: he platonically loves Orion and as the less naive/more street savvy of the two of them he thinks it's his job to make sure Orion doesn't get hurt. I can also see him being very possessive of his place as Orion's best friend.

He may have also heard about D from Orion before, maybe even heard about that "insignificant" comment, and even if he didn't, I can see him making Orion spill the beans very easily. He probably also quickly realized D's feelings, and Orion's, too, and in that his interaction with D (the comic where they talk about the garments) feels more like Jazz going "Orion is my friend, and very dear to me, so that is //my// reason to let him touch my visor/touch his garment. If you don't want me to use my connection to Orion to separate you two you better mech up and treat him better and admit to your feelings towards him, because otherwise you don't deserve him."

That also works very well with the two images of how Jazz and D treat Orion's garment: D holds it like something he wants but (feels like he) can't have. He has it wrapped around himself like he thinks he has to hold onto it when others rip it away, but it also makes him totally tangled up in it - a good metaphor for his feelings for Orion. Jazz on the other side is very sure in his place as Orion's best friend, and unlike D, he //trusts// Orion (the garment is around his throat) and Orion's feelings (the garment hangs loose, and he doesn't try to hold onto it because he knows it's not necessary).

It's your AU, so you can obviously take it in whichever direction you want to, but I thought you might be interested in my take on it.

I always enjoy knowing that my work can be interpreted in more ways than one (unless it’s just something blatant wrong that hurts character’ story) so yours aren’t any less delightful! I don’t read JOP either (there’s almost nothing to read) and it is true Jazz has never done anything to explicitly label his gestures as romantic toward Orion, characters’ vagueness is something I take pride in at times. It was interesting hearing a different take on Jazz here

[ninjagood4]

Uh, hey! I've already decided what style FotP is going to be, but I can't decide on the other artwork. I like to draw in many styles, but really don't like the chaos that happens in the profile because of it, want some stability.

A lot of people have said that the LMK based on Ninjago is the best thing I've been able to draw. It's really gaining huge momentum everywhere. I rarely do it, so…. why not make LMK my main content? What if my artwork looked like this forever? Example…

Plus it means I'll start drawing not only redraws, but individual artwork as well! It's a great opportunity to master the LMK style and raise activity, as other works are less good and remain in the shadows. I can leave the opportunity to parody styles for commissions, for example, and do it just for fun not as intense. Really I just don't understand what's going on in my profiles, one work looks completely different to another… It's not good. Maybe parodying styles is cool, but it's best not to overuse it. I'd really rather leave that skill for commiss, and if anyone wants something other than LMK and FotP, I'll do it.

Btw the FotP style is something I have yet to showcase, I've only recently been able to draw good sample frames and a poster, and will now be releasing all FotP content in this style (but☝️ will tweak it up a bit to make it all look proportional and not so blurry). Just a reminder that it's a combination of The Lion King animation and my old style. I also like that it reminds me of LMK in some ways, so that's another reason to focus on just those two styles! :D And and and… this style works really well in animation, and considering I'm going to start making animations in 2025 it's just fine.

It's still weird for me to say this. I started with no line and did something similar to WildBrain for years, and it's weird to completely abandon it and start something completely new. LMK and FotP are really better, they are easier to do and the result is not inferior. The main thing is to master both of them at the highest level.

I don't want 2025 to continue with the current chaos and uncertainty that 2024 has had. I really spent the entire year just trying to come up with the style for FotP and fulfill the requests, and all this greatly affected the quality of the content. Everything was constantly changing, some looked terrible, some looked good. Activity dropped off a lot and stopped growing, and I personally got confused on what to focus on. So now I'm going to follow a new tactic! >:D

And finally … I have very ambitious plans for 2025! In addition to starting to draw animations, I want to actively release concept art for FotP, improve its drawing and, most importantly, start drawing the comic itself! Yes, yes, I will finally start it, since I have been working on it since 2022 and in 2024 I was delayed by the lack of style. I just didn't have the ability to visualize all these ideas 🥲 As for other works, I will start developing the LMK style, drawing redraws and just fanart ^^

If about commissions, then I would like to increase the activity of orders and will try to cooperate. I don't know if it will work out, want to connect my profession with drawing without any changes and orders help me stay here (I literally can't imagine myself in another role). I avoided collaboration, but it turned out not to be so scary, so in the future I will try to be more open 🙃 The rest of the styles that I drew before, again, you will be able to request in the commission (FotP and LMK will also be available), and in addition, you can offer your own style (let's say you wanted to see your character in the style of Lilo and Stitch, Phineas and Ferb, Avatar etc. 🤷‍♂️). By the way, I plan to start accepting commissions not only for Ninjago, but also for various series in general. This was only the first year of commiss, and during this time I made several mistakes that I will now avoid, and began to understand this system better. Hope that next year I will open up better. Think for the first year the result is basically good :3

Thank you for reading to the end, see you soon! Let the changes be only for the benefit <3

[sanjisblackasswife]

So.... Hello! I'm not Very good at english since it's not my language but here we Go. I wanna to say i really love your art (from fanarts to your write style) and i Hope you have a good day today. Anyway i don't know If your ask are ope but How the Monsters trio Will react with they being your First in everthing! (Like First Kiss, First love, First s*x, etc) you can do nsfw-ish If you wanted

aww thank u!:) I am not going to go into grave detail because I am already doing a “First time” series with them but i like this request💓imma do it moreso where you’re THEIRS if thats alright

Being the Monster Trio’s First (NSFW-ish)

Black Fem Reader in Mind

CW: Mentions of sex

I am half sleep and typing this all in one go so mb for my spelling errors im just making up for lost time not posting consistently because school and coms☹️

Being Luffy’s First:

Crush: Being his crush is no different from being his best friend, he isn’t a very romantic guy if he likes you he will just tell you, “Y/N I think about you a lot, and I also think you may have a Lust DF power because when I think of you i get hard.” Bless him he is very blunt. BUT he does mean what he says so..be nice?

Kiss: Probably the most anticlimactic thing ever. Luffy already licks your face, hugs, and touches you a lot so when he starts running at you after a fight to see if you’re okay BAM. His lips smack into yours like a bowling ball and honestly. It’s cute. Completely uncoordinated, damn near sucked your bottom lip off, but…there was just something so addictive and attractive to his kiss that made you want more

Love: Very odd in his case. He just thought he liked you a lot. The signs were evident though, when you tell him he doesn’t deny it persay he moreso brushes it off because being in love is so new to him. However being his first love is something you can’t forget. He reminds you everyday why you’re important. Why he loves you. And why he fell in love with you.

Sexual Encounter: It was fun! You both were inexperienced. He didn’t know what hole to enter, you were shocked by how long he can stretch his dick. You both even spent the night laughing more than actually having sex, but once it came down to business it was a learning experience for you both. He was so attentive to make sure you were okay you felt yourself crying a little afterwards at how gentle he was with you.

Being Zoro’s First:

crush: He’s actually more of an asshole to you Not even on purpose he just doesn’t want to admit his feelings towards you. You’re beautiful, sweet, and charming and dammit he hates that he has feelings and how you always mess them up when you’re around him! He feels so powerless so please be gentle with him…or put him on blast. It maybe attractive to the mf.

Kiss: Awkward, awkward, awkward. He isn’t the rizzmaster okay. Yes he is pretty and he knows it but he is crap to flirting. absolutely crap. He was so hot in the face when you did the first move and kissed him he was a stuttering mess and pulled you back in for another kiss to prevent you from laughing at him. His kisses wasn’t BAD but …just practice with him. Yeah it was awkward but seeing your face so close and personal, smelling your scent. He couldn’t get enough.

Love: DENIAL IS A RIVER IN EGYPT Absolutely ridiculous how in denial he was. Everytime someone even said the word love he’d get so mad because that word applied to you in so many ways. He fell for you and he couldn’t do anything about it. You were the one opponent he could not beat and honestly, he didn’t want to. He fell for you and he fell so hard that it actually makes him nervous to be around you. He doesn’t know whether he loves you or hates you now for being so irresistible to him. Eventually he comes to terms with it and once it does and you feel the same way. Good luck getting rid of him.

Sexual Encounter: You taught him everything. He didn’t know his way from the clit to your ass. It took a lot of trial and error, sex wasn’t really NEW to him. He has seen porn but it’s completely different from films and pictures so sometimes he would back down when making out got too far, eventually he needed that release one late night while cuddling you and even though he could have went to the bathroom you stopped him and …helped him out. Let’s just say Zoro is so grateful he didn’t pussy out this go round!

Being Sanji’s First:

Crush: Sanji is an interesting guy because any woman that knows Sanji knows he is a mixture of a flirt and just having amazing manners for women. You however was just above the usual women he served to. Being his crush was an experience because you seen a side to Sanji most women don’t get to see. You seen him stand up straighter, sly comments that made your heart melt, and even kept his cool…too cool in fact. He really was Mr. Prince for you.

Kiss: The first kiss he planned it out. He knew his feelings about you and that you felt the same so he needed to plan it just right not just for him, but for you as well. The kiss was so soft and delicate you almost didn’t feel it. And that was because he shy’ed away for a moment, scared his sudden bold move would have you smack him, Luckily, he didn’t have to worry feeling your hands cup his cheek to kiss him back. He still touches his lips when he thinks about that time you kissed him.

Love: I mean man…you really are a blessed woman because out of all of the others he has seen and been with he chose you and only you. it’s insane really. He tries in his entire will to not mess this opportunity to find true love up. You being his first love he watches his mouth and actions around you more, He tries his hardest not to ruin the view you have of him and it shows. If you can just reassure him you love him for him and not who he thinks he needs to be. Sanji needs the confirmation that you love him almost as much as he loves you.

Sexual Encounter: LORD—- okay. okay. Just like Zoro trial and error HOWEVER. Much longer and worse. He really is still a pervert no matter how much in love he is with you so you have to take it very slow. Once you both are okay to be naked in front of each other he is back to being a shy boy so you constantly kiss and praise him, telling him how good he is for you, how well he is doing for his first time. You were so kind and patient with him, it never fails to leave a chill down his spine (in a good way) when he remembers that night of love making with you, and now that he has more experience he does nothing but reciprocate the same feelings back to you in bed.

[qsycomplainsalot]

AI isn't Art it's just Illegal Predatory Randomized CGI

Reposting this because OP blocked me, can't begin to guess why.

Photography, collage, readymade and various of the more abstract styles of painting and drawing are all art, and AI isn't. Why is that ? Simply, there are skills required to make technically interesting artpieces using these media, let alone meaningful ones. A skilled photographer might not be skilled with a pen, but their knowledge of composition and observation will always be transferrable to a new medium, in a way that they'll never start their art journey from scratch again. Because they're already an artist, because they've already done art and are skilled at it. Speaking for myself it took me a decade to get to a level where I was able to get paid for my work drawing traditionally, and once there it took me less than a year to reach a somewhat similar level switching over to digital. The skills are more comparable than with say collage or sculpture but the core principle still stands: I had gone and learned traditional art in art school, and while there I learned a slew of skills that were not at all limited to one tool, and when it came to switching I did not have to learn these skills again. Because by that point I was already a trained artist. I could just switch to sculpting with clay tomorrow and the biggest challenge would be to find a new market more than any skill issue.

Meanwhile fucking about with a computer to generate new pictures randomly has NO transferrable skills whatsoever. So much of the work has been taken out of your hands by a pattern seeking piece of software that it is impossible to learn anything from the experience. It's just plain to see when before you click the doodad to generate a new picture, you have NO IDEA what it will look like, none whatsoever unless you've been iterating on it before. You're not having an idea, formulating it in your mind and applying your skills to getting it out into the world, you just sort of have an idea and then a machine does the actual art work for you.

The only way you could possibly get better as an artist from doing this is if somehow you were deluded enough to think the process of scalping every artists' work in history was ethical, while also being observant and caring about art history enough that you'd learn critical skills from looking at the result of your quotation mark work end quote. Which is something you can do by going on a museum, or the internet. And if being an art historian isn't good enough for you, I invite you to actually join the elite exclusive vip club you're funding the death and automatisation of, by simply picking up a pen and piece of paper and starting to draw. It's that fucking simple.

PS: People trying to compare writing prompts with poetry: poetry does not include a stage in its process where all your artistic intent is surrendered to a machine to churn out a mash up of unethically sourced content. Nobody is going to buy a small book of computer generated picture prompts to keep on their night stand. You guys are delusional.

[beautifulwillfulldead]

[ID: A five page fan comic of Harry Potter. On the first page, Harry Potter is doing his detention with Professor Umbridge, in her office. Harry is a brown teenage boy with messy black hair, round glasses, and a lightning bolt scar on his forehead. He is wearing his Hogwarts uniform. Umbridge is a white woman with short brown hair and is wearing a bright pink cardigan with a pink fur collar. Her office has pink wallpaper and little plates hanging on the walls with cats on them.

Harry is writing lines, which is accompanied by little skritch skritch sound effects. Umbridge says: "Ah...Good." There is a close-up on his paper, where he has written with his left hand: 'I must not tell lies.' These same words have been carved onto the back of his right hand, which is bleeding slightly. Umbridge continues: "That ought to serve as a reminder to you, oughtn't it? You may leave for tonight." Harry, frowning, asks her: "Do I have to come tomorrow?" Umbridge answers him, smiling widely: "Oh, yes. Yes, I think we can etch the message a little deeper with another evening's work." Harry leaves while frowning angrily.

On the second page, Harry is walking up the stairs when he notices Ron Weasley skulking in the shadows. Ron is a tall white teenage boy with red hair. He is wearing his Hogwarts uniform, and is carrying a broom. Harry asks: "Ron?" In response, Ron starts sweating and looks very nervous. Harry continues: "What are you doing?" Ron answers: "Er- nothing. What are you doing?" Harry tells him: "Come on, you can tell me! What are you hiding here for?" Ron says: "I'm- I'm hiding from Fred and George, if you must know- They just went past with a bunch of first years, I bet they're testing stuff on them again, I mean, they can't do it in the common room now, can they, not with Hermione there." Harry, grinning, asks: "But what do you have your broom for? You haven't been flying, have you?" Ron nervously answers: "I- Well- Well, ok, I'll tell you, but don't laugh, alright?"

On the third page, Ron, sweating and nervously touching the back of his neck, continues: "I- I thought I'd try out for Gryffindor Keeper. Now that I've got a decent broom. There. Go on. Laugh." Harry tells him, smiling: "I'm not laughing. It's a brilliant idea! It'd be really cool if you got on the team. I've never seen you play, are you good?" Ron smiles as well and answers: "I'm not bad. Charlie, Fred, and George always made me Keep for them when they were training during holidays."'Harry says: "So you've been practicing tonight?" Ron answers: "Every evening since Tuesday just on my own. I've been trying to bewitch Quaffles to fly at me, but I don't know how much use it'll be. Fred and George are going to laugh themselves stupid when I turn up for the tryouts."

They start walking up the stairs together, and Harry shakes his arm in frustration as he says: "I wish I was going to be there." Harry scratches his nose with his right hand as Ron says: "Yeah, so do- Harry, what's that on the back of your hand?" Harry's sleeve has fallen down and has exposed his scarred hand.

On the fourth page, nervously sweating, Harry quickly hides his hand and says: "It's just a cut! It's nothing! It's -" But he's interrupted by Ron grabbing his hand and looking closely at it, as Harry ashamedly looks down. Harry yanks his hand away as Ron asks: "I thought you said she was giving you lines?" Harry looks away, and then at Ron.

On the fifth page, as the boys walk up the stairs, we see only blurred lines coming from Harry's speech bubble as he tells Ron everything. Ron says angrily: "The old hag! She's so sick! Go to McGonagall, say something!" Harry says: "No. I'm not giving her the satisfaction of knowing she's got to me." Ron says: "Got to you? You can't let her get away with this!" Harry answers: "I don't know how much power McGonagall's got over her." Ron retorts: "Dumbledore then! Tell Dumbledore!" Harry says: "No." Ron asks: "Why not?" Harry says: "He's got enough on his mind." Ron says: "Well, I reckon you should-"

He's interrupted by the Fat Lady, as they have reached Gryffindor tower. She asks: "Are you going to give me the password or will I have to stay awake all night waiting for you to finish your conversation?" End ID]

Harry hesitated, but after all, Ron had been honest with him, so he told Ron the truth…

one of my absolute favorite bits from the hp books that never made it into the movies. though admittedly, the ootp movie had to rly condense a lot. i think the relationship between harry and ron is super underrated/overlooked - there’s so much love, trust, and support between them in this scene.

[butcher-my-name]

Hi!! Just wanted to let you know (anonymously because I'm shy™) that I absolutely adore your art and take on mha!!! Your style and designs are so unique, and you draw Deku in a way that makes him feel even more relatable to me (I also checked out the fic Photo Op after seeing your sketches, and it has also become a favourite of mine!! Trans & autistic Deku my beloved) I always get so excited when I see you post, keep up the good work!! I look forward to seeing more of your art <3

i never know what to say when ppl say genuinley nice shit like this, but seriously thx, it means somethin to me✌️💥💥💥

[demaparbat-hp]

Hi! I wanted to just drop in and say I love your work (both your art and your writing. The way you draw katara is my all time favorite, really!), and was wondering other than the AUs you currently have, are there any other ATLA ones you really enjoy? Lately I’ve been enjoying chaos!avatar/vaatu vessel zuko, and blue spirit/painted lady zutara. Though in less of a hidden identity way and more of a spirit touched, body-sharing fma:b style, way. But that’s enough about me, tell me about you!

Oh! I love this question!

As you know, AUs are my lifeblood, so it comes as no surprise that every now and then someone will post something about a new AU and I'll get obsessed over it for weeks.

@late-draft's The Last Air Key Holder AU has everything. Breathtaking worldbuilding, amazing character dynamics and designs, and a generally great use of futuristic elements (hah!) in the building of the world and the storyline. A Sci-fi ATLA AU that gets even better every time op expands on it.

Then there's @pineapple-frenzy's famous Soulmate AU, which I had to mention because...well, because I just had to. Flowers growing in the places of your body where your soulmate has been hurt is such a beautiful and bittersweet concept, especially when applied to ZK. This is such a sweet AU and I love it so much.

@bluespirlt's Blue Spider AU is such a fun choice for me because, despite my little brother's attempts at converting me, I don't really like Spiderman (Batman is better for me, tbh). But I cannot see this AU and not love it. The art is great, the concept is fun, the fic is amazing! The ZK dynamic is everything the Fandom loves about them packed into a vigilante AU and I am here for it.

Lastly, there's this beast.

A long time ago, @the-badger-mole made a series of drafts, AUs, I-don't-really-know-what-they-were AU Bot Plots. One of them, despite being terribly short, and most probably forgotten already, has made its way into my heart and decided to stay there for good. The infamous Library AU. There's nothing about that AU except for that single post, I believe. Do I care about the lack of content? No. Did it stop me from fanart-ing the hell out of it? Nope! Should I be less obsessed over the idea? Yeah, probably.