#Now Is sonic 2006

[luuxxart]

it just keeps happening

[sophfandoms53]

Shadow’s inhibitor rings finally being an official ability he has in the games again since 06 is so important to me like you guys don’t understand this section made me cry 🥹

[hadesknockedupintheunderworld]

No thoughts head empty...

Lowkey insane because Shadow locked Mephiles in the Scepter of Darkness and Mephiles swore revenge

And then he sat in the object for years stewing in it

And when he came out and absorbed Shadow's shadow he went off about how ironic this all is, and started talking about how he was gonna send Shadow to oblivion...

And then like 5 minutes later after meeting Shadow properly he's like "Never mind! I love him actually. I need him. I need him bad. I will do anything to convince him to join me and rule the world with me." He wants Shadow so bad it makes him look stupid. After 100 times of saying he will never join Mephiles, even if the humans he's protecting will end up destroying him, Mephiles was still like "Last chance! Join me and we can rule together and destroy together and no one can chain you down!"

But Shadow really isn't innocent in this either! Because he seems pretty uncomfortable with Mephiles when they meet, but then he just becomes curious about him. So curious in fact that he strands himself in the future without any chaos emeralds or knowledge that he can return, JUST so he can learn what Mephiles's deal is

Like Mephiles liked Shadow so much it just completely threw years of revenge thirsting in the trash, and Shadow was so interested in Mephiles it honestly kind of overrode reason in him for a bit

The world really is lucky that Shadow the Hedgehog decided who he is during StH 2005 and solidified that in StH 2006 and that Mephiles is the type to put his deep seated desires before any terrifically compelling relationship because otherwise the two would be together in some form and they'd be everyone's problem

[redwylde]

I forgot to mention it here, but around two weeks ago I was visiting a friend who is a retro game collector, and I was finally able to play Sonic Adventure 1 and 2 on his original Dreamcast.

And honestly, I finally get it.

I finally get why everyone says these are the best 3D Sonic games. I figured it was mostly nostalgia, but no, the fun and the sauce are just Unrivalled.

Adventure 1 was a really unique experience, I had a lot of fun with it. I miss the hubs so much, Station Square and Mystic Ruins were very fun to explore. GAMMA... The Egg Carrier as a whole map, it was just so fun.

And I don't even need to explain myself with SA2 because y'all know, you've known for years. I got so emotional I started crying when I hit Finalhazard (even though the fight itself made me mald so much LOL) and Live and Learn started playing because I finally get it. How it made you all feel and continues to make you feel to this day.

And it feels nice coz I'm one of you now. A lot of the early 2000s Sonic games I couldn't play because we just couldn't afford the consoles. PS1/2 was it. Now I have adult money and I'm beginning to fill out my collection of things I've missed and I feel instantly connected to the Sonic fans of that time who got to play these on release, and I understand. How it made you all feel.

And now I get to feel it too.

[tev-the-random]

I know this is very sudden, but allow me to rant about Sonic 06-

*the crowd boos*

LISTEN! It's not about the game itself, that is a story for another post. I specifically want to talk about Princess Elise-

*the crowd boos harder*

Hear me out: Elise had so much potential to be such a fascinating character. It's all right there. So I'm talking about it. Buckle up, I'm putting this girl in a blender 17 years after her game died.

The absurd missed potential of Elise really boils down to her role in the story as a damsel in distress and how heavily the game imposes that role on her, even when it's unnecessary/uninteresting. Point in case, she gets kidnapped and rescued four different times. In one game. But why? What purpose does this serve?

I believe Elise's repeated kidnapping is but a cheap narrative escape. They don't know how to make Sonic and Elise bond, so they repeat the act of him saving her over and over again to drive in the fact that he's a hero and she's... I don't know, she's just a princess.

Just a princess. That traps her into the tiny box that is the stereotypical damsel in distress, and a macguffing for the whole Iblis thing, at most. But that doesn't really suit her background at all, does it? All of the stuff that's given to us tells us that Elise should be more than that.

Ok so, the story goes out of its way to tell us that, for 10 whole years, Elise was not allowed to cry. Not a single tear. That's her main thing, that she has a warped sense of duty and doesn't get to feel much. But did she even know why? The way the story shows it, it doesn't seem like she does, at least not entirely; she was passed out cold when the whole "let's infuse half of a god into your soul" stuff happened. So in a way, this behaviour could be treated as trauma instilled on her by her father drilling the idea of "a strong queen doesn't cry, stop crying, just smile" into her head — we do see a flashback of him directly saying that to her when she was little and crying on his lap. And this would have been a fine point of her character arc, if only they had concluded it in a more... well, conclusive way. By showing her and the audience that the duke was wrong; crying is healthy and not a display of weakness, and her father's "crying is wrong" speech is bullshit. Or even just by having her realise that not crying at all has a negative impact on her health, because it should.

But if we assume that Elise did know why she couldn't cry, the story gets more interesting. Because it's not as if she held back tears for 10 years — a near-impossible feat for a normal human being — just for her pride or because she believed in those toxic words of the past, but because she needed to. There's a fucking monster inside of her and this CHILD is tasked with keeping it locked away all on her own. If she cries, the whole world will end. So she sees a purpose in being emotionally distant: if she closes herself off to all emotions and reactions, she will suppress her need to cry. If she doesn't allow herself to feel anything, she will be able to keep the world safe.

But like, if she ever breaks a leg, she's not allowed to cry, because she doesn't want one stupid broken leg to cause the end of the world. She swallows the pain in silence.

She lost her father, who apparently was her only parental figure, at a young age and was left alone to learn how to tend to the kingdom. She had to attend her own father's funeral, knowing that she had potentially contributed to his death by being in the lab that day. And she was not allowed to have a little cry about it.

That's a lot of pressure, but it's not like she can complain, so she just has to deal with it as best as she can. Which in the game is shown by having Elise be a bit... bland, I guess? At times, I don't know if her weird way of responding to things was intentional or if it was just bad writing.

Either way, I feel like a better way for that to reflect on her character would be to make her stoic, cold and impassive when interacting with others. For her to be unresponsive to Sonic's jokes and Eggman's threats at the start of the game. As the story progresses, she gets to mature emotionally and realise how fucked up she is and how all of these bottled feelings are killing her inside.

Sonic bonds with Elise by providing opportunities and encouragement for her to feel things and express herself. He can see that she cares a lot about things, but it's buried deep down; he sees that beneath all the fear and responsibility she imposes on herself, there's a girl who cherishes her kingdom and loves the people around her fiercely.

But how to bring her out of her shell?

Instead of bringing Elise back to her castle only for her to be kidnapped again — Eggman does have robots all over the kingdom looking for her, — Sonic decides to bring her along for the adventure. After all, she should want to defeat Eggman and the threat he poses to Soleanna. With that, Elise can have more time to bond with other characters without having her whole personality sacrificed to a trope that does not server her or the story.

And the thing is, at first, she doesn't really believe in herself. She only sees herself as the vessel of Iblis, she doesn't know how to fight or run fast or anything like that. But Sonic pulls her along anyway, because she's determined and, believe it or not, she does have power.

And she laughs. She screams, she gasps, she gets a hug. Because if there is something Sonic knows very well, is that the world is beautiful and everyone should get to live life to the fullest.

Now please picture me this: Elise has a hidden feisty personality. As the story progresses and she slowly opens up, she starts showing a tiny little bit of a sarcastic side. She learns that she's an absolute sucker for adventure and speed and daring situations, a real thrill seeker. She starts somewhat confronting Eggman when he kidnaps her — listen, I'm not saying she shouldn't be kidnapped at all, it kind of ruins the fun of it if there are no stakes, but four times is a bit much — and expressing all her pent up anger.

Picture me an Elise who is so done with this shit while also being glad to blow some stuff up. She has that soft side of love and care but also fuck Eggman.

It's during this whole adventure that she gets to meet the cast. And holy shit.

The potential that the Elise & Blaze duo had, man. Elise has a FIRE monster inside of her, it would make so much sense for Iblis to manifest through FIRE powers. And you know who else has fire powers? You know who else is a princess? Who else started her journey as an emotionally stunted stranger who learns to open up thanks to Sonic & co.?

Blaze the Cat

YES, CAN ANYONE HEAR ME? WHY THE HELL DID THESE TWO NOT INTERACT AT ALL???

It being the "Flames of Disaster", Elise can only see Iblis as a source of devastation and pain. She's scared of ever tapping into that side of herself, for her responsibility is just to lock it away and never look at it. But she can't escape it. And it would have been beautiful for Blaze to teach her how to come to terms with it and harness her fire for warmth, light and protection instead of destruction — but also destruction, because you know, sometimes blowing stuff up is fun.

That would grant character development not only for Elise, but also for Blaze, who gets to see a form of Iblis she never imagined before. Iblis is a world-destroying monster, she can't control or defeat it even if she has a connection to it through the flames; but maybe that's not their job to do. They shouldn't be wasting their time running around trying to kill some hedgehog, they should be protecting Elise from being used by Eggman! — Because surely that's what caused the end of the world, right? Eggman being too greedy and freeing a beast he couldn't control? Seems like a logical conclusion by all Blaze knows.

And Elise meeting Silver. Oh my fucking god.

She remembers him. That is literally the first thing she sees when she meets Sonic! She remembers Silver from when she was a child, she remembers he saved her. He was the one who even remotely tried to comfort her when her father died and the one who witnessed the might of what's inside of her. If anything, she must have spent years wondering if she just imagined him or not, this must be such a surreal encounter!

(It was either that or she actually saw the destroyed future and Silver via Iblis or something, I'm not really sure what that first scene was supposed to be. But I'm going with the "she remembers him" path)

At first, Silver doesn't know her, of course; he's only here for Sonic! But when he travels back to the Solaris Project incident, everything changes. And as much as Silver wants to be bitter about how simple the origins of their problems were — how all of it could have been avoided if only those scientists weren't so greedy, if only they had been able to destroy the base form of Iblis before it became a monster, if only the responsibility of keeping it at bay hadn't been put on a little girl, if only she had been able to keep it trapped forever, if only, if only, if only — he can't find it in himself to be anything but compassionate towards Elise. The two of them are very alike, in a way: burdened with the weight of the world, a responsibility they never asked for, but unable to give it to anybody else or give up because they care too much.

So that's the irony of Silver's story: he came to the past with the intent of ending a life, when this whole time he was supposed to save a life. Not just to save his future, but because Elise, like him, was robbed of many things, and it's not fair. He wants to go back to his time knowing Elise would live to see a safe and happy future for herself for as long as she lived. If he couldn't save the future, then at least he can change the past and delay the inevitable, give this world a little more time.

Oh and that's not even to mention Mephiles. He himself is a wonderful villain, but the fact that he never interacted with Elise is such a shame.

Think of the direct influence Mephiles could have on Elise as the other half of Solaris. The ways in which he could have tried to deceive her. Yeah, he wants to drag this out and see everyone suffer for as long as possible, but he has a damn queen in his board, why should he only play with the pawns?

It could have helped push the story just a little further by having him communicate with Elise in any way, shape or form. Replace Eggman kidnapping her 137 times with Mephiles luring Elise and using her bottled up feelings against her. Let her be Solaris' unwilling ticking time bomb.

And of course, I couldn't leave this without talking about the big issue everyone has with Elise. The fact that most people only ever remember her as that random human girl who kissed Sonic that one time. Not only was that whole romance uncalled for, but I feel like the story could have benefited a lot more from their platonic feelings. Hell, let Elise be her own damn character. Let Sonic have a positive influence on her without breaking everything else. Let them remain as friends at the end of the story without resetting everything — and really, just let her know that, even if Sonic leaves Soleanna tomorrow, she'll be ok; she's more than ok now, actually.

TLDR; Princess Elise from Sonic 2006 could have been such a cool character with complex emotions, the fact that her legacy is what it is is really sad to me.

[honnneyz]

“ If the world chooses to become my enemy, I will fight like I always have! “

-Sonic 2006: Shadow Episode

[gayemeralds]

you know actually i think we as a society should talk about silvers future. is it even bad still. if so why is it always depicted as being on fire.

[carmenpeach]

thinking about how i didnt really know who silver was until i got back into sonic and my first intro to him was from tails gets trolled years ago and im sitting there baffled like "what the hell is this guy like for this to be the parody depiction of" and it all makes sense now

[claire-starsword]

@ember-lily​

[thekittyburger]

I've started watching sonic prime after finishing my first ever full playthrough of a sonic game. Little me would be so proud

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[brucespringsteen]

Fragrance literally is a valid form of time travel. I think of all the senses it's the strongest for it. Those memes about stepping outside and the air smells like a 2006 scholastic bookfair. Or for instance right now I am using the same cologne I used when my friend sold me his Playstation and I got back into sonic games again. Now that cologne makes me think of that fall and Sonic and those good times I had then. When I make peach tea the smell of it reminds me of being 17 and watching a vhs compilation of springsteen videos over and over when I'd get home from school. I only get Folgers coffee when I'm missing my grandma because it makes my house smell like hers did. Etc

[jmserebii]

Just a sketch for now, but happy birthday Sonic The Hedgehog 2006!

[tenebraevesper]

Shadow the Hedgehog (Sonic Prime, Character Analysis - Final Conclusion)

''It's been a long, rough road and I'm finally here. I move an inch forward, feels like a year. Everything I feel seems so unreal. Is it true? Is it true? I take one step forward and two steps back. Got a hundred thousand pounds sitting on my back. Up, down, all around, don't know quite what to do to get through. Well, I'm on my way...''

(Never Turn Back, Shadow the Hedgehog (2005))

Welcome to the Final Conclusion of my Shadow the Hedgehog's character analysis! It has been a long, rough road for me, but now I'm here to give you my final thoughts on Shadow the Hedgehog as a character in Sonic Prime.

So, shall we dive in for one last time?

I started this character analysis with the statement that ''Prime!Shadow is peak Shadow'', making it my mission to re-watch every episode of Sonic Prime to back up my argument, and I believe that I have succeeded.

When I had learned that Sonic Prime would have Shadow in it, I made sure to keep a close eye on him, as we know all too well just how tight SEGA's mandates around Shadow's character are, having seen him at his worst in the Sonic IDW comics. I had been hoping that Sonic Prime would let Shadow have more room as a character, let him breathe a little. He doesn't have to be just the grim Vegeta-type Stock Shonen Rival to Sonic, but he can also be a hero on his own.

So I waited and I hoped, and, oh boy, did Sonic Prime deliver!

With the placement of Sonic Prime in the mainline canon being deliberately vague (aside from obviously being set after Sonic Advance 3) we only had the knowledge of Shadow's backstory to figure out how his character might be utilized in the show, and let me assure you, I did not expect that Shadow as a character would actually go back to his roots.

As TV Tropes puts it, Shadow is the composite character of ''the intelligent, perceptive, and pragmatic (with good intentions) of Sonic 06'' self ''with the wrathful but good intentioned disposistion of Sonic Battle'' self.

In short, he is exactly the Shadow people wanted to see for so long, ever since Sonic the Hedgehog (2006), which is considered to be the peak of his character (not counting Sonic Adventure 2). He is the grim rival to Sonic, but has a kind heart and the will to protect the world regardless of how people see him. He is not above using violent methods to achieve his goals, but has primarily good intentions, and will clash and work together with Sonic depending on the situation.

That alone is very impressive, but what makes Prime!Shadow stand out even above his Sonic 06 self is the fact that he actually undergoes through subtle, but legitimate character development.

As I had stated in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 1), Shadow starts out as a loner who prefers to stop Sonic from causing the end of world by fighting him instead of talking to him. This is kind of understandable, since Sonic also sucks at communication and listening to other people, including his friends, which is how the whole Shatterverse event starts in the first place, and gets punched by Shadow for causing this whole mess.

In Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 2), I had been pointing out how, after both Shadow got all the frustration he felt towards Sonic out of his system in the first half of Episode 09: Avoid the Void, he manages to convey to Sonic just how much damage he had caused by breaking the Paradox Prism, leading to the two to actually start communicating properly. Of course, it is not perfect, and Shadow certainly gets annoyed by Sonic over the course of the episode, but he is willing to talk rather than to fight.

However, it takes until the second half of the same episode, aka what I covered in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 3) for Shadow to finally realize that he needs Sonic if he wants to fix reality. But before that, we have a good old fashioned rival fight, where Shadow decides to save the world on his own, showing us that, even if the world is at stake, he won't miss a chance to enjoy his fight with Sonic. However, upon his failure to enter the Shatterspaces, he understands that he won't be able to do this without Sonic's help, as he's stuck in The Void. Of course, this is just the beginning of their attempts at proper teamwork and they still won't miss a chance to banter with each other.

Speaking of bantering, we slowly start get more and more of those, as covered in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 4), with Shadow snarking at Sonic while also trying to keep him on track. Not only that, but Shadow also plays a role in stalling the Chaos Council, showing that even if he cannot travel through the Shatterverse, he can still support Sonic in his own way.

When the Chaos Council arrives at Ghost Hill to take the Prism Shards, we finally see what it looks like when Shadow and Sonic team up and it's glorious. Even if their relationship hasn't started out well, you can see how they slowly become better and better as a team, protecting each other and coming up with plans to protect the Shards.

One thing that gets pointed out, however, is Shadow's distrust of other people. In Sonic Prime, Shadow has no friends, which is something Sonic teases him about when Shadow shows clear distrust of Nine. Shadow is right to be distrustful of Nine, pointing out to Sonic how he's not the same as Tails, especially due to how Sonic is projecting Tails onto Nine and treating him as if they were the same person.

However, Sonic is not wrong either in regards to his statement how Shadow needs to learn to trust people, and rest assured, it appears that Shadow actually takes this to heart, as he begins to trust Sonic.

This is seen in the first half of Episode 17: Grim Tidings, which I covered in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 5). Not only does Shadow not blame Sonic for losing the Shards to Nine, but he also keeps reaching out for Sonic, who is grieving the loss of Ghost Hill and his friends, protecting him from danger, reassuring him that they will get the Shards back and comforting him by complimenting him. It's incredibly sweet to see that side of him, a kinder, softer side which he appears to show only around Sonic.

This extends into the second half of the episode, covered in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 6), where Shadow keeps up with his mission to protect Sonic as they try to recover the Paradox Prism from Nine. Not only has their teamwork significantly improved, with both being incredibly in sync, but the moment Shadow realizes that Nine is after Sonic, he abandons the Paradox Prism and instead focuses on saving Sonic from Nine, eventually throwing him out of The Grim and basically sacrificing his own life for Sonic.

I absolutely loved seeing this protective side of Shadow, showing just how much he cares about Sonic and how much he has grown to appreciate him.

(Also, note how Shadow once again has beef with Tails, having fought him in Sonic X and Sonic Boom before).

What follows next is the battle against Nine, covered in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 7), which shows us Shadow and Sonic's contrasting personalities and ideals bouncing off of each other, while working perfectly together. They have now reached a new level of trust, respect and understanding, with Shadow showing complete loyalty towards Sonic, even if their initial methods of reaching their goals clash with each other.

Also, Sonic introduces Shadow as his boyfriend to his Shatterverse friends.

''Probably gonna regret that.'' ''I heart you too, Shadow.''

Oh, did you really think I wouldn't talk about the blatant Sonadow subtext in Sonic Prime? There is a reason why fans nicknamed the show Sonadow Prime.

These two dorks have so much chemistry in this show that it is hard not to ship them together, even if all instances of them working together as a couple were unintentional. Sonic Prime definitely shows the appeal of the Sonadow ship, and if you go by The Sonadow Special Bumblekast Interview with Ian Flynn, these two are probably one confession away from dating each other (even if the ship will never become canon, because SEGA says ''No'' to romance in their Sonic media - a wise decision).

Why am I saying this? Well, Ian says that, in order for Sonadow to be executed, there would have to be an understood vulnerability to Shadow, and he would have to open up to be more accessible at a personal level. He notes how it doesn't take much for it to happen, and that it just has to become established to build that bridge, especially with Sonic being so casual and accepting enough as he is, and he would allow Shadow to be who he is, which is kinda prickly and stand-offish. They would have the occasional moment where Shadow let's his guard down and is more empathetic and emotionally available, but otherwise, they would play it fairly cool and aloof.

Also, how would it be made official that they're together? Ian says how they're so cool and aloof in their own way that he cannot see either of them making some dramatic declaration or turn all mushy and lovey-dovey, as that's not who they are.

''[...] The adventure concludes, and they're standing side by side on the hillside looking at the sunset and the wreckage, and they share, y'know, a compliment, and instead of like, a fist bump or a 'See ya next time', and one of them runs off; maybe they throw arms around each other or something, just kinda stand there. [...] I see them just being very chill about it all.''

So, let me ask you something - in Sonic Prime, which character is starting to show his more vulnerable side, letting his guard down and and reaching out for Sonic, either to comfort him or to protect him?

Yeah, a simple screenshot speaks more than a thousand words.

Also, if you don't care about what Ian Flynn said, just take note of how affectionate Sonic is towards Shadow and Shadow in turn just let's him do whatever he wants. Sonic hugs him, and Shadow doesn't push him back. It's absolutely adorable and it gets even better when we get to the finale!

Episode 23: From the Top (covered in its full form in Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 8)) concludes the battle against Nine, with the whole Shatterverse being reduced to nothing. Sonic decides to sacrifice his life to restore the Paradox Prism, and we see Shadow completely heartbroken when he sees that Sonic isn't moving, probably believing that he is dead. I don't think Shadow had ever shown an expression like this in any media.

Fortunately, Sonic is still alive, but barely holding on, leading up to a race against time, where Shadow carries a dying Sonic towards Green Hill.

''I never knew you were a hugger.'' ''Do you want me to save you or not?''

*shouting from the back* Just kiss already!

Hey, I mean, it isn't them throwing arms around each other, but we do have Sonic flirting with Shadow and Shadow responding before the sense of panic sets in when Sonic goes limp.

Fortunately, the day is saved, with Sonic and Shadow retaining their memories of what had happened and remembering what their learned from each other during their adventure (with the Shatterverse probably being wiped out because Sonic doesn't shatter the Paradox Prism).

''I am the Ultimate Lifeform. I go wherever I want.'' ''Wh-huh?'' ''CHAOS CONTROL!''

One thing I don't believe I had mentioned is how there is three times when Shadow declares his status as The Ultimate Lifeform. The first time is a response to Nine's comment about him and Sonic being twins, with Shadow pointing out his uniqueness. The second time he states it is when Nine is shocked to see him defeat Grim Alpha Sonic, with Sonic quipping how he's ''modest too'', showing off that he is adept to battling and will win the fight no matter the odds. And lastly, he states it once again before he teleports the Paradox Prism, noting how he can go wherever he wants, which I believe is him declaring his won freedom to not be tied to anything (like a certain promise) and doing things his way (not to mention the fact that he spent a good chunk of the show floating in The Void, unable to go anywhere).

Unfortunately, as I said before, the ending kinda feels like it's missing something, and while people might point out how it's either perfect the way it is or list a bunch of flaws or seek signs of an nonexistent sequel, the one thing I wanted to see is for Sonic and Shadow to have at least one more conversation.

''If knowing you has taught me anything, there is always another way.'' 'Wait, was that a compliment?''

I wanted them to meet up again and reflect on their adventure, as well as talk how much they have grown closer as a team, with Sonic even offering Shadow to join him and his friends at the beach for a couple of chili dogs. I'd have Shadow be reluctant for a moment, before accepting.

Maybe have Sonic ask Shadow what happened to the Paradox Prism and Shadow assure him that it's in a safe space. Perhaps they could also ponder on what happened to the Shatterverse, and whether it's gone or it still exists. As for Sonic's friends, they would probably wonder since when Sonic and Shadow are now close buddies, with Sonic about to tell them about their adventure in the Shatterverse before Dr. Eggman returns with another scheme and the adventure continues.

I really wanted some kind of finality to show their newly formed bond. After all, there is so much to talk about, like the fact that Sonic definitely had a traumatic flashback to Sonic Adventure 2.

Or have Shadow admit that he doesn't want to lose Sonic by just telling him not to get so reckless again when around another world-shattering stone.

*sighs dreamily*

Oh well, being a writer, I guess I might as well write this alternate ending by myself then. I might let these two have their moment, showing appreciation for each other in their own way.

Also, Shadow is a hugger. That's definitely canon now.

One last thing to mention before I finish this is - what did Shadow do with the Paradox Prism? Well, I have an idea for how this adventure might continue, albeit in a different universe:

Sonic Boom Shatterverse (Sonic Prime/Sonic Boom)

So, does anyone want to see how Boom!Shadow and Boom!Sonic handle their own universe shattering into pieces? Coz I do!

#Sonic the Hedgehog Analyzer (Masterlist)

[flightyalrighty]

What do you think about Shadow? What is your personal perception of him? I'm curious about your answer (I hope is spoiler free)

On his character profile, wikipedia etc... for a while he is describled in a strong negative way, like he has no positive traits, an anti-MarySue. But I remember that Shadow from SA2 to 2006, including Shadow 2005 (surprisling, watching the cut scene, I found his positive traits are still there), and then Prime Shadow, tMoStH (those two versions are a bit shy) and Archie Shadow has a good balance of positive and negative traits. In particular the first Shadow (Adventure 2) was enternaining, he seemed playful and mischievous at times, like he was sill a kid even if he was heavily burdened by his past, and there was something likeable in Shadow in Heroes, like he is nice to have around as friend although sometimes he may get difficult to deal with his stubborness, melancholy and pessimism.

Often people complain about Shadow being too expressive in Archie comics. I admit I complained too before rewatching SA2/Sheroes cutscenes, reading some old Sega description of the character, how Maekawa envisioned him (far different than what we have today and that's clear from SA2), I could see Archies' choices.

Also, Archie Shadow is still cold and gruff toward those he doesn't know/he didn't connect with (I lovd the part where he was answering to Relic's questions). He shows his softer side only to his closest friends and still has that hints of distrust, typical of those that were and are still abused and rejected in every possible way.

I like how you showed this in the early page of Infested. The Shadow in first pages is caring toward Rouge, but he is quiet, very focused, and stubborn (when he wanted to complete his mission despite the double concussion and the pain). I see the tick (the bug makes me think to a tick. I see them quite often bvecause the little b...s often attack my cats) is now neutralizing his mental shield, leaving him with his insecurities exposed and vulnerable, in order to make him panic more easily. Shadow's personality is still there for now but his defense is gone.

I think that different continuities have different takes on Shadow (as you mentioned with Archie and Prime). While I thought pretty long and hard about how to answer this, ultimately I'm not sure how. I'll try?

My personal perception of Shadow is simply how he was written before the series had its big tonal shift starting with Sonic Colors. This no-nonsense guy who strives to do the right thing in the most straightforward and efficient way possible. His character arc concluded with Sonic 06, and then he was slid backwards by a company that wanted so badly to twist the franchise to suit the whims of people who never had a real interest in Sonic to begin with. Shadow is so much more than the flat character he'd been hydraulic pressed into. He's more than

This.

I don't envy Ian Flynn's job. He started his career a lot more free to write Shadow how he wanted to, and then found himself struggling against more and more and more restraints -- To the point that he's said on record that he doesn't like writing Shadow anymore. That's sad, especially when my favorite take on all of Team Dark came from his pen. Ian Flynn, famously, was Archie Sonic's writer until its death.

Archie's Team Dark is how I love to see them written.

Archie Shadow, in particular, had a lot more going on than game!Shadow. He was far less likely to cause friction within the Team Dark dynamic -- Not to say friction is a bad thing in fiction, quite the opposite, but when that friction happens all the time it's exhausting. If Shadow was actually allowed more moments to be an actual teammate or collaborate with someone outside of Team Dark without making the whole situation way more needlessly difficult all on his own, that could solve a lot of the issues folks have been complaining about. Like, he doesn't even need to be written nicer, just more willing to work with allies when necessary. He used to do this. Now he barrels into every situation solo.

Anyway, kvetching about Shadow's current writing concluded (on top of the actual answer for this ask).

[cupofadonis]

Two angels

Honestly, I don’t like the game Shadow the Hedgehog 2006, I don’t like Black Doom and this whole alien theme. The only thing is that I think that Sega is now moving in the right direction, adding anime vibes and eji emo style like Bayonet and Automata to the franchise. Simply because with the advent of SA1 and SA2, Sonic back in 2001 became a pretentious anime about pugnacious idiots

What about Eclipse Darkling? He is a wonderful boy, I love him, but in exchange for his birth, the original meaning of SA2 was completely ruined, where Sonic turned out to be the ultimate life form. And that explained so much at the time, but I guess with the quick reveal of Sonic's backstory they would have driven themselves into a dead end.