#OP Analysis

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[dykealloy]

such a small detail but I cannot stop thinking about law leaving kikoku by luffy's bedside when he went out to talk with hancock and ivankov. idk it stirs up a lot of questions. like does law do this often? does law, like zoro, talk to his well-behaved cursed sword like "kikoku, sit. watch." before he leaves to go have lunch or a well deserved twenty minute post-surgery nap. is this the protective equivalent to leaving a baseball bat by the bedside? doctor's bedside manner emotional support blade? but then I also can't help but notice that it's unsheathed. which... actually, who is that sword protecting really, just sitting there? did luffy wake up more than once in the cradle of that submarine while his body was still recovering? (drugged up to the gills, entirely noncoherent, unable to be reasoned with, going in and out of consciousness, the only thought running through his mind being "ace"). probably would've been a nightmare for the heart crew

[thegreatcaptainusopp]

The Water 7 Fight: An Analysis

So. Water 7. There’s a lot to be said about the Usopp vs Luffy fight, their motivations, and the right vs wrong of it all…it’s a complex situation, and so I wanted to share some thoughts:

The Set Up

The growing tension and activity that led to the fight between Luffy and Usopp is so so well explored in the scenes right before it happened. Of course, events are kicked off by Usopp’s abduction by the Franky Family, and his subsequent beating and losing the money. This, on top of the many many clues sprinkled throughout the early bits of the arc and earlier arcs regarding his own feelings of inadequacy as well as his connection to the Merry, is the straw that breaks the camel’s back for Usopp in my opinion. This was one of his deepest fears, finally realized: he felt that he had finally crossed the line into more than just useless but an active liability to the crew. He admits as much to Nami when he sees her: he’s ashamed more than anything else. He can’t face the others.

Nami’s reaction in this moment is also really interesting. She sees Usopp at possibly one of his most vulnerable moments ever, and she reacts so kindly: she tells him it’s not his fault, that it’s going to be okay, that she’ll get him some help. It’s such a mature and responsible response and out of everyone here I think she reacted most rationally to this whole situation. I think if she had been a little more confident she could’ve engaged in some really good conflict resolution practices with everyone.

At the same time, everyone slowly gets the bad news about the Merry, and their differing reactions are interesting: they’re all upset, and openly discuss that. Sanji even notes that Usopp is going to be particularly upset to hear this, so they’re all already aware that this is going to be quite bad. What’s interesting, though, is Luffy’s reaction: he goes through a similar emotional journey that Usopp does when getting the news, but their ultimate destination is what differs greatly here. I think the difference here is probably down to two factors: 1. Luffy does not have the same particular insecurities that Usopp does and 2. Luffy is the ultimate authority in the decisions here, Usopp is not.

Then, Usopp picks himself back up, badly wounded, to return to the Franky family to try to get the money back. This is a big moment too, because it showcases that he is the type of person to fight even when he knows he isn’t going to win, which is what ends up happening here. Even the moment where he burst in really felt paralleled to the moment he stares down Luffy in a fight later: it’s a really good set up.

And then he gets injured even more, and chopper has to check if he’s even alive when they find him, which is important to note because his physical condition is just dire right now.

I found the reactions of Luffy, Zoro, Sanji, and Chopper interesting too because they get super angry, obviously, partly because of the money but more because of how Usopp is hurt. In one sense it’s funny that they just left him there while they took revenge for him, but on another it’s a little tragic because that wasn’t what he needed in that moment. I don’t think he ever finds out about it either if my memory served me correctly. There’s another layer of irony in the way they all leap to fight to save their crewmate but we’ll get to that later.

I also think it’s notable that Luffy locks in his decision to get a new ship here, right after they destroy the Franky family’s hideout. I think he felt a sense of responsibility for what happened, maybe believing that if he’d been more decisive in his leadership, then Usopp wouldn’t have been this badly hurt. Which is also just oof. Extremely ironic.

So they take Usopp back and it takes him a while to even wake up, and when he does he’s all apologies. The physical framing of it is interesting too, because he’s on his knees and hugging Zoro’s legs and stuff. He’s not outwardly expressing his shame like he did with Nami earlier but it’s close. He’s not really standing up at all.

And everything seems to be going ok, and Usopp is asking about next steps and then…and then Luffy drops the bomb. And that changes everything.

The Confrontation

Usopp starts the whole argument in full denial. It’s a pretty classic gamut of emotions here: he goes full tilt into the cycles of grief, starting with just straight up denying that Luffy would do this, to bargaining by asking if he was at fault in this situation and trying to convince the others to let him continue fixing the ship. He’s clearly feeling a lot of guilt here: he believes he is directly responsible for the Merry’s “death” as it were and is scrambling trying to take responsibility for fixing her. I think everyone else was taken aback by the level that this guilt went and were wholly unprepared to deal with it. Luffy yelling that he isn’t a carpenter I think was him trying to talk him down but ultimately had the exact opposite effect: all Usopp heard was he had no expertise in this and was useless, and may have even harmed Merry further or out her in this situation to begin with.

This snaps Usopp into the anger stage, and this is where it really starts to get ugly. It’s notable to me that he’s the one that escalated by grabbing at Luffy’s shirt and yelling at him that he excepted better, which were intended to hurt I think. Luffy though gives as good as he gets, and is the one that actually turns the confrontation violent: knocking a grave injured Usopp down. In short: he doesn’t descalate or calm the situation, but instead adds to it. The way his temper is so hair trigger in this scene is extremely interesting to me.

Nobody else intervenes either (at least not yet). All of them try on occasion to tell them to calm down or stop fighting but not more than that. Not even Zoro steps in at this stage, which I found super interesting. Nami tries to tell Usopp at one point that Luffy had a similar emotional reaction ti him about this choice, but Luffy stops her. Funnily enough I think if he hadn’t she may have been able to calm things down a bit here.

It’s not until Luffy is right about to tell Usopp to leave, it’s practically already left his mouth, that someone actually steps in here. And it’s SANJI. Sanji, who knows very well how it feels to be told you don’t belong somewhere anymore. Sanji physically knocks Luffy back and he does it with FORCE, and it’s him who desperately tries to wrangle some control back of the situation. And the thing is: it almost works! Everyone listens to him, nobody objects to his methods, and Luffy actually starts to reign himself back and apologizes!

But it’s a bell that can’t be unrung at this point. Usopp has heard what he heard and has made his decision. What’s interesting here though, and what I realized upon rereading it, was how self aware Usopp was at this stage about the whole thing? Like he was fully aware that he was substituting himself in for the Merry and straight up tells the crew that he thinks he’s useless and that they should get rid of him in the same way that the did the ship. Like…he’s not subtle at ALL about this, and about the reasons why he’s behaving the way he does. He knows exactly why! And he tells them! I honestly credit him for that in a way…he’s spiraling here but he’s aware of it, and he’s aware of exactly what he’s feeling and why. The way this fight is remembered and discussed in fandom I feel is he’s characterized as throwing a tantrum about it but this really isn’t what happened here at all.

Nobody really pulls him back on his statements: I think they were too shocked here to really know what to do. Chopper is falling apart emotionally, Nami is trying to get him to hang back and wait, Sanji even starts yelling at Usopp to come back. Zoro…Zoro says nothing, which interested me a lot too. He does however have a flashback to him being the one to invite Usopp on board, which I have a LOT of thoughts about. From Alabasta, Zoro has been privy to a lot of Usopp moments that were important turning points for him: carrying dalton up the mountain, expressing doubt after long ring long land, etc. I think he’s thinking of those things here too. I think he’s feeling a sense of responsibility here that he doesn’t know what to do with.

Luffy says nothing too. He looks angry, which I think is a cover for upset, but his silence is fascinating. He’s letting things play out here because I think he’s still in fight mode but also because I think he’s letting Usopp make his own choices here, as he should. I think he’s trying to be captainlike here. But…also not quite. He’s spiraling just as bad as Usopp here, imho.

And then, Usopp issues his duel request. There’s a few interesting bits in between where Nami is trying convince Luffy to not go through with it, but he’s very dedicated to doing so anyway. She’s telling LUFFY to apologize which is interesting thinking of the fandom recollection of this fight. She’s trying conflict resolution here but it’s a bit too late for that.

I also like that Sanji and Zoro are fighting about this too, blaming each other for what happened. I think it’s a form of tension release for the two of them, and Nami stopping them shows it’s still a bit of a sensitive time for it anyway. Which leads to:

The Fight

This fight is one of my favorites in OP, insofar as actual fighting techniques/approaches go. It’s unique to the series and so emotional and just hits different. Luffy’s later fight against Sanji hits similar notes but this one stands out specifically because it’s Usopp, who is very much not a fighter in the same way Sanji is.

For one, Usopp’s a ranged fighter, and he’s fighting Luffy at close quarters. He’s already at a MASSIVE disadvantage and he knows this, Luffy knows this, the straw hats know this. It’s his fight to lose, and he picks it anyway. And I think this is what’s so key to this entire conflict, from start to finish: Usopp KNEW he was going to lose. He knew it from the start. He knew Merry was doomed. He knew that from the start too. But he did all of that anyway. Why? I think the why is so incredibly nuanced, from loyalty to pride to fear of rejection to abandonment issues. But it also highlights his tendency to bullheadedly get things done if he thinks he’s the only one left who hasn’t given up on something. And I think that’s so important to him as a character, and it’s this realization and this specific fight that made Usopp into my favorite character. It’s also why I don’t think there’s a black and white wrong and right side to this conflict. From one end, Luffy’s the boss so they need to follow his instructions without question. From another, I like it better when Luffy’s challenged by his crew for both story and character purposes for all involved. I think Luffy needed this to happen, not because he needed to assert his authority as captain, but because he needed to fuck up as a leader and learn from that.

For another, Usopp is also on the brink of collapse this entire time. The fight ends when Luffy gets a single hit in, which means Usopp was on his last legs and he still went through with it. That is super admirable to me and a testament to his super tanking abilities and determination when it counts. He had the deck stacked against him here and he still went for it.

Now: fight techniques. Usopp took this fight seriously, like for real seriously. He pulled every weapon out of his arsenal and went for it, from lying to caltrops to dials and actual honest to god explosions. It was interesting to see the crew be so surprised at him doing so well at the start. He even uses Luffy’s care for his injuries against him which was a notable part of it for me. The impact dial bit is one of my favorites: it’s such a powerful moment to me.

And then he loses, and is probably actively dying as a result lol. Everyone’s absolute devastation, expressed in different ways, was really fascinating to watch. Chopper just trying to run over and fix things and Nami unable to watch hit hard. Zoro being super composed on the outside and holding Luffy together but…yeah he’s not pleased about this. Sanji telling chopper not to go because Usopp doesn’t need pity. Luffy crying…which always is very emotional. Them giving Usopp the ship and moving on to demonstrate that they took all his words seriously but also to acknowledge his dedication to the Merry. Ooof.

Anyway this arc physically hurts. 10/10 experience. Destroys me every time.

[shanksxbuggy]

Pls pls pls rant more about ur theories and thoughts abt op and this recent chapter i need ur analysis sm thank you for ur posts ur one of shuggys greatest blogs!!!

Thank you for liking my humble little offerings!! Every day I toil in the shuggy mines ⛏

In this spread, if Oda really did intentionally put a mirror parallelism between opposite forces, then it might imply that Buggy and Shanks would clash in the future because of their differing ideologies.

I’ve also seen people worrying that the parallels might signify a battle to the death, where only one side can come out on top. Basically pairs with contradicting desires that conflict with each other.

So I’m thinking, what kind of conflicting ideology between Shanks and Buggy would put them on this level?

Out of all people in this race - his arch-nemesis Blackbeard, the authoritarian government who slaughters innocents - it’s Buggy who mirrors Shanks as his polar opposite.

What’s interesting to me is that Shanks seems to have his own plans for the One Piece.

Since Buggy is about materialistic greed and wants to find the treasure for his own gratification (not for any grander scheme involving the fate of the world), when I think about the opposing side, maybe Shanks wants to destroy the One Piece so no one can have it, which would put him in direct conflict with Buggy’s interests.

Imagine there’s a big pile of treasure and priceless artifacts, and Shanks says ‘well I’m going to destroy all of this so no one can have it’. That would be enough to piss Buggy off and start a fight.

When Shanks uses the word ‘get’, the word he uses has the implication of ‘take by force’ or ‘steal’, almost as if someone else has it.

If I consider the possibility that Shanks plans on destroying the One Piece, this wording could imply he’s going to ‘take away’ the One Piece from anyone trying to possess it.

Since Buggy’s goals are selfish, as his direct opposite, Shanks’ goals might be selfless. Shanks doesn’t want the One Piece for himself, and if anyone does want to claim it, they’ll have to defeat him to do it. So in that way, he’s safeguarding it.

Just from how different Shanks’ expression is from the other Emperors, it’s like he’s the only one who’s not having a fun pirate adventure hunting unknown treasure.

Compared to every other ‘opposite parallel’ in this spread, Shanks vs Buggy seems very different. They’re the only opposites who actually care about each other despite their differences. Compared to the other matchups, their conflict seems kind of petty and personal.

I don’t think Shanks and Buggy will truly have a fight to the death. I’m not sure Shanks would even be able to fight Buggy seriously.

If they ever were to face off against each other, it might end up being like the challenge between Dorry and Brogy, where it’s a match between two people who care for each other and in the end won’t be happy seeing the other person lose. Unlike everyone else who’ll probably have to kill each other to stop their opponent, Shanks and Buggy have the desire to save each other. So their outcome won’t be the same as everyone else.

Honestly, besides comic relief and leading characters like Mihawk and Crocodile to the One Piece, Buggy doesn’t look like he has much of a role in the final battle royale. He isn’t important to the main plot or Luffy’s development, he isn’t strong and doesn’t have useful information, he doesn’t represent some moral good or ideology, even as a villain he’s not so evil that he needs to be defeated. So what is his purpose, why did it have to be Buggy with this important role in the finale? It’s likely that Buggy, as a character, exists for Shanks’ endgame.

Whatever Shanks’ endgame is, Buggy will play an important part in it, because narratively their fates were written to be intertwined. They were set up as narrative foils from the start, and even more so now they continue to foil each other. Buggy was written for Shanks, though we don’t know for what future purpose it’ll be. Whether they’ll cause each other’s downfall or save each other’s lives, some kind of redemption arc for Buggy or character resolution for Shanks, they’ll both have an effect on each other’s fate.

It’s all just me speculating, of course, because I crave analysis.

When did this answer get so long! I started writing this out and it just went off on its own and kept going.

[xxscarletxrosexx]

SpyxFamily Season 2 OP is finally here! Also, my attention kept honing in on the teapot & teacups, so here's an analysis.

(Possible spoiler ahead--you've been warned!)

What I've noticed is that the teapot is only held by Twilight, who I see is the leader of the family, and he's solely the only one pouring the teapot. We've already established in season 1 that the teacups are symbolic of the characters' bond/identity in the Forger Family and closeness with one another. So, each time the family is seen holding teacups, it's a Forger family moment (if that makes sense). The way I perceive the teapot is that it's Operation Strix.

SS1: In the beginning, Twilight is seen as very cautious and protective of the teapot (he even puts it under a sleeve to keep it warm -- furthering my understanding that he has control/is very protective of it).

SS2: It isn't until the car scene that we see the teapot again w/ Twilight. This time along with Anya and Yor's teacups. Everyone's cups are filled with the same beverage which could represent their ties as the Forger's. Twilight's crazy driving represents him driving the wheel of his mission. The turbulence in his driving along with his teacup and teapot moving could represent his control of his spy life (the car), control of Operation Strix (teapot), and control as Loid Forger (teacup).

SS3: When Loid pours the teapot and we see water, I perceive it as Twilight/Loid probably experiencing failures (despite how cute and upbeat this design and seen is). This is b/c the tea inside the teapot has been washed away by water. We also notice that Anya is holding her cup and it's not being poured into. So it may also be a sign of discord in the Forger family. Also, I love that the Forgers "drowned" which represents drowning in their respective missions/problems in their involvement in the mission or with each other.

SS4: We have a clear view of all members of the Forger's with their teapot and teacups. Twilight/Loid is missing his teacup here. I may be stretching a bit, but my analysis of this scene is that regardless of having his teacup (Loid Forger), he doesn't forget his role to care for Anya. We also notice that Yor's cup is empty, and yet both she and Twilight prioritize saving Anya. As a result, I see this as the family still working together even if they're not on the same page with each other--not being on the same page represented by the absence of tea in their cups.

SS5: Twilight has redeemed himself as evidenced by the piping hot teapot, and he also has his teacup too along with Yor and Anya. I also like they used airplanes here b/c it could also have a symbolic meaning that, together, they're figuratively on top of the world.

SS6: Twilight is now more relaxed when pouring the content of the tea (Operation Strix) out to Anya because he can now trust that his family (Yor, specifically) will have his back.

SS7: When Yor sips the tea, I see more of a symbiotic relationship going on here. When Yor is seen drinking her tea, Anya is happy. I see this as "papa is trusting mama" from Anya's perspective, and of course, she just wants her parents to be happy (and possibly in love with each other). And when Anya is happy, Operation Strix goes well (recall that Anya's emotions easily influence Twilight).

SS8: Same thing is happening here. Twilight pours tea for Anya but Yor catches it, which is a lovely transition that this will be a Yor-centered season (aka Cruise Arc).

SS9 & SS10: Harmony / being on the same page together / united as a family from henceforth regardless of their crazy adventures (shown with them upside down) together.

TLDR; I love this teacup/teapot engagement with the Forger family because it essentially summarizes the Forger's relationship with one another from S1. This is such a good OP b/c whatever ep is shown will show the growth in their relationship w/ each other.

[luffypeach]

DON'T WE ALL LOVE ALABASTA?

hi! so.. i just posted a yt video where i ramble for 30 minutes about how good the alabasta arc is basically tw: i'm bad at making videos i hope you'll appreciate the content behind the bad videomaking

[writesailingdreams]

The biggest thing missing in OPLA is self-determinate freedom, prominently in Luffy's character. It spends more time talking about being good rather than being free, which is more what OG!Luffy wants - becoming the Pirate King means being the freest in the world.

[vivika-ka]

Hello, fellow humans! 

I finally finished editing the “One Piece Through Celtic Mythology Lens” video! 

For this video, I focus on the possible inspiration of Celtic mythology in One Piece, and how its theme regarding balance translates through the Will of the D.

How do the characters belonging to the D clan fit with characters who belong to either the Tuatha Dé Dannan (gods) or the Fomoire (evil gods)? What is the role of inherited will in terms of divine order? The video strives to answer these questions.

If you’re unfamiliar with Celtic Mythology, I got you <3 I explain all the traditions and beliefs I’ve made this video based on! 

If it’s up your alley, please check it out! <3

[possessionisamyth]

Rambling thoughts, but I feel like Sanji's time on Drag Queen Island was a shit show for more than what he says about being surrounded by "ugly men dressed as women". The framing of him running for his life and some of his fight scenes makes me wonder how much of his consent was revoked or boundaries ignored when it comes to casual touch. Don't twist my words. I'm not saying these touches were sexual.

I am saying they dressed him up in a way that made him distinctly uncomfortable. They didn't give him the option of choosing his own clothes. I don't know who did his hair and make up either when we see him later enjoying dressing up in drag. I want to say maybe those feelings of enjoyment for varied gender expression were mixed up with the crossed personal boundaries and comphet to make him double down on his manhood and masculinity before the two years were up.

That's probably why he's so Like That when we see him again in Sabaody. It's over compensation to the max going all the way down to Fishman Island. Ivankov can change people's secondary sex characteristics, so there's no way he didn't see a woman's tit on and off during his stay there. The only way he'd know who came to the island as a woman or a man first is if they told him, and I don't think any of them cared too much to even think about that.

Good news is he has calmed down since then, now only getting horrible nosebleeds at the sight of a naked woman instead of when one just breathes in his direction. Which is more in line than before the time skip. Plus, he has realized both Nami and Robin are as capable if not more capable than he is when it comes the same barrage of battles. I will take that scene of him asking Robin to help him in Wano to my grave. Their enemies framed it as emasculating, but Sanji's whole spiel to Usopp in Water 7 was "I'll do what you can't do, and you do what I can't", and this was the perfect example of him upholding that belief. This is a distinct difference from his "I have to protect the women" rhetoric he upheld for a lot of arcs pre-timeskip. If he still held onto that rhetoric as tightly as he did before, he would've cried for help to one of the other guys regardless of spider-lady's demands, but he didn't. He believed in her.

Not to mention, there's also something extremely funny about this giant woman beating the shit out of Sanji saying she wants to kill Robin and to call her there right now. Sanji weighed his options because he knows Robin would kill that woman and everyone in her way before going "aight, bet, I'll call her."

[laughingsour]

Rest in Peace T-Bone

It happened chapters ago, but I remembered this happened and I’m crying.

When we learned of Cross Guild, we cheered because we were hoping that people like this guy...

Or this guy...

or this guy...

Would be given a taste of their own medicine. But of course, we should’ve known this story isn’t that cut and dry. Of course Onigumo, Dobberman and Nezumi wouldn’t care less about the civilians they would kill to stay alive. Of course the most affected by this would be the few who couldn’t bring themselves to harm civilians.

Like this guy...

As it’s been pointed out, his death is an eye opener that this is NOT a simple case of bullies getting their just desserts, it’s bullies draging good people to the mess THEY made.

It’s yet another injustice, one that was coming for a long time to the surprise of no one with awareness, yes. But an injustice nontheless.

Will the family that claimed T-Bone’s bounty ever know that he was a good man and feel guilty?, will they never know and cheer for his death? or will they know and still cheer?

I doubt we’ll ever know, but we do know that we can’t blame the starving family for it and that Mr. “100 good deeds a day” does not regret feeding them. And that’s all we can ask from a One Piece character.

I salute you T-Bone, you didn’t deserve this and the Navy didn’t deserve you.

Rest in Peace. 

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[dykealloy]

i keep going back to this moment. obviously there's the palpable devotion from zoro towards luffy which is all very insane, elicits the urge to chew through drywall etc etc. but I can't help but get caught on the way this is phrased. suggesting maybe zoro isn't the only one mihawk is talking about here. as in, I'm getting opla shuggy rant energy, i.e.

which is about as blatant and transparent as it gets in terms of the older wiser figure with a connection to shanks speaking about his own experiences (under the weak veil of this being about Luffy). but back to mihawk talking about zoro whilst also talking about himself. I'm having to extrapolate a fair bit here given my limited knowledge of his history, but here's what we do know - mihawk never belonged to a crew, was a "rival" of shanks before he "lost interest" in killing him at some point after he lost his arm ("it's always for the sake of another" - given how powerful shanks still is at this point - one of the four emperors - i'd like to think there's something more to this).

when zoro falls to his blade outside the Baratie and he tells luffy "that's a more treacherous path than even mine" after hearing his main goal is to become king of the pirates, do you think perhaps there's a chance he's projecting some old buried anxiety/fear from his youth about the thought of facing shanks, standing by his side and falling. It's giving "I am not worthy until I prove I'm the best", which if true, was followed after many years by "Now I am the best and it's hollow and empty and I regret all those days I could have had with you".

luffy gave zoro direction - a greater purpose and a family. luffy enables his aspirations, but he also provides zoro the freedom to have something more than just this obsessive structure where the only thing that matters is becoming top dog - something beyond years and years of endless relentless training fueled in part by his loyalty to kuina but also the grief of her loss. without luffy, zoro could very likely have followed mihawk's path, something @joyish-little-boy pointed out in one of @assiraphales' posts.

despite being recognised by the world at large as the greatest swordsman alive, and supposedly having achieved all there is for him to strive for, mihawk has never struck me as a man awfully satisfied with where he is.

[konfuse]

I’m trying to find your Frobin Proof post for a friend, please;; where can I find it?

Hey there!

Do you mean this one?

It's a bit on the older side now and I do think I should work on certain points like that fact that in the new family dynamic Franky is not the father anymore... but that does not change the fact that Oda described the accomplishment of a husband laying his head on the lap of his wife to climbing a mountain and reaching the peak.

If you meant another one feel free to write me again!

[laughingsour]

Putting shipping aside though, this panel really puts into perspective a lot of Luffy’s demeanor. He is so angry and frustrated that he couldn’t even save one of his crew and he tries so hard to will his problem away, not just by following his only hope and trying to be strong, but he looks as if he’s trying to force his mind not to think of the awful experience.

Just thought this was a very sad look into a normally cheerful guy

Did I just find the biggest piece of lunami evidence or what???

I literally cannot stop thinking about this. After the crew vanished in front of Luffy after Kuma’s attack, the specific flashback luffy remembers at Amazon Lily is Nami. Like literally. No flashback of the other crew members when they were taken, just hers.

Why would Oda chose to include a flashback of JUST Nami’s disappearance? He could of easily included a small montage of everyone?

[ariadne-mouse]

"Do not take me for some conjuror of cheap tricks!" says man who spent the last several hours providing the fireworks show for a birthday party

[midnight-in-town]

My take on Sir Crocodile's past, including the possibility of the CrocoParent theory

(Because I can't help thinking about it, in the midst of Kuma and Bonney's heart-wrenching flashback...)

Crocodile is one of the few Warlords we still hardly know anything about, but we're bound to know about his past at some point (same for Mihawk with whom he's currently working, as well as Moria who stole like half (?) of the Rocks Pirates' corpses), starting with the panel that launched all the theories, back in Impel Down :

Thanks to Kuma's flashback, we know Ivankov used to be a slave to the Celestial Dragons up until God's Valley. As for what happened at God's Valley, we don't know the full story yet but what we know is that...

...the Rocks Pirates were defeated and disbanded by the alliance between Garp and Roger. Some (?) of them were cloned by MADS (like Stussy for a still unknown reason) and Roger then became the next biggest threat of piracy.

Their leader's name was Xebec and other people have already explained that it possibly is related to Sebek/Sobek, an ancient Egyptian deity represented either in its form or as a human with a crocodile head. And, as we all know thanks to the Alabasta arc, Sir Crocodile is strongly associated with Sobek/Sebek too.

From there, it's not a stretch to imagine that Sir Crocodile is Rocks D. Xebec's child and was also present on God's Valley, which is how Crocodile and Ivankov possibly first "met". Ivankov witnessed Rocks' defeat as well as his child's survival...

...probably thanks to Whitebeard. Because, considering how the government tracked Ace and Luffy because of their dads, it's clear that any child of Xebec would be hunted by the government just as much and, like he did for Ace, Whitebeard probably saved and offered shelter to Xebec's kid for a while.

Whitebeard saving Croc as a child on God's Valley could be the reason why Croc seemingly hated Whitebeard so much : Whitebeard saving him instead of avenging Rocks, his captain, on God's Valley and then later probably defeated Crocodile, when Croc decided to become a pirate and went after the One Piece, could explain the animosity that we saw during Marineford.

Anyway, because of God's Valley, this could be the secret Iva knows about Croc: he's the surviving child of Rocks D. Xebec, thanks to Whitebeard.

Whitebeard choosing to save him rather than his Captain and then later defeating him could also explain why Croc has strong issues when it comes to trusting others :

Another hint that Croc is related to Rocks is Blackbeard. A popular theory/understanding in the fandom is that, while Luffy inherited Roger's Will, Blackbeard inherited Rocks' (leading to the idea that Rocks vs Garp & Roger will be paralleled with Blackbeard vs Luffy & Koby). This is especially interesting, considering that Blackbeard replaced Croc as a Warlord after he was defeated and sent to Impel Down, which is when they met :

Crocodile also has a lot of "mannerisms" hinting he's a D. He's strongly interested in the Void Century, poneglyphs and the ancient weapons.

Additionally, upon learning during Marineford about Ace's and Luffy's being hunted by the Government because of their fathers, he intervened to protect them...

These acts, outside of the CrocoParent theory (see below), can be explained by Croc's own experience of being hunted because of who his father was, but also by what Ivankov said to Law, who's also a D :

To conclude, I'm a strong advocate that Sir Crocodile is actually Rocks D. Crocodile and he obviously couldn't keep his father's name, in order to avoid being hunted during his entire life by the Government.

But what about the CrocoParent theory?

Well, as much as I'm an immense and dedicated fan of this theory (full explanation here), a part of me doesn't trust Oda to be brave enough to go down that road, even if I'm also eagerly waiting for him to. :D

Whether Croc was afab or amab though, the theory that he's Rocks' kid still applies. The only difference is that, if Croc was afab, then on top of knowing about who his father was, Iva also helped Croc with transitioning, thanks to their devil fruit.

Of course, it's probably through meeting Iva that Croc then came to meet some members of the Revolutionary Army, like Dragon. He gave birth to Luffy, transitioned afterwards with Iva's help and his actions at Marineford (protecting both Ace and Luffy) are not only because he used to be hunted as Rocks' kid, but also because he just learnt that Luffy is Dragon's son and thus his own child. :))

After all, to quote Dragon in the latest chapter of Kuma's flashback...

... "a child is their parents' weak spot" seems to ring to the same bell as Croc's "if you want to protect something, do it right" (like giving up on raising Luffy and leaving him in a remote village of East Blue, to avoid him being hunted by the World Government).

Anyway, long post, sorry about it! I hope we'll know soon about Croc's past. Let me know if I missed some hints ! :D