#Not so I can cater to you but so I don't have to do any think thonkin
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hildegardladyofbones · 4 months ago
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One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.
#I'm not calling the characters ugly btw#i don't believe any one can be ugly#i do not care for beauty standards and thus i don't rank people based on how “ugly” or “pretty” they are#but the characters in DE do not meet the conventional beauty standards and look like actual people with unique faces#and thus would be considered “ugly”#and that is so important to me. i go feral whenever media represents how people look like in real life and not how they look like in the#fictional parallel universe where everyone is a model and where a majority of the movies take place#because irl you don't have to be a model to be desirable#the most attractive man in any video game I've ever played has a receding hairline and a big nose and thick glasses and a small chin#and not only is representing realistic people. just good. in general. but it makes the character of Dolores Dei stand out so much more which#works for the game so well. she's barely human. she's a deity- a myth- a legend. the only version that exists of her now is the one with#glowing lungs. she's perfectly beautiful because she's inhuman. the fact that everybody else looks so human only highlights how inhuman she#has become yk?#if everyone was as conventionally attractive as her then she wouldn't stand out. we wouldn't get why she's so special.#disco elysium#disco elysium analysis#media analysis#beauty standards#this is only one aspect of how this game portrays real people btw. as someone interested in character design this just immediately stood out#to me#the first time i noticed it was when i first met garte and the second time was when i met ruby because neither are conventionally desirable#oh my fucking god the nerds who complain about a woman with a model face having body hair in a video game would perish if they played this#mainstream game/movie studios catering to western masses could never
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vimbry · 5 months ago
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"likes don't do anything" they do
"there's no algorithm" there is
"well nobody uses the for you tab" I do
"reblog all art and fics you see" there's no thought put into that. if this does work on people, then it's just pity engagement borne out of guilt rather than genuine interest, which is arguably worse than having none, because it's totally hollow.
#if I make art of my ocs who I'm personally fond of and spent a few days drawing just right and it gets 3 reblogs then it gets 3 reblogs#it's rational to feel a little disappointed sure. but I can't do anything about that. it's just luck#and I got Very lucky accumulating a few thousand followers on my main-turned-art-only blog off the back of when m.oomin was very popular#(tho realistically many of those users are probably inactive/passive followers now)#and having this number of people tuned into my posts Still only gets me a couple dozen notes on original stuff.#every 3 years or so something might blow up. like that bugs bunny comic lol. and I did Not expect it to#especially bc it happened about a year after I shared it as well.#it can happen any time. so don't feel discouraged when your art doesn't get noticed right away#the one advantage this website has is that there's far less of a fomo culture compared to other socials where trends come and go in a week#and people will still interact with older posts. especially bc it's easier to find what you want through the tagging system. sort of.#there's really no way to predict this or aim for large engagement! oh unless you're specifically catering to the current hot topic#like d.unmeshi is wiiiildly popular right now. I've seen comics get 5-digit notes in under 48 hours 'cause more eyes are on it.#but if it's not something you personally like and you're only creating things for the attention then you're gonna be unhappy#and people will inevitably move on.#I'd much rather swing my art back around every few months or so until it finds someone it resonates with#than make people who were never planning to engage with it feel bad for no reason
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b4kuch1n · 2 years ago
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I lied I think it’s fun to draw animals sometimes
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carcarrot · 5 months ago
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do i really want to make individual drinks again
#reaching back into the file cabinets of my mind to remember how i made certain drinks when i worked at the cafe#in preparation for the possibility of this new job#it would certainly mean far less goofing off time than i have at my current job. and i value my goofing off time dearly#but the people here are so fucking annoying lmao. i hate them soooo much#not that the people at this new job would be any better. we're still dealing with investment bankers#godddddd. what i really would want (which would be impossible)#would be to go back to working at the cafe but like. still have paid time off and insurance lmao#but the cafe was a small business and he was not offering paid time off and insurance. and the pay was way less#but i did get to play whatever music i wanted. unfortunately you cant live on that#like i can always say no to this new job if its offered to me. but is my goofing off time worth:#2 dollars less in pay and a half hour to an hour's more commute. well i dont know#a shorter commute would mean i could sleep more. and have more time at home .#i mean i probably don't Need all this goofing off time. but its nice#i dont knowwwwwww#like even though im a bit nervous abt doing it again i know that i would easily fall back into the routine of making drinks#which i was fairly good at. my one drawback is that i cant do latte art but i dont know that theyd really care here#and (because i found the menu of where id work) theres not a ton of drink options?? just the standard stuff#its being called a starbucks cafe but 1) its not managed by them and 2) it does not have their 5 billion drink options#so thats good. less to worry about#doesnt look like i even have to make anything foodwise which i had to at the cafe#here it looks like people can just buy a pastry and thats it#the hours are like. the same i work now. also good#sorry im like using this post to think through my thoughts.#uhhhh oh i looked up the manager who looks like a weenie so im not keen on the prospect of interviewing with him#but i probably would have thought that about my current manager if id seen a pic of him prior to interviewing. i guess???#and with these kind of catering units it seems you dont often deal directly with the manager that much anyway#i just gotta see if i get good vibes#rn i have unsure vibes. but i need a sign to see if this could be good for me#oh id also save money on transportation. and taxes! bc i wouldnt be working in ny anymore#lol oops tag limit. well i hope you enjoyed my job thoughts you probably didnt i know i didnt
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musings-of-miss-j · 21 days ago
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'how to write a good character arc' 'follow this act structure for your plot' 'best checklist for worldbuilding' 'the correct way to design a magic system' 'you're boring your readers with long descriptions' 'the correct amount of exposition' i don't know man. what if i do whatever the hell i want.
#I HAVE VERY STRONG BUT HARD TO ARTICULATE FEELINGS ABOUT THIS.#it's not that i don't appreciate any guides/ tips. okay. i just. am so tired.#of hearing the phrase 'there's a right way to write' wrapped in fancy terminology.#LIKE LISTEN LISTEN HEAR ME OUT.#take lord of the rings right.#'oh wow a classic!! the pinnacle of fantasy!! omg tolkein is a worldbuilding genius!!'#that's all well and good. alright. but how do you think tolkein approached it.#probably not with a 'this is the right amount of time to spend describing' mentality.#this man can will and has spent 15 pages talking about one (1) tree. or the obscure etymology of Minas Tirith.#im willing to bet he wasn't trying to fit any mould is what im trying to say right#he just wrote what he wanted !!!#the goal wasn't to cater to the reader!!!#and so much of the modern 'writing advice' contradicts the classics!#which isn't to say the classics are the end all be all of course#but it still counts for something that they stood the test of time and are considered a Big Deal#the point is.#or what im trying to say is that#if you're given advice on your art form that goes directly against what you're trying to do#and removes any element of enjoyment or what you consider to be a defining characteristic of your art#then just. don't do it.#like like#im not going to stop writing long ass winding descriptions of the setting my characters are in if it's something i like about my work#im not going to cut segments out of my dialogue that i think are funny/clever because im worried it'll confuse the reader#'b-but long descriptions/dialogue/infodumping about the magic system or worldbuilding/whatever the hell makes it tedious!!'#girl for who? because it sure as hell isn't tedious to me. im having the time of my life here#do NOT let me on this blog after 10 pm#writing#miss j's musings
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kakusu-shipping · 11 months ago
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Eepy and overwhelmed with choice
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wreckedhoney · 4 months ago
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^^ "coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse"
not proshipper not anti but a secret third thing (person who has a career in the media and, through covering legislative politics, has watched "associating with problematic fiction or entertainment is an indicator of moral degeneracy" rapidly become a mainstream GOP position that they are encoding in legislation to target the queer community under the guise of protecting children, thus coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse — the extent and manner to which fiction affects reality is an issue that is immediately relevant to today's US politics, and to summarize my opinions on the matter in fandom terms would be to diminish the ways this debate is affecting america Right The Fuck Now. and i have stopped taking "this person is bad for shipping the wrong anime thing and being horny about it" in any sort of good faith ever since I saw it literally used as part of a GOP smear campaign against a transgender state legislator in an attempt to defend the right from backlash after they used their supermajority in the Montana house to prevent her from speaking on the floor. Anyway I think everyone on this site, especially Americans, could benefit from ceasing to think in proship v anti vocabulary and instead developing coherent political positions on the nature of fiction that do not directly align with current fascist political tactics)
#oof lots of tags ahead#social#fandom discourse#it's rly hard to be concise about why anti-fandom stuff hits different from other types of fandom wank in short tags or a brief comment#this is not your regular “is luke skywalker evil for blowing up a space station” or “is inuyasha better off with kikyo or kagome”#these conversations can be fun or contentious but ultimately have no bearing on rl. meanwhile current discourse leans towards-#“should dark fiction be allowed to exist?” “should we maintain accepting spaces for mature fans?” “is fiction always literal?”#“is this person Dangerous IRL for the stories they engage with?” “should we kick them out? All Of Them? From Everywhere?”#2010’s conservatism in online spaces was & still is convincing. it regurgitates all conservative talking points that have Always Worked#eg. video games make people violent. deviant sexualities/orientations/identities are dangerous to families. limit childrens' resources.#except this time make it Fandom. except this time the characters and stories are all Literal. they're all Real. not narratives but copies.#and when the motivation for a point is virtue signaling and reactionary moralism and scandalized emotions over critical thinking-#-It Will Always Work. especially bc anyone who saw the writing on the wall (bc this isn't the first time this happened) got shut down Quick#bc “you just care too much.” it's not an issue about censorship- “it's anime.” it's not shoving members out of queer spaces-#(at a time where for a lot of us in intolerant environments FANDOM WAS OUR QUEER SPACE and for plenty STILL IS)#-“it's just the internet” where nothing that happens has any bearing on rl culture or consequence. which is a sentiment that's aged well#all of it tying in with big entities like twitter & google purposefully directing engines to prioritize revenue via clicks/viewership-#-and constantly pushing users to see & engage with contentious threads (you can look up “Tristan Harris - US Senate June 25 2019” on YT)#that fucked up users' perception of How To Address Conflict 101 bc fans speaking out against anti stuff ig got conflated with Moral Callout#instead of “hey please don't do x bc of abc reasons”-disagreeing now meant you had to FIGHT and gun for some big mic-drop moment of Victory#so fewer spoke up when all this snowballed bc it got harder to just SAY that a ship isn't real and a trope is only narrative#fast forward to today. people of all ages have been soaking in this culture and take it to other facets of their lives#Should There Be Kink At Pride & other queer events? Is my discomfort/lack of understanding equivalent to something outright attacking me?#Did You Know That People Use This Website For Sex Work or other adult-focused services? or even just a creative outlet? should it be banned#IS MY DISCOMFORT SOMETHING I SHOULD ADDRESS AND MANAGE? Or do Others bear the responsibility of catering their worlds around it?
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tododeku-or-bust · 7 months ago
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What I need for White Americans (ppl in general really, but I'm talking to the U.S.) to understand about Americans of Color is that You don't know Us, but We know YOU.
We've spent generations upon generations of our entire lives learning YOUR social norms, forced to assimilate to YOUR idea of society. We live and learn entirely separate cultures, but we also learn from birth what it means to have to cater to Whiteness in America. It's why I can name so many famous movies with white casts, but most white people didn't even know where "Bye Felicia" came from. It's why I was raised to professionally Code Switch from childhood, but grown white people struggle to even grasp the basics of the grammar of AAVE. It's why people who speak different languages think they have to give up their own mother tongue just to function in this country.
It's why you all are so uncomfortable with the idea of people of color questioning and rejecting what seems "normal" to you- and to be honest, I actually think older white generations are better at admitting this than younger ones. It's because what you know as normal is usually not "normal"- it's White. Whiteness is just as loud as any other presentation of race in this country, you just don't see it that way because everyone else has been forced to maintain your comfort. The entire system is built around it, and you don't even know it.
It's why it frustrates white Americans of some marginalization- queer, disabled, neurodivergent- because you do not have access to the "norm" as it is shown to you. But that frustration- literally everyone of color (who shares those identities btw) lives under that understanding.
Idk, I didn't really have a direction. I just think it's wild how so many conversations require this... Constant Verbal Leveling of the Playing Field simply because Whiteness blinds white people to what things ACTUALLY look like out here.
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cheapshrimpysheep · 1 month ago
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Yuutsum 1
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SUMMARY: What if you also have a Tsum? Then your Tsum and the Tsum of the person you like keep giving signs that they like each other?
CHARACTERS: Twisted Tsumderland 1 Tsumsitters (Riddle; Cater; Leona; Jack; Floyd; Epel; Sebek)
TAGS: Fluff; GN Reader 
WARNING: Spoilers for the Twisted Tsumderland Event and the Tsumsitter cards Vignettes.
WORD COUNT: An average of 600 words per character.
COMMENTS: This was originally a request from @taruruchi for my 1k celebration. Which you can read here. And since so many readers liked it, I decided to do what I normally do when this happens: Do this for ALL the characters! Grouped by event in this case.
The beginning of the Riddle's part is the same as in the request, but I added a little bit more scenario after that.
I hope you enjoy 😉
Yuutsum 2 (Deuce; Azul; Jade; Kalim; Rook; Ortho; Lilia)
Yuutsum 3 (after going to the English server)
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With your Tsum in your arms, you find Ace and Deuce, leaning over with their hands on their knees as if they were catching their breath after a run. They look at you first, but quickly the cute little creature you hold in your arms catches their attention. They both have that look on their faces like they think it's the cutest and most beautiful little thing in the world but don't want to admit it.
They say that Riddle also has one of those and it was the one they were chasing and trying to catch, but they lost it. The moment they said Riddle’s name, you felt your Tsum move enthusiastically for a moment.
They hear something, when they look they see Riddle-tsum in the distance and run towards it, starting the chase again. Your Tsum jumps out of your arms and runs with them, which makes you run after them too.
Your Tsum passes Ace and Deuce, which surprises them because they were so fast, and throws itself at Riddle-tsum, rolling together for a few seconds until they both stop. When this happened, Riddle-tsum didn't run away again, and the two were rubbing each other's cheeks happily.
Ace grabbed Riddle-tsum while it was distracted. It seemed upset about being caught. But the moment Deuce grabbed your Tsum that upsetness turn into anger. Riddle-tsum jumped out of Ace's arms, hits him in the face and threw itself right in Deuce's face to make him release your Tsum. Once back on the ground, Riddle-tsum positioned itself between your Tsum and those two. Glaring threateningly at Ace and Deuce.
Once again, it doesn't run away. You finally get close to them and approach the tsums. When Riddle-tsum sees you it relaxes again and looks at you with admiration. As if looking at a royalty.
Ace and Deuce suggest that you try taking them both to Heartslabyul, as Riddle-tsum doesn't seem to like either of them. They were small enough for you to be able to carry them both in your arms without any problems.
You take them both in your arms and Riddle-tsum immediately turns red. It looked like a tomato in white clothes. And it writhed as if it wanted to hide your arms in embarrassment. When you arrive at Heartslabyul, Riddle-tsum's blush had already subsided.
“Ah, prefect.” Riddle says when he sees you, Ace and Deuce arriving. “I see you were the one who managed to catch...” He looks at your arms to see his tsum, but his gaze automatically goes to your tsum instead. “Oh, there is one similar to you too. It looks... as charming as you.” he blushes just a little.
After explaining how you three caught Riddle-tsum, Ace suggests that they leave you and your Tsum with Riddle-tsum to prevent it from escaping again or causing trouble. Or hurt someone else. Riddle hesitates at first, as he is the one responsible for taking care of his tsum. But soon after, Riddle-tsum hits a student for breaking some rule and Riddle starts arguing with it so he stops attacking others.
You place a hand on Riddle's shoulder to try to calm him down a little and at that moment both of your attention went to your tsums. Your Tsum was between you and Riddle-tsum.
“You know, they remind me of the hedgehogs in a way.” Riddle says “And now they are reminding me of when they come closer to smell each other or to rub each other's noses. I can't deny that I find it quite cute whenever they do it.”
And then your Tsum starts rubbing its little round nose against Riddle-tsum's and caressing him to calm him down. And it works. And he returns the affection by staying very close to your Tsum.
Riddle blushes a little again, and says that, reconsidering Ace's suggestion and if you want, you could take care of your tsums together.
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You were walking with your Tsum in your arms when you saw Cater and his Tsum on Main Street. Cater-tsum seemed to be curled defensively around something Cater was trying to retrieve.
“Look, you can't have it, okay?!” You hear Carter say to his Tsum as you get close to them.
You greet him by asking what they are doing. Cater gives you a quick glance before turning his attention back to Cater-tsum, as if he's afraid that if he looks away it'll escape.
“Hey, [Y/N]! I'm trying to get my-” He quickly looks back at you, more specifically at the adorable little thing you have in your arms. “Oh!... My!... Great Seven!” He turns his body towards you, his gaze so fixed on your Tsum that he doesn't even blink. “YOU HAVE A TSUM TOO! And it's the most adorable little thing I've ever seen in my life!”
Suddenly you both got jumpscared as something jumps towards you. It was Cater-tsum jumping into your arms! Despite the scare, you manage to catch it and it starts to nestle into your arms and cuddle your Tsum. Cater looks at the floor where Tsum was and sees his cell phone left behind. He retrieves it.
“We HAVE to take a pic of them!” Cater says excitedly “No! We have to do a whole photoshoot! Here! It's a great place to start.”
If you like taking pictures, your Tsum will be very excited. If you are shy, your Tsum will turn around to hide its face in your arms.
“Awwwww~ That’s even more adorable! Pwease! I beg you~" He says to your Tsum. Cater-tsum will also make pleading eyes at your Tsum.
The four of you spend a lot of time taking pictures in different places. Both pictures of the Tsums and of you with Cater. Until Cater and his Tsum have enough pictures to finally let you and your Tsum rest.
You sit on a bench, you with your Tsum on your lap and Cater with his Tsum on his lap, both of them editing photos on his cell phone. However, you feel your Tsum move and leave your lap to headbutt Cater's hand that was holding the cell phone, making it fall against his belly. After that, your tsum just stands there looking at Cater-tsum with a slightly annoyed look. Cater-tsum smiles with its tiny eyes and jumps against your tsum so they can cuddle each other.
Cater looks at the Tsums protecting the cell phone against his chest, watches them for a moment and then looks at you.
“Hey, if you want to do the same, just need to ask, you know~?” Cater says and winks at you.
If you accept, he'll put an arm around your shoulders and edit the photos with you, while your two Tsums cuddle on your laps.
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Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. Fortunately you don't need to walk far, as the botanical garden is one of the closest points to Ramshackle Dorm.
As soon as you enter, your tsum jumps out of your arms and starts jumping (its way of running) somewhere in the middle of some bushes. And you know that spot well. As soon as you stop seeing it, you hear a patient growl.
“Another one?” You hear Leona's voice. “Hey! What do you think you're doing?!” You follow the voice, pass through the bushes and see Leona lying down with two tsums on top of his torso. Your Tsum and Leona-tsum, cuddled up like two cats sleeping with each other.
“Herbivore, get your stuffie thing out of here and take the one that looks like me with you too. I'm not a nest to have two pesky armadillos sleeping on top of me!”
You kneel down next to him, looking at Leona-tsum with that “HE’S SO CUTE!” twinkle in your eyes. Leona-tsum looks at you and its sleepy eyes suddenly open, almost bulging. And it jumps onto your chest, knowing you would catch it.
“You got one.” Leona said. “Just one more to-” He interrupted himself, looking at his chest and seeing your tsum rising until it approached his face.
If you look at his face, you will see Leona's pupils dilating. And your tsum snuggling against his chest. You comment that you don't think your tsum will want to leave his side.
“Why don't you walk away with that one and see what happens? Maybe yours will follow.”
You are also curious to know what would happen. Leona-tsum was already sleeping in your arms.
You walk away with him, towards the exit of the botanical garden. Halfway there it wakes up and you feel it move in your arms. You stop and look at it. It seemed to have an annoyed look on his face, very similar to what Leona does when things aren't going according to his plans. You open your mouth to say or ask something, but it's Leona's voice that can be heard throughout the botanical garden.
“OI!” You hear Leona growl in annoyance. “Who do you think you are demanding anythin’ from me?!” And then you hear him roar.
You come back with Leona-tsum in your arms, and you find your tsum pulling one of Leona's braids towards you as if he wanted to force him to come to you.
“This thing really takes after you.” he comments, in a tone reminiscent of a father irritated with a child he deep down loves.
Leona tsum jumps out of your arms and lazily approaches your tsum. Your tsum lets go of Leona's braid.
You both see Leona-tsum rubbing his cheek on your Tsum's cheek, and making a movement as if it was licking your Tsum's face. After calming your tsum down, the two of them curl up to sleep together.
“Well, at least they're not bothering me anymore.” Leona says. He closes his eyes, but right after, he opens one of them again to look at you. “If you're also going to stay here with your stuffie thing, at least be useful. This floor isn't the best pillow, you know?” He makes that gesture for you to come closer with his index finger.
And if you let him use your lap to to lie down, he will fall asleep in 3 seconds, just like his Tsum did.
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You were in the Ramshackle Dorm Lounge with your Tsum and Grim was in your bedroom, probably taking a nap after eating too much, when you hear someone knocking at the door. You go open the door, leaving your Tsum on the couch. You open the door and see Jack.
“Hi [Y/N]. Sorry to bother you, but this Tsum-” Before Jack could finish his sentence, you saw something near your feet come barreling through the door. You look back in time to see Jack-tsum turn to enter the Lounge. “Ah! Sorry. It won't sit still. Let's catch it before it does any damage.”
The two of you go to the lounge and stop right at the entrance. Jack-tsum was on the couch with your Tsum. Jack-tsum was jumping around your Tsum, its little tail wagging like crazy, and its eyes shining while also rubbing its face against your Tsum’s as if licking it. It was just like a puppy wanting to play.
“OI!” Jack shouted “Don't mess up [Y/N]'s couch!”
Jack-tsum sulked and your Tsum jumped from the couch to the floor. Jack-tsum followed it. Your Tsum approached Jack and smiled at him with its eyes, as if it were greeting him.
“Hum?” Jack’s ears pricked up as he looked down. “You also have a Tsum similar to you.” He didn't realize his tail had started wagging.
Jack-tsum followed your Tsum and you felt the need to bend down to see Jack-tsum up close. It looked at you with big bright eyes and its tail wagging wildly. You comment on how cute it is and reach out to pet it.
“Be careful.” Jack warns you “It doesn't let anyone...” You start to pet its head as it leans in your hand. “... touch it... What's the deal with this thing? Whenever anyone approached it would either move away or growl at them. How did you do that? I can't even catch it to take it to Savanaclaw.”
You say you don't know what you did either, if anything special. And you comment that it seems to like you. This makes Jack blush slightly.
“How would it not?” he says softly, and without meaning to. He clears his throat. “Um, do you mind if we stay here for a while? It seems to have finally settle down a bit.”
Your tsum goes to Jack-tsum's side and they both look at you as if begging you to say yes. You agree and the two Tsums bounce happily for a moment before they start running around the lounge together.
“OI! You two be careful!” Jack warns “Don't break or mess anything up, you hear?!”
You laugh and comment on how much you think Jack and his Tsum look alike.
“It's just the hair and the outfit.” he says a little embarrassed “Do I look round and soft?!”
“Round maybe not but soft...” You laugh and he blushes.
Before he could open his mouth to try to respond to that, the tsums started running towards you and ended up bump into you as they passed, which made you lose your balance. Jack catches you.
“What did I say?” he shouts to the tsums. He looks at you. "Are you okay?" In his arms, and he releases you, blushing a little. “Sorry about that.” he rubs the back of his neck. “It had never done this.”
“Maybe it was a bad influence.” you say and look at the Tsums. From the looks on their faces, especially your Tsum’s, it wasn't an accident.
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You were walking down the Main Street with your Tsum in your arms when you hear footsteps running behind you, approaching quickly. You turn around in shock and see a very tall figure right in front of you. Then you realize it's Floyd.
“Boo~” Floyd smiles at you with something writhing violently in his arms. You look and see his Tsum trying to get free. You also notice, by the way he is holding Floyd-tsum, that he is using a lot of force. “Hi Koebi-chan~. Whatcha doin'~?” He sees something in your arms and looks to find your Tsum. “Woo! You have one too! And it looks so small and weak like you, how cute! He he.”
(What you don't know is that what really happened was that Floyd-tsum was loose and took off running when it saw you. The footsteps you heard were Floyd running to catch it before Floyd-tsum caught you.)
Your Tsum made a sulky face, while Floyd-tsum continued to struggle in Floyd's arms. You say Floyd-tsum is also very cute, it stops and looks at you with smiling little eyes.
“Do you wanna play with it?” Floyd asks and you say yes. “Sure, but careful how you handle it. It’s easy to set this guy-” The moment he let his arms go slack for a second, Floyd-tsum jumped into your arms.
With difficulty, but you managed to catch it without letting your tsum fall. Now you had them both in your arms. You saw it squeezing your tsum while it snuggled into your arms. However, your tsum didn't seem uncomfortable, quite the opposite, it felt like a passionate everyday hug.
Between letting Floyd-tsum jump out of his arms, until realizing that it wouldn't hurt you, Floyd stared at his Tsum with that serious face that all students who know him the least bit fear.
“Aw~ Aren't they cute together?” he says with his usual relaxed expression. He sees that you are having difficulty holding both tsums. “Let them go. They can walk on their own. Or hop, I guess.”
You do so. The two Tsums land on the ground and Floyd-tsum jumps up to continue hugging your Tsum. But before it can, Floyd quickly picks up your Tsum in his arms and starts squeezing it too.
“MY TURN!” Floyd says to his Tsum.
This one sulks, looks at you and jumps back towards you. You catch it and it hugs your forearm. You and Floyd laugh, until the pressure in your arm starts to increase to the point where it starts to hurt. The moment you grimace, Floyd's expression changes, he lets go of your tsum and rips his off your arm.
“I warned you.” he says to his tsum, with the same face he uses to threaten students who don't pay Azul. “Someone is not keeping their side of the deal.”
Floyd-tsum manages to escape and hugs your tsum again, but without hurting it. Floyd looks at you, who looks slightly sad, and sees you rubbing the forearm that Tsum was squeezing. He holds your wrist to see better. There is a slight reddish mark. He lets go of your wrist, turns to the Tsums and lifts his foot as if to step on his tsum. Before you could stop him, your tsum does it, getting out of Floyd-tsum's embrace and positioning itself between it and Floyd's sole when he was about to hit his Tsum. He looks at your tsum's fearless face for a moment and laughs heartily.
“HA HA HA HA! It also takes after you, Koebi-chan~” He puts his foot back on the ground and turns back to you. “We were going to Mostro Lounge. Do you want to come?”
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With your Tsum in your arms, you were walking down Main Street when you heard a scream. It sounded like someone was being attacked by a dog or something. You follow the sound and see Epel, another Pomefiore student, and an Epel-tsum attacking this student while Epel tries to stop it.
Your tsum jumps out of your arms and runs (or hops) towards them until it stops between Epel-tsum and the student, preventing the tsum from attacking him again. And then, your tsum headbutted Epel-tsum so hard that it even knocked it upside down for a moment. Enough time for Epel to catch it. The other student runs away and Epel-tsum begins to struggle in Epel's arms.
“Stop it!” Epel complained “Ya can't go aroun´ attackin´ students!”
You approach them asking if everything is okay and if he need help. Epel-tsum stops and looks at you. You smile when you see that Epel also has a tsum and comment on how cute it is (like any tsum).
“No! Don't call it that!” The Tsum manages to jump out of Epel's arms and towards you.
He panics, but instead of the Tsum hitting you, it lands in your arms and just looks at you with a sulky face. You say it's still being cute, and once again, instead of it attacking you, its little face turns red with blush.
Epel freezes, completely confused for a moment until he thinks about what could be the possible reason for you being the only person who called the Tsum cute and it didn't attack. And when he thinks of the most likely reason, he also blushes.
Your tsum also jumped into Epel's arms, surprising him. It smiles at him with its cute little eyes and his blush deepens. Your voice is the only thing that makes Epel look away from your Tsum, asking if you could accompany him and his Tsum if they were going to Pomefiore.
In his dorm, needless to say, Rook wasted no time praising the Tsums, both Epel's and yours. But since Epel's Tsum didn't seem to appreciate the comments very much, especially if they focused on the fact that he was cute, Rook ended up turning his attention to your Tsum, which ended up bothering Epel's Tsum even more.
“It looks like someone is jaloux.” Rook says smiling amused.
That was the only thing that made Epel-tsum throw itself at him, to attack. Rook dodged it like a bullfighter with the grace of someone who was expecting it. Epel panicked and quickly picked up his tsum and apologized to Rook.
“There is no reason to apologize, Monsieur Pommette.” Rook says, loving the situation more than he should. “Truly. I must confess that my provocation was premeditated. C'est tellement beau to see your true feelings and emotions through your Tsum's lack of filter.”
“WHA-?! WHAT IS THIS SUPPOSED TO MEAN?!”
Rook just laughs, winks at Epel and starts walking towards the door. Halfway there he passes you, leans over and whispers in your ear: “Could you tame the little beast for us, Trickster?” and leaves.
Epel's Tsum struggled in his arms, angry... with jealousy.
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Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. You leave Ramshackle Dorm, pass the Botanical Garden and the Alchemy Workshop and arrive at the Hall of Mirrors.
As soon as you enter, your Tsum escapes from your arms and quickly jumps until it enters the mirror of Diasmonia. You follow it, but you realize that you lost sight of it the moment it passed through the mirror.
“Good afternoon, [Y/N]!” Lilia is the first to come and greet you. “To what do we owe such a wonderful surprise visit?”
You tell him about your tsum.
“Ah yes! Sebek also has a cute little lookalike. I can't wait to see yours. Although if it's as adorable or even more adorable than you, we're going to have a cuteness overdose problem in this dorm. Khe he. Well, from what I understand, and despite Sebek denying it, the personality of these tsums is very similar to the personality of those they physically resemble. So if your tsum wanted to come here, where do you think it would have gone? Where would you want to go?”
You don't think about a ‘where’ but rather a ‘who’ and that may have shown on your face, beacuse Lilia laughs amusedly.
“So maybe your tsum went to meet someone? Maybe a fellow tsum? Khe he he. I suggest we look for Malleus. Wherever he is, Sebek and Silver will be there too.”
The two of you head to the lounge, but before you get there you can already hear all the commotion. Aka: Sebek’s thunderous voice.
“Don't look at me like that! No matter who your looks resemble, you're bothering Malleus-sama and meddling in our, I mean my guard duties!”
“Actually,” You hear Malleus's patient voice say. “I am quite enjoying this little one's presence. It's as pleasant as [Y/N]'s own presence. Wouldn't you agree, Sebek?”
“HUM?! Yes! Of course sir! Please forgive me for implying that this Tsum's presence was inconvenient.”
You and Lilia arrive at the lounge and approach those two. Sebek, as expected, was standing very straight next to Malleus, who was sitting in one of the sofas. Coming closer, you see that both your Tsum and Sebek's Tsum are in Malleus' lap. And Sebek-tsum looked like it was... about to cry?
“AWW~ Look at you.” Lilia said, your Tsum turned to him. “You are even cuter than I imagined. *sigh* What an unfair competition. Ke he.”
The moment Sebek-tsum sees you is when it finally starts crying.
“HUM?! What is wrong with you?” Sebek inquires. “You are such a strange creature.”
“I think it's an too much emotion to see so many people it likes together.” Lilia says with a smirk.
“W-Well, regardless, it should learn to control itself!”
You come closer, worried about Sebek-tsum, and ask if it would like a hug to feel better. It looks at you, then at Malleus, back at you, Malleus, you, Malleus, and on until it almost gets dizzy and the indecision seems to make it more sad.
“I think I have an idea.” Malleus says. “[Y/N], would you like to sit next to me?”
You sit down, he asks you to come closer until your thighs touch, so he can place Sebek-tsum on both of your laps at the same time. It, still in tears, seemed to be thanking Malleus with his eyes and head.
“How intelligent and generous, my liege!” Even Sebek himself had a tear in the corner of his eye.
He was about to continue his praise when your Tsum jumped from Malleus' lap into Sebek's hands. He caught it as if he was saving it from a fall. It looked at him and smiled with its eyes.
“How precious.” He said with a tender smile, as he was still emotional about Malleus's act. Then he realized what he had just said and blushed in embarrassment. But he didn't stop holding your Tsum.
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If you would like to read more from me, you can find it in my pinned post: INDEX
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bilbobagginsomebabez · 9 months ago
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is anybody else upset that instead of authors' unions and the development of labor power, every ounce of discourse and effort towards writers making a living wage is geared towards digital intellectual property rights and digital theft protection. like i don't know about anybody else but I am actually not excited for major publishing companies to be algorithmically searching for and DMCA striking books that are "similar enough" to their copyright. I don't trust AI to be able to tell when something is adulterated metadata vs when something is just very similar. I fucking hate DRM already. I hate buying a book and either being restricted in use of my property or taking it through multiple complicated steps to remove it for an epub file compatible with calibre, where I can file and tag it appropriately.
and i don't think we're going to find any kind of salvation for writers and writing this way. I think we're going to launch another digital arms race (like with removing DRM) while continuously empowering the already wealthy to consolidate power and crush meaningful change through slap suits and the like.
and this is because digital theft is the only problem that the publishing industry is willing to address. because strengthening intellectual property protections doesn't protect art or artists, it allows the big players to better control the playing field and force it to benefit themselves.
Okay, this may prove useful.
#i love writing. i love reading. i love authors. i want them to live well and i want to thank them for the gift of their story#i do not think that the solution proposed solves any of the actual problems here. at best it's a bandaid. at worst its muddy cloth shoved#into an open wound to staunch the bleeding.#i don't think that better anti-theft software is going to improve the wider cost of living crisis causing this behavior OR the remarkably#exploitive nature of the publishing industry which was difficult to make a living in when people COULD actually pay for books.#i think it's just going to give massive corporations another way to disincentivize competition and punish poor people.#also truly sick to death of how willing some artists are to see their poor fans and readers as the primary barrier standing between them an#financial solvency. like 'if the poors would JUST PAY everything would be fine. if we could just STOP ALL THE THEFT everything will be fine#i don't think that's correct! i think that's trying to squeeze blood from a stone#constant reminder that criminalized theft is overwhelmingly a desperation crime and when people HAVE money they pay for their shit.#this isn't a defense of the scam companies ripping off books and selling them. obviously i do not think that's a desperation crime.#what i AM saying is that they're catering to a market publishing companies wrote off by making damn near every book $25+ when overhead on#producing more digital files is literally $0. maybe the greed is a big problem. maybe an inflated price point increases theft.#+ pretending Art and Writers are a special case where the dynamics of class and access we're SO comfortable applying everywhere else#somehow do not count. like because it's Art it's More Wrong to steal than food or whatever. 'you don't have a right to their art! you can g#without!' right after posts explaining that yes having fun is medically necessary. if you cant pay for food you cant pay for fun.#you still need both.#i think poor readers and fans are going for cheap or free stuff because we're in a recession/depression/cost of living crisis and they#can't pay for ANYTHING.#what did we expect to happen when we decided to lock every facet of human life behind a paywall. that they'd just politely disappear?#i hate living in the gilded age 2.0. hate the crabs in a bucket effect. hate that the richest are getting away with it while we scratch eac#other's eyes out and blame the vulnerable for failing to perfect cultural abstinence in order to mitigate the impacts of elite greed#rich people made this mess. go after the rich people. they've got literally all the money anyway.
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jytan2018 · 1 year ago
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I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.
- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.
- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.
- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.
- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).
- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.
- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.
- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.
- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.
- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).
- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.
I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:
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[ID: A pink-haired Nimona grinning evilly while holding up a knife.]
Watch Nimona. This is not a request.
Edit: Added more thoughts!
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taylor-titmouse · 9 months ago
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hey i want to talk about how you should be promoting your work as an erotic author/illustrator
i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.
this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.
i will start with my first and least specific but most important point:
DON'T GET FUCKING CUTE
hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.
and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.
you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.
okay are you still with me. we are going to talk about clarity now.
YOU GOTTA TELL ME WHAT IT IS
good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.
porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!
as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.
while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!
to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!
YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY
hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.
god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!
this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).
okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!
also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.
abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.
I DON'T HAVE A FOURTH POINT
kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.
please do your best to make money. i want you to make money.
as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.
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violenteconomics · 3 months ago
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as a prank, ace and epel start referring to their upperclassmen as members of their family rather than by name — when they're not actually talking to their upperclassmen, of course — just to see how long it will take them to notice. and after a while, the other freshmen start doing it, too.
ace is the first one to come up with this idea. he think it's a harmless little thing, a prank that'll cause plenty of mayhem but won't get him in any serious trouble. so he starts referring to cater and trey as his dad and mom respectively, and riddle as his uptight, no-nonsense older brother.
("one time i saw my brother try to put one of mom's tart into like a ziplock bag to save it for later, and when he took it out like two days afterwards, it fell apart immediately and he started bawling, ha ha! my dad got the whole thing on camera and shared it with me — i can show you if you want.")
he ropes epel in on the plan. epel is a little more hesitant, but seeing this as a way to get back at vil, even in a small way, he agrees to it. vil is now "ma" and rook is now "pa". people do start to wonder why he still uses he/him pronouns to refer to his supposed mother, but they decide not to question it too much.
("a few months ago, my pa told me a story about how one time my ma was trying to comb his hair, only for his comb to get stuck. so he got another comb to get the first one out, and that ended up getting stuck, too. five combs later, and peepaw had to rush him to the barber for an emergency haircut. it was pretty funny, but now i'm left wondering how pa even knew that story... hold on, i need to check my bathroom mirror for cameras, excuse me.")
surprisingly, deuce catches on pretty quickly, and he starts thinking maybe it's a new dorm policy. he doesn't know why, or why nobody else seems to be doing it, but ace seems pretty sure of himself, so he starts doing it, too, if a bit awkwardly.
("my brother always gets on my case for my bad grades. it's a little frustrating, but he only does it because he cares. my dad tutors me whenever he can, but he's not very good at studying, either. but whenever i do get good grades on my report card, my mom makes me egg tarts!")
yuu starts after they ask ace about it, and thinking it's a good prank, they decide to join in on a little mischief. so they start referring to all the teachers as their "dad". it makes people really confused, because they assume they only have one dad, two at most, but "dad" seems to change personalities every single time they talk about him.
("i was helping my dad do paperwork the other day, except we didn't get anything done and spent the entire evening playing solitaire and making dog puns."
"i was filling my dad's basketballs for him for his next game, whilst simultaneously helping him rework his pick-up lines that he's going to use on rsa's 'hot librarian' — his words, not mine. it was... a weird experience."
"i was feeding my dad's cat a couple of days ago, but i guess i fed him too much, because he's just a ball with limbs now. it's fine, though — it's not like my dad actually goes anywhere. too old for that, y'know?")
ortho is up next. idia's already ortho's brother, so he can't really do anything with that, but he really wants in on the average teenage experience of pranking your peers. so he starts referring to literally every upperclassmen he knows as his "brother". this is when everyone starts to realize that something's wrong, because some of things ortho says can not apply to idia in any reality.
("my brother is so talented! he's so good at talking to people, and making them sign contracts with him, and convincing them to invest in his restaurant... gosh, i wish i could be as good at communicating as him!")
jack is, unsurprisingly, very unamused when he figures out what the others are doing, but he doesn't try to stop them. but after a few weeks of exposure, and jack starts unconsciously doing it, too, which the others don't point out to him because they think it's absolutely hilarious.
("my brother didn't show up to morning practice, again, so my other brother and i went lookin' for him, and we ended up findin' him in a tree. obviously, my brother and i can't climb as well as my eldest bro can, so my brother just... threw a spelldrive disk at him. to get him out of the tree. and then we had to rush him to the infirmary because now he had a concussion. i don't... i don't know why he thought that would work.")
sebek is the last hold-over. not only is he unamused by this prank — and frankly very aghast when he realizes that jack has also been infected by it — but he's also really repressed and will do literally whatever it takes to not sully his image in the eyes of diasomnia. of course, with enough wear and tear, this doesn't last very long.
("ugh. my brother fell asleep on the road AGAIN! i swear, so many people have tripped over him, i'll be surprised if he hasn't broken any ribs yet.")
ace and epel think all of this is extremely funny, so they all keep trucking along with it with nobody noticing for a couple of weeks. it's all fine and dandy until the first-years are out on the town during the weekend, and deuce gets involved in a really bad carriage crash.
at the hospital, deuce starts deliriously asking for his older brother to take him home. but when the receptionist checks his familial records, they're really confused because deuce never even had a brother.
unfortunately, ace knows exactly who deuce is talking about, and awkwardly spends the next 30 minutes trying to get a hold of riddle over the phone.
the awkwardness doesn't end as riddle actually gets to the hospital, and the doctor smiles and says, "you must be mr spade's big brother."
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pomefioredove · 4 months ago
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a private meeting
summary: yuu makes a list of the top five cutest third years. the following conversation type of post: short fic characters: cater, trey, leona, rook, vil, idia mentioned, lilia, malleus additional info: romantic?? platonic?? idk, reader is gender neutral, reader is yuu, this is more for character interactions. and fun
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"I'm sure you're all well aware of why we're here,"
The eight gentleman standing around the dark, candlelit room look between each other.
Leona yawns.
"How long is this gonna take, exactly? I was dragged outta bed for this,"
Vil glares. "Hush. I wanted to deal with this matter in the quietest manner possible, without disturbing the prefect. Sevens know what happens when your egos go unchecked,"
"Look who's talking,"
Another glare, but Vil chooses not to waste any more time.
"Two nights ago, the prefect hosted a slumber party for Ace Trappola, Deuce Spade, Jack Howl, and our own Epel Felmier,"
"I remember that," Lilia says, rubbing his chin. "Sebek was invited, but refused in case someone attacked Malleus whilst he was away."
Malleus shakes his head.
"During this event, the prefect created a list of the top five "cutest third years", as we all know. And, to avoid any childish squabbling, I've gathered you all here to open it as an ensemble. Rook?"
A slim, folded sheet of notebook paper appears from the dark of Rook Hunt's pocket. He holds it up, as if presenting it to the heavens.
"Where did you even find that?" Trey asks, adjusting his glasses.
"Facile! It was buried under a stack of homework assignments in our dearest Trickster's bedroom," the blond says merrily.
"Logistically speaking, that's almost too easy. Are we sure it isn't a fake?" Ortho pipes up.
"Ortho?" Vil asks. "What are you doing here?"
The boy giggles in an electronic chime. "Idia is hiding under his covers and won't come out, so I'm here in his place!"
"...Alright,"
"I don't know what he's so nervous for," Vil goes on. "When I am already guaranteed to be in the first place slot."
Leona scoffs, kicking back with his feet on the table. Vil glares again.
"How rude,"
"He's not wrong. You are the most beautiful here..." a smile creeps up Lilia's face. "But, as I recall, you said cutest third years, not most beautiful. And if anyone is the cutest, it's me."
"Oh, spare me," Leona sighs. "Let's just get this over with. Open the damn thing."
"You're not the least bit curious, Leona?" the fae asks, batting his large eyes.
"Don't patronize me. And no, I'm not. I couldn't care less,"
Lilia smirks, but says nothing more on the matter.
He turns to his tablemate. "And what say you, Malleus?"
Every person in the room falls silent, and then turn to the prince sitting at the furthest corner of the table with his hands folded in front of him.
He hasn't shared a single thought all evening.
"...The contents of this list make no difference to me," he finally speaks. "My feelings towards the prefect will be unaffected."
Rook sets a hand over his heart. "Quelle beauté! I am moved! Not even the strongest of winds could make your friendship bow,"
Leona groans as if he's in agonizing pain.
"Open it!"
"Okay, hold on. Isn't this like, a major privacy violation?" Cater says. He doesn't sound eager to see the results, either.
"I would hate for someone to read my private thoughts to a room full of people."
"He may have a point. This was a list made between friends at a slumber party. Taking it out of that context could be disastrous," Trey agrees.
"There's a 96% chance this will end in conflict!" Ortho chimes in, merry as ever. Leona sighs.
"Can I just leave?"
"No," Vil snaps. "Rook, open it."
"Rook, don't,"
"Rook!"
The poor man observes the conflict slowly unraveling before him, and he sets the folded sheet of paper on the table.
"Now, now, do not squabble! Let this be a chance to celebrate our bonds with the lovely prefect!"
"I agree with Rook," Lilia smiles big. "We should all agree that no matter what is on that list, we'll leave it after tonight and move on."
Vil sighs. "Yes, yes. You're all right. We can't let what they wrote at a private slumber party affect our relationships with them,"
"No matter what, we leave them out of this. Agreed?"
Everyone in the room nods.
"Alright. Rook, read it,"
Rook reaches behind him, the anticipation building, and... is met with a cool wooden surface.
The note seems to have disappeared into thin air.
Before anyone can express their obvious confusion, an evil cackling pulls their attention to the doorway.
Vil gasps.
"Grim! Put that down!"
The small direbeast, now holding a crumpled piece of paper in his paw, smiles wickedly.
And then, to everyone's horror, he eats it whole.
Leona is the first to react, storming over and lifting Grim by the scruff of his neck. "Seriously?!"
"Fufufu. Looks like someone cared, after all," Lilia chuckles. Vil rolls his eyes.
"Hey! Not my fault you guys were so loud! You woke me up from my nap over a stupid list!" Grim says, crossing his arms.
A brief silence follows, and then a sigh. Leona drops him and he lands on his feet.
"Perhaps Grim is right," Ortho says. "Instead of worrying about the numerical grade the prefect assigns you, you should focus on the unique and special aspects of your individual relationships!"
"How eloquent!" Rook coos. "Oui, you are right! Sometimes it is best to let secrets remain secrets."
"Something about the way he says that tells me he already knows what it said," Leona grumbles.
"Ohoho. A fascinating mystery, non? Did I sneak a peek before tonight, or am I just as clueless as you?"
The prince rolls his eyes.
Vil sighs. "Ortho is right. Now I feel ridiculous for getting so worked up over what amounts to a joke at a slumber party,"
Everyone grows quiet, seemingly reflecting on themselves for the duration of the brief silence.
Lilia's giggles change the melancholic mood of the room.
"Perhaps Malleus had the right idea all along. It doesn't matter who the prefect thinks is more attractive; they're still a wonderful friend. How wise- I'm very proud,"
Malleus beams.
"Yeah yeah," Grim grumbles, turning to the door. "I didja a favor, anyway. None of you weirdos were number one."
He leaves, and he takes the peace and reflection with him.
Slowly, everyone turns to each other.
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exemplarybehaviour · 10 months ago
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I keep seeing people say things like this: "You know what does matter to the politicians, even more than us voting for them? When we DON’T vote for them."
No, absolutely not. This is not how the US electoral system works. Under the current system, only votes cast matter. Only people who are going to vote matter to campaign strategists.
The last election, less than 20% of my district voted. The 80+% of the people who abstained? Their opinions on the results don't matter. The system does not take them into account. They gave up their right to have a say. Some strategists for future elections might look at the numbers and say: wow, why didn't those people vote, and can we GET them to vote? But ultimately, the system is designed so that if only one person votes, that person gets to decide the winning candidate. You get the representatives voted on by whoever shows up to the poll.
If a candidate thinks you cannot be swayed to vote (because, for example, you've joined a weird anti-voting movement), then ther campaign is not going to cater to you. Their strategists won't care about you. Someone in the next cycle might try for your vote, but you are giving up your right to have a voice for this cycle.... and voters with a history of voting are more promising targets for any campaign strategies.
(Your actual vote is a secret, but they DO monitor that you have voted. This will affect how much annoying campaigning materials you will get, because they do target active voters.)
Also, "if I don't vote, that will make a point!" is just a stupid take in general. If you don't vote in November, and then Trump wins, what have you really done? Do you think the Biden admin will care, as they're leaving office? Do you think the Trump admin will care, as they enter office? Republicans want fewer people to vote! Your abstention will be nothing but a footnote in history about how Trump won.
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drdemonprince · 11 months ago
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have you defined the meaning of “white woman brain” anywhere and if not, can you? /gen
Many Black and brown feminist writers have discussed this phenomenon and I encourage you to seek out a lot of writing about this subject, because there are a variety of perspectives, but to distill it, white woman fragility brain is a phenomenon that is not exclusive to either white people or to women, but is especially common among those who can weaponize white womanhood, and it consists of the following qualities:
A view of oneself as a helpless victim that is constantly in threat of being attacked, especially by strangers (even though statistically, this is not the case).
A refusal to consider oneself as capable of doing harm to others, especially a lack of consideration toward others' body autonomy or consent. (even while being highly concerned about one's own autonomy and consent).
A generally passive or passive-aggressive orientation toward the world: seeing oneself as a romantic or sexual object to be approached, but never wanting to initiate (or feeling that one never can), never feeling comfortable directly communicating displeasure or one's desires, believing that others instead must guess at it. (and then resenting people when they don't, but never expressing it).
A tendency to cry, excessively berate oneself, complain about being made to feel "unsafe," or give up when criticized or challenged, especially when challenged by people of color.
A tendency to associate a person's body type with how much of a threat they are. For example, feeling unsafe around people with penises and expecting a social space to accommodate that fear to cater to you, a fear of people who come from cultures where it's common to speak loudly, a fear of those who are large, assertive, and/or darker-skinned.
Instinctive fawning-type responses to stress, and a pattern of feigning happiness, agreeability, and ease when one is not genuinely feeling it, and expecting all other people (but especially other women) to feign happiness as well, paired with a deep-seated resentment of anyone who violates this illusion and expresses any negativity (being especially punitive toward women of color).
Instinctively "smoothing over" conflict between other people before it even begins, even when healthy conflict is necessary and not at all your business-- often performed by gossiping behind other people's backs, triangulating information when it is not yours to share, asking people to alter their behavior in order to avoid a reaction from somebody else, presenting your concerns as if they were somebody else's ("what will people think!"), tone-policing the airing of grievances, derailing hard conversations with more light-hearted topics, and excluding people who are known to be candid and assertive.
Here are some articles on elements of the phenomenon and why it is so dangerous:
Now, I single white cis women out a lot when I am describing this phenomenon, because they have the most to gain from exhibiting these qualities, but make no mistake: this is a pattern that many types of people can and do use. I have seen white trans women use white women's tears to silence critique. I have witnessed women of color being passive-aggressively derailed and silenced by a Black manager who was in a position of institutional power over them. Multiple of the women who sexually harassed me in the story linked above were not white. And LORD knows I see plenty of t boys falling back on this shit, as well as cis men from wealthy backgrounds. It's a mindset that has deep colonial roots and we all must be on the look out for it in ourselves and others, and we must be vigilant in uprooting it.
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