#Now with more accuracy!

[zenevpower]

I saw this,

And thought

So I-

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[wolfziedraws]

freak of nature

[locustime]

Nice to see Hypno getting more attention lately! Coloured sketch of him because I wanted to iron some things out from last time I drew him and pick better colours lol

[nicoliharu]

Yes, I woke up at 1 pm today cause I was studying anatomy of the movements of hyenas ears and tails in the early hours of the morning 😩😔🩷

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[puhpandas]

I think about the tapes so often the badass dialogue they use to build tension in 46 the storytelling of both Vanessa's past with abuse and showing it still affecting her and her STILL being abused by glitchtrap/mimic and actually truly for real showing that on screen canonically in a game. steel wool having the chance to put in love and effort into the writing of the human characters. the vanessa tapes being about her but also being about showing GGYs progress keeping everything under wraps and how powerless vanessa is to stop him or vanny or glitchtrap. the 46 tapes giving us cute little information about Rabs character and being so sinister with great voice acting and great writing in the dialogue to tell all this information like GOD. I miss the tapes sooo much I want them to come back so bad they were some of the only surviving actual writing from SB and I know steel wool is still capable of cooking like this. they just havent gotten the chance!!!!!

[averlym]

no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein

(click for better resolution!)

:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''

close up!

[salsedinepicta]

Some kind of "everything is the same but fashion is more XV-XVIth century inspired" AU - part 1/?

(a few elements are based on Landsknecht armors/clothing, because they were mercenaries too, you know? But I've been kind and made the palette less... Everything. You're welcome, Fenris.)

[heartorbit]

still chipping away at that pjsk major arcana

[sesamestreep]

it really is SUCH a shame that there’s no episode of TOS where the enterprise crew time jumps to Regency-era England or goes to a planet that modeled its culture on that era or something, because it would truly slap for every single main character. Like I don’t even have to explain why this would be awesome for Spock— Mr. I’ll-smash-a-computer-with-my-bare-hands-before-I’ll-admit-I’m-horny himself, king of repression, who basically recreated the famous Pride and Prejudice Hand Flex Scene™️ with his beloved Captain that one time, who meets a blind woman with a high tech gown that helps her “see” and LITERALLY tells her to give his compliments to her dressmaker, who mislead a woman once about his affections and tenderly promised to safeguard her reputation forever about it, who has the perfect angular features to be set off by a cravat—I mean, you get it, but then you’ve also got Kirk—handsome, affable, brave Naval captain who loves his crew more than himself, who falls in like deep profound love with every woman the plot throws at him—and then McCoy—cantankerous, sure, (ever heard of a grumpy/sunshine trope??) but with impeccable, downright old school manners towards women and, yeah, a doctor’s not that prestigious in Regency times, but for like a young lady in trouble who needs the protection of a man’s name or who just wants to piss off her stuffy aristocrat family by marrying “beneath” them, who could be better? If you throw Scotty in the mix, well, he’s Scottish, which [points at a whole subgenre of regency romance novels] is all he’d really need. I’m just saying they would have CLEANED UP, okay??

[suaimhneas-gairid]

whoops i made him catholic

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[randomnameless]

Land 1 done!

Without crossing the bridge to get rekt'd by the final boss and trigger a bad ending, of course :p

I know the game puts more emphasis on gameplay than on characters, unlike, say, FE 8x2, but damn if every little situation you recruit random characters makes me think of past FE events in different titles and it just... fits? Somehow?

Like, evil empire has trouble conquering a party of Cornia, but behold! A mysterious plague pops up, that is totally not tied to the shady as fuck necromancer who works with the evil empire and says it'd be annoying if people find a cure.

So we have some guy and his army of cleric wearing plague doctor masks trying to find a cure by, uh, experimenting/working on people who already caught the plague, even accepting to work with the evil empire because curing the plague is more important, right?

Ends justify means yadda yadda... save for the part I earlier mentionned, that it is heavily implied the evil empire is the one who created that plague to begin with!

Now, imagine in a FE game if, in the background, we had to rescue people or hear about people being afflicted by a strange and unknown disease... and if that disease was engineered by people for a further motive...

8x2? Nah.

We also have quests where people are fighting for the evil empire who is occupying their land because they believe as long as they obey their people won't be put to the sword...

(I watched my bro play the final chapter, we know how it ends lol)

Not!Cyril fighting against bandits, finding and helping a witch fend off people who are trying to "catch her" - we even get a flimsy excuse for a bikini attire in the process and an answer to the "why do i use spells to rejuvenate myself in a sexy body? It's because I won't be able to move as fast as I can now if I was a crone" other flimsy excuse, etc etc.

Now it's time to enter the land of fucked up siblings relationship (sure Virginia is Alain's cousin - who looks like his mom - and can end up with him, but this is not the kind of Jugdralian stuff I had in mind) and let me tell you, all those plot bunnies I had in Jugdral about Lester believing he was going to become Lord of Jungby all of his life, only to have his role/throne snatched before his eyes by a bum who's apparently his cousin and can use the legendary shiny bow of legend is... basically Drakengard (Drakenhold in english?), but up to eleven.

Ah, and it wouldn't be a post from me if I don't find a way to rant about the localisation lol

Josef, upon meeting Virginia, basically goes in the audio "it's been a long time since I last saw you". In the english version?

Like what are you implying Josef, she wasn't a princess when you saw her last time or didn't have the "standing" fit for a princess?

Besides, I hope the release of the october book won't blow a hole in the Josef's "you were a teenager when we last met" by releasing character ages, but that's not really that important.

This however

Alain greets his long lost cousin, nothing wrong here right?

Well, in the JP audio, he calls her with the "hime" suffix, showing as much deference as Josef, who is a retainer of the royal family. Virginia doesn't use any suffix because that's her, but in Alain's various support convos, we learn that he had to learn and to behave like a proper noble after escaping from his castle 7 years ago, and all this noble/formal stuff is something he doesn't use with his commoner friends.

Ergo, this minor thing here is important, especially in the Drakengard themes : siblings/relatives used to be close, but reuniting after a long period of time or several life changing events, they are changed and even if they want and try to, cannot be as close as they once were.

[rav3nston3]

hi look at these :3 it's stuff from my tag server