#Nora Blair

[magnussonwilliam]

SRIJEDA, 15:56

[ask-everafteracademy]

EAA Characters As Taylor Swift Eras (except most of these are based on vibes and I will be giving zero explanation)

Debut- FMC

Fearless- Lucas

Speak Now- MMC

Red- Lavinia

1989- Darla

Reputation- Ezra

Lover- Omar

Folklore- Arin

Evermore- Abel/Nora

Midnights- Jo

-Lightkeeper

[pupsmailbox]

SCENE︰EMO ID PACK

NAMES︰ acid. adder. adrian. aisling. alex. alice. alix. amethyst. annabelle. aqua. ash. ashlee. ashley. aspen. astley. avril. awe. axe. ayesha. bates. bell. bella. belladonna. bellatrix. billy. blade. blair. blitz. bloodie. bloodscene. blythe. bow. bree. butterfly. callie. candi. candy. celeste. chase. checkerz. clarity. click. coraline. couture. crow. cyril. cyrus. dakota. demi. demonia. devin. dino. dizzy. doge. dom. dominic. ebony. electra. elliot. emery. emmett. emo. epic. erin. evan. flash. fred. galaxy. gavin. gerard. ghostie. gif. gloom. gray. grayson. grim. gutz. happy. havoc. hazel. heyley. hunter. hyde. indigo. ink. iris. ivory. ivy. jack. jade. jason. jasper. jax. jeff. jet. jett. julie. kai kandi. kandiz. kat. kayden. killer. kit. kitt. kobi. kyler. lady. lapis. lee. lexie. liam. luna. lurk. lynx. lyric. lyxzen. mace. maddox. madeline. mae. malice. marceline. marcie. mars. mavis. meow. mia. midnight. mika. mill. nana. neo. net. nick. nina. noah. noob. nora. nyan. nyx. obscene. octavia. olivia. onix. onyx. opal. orange. orchid. pearl. phantom. phoenix. pierce, pierce. pitch. pixie. pop. punk. pusheen. rain. rainbow. raine. rainer. rave. raven. raver. rawr. razorz. reaper. ripley. river. rogue. ronnie. rose. rouge. roux. rubi. ruby ruby. sable. salem. sally. sapphire. sash. sasha. scythe. silvi. silvia. smiley. smoke. smokey. snap. snow. sonya. soot. sparrow. spike. splatter. spook. stella. steve. stripe. sunny. suzi. suzie. suzy. taffi. taffy. tag. tech. tempest. travis. trend. tyler. vesper. vine. vista. vivi. waffle. wave. web. wentz. wesley. wild. willow. wound. xander. z!m. zach. zack. zade. zaire. zak. zander. zara. zero. ziggy. zim. zircon. zoe. zoom. zyair.

PRONOUNS︰ awesome/awesome. ay/aym. bark/bark. bi/bim. bite/bite. black/black. bling/blingee. blood/blood. bone/bone. bow/bow. brace/bracelet. bright/bright. bright/colour. byte/byte. cat/cat. cata/catatonic. ce/cer. check/checkered. chem/chem. cir/circut. color/color. computer/computer. cool/cool. cos/cos. creepy/pasta. cringe/cringe. cry/cry. cut/cut. dead/dead. death/death. die/die. dino/dino. emo/emo. emoticon/emoticon. epic/epic. ev/ev. exe/exe. ey/em. eye/strain. fang/fang. fringe/fringe. game/game. gamer/gamer. ghost/ghost. gir/gir. girr/girr. glit/glitter. glitter/glitter. gloom/gloom. glow/glow. glow/stick. gore/gore. grr/grr. gun/gun. gut/gut. hor/horror. hx/hxm. hyper/hyper. hyperpop/hyperpop. internet/internet. it/it. ix/ix. kan/kandi. kand/kandi. kandi/kandi. kill/kill. kit/kit. knife/knife. lix/lix. loud/loud. luv/luv. mask/mask. meme/meme. meow/meow. mew/mew. mlp/mlp. mon/monster. mspaint/mspaint. music/music. neo/neon. neon/neon. net/net. nostalgia/nostalgia. nya/nya. nya/nyan. nyan/cat. old/old. online/online. pika/pikachu. pix/pix. pixel/pixel. plur/plur. pony/pony. pop/pop. pop/tart. queen/queen. quiet/quiet. rain/rain. rainbow/rainbow. random/random. rave/rave. rawr/rawr. raz/razor. red/red. rei/reina. scene/scene. scene/scenester. scenecore/scenecore. scream/scream. shx/hxr. si/silent. silly/silly. skull/skull. slash/slash. slice/slice. sound/sound. spi/spider. spook/spook. stab/stab. stick/sticker. sticker/sticker. stud/stud. swag/swags/swagself. thxy/thxm. troll/troll. tutu/tutu. txt/txt. vamp/vamp. video/game. virtual/virtual. vocaloid/vocaloid. web/web. windows/window. xe/xem. xey/xem. xy/xyr. youtube/youtube. ze/zem. ze/zer. ze/zero. zi/zim. zim/zim. zom/zombie. zomb/zomb.

[packagecfgirlyevil]

“he’s not exactly my type,” nora snorted, though she did know half their peers had a crush on the new professor. personally, she found him creepy, but she wasn’t about to ruin ophelia’s fun, not when it had taken them weeks to even make their schedules align in the first place. “you know if they’re over like, 22, i’m running the other way. like, why are they hitting on me? i look twelve,” she reminded her best friend, laughing as she did and taking a shot from the bottle following ophelia. “but i can’t think of a dare you haven’t already done, so let’s find a new game. or maybe, we just take out the dare part - we swap truths, but with a fun twist for me - you only get a shot if you answer the question,” she challenged with a raised eyebrow, knowing the other way around would be waaay too easy for her.

“ hey, truth or dare is a classic. “ and it was one game that always got her in trouble, since she always chose dare over truth. mostly, because she hated spilling the truth about any aspect of her life, and she was fully aware that there were probably a handful of questions that nora was dying to ask her while she was drunk. questions that a sober ophelia would never answer truthfully to. hell, even drunk ophelia would probably bend the truth a little bit too but, she was just more likely to spill her secrets when she had half a bottle of booze in her system. which again, was why she always went with dare. “ only if we call the new english professor. you know the hot one with the accent? “ typically she wasn’t the type to comment on a teacher being attractive but, they one that she had encountered recently was super attractive, and he was a lot younger than the old grimey professors she had over the last two years. “ i heard he only got the job because he’s sleeping with the dean. “ she pops the top off of the bottle in her hand, not willing to wait for the glasses as he lifts it up to her lips, and takes a long swig, cringing from the taste as she pulls it away from her lips. “ god, my brother has shit taste. “ 

[noh07]

list of mixed name ideas (october 29, 2024)

i sorted them into three categories: androgynous, feminine and masculine.

in this list, there's any type of names (mostly for english-speaking people though): typical first names, noun names, mythology names, etc.

if you have more ideas of names for trans folks, writers, etc, just lemme know! (Can also be not-so-cool names for the writers, we need them for the asshole side characters :3)

i will update the list every time I have a lot of new name suggestions. this is not the newest version, but you can find it under the tag #updated name list on my profile.

(alphabetical list with 553 mixed names under the cut)

--- androgynous ---

Addie/Eddie

Aki

Alex

Alexis

Alli/Allie/Ally

Ares

Ari

Artemis

Aster

Azure

Bennie/Benny

Beverly

Billie

Blair

Charlie

Chrissy

Crimson

Edie

Eli

Ellori/Ellory

Emerson

Emi/Emmie/Emmy

Evie

Finn

Forest/Forrest

Frances/Francis

Gray/Grey

Hayden

Hunter

Jackie/Jacky

Jamie

Jess

Jessie

Jupiter

Lark

Lenny

Lori/Lorie/Lory

Lou

Louie

Mag

Maggot

Mars

Max

Mercury

Mika

Miko

Mizu

Neptune

Noah

Paris

Ollie

Quinn

Rafa

Reg

Robin

Ronni/Ronnie/Ronny

Saturn

Shilo/Shiloh

Skye

Val

Venus

Vin

Vinny/Vinnie

Wilson

--- feminine ---

Abby

Abigail

Adelaide

Adeline

Aileen/Eileen

Aimee/Amy

Alana

Alena

Alessia

Alexa

Alexia

Alexandra

Alice

Alissa

Alli/Allie/Ally

Alura

Amalia

Amber

Amelia

Amelie

Amity

Angie

Anna

Ann/Anne

Annie

Anastasia

Andrea/Andreea

Antheia

Arabella

Astra

Atlanta

Audrey

Aurora

Azura

Bailey

Becky

Bella

Belle

Bettie/Betty

Beverly

Billie

Brenda

Brie

Candace/Candice

Carla/Karla

Carolina

Caroline

Catherine

Celina/Selena/Selina

Celine/Selene

Charlotte

Christina/Kristina

Christine/Kristine

Claire

Clara/Klara

Chloe/Cloe

Cora/Corah

Daniela/Daniella

Danielle

Dalia/Daliah

Debbie

Debora/Deborah

Delilah

Diana

Dianne

Dora/Dorah

Eburia

Eda

Elena

Eleanor/Elenor

Elisa/Eliza

Elizabeth

Ella

Ember

Emerson

Emery

Emi/Emmie/Emmy

Emilia

Emilie/Emily

Emma

Euphemia

Euphoria

Esme

Esmeralda

Eva

Evie

Evelyn

Felicia

Fenya

Finya

Fia

Fiona

Francisca/Franziska

Freya

Gaia

Georgia

Gina

Ginny/Jeanie

Hanna/Hannah

Harmony

Heather

Hecate

Hera

Hestia

Hope

Iana

Irena

Irene

Iris

Isa

Isabel/Isabelle

Isabela/Isabella

Ivonne/Yvonne

Ivory

Ivy

Izzy

Janice

Jasmin/Jasmine

Jenna

Jenny

Jolene

Julia

Julianne

Julie

Juliet/Juliette

Katarina/Katharina

Kathy/Katy

Lana

Lara/Larah

Laura

Lauren

Laurel

Lena

Leia/Leya

Levina

Levinia

Lia

Liara

Lili/Lilli/Lilly/Lily

Lilian/Lilien

Lilith

Lisa

Livia

Liz

Lizzie/Lizzy

Loanne

Lola

Lorelei

Lori/Lorie/Lory

Louisa/Luisa

Louise/Luise

Luce/Luz

Lucy

Luna

Maggie/Meggie

Meg

Madeline

Maira/Myra

Margaret

Marge

Marla

Marlene

Maria/Mariah

Marie/Mary

Melanie

Melissa

Mellie/Melly

Mia

Michelle

Milly

Mina

Minerva

Minnie

Miriam

Mona

Naira/Nyra

Natalia

Natalie

Natasha

Nellie/Nelly

Nessie

Nina

Nora/Norah

Nori

Oliv/Olive

Olivia

Ollie

Paris

Pascale

Patricia

Paula

Peggy

Penelope/Pinelopy

Penny

Petunia

Philippa

Pia

Polly

Poppy

Ramona

Rebecka

Regina

Robin

Rose

Roxanne

Sara/Sarah

Sofia/Sophia

Sofie/Sophie

Stella

Stephanie/Stephany

Tara/Tarah

Tatiana/Tatyana

Tess

Tessa

Tia

Tiana

Tina

Valerie/Valery

Vanessa

Venus

Veronica

Victoria

Vivian

Viviana

Willow

Yana

Yasmin/Yasmine

Zoe/Zoé/Zoey

--- masculine ---

Aion

Alex

Alexander

Amon

Anthony

Anton

Arcturus

Ares

Ben

Benjamin

Bennie/Benny

Benson

Bill

Billie/Billy

Bob

Bobby

Brendan/Brendon

Brian

Bruno

Calvin

Carl/Karl

Chad

Chase

Chris

Chrissy

Christopher

Conan

Damian

Dan

Daniel

Dave

David

Davon/Devon

Dionysos

Don

Donald

Dorian

Dylan

Elia/Elijah

Elio

Eliot/Elliot/Elliott

Emerson

Emilio

Erion

Evan

Felix

Fred

Freddie/Freddy

George

Gian/Jan

Hannibal

Harald/Harold/Herald/Herold

Ian

Icarus

Jack

Jackie/Jacky

James

Jamie

Jimmy

John

Johnny

Jona/Jonah

Jonas

Jones

Julian/Julien

Julius

Jupiter

Justin

Kevin

Larry

Laurence/Lawrence

Lenny

Leo

Linus

Lori/Lorie/Lory

Louis/Luis

Louie

Lucc/Luke

Lucas/Lukas

Luigi

Marc

Marco

Mario

Mars

Max

Mercury

Michael

Mickey

Mike

Milo

Nathan

Neptune

Nick

Nico/Niko/Nikko

Noah

Oliver

Ollie

Orion

Paris

Pascal

Patrick

Paul

Pete

Peter

Philip/Philipp/Phillip

Raymond

Reg

Reginald

Regulus

Remus

Rob

Robbie/Robby

Robin

Ron

Ronald

Ronni/Ronnie/Ronny

Saturn

Sean/Shawn/Shaun

Sebastian

Sirius

Steve

Steven

Theodore

Tim

Toby

Tom

Tommy

Tony

Valentine

Victor

Wilson

Yan

Zach/Zack

Zeus

If you want me to add meanings, origins, etc., just tell me! ^^

[acronym-chaos]

The Flesh Inspired ID Pack

[PT: The Flesh Inspired ID Pack].

Names

[PT: Names].

Alden, Avarice, Ava, Bane, Barrett, Blair, Calla, Caelan, Carrion, Clot, Contort, Corbin, Craven, Daphne, Darian, Devour, Dredge, Elara, Ellis, Esme, Ethan, Ferox, Fiona, Finn, Garrett, Gideon, Glutton, Gore, Harrow, Hazel, Holden, Hunger, Imogen, Iris, Isaac, Jace, Julian, Lachlan, Lacerate, Lara, Leander, Lilith, Maeve, Malice, Marrow, Maul, Mira, Morbid, Mutilate, Nolan, Nora, Orson, Petra, Phage, Ravage, Reid, Rowan, Rupture, Silas, Simon, Strain, Surge, Thorne, Torment, Trenton, Twinge, Viscera, Wesley, Willow, Wretch, Wyatt, Zara

Pronouns

[PT: Pronouns].

Blo / Blood / Bloods; Bo / Bone / Bones; Car / Carn / Carns [Carnivore]; Cla / Claw / Claws; Crav / Crave / Craves; Dev / Devou / Devours; Dis / Disme / Dismes [Dismember]; Flay / Flay / Flays; Fle / Flesh / Fleshes; Gna / Gnaw / Gnaws; Gri / Grind / Grinds; Mas / Masoch / Masochs [Masochism]; Mor / Mort / Morts [Mortal]; Pul / Pulse / Pulses; Ren / Rend / Rends; Ri / Rip / Rips; Scar / Scar / Scars; Si / Sine / Sinew; Tear / Tear / Tears; Tor / Ture / Tures [Torture]; Visc / Cera / Ceras [Viscera]; Wre / Wreck / Wrecks

Titles

[PT: Titles].

Devourer of All, Maw of Endless Want, Ravager of Flesh, Severer of Limbs, The Ever-Hungry Maw, The Flesh Sculptor, The Grinding Teeth, The Harvester of Sinew, The Hunger Incarnate, The Thirsty Wound, The Twisting Carnivore, The Unholy Butcher, The Unyielding Appetite, [Pronoun] Who Consumes Without End, [Pronoun] Who Devours the Living, [Pronoun] Who Feeds on Pain, [Pronoun] Who Hungers for Blood, [Pronoun] Who Mutilates the Flesh, [Pronoun] Who Rends the Body

[ID: A purple thin line divider shaded at the bottom, end ID]

Requested by anon!

Also tagging: @pronoun-arc @id-pack-archive

[jwi-sys-resources]

Could we possibly get names for a port mafia! Dazai introject? Thank you so much

Sure thing! Some themes we included are card suits (mostly just for Spade lol), poisons, the color black, and smoke! Similar to the ask for an Atsushi introject, these are all things we associate with that specific version of Dazai ^^

As usual, masculine feminine and neutral names are all included!

Names for a Port Mafia Dazai Introject

Spade, Arsenic, Cyanide, Belladonna, Foxglove, Hemlock, Nightshade, Azalea, Blake, Melanie, Jett, Raven, Kieran, Kiera, Ebony, Lilith, Onyx, Blair, Lydia, Noire, Nora, Luna, Marceline, Cole, Nyx, Ash, Phoenix, Ember, Cinder, Blaze, Asher, Flynt

[twosides--samecoin]

chapter 1 - spotify playlists - chapter 17

Med-Tek ended in failure - RJ is shattered. Jack Ward, Sole Survivor of Vault 111, pushes him onto a vertibird in search of Plan B - a remote Vault once plagued by Duncan’s illness. After two weeks of kicking RJ's ass, Olivia Dallaire - a sniper just as talented and cranky as he is - agrees to move to Boston. Her presence forces both Jack and RJ to face problems they can no longer outrun: How do they move on from survivors’ guilt (and be the men Olivia needs them to be) when the Wasteland only seems to tear families apart?

RJ and Olivia are not in the mood to party. The only thing Jack wants to do (aside from fulfill Nora's last wish) is clear the tension between them- Even if it takes a village.

This chapter examines a lot: a flashback to one of Jack and Nora's last conversations touches on wartime US law and her upbringing in West Virginia during F76's portrayal of conflict between mining companies and the unions; the reason why Jack had such strong paternal feelings for Olivia is contextualized. RJ and Livvie are all but forced to confront each other. It's a long one at 13,277 words- Snippet below!

"Well, I'm from West Virginia, may I remind you," said Nora, indignant. "When the Garrahans and Hornwrights brought the robots in, they stole so much more from us than just jobs. The only time in my life I saw my dad cry was when they turned on the Rockhound and drilled into Mount Blair. If we had robots on the farm, no matter how much easier it would have made things, the mining union boys would have set our land on fire for scabbing. And after the union lost and the cloud stopped breaking over Welch and everyone started gettin' sludge lung, they still refused robots even when a couple Miss Nannies could have made the clinic lines shorter,"

"I know, babe, I didn't mean it like that-"

"Some of the people we grew up around were right about robots for the right reasons, but sometimes they were wrong about a whole lot else," she continued. "I mean, I caught all kinds of hell when I got out and went to Baltimore instead of stayin' and.. Some people I grew up with have to put on gas masks to go outside just so they can go get high in a shack somewhere in the mountains, you know that?"

"Yeah, and I'm not snorting Buffout on a construction site in Brookline with fake union papers like some of the guys I knew, but-"

"But what, Jack? We made it- We get to afford things like a house and babies and we don't have to buy the cheapest store-brand soup for dinner, and.." she threw her hand up. "And we can afford Codsworth. I know you don't like him yet, but we could really use his help while I'm at work!"

"Hey, I can do all the stuff he can- And things are pretty tight, I mean, we're lucky I won enough purses to afford this place, and even that barely cut it. I can work- I bet I still have a couple good fights in me. And, the Army keeps sending me mail about civilian positions, which would pay more than the pension, so why don't I-"

"Absolutely not. You retired from boxing on a high note, and you stopped before they lifted the drug prohibition. I'm not watching you get dragged back in only to get concussed by some 'roided-out kid on the come up. And the Army'll see you're power armor trained and ship you back to Anchorage. I need you home, Jack, my heart can't take it-"

"I'm not going anywhere- I did my mandatory. They're gonna have to try real hard to make me go on a second tour."

"Jack, the way the world is today, I just.. I just want my family as close to home as possible. I don't trust that you won't be lied to and forced to go back to the front. If things get worse, I don't want us spread out all over the world. They're building that Vault up the hill, and-"

"Oh, not the Vault thing again, c'mon- It might be a huge waste of-"

"A huge waste of money? Guaranteein' my family's safety will never be a waste of money,"

"Okay, fine, fine. I get it." Jack ran his hand through his hair and sighed. "I agree, but.. I feel really guilty that I'm sitting on my ass watching cartoons with Shaun all day while you're working as hard as you are. And Codsworth's doing everything I could be doing. I asked to split chores and he looked at me with his, his fuckin', ten eyes like I was crazy. I wanna provide for my family too, y'know?"

"You provide for us every day, Jack," she placed her hand on his cheek. "After everything life's put you through, the only job you have is to rest and be the best daddy to my babies that you can be."

"But it's not enough, Nora," he pleaded. "The sooner I get a job, the sooner we can bring our baby girl home!"

"She's gonna be here before we know it, whether that's a year from now or five."

"But you said you wished you could fast forward. Isn't me getting a job kind of like pressing the fast forward button?"

"Maybe, maybe not. Adoption's about more than having the money. We might be ready with a new house and the whole works for a few years before we're approved."

Exhausted, Jack put his arms around his wife and buried his face in her hair.

"I know, I just.. I want to give you everything you want,"

"You do," she rested her cheek against his chest.

"I-I don't know. I feel like I'm never getting it quite right. I hate feeling like there's always something out of reach. Y'know, sometimes, I wish I could just go out and kidnap a baby from the hospital, and-"

"Jack Atticus Ward, you wouldn't dare,"

"Well, if it makes my wife happy, fuck it-"

"Not at the expense of someone else's family, Jack,"

"I know, I know. I don't mean it. I mean- If you wanted me to, I'd do it."

They paused and held each other as the laundry machine rumbled.

"Tell me what to do," Jack mumbled. "Please tell me what needs to happen next."

[magnhild]

OC-tober Day 14: Who/what inspired your OC?

This is much more a writing prompt than a drawing prompt, so I'm simply going to go over each member of Team LLAC and explain my inspirations for each character!

First and foremost, Team LLAC are all fankids of characters from RWBY, so a lot of the inspiration comes from that. Luna is the child of Blake and Yang, so she takes a lot of design and character elements from them - she looks like them, of course, but also shares their goal of becoming a huntress and counteracting the bad in the world with some good. Her personality differs pretty greatly from either, though. All of Team LLAC were also inspired by aspects of myself and Luna got my anxiety (of both the social and general kind). This part of her personality, alongside some aspects of her design, was also partially inspired by the moon symbolism I talked about in an earlier prompt.

Lily is the daughter of Emerald and a lot of her personality, character, and design stems from that. When she was just an unnamed concept in my mind, I wasn't going to have her be a fankid like her teammates, but I recognised the potential in having her be related to a former antagonist from the show - especially because, at that point in time, Emerald hadn't begun her redemption arc yet. Funnily enough though, parts of her arc in Year 1 were also inspired by Blake - seeking redemption and liberation through becoming a huntsman and initially being more closed-off to her teammates, and Jaune - struggling to find her Semblance when many her age had already done so by then. My own desire to prove myself as a good person while also being adverse to socialising played a part there as well. Parts of her personality - namely her dry wit - and Year 2 design were also inspired by Mercury even though there's no direct relation between the two. Her Semblance was inspired by my general love for plant-based powers in other media. As a kid, I always loved the scene near the end of Sky High where Layla finally unleashes her powers on one of the antagonists and defeats them in a matter of seconds. Plants are cool.

Astra is the daughter of Neon Katt, though I fully don't remember what inspired me to make that decision. I knew I didn't want the team to be comprised entirely of children of main characters, but why I specifically chose a character that had only spoken in a single episode at that point in time, only 2019 Blaire could tell you. Still, she provided plenty of inspiration for Astra, to the point where, on the surface, the two are strikingly similar in terms of design and personality. Astra also inherited my (and Neon's, as far as I'm concerned) ADHD. Both in-story and outside of it, she was also inspired by Nora in regard to her endless enthusiasm, reckless energy, primarily pink colour scheme, and even her hammer weapon. The archetype of 'character who is feminine, silly, and cheerful but also reckless and powerful' is one I am very fond of, so one of Team LLAC was bound to end up with it. I also happen to love that archetype even more when deeply buried identity issues are thrown into it. I love when the perpetually enthusiastic character secretly has crippling self-worth issues - see Korra LoK, Amethyst SU (or even Steven himself), Akko LWA, and, of course, Nora again. I couldn't not saddle Astra with that. My desire for RWBY to properly explore Yang's self-sacrificial tendencies also saw me giving similar habits to Astra, and it all came together perfectly.

Cobalt is the son of Velvet, but also the adoptive son of the rest of Team CFVY, so I took inspiration from all four characters to build his basis. Design-wise, he mostly draws from Velvet, but his Year 2 outfit especially has at least one element from each of the others as well. Personality-wise, I took Velvet's kindness, Coco's cool-headedness, Fox's sense of humor, and Yatsuhashi's calm nature, and mashed them all together into Cobalt. In-universe, this is the way each of them have rubbed off on him. From me, he got his desire to people-please and his strong sense of justice, which clash just as much for him as they do for me. There's more of his character that actually takes inspiration from my hatred for a common trope in any given media, but I don't think I can get too much into it without hinting at spoilers for things to come ;)

[givemewallywestorgivemedeath]

Who do you think are the most OP members of the FlashFam? I think it's difficult, the majority of them has almost the same powers.

Oh easy.

Wally, Bart and Barry.

I think we forget sometimes that the vast majority of the crazy feats of godlike powers we see from speedsters are coming from these three. Wally, Bart and Barry have insane connections to the speedforce and their skill level is unmatched. What these three can do is by no means normal or average. They are op as fuck.

You have to remember that even... let's say Max Mercury is nowhere even remotely near their skill level. And we're talking about Max Mercury. The guy who knows more about the speedforce than anyone else and trained for years to master it. But Max (although he was faster than Bart when Bart was a child) isn't on the same playing field as Wally, Bart and Barry. Max couldn't enter the speedforce without Bart's assistance, Max couldn't leave the speedforce without Barry and Wally's assistance, Max can't time travel to a destination of his own choice, Max can't speed steal or fully pause time, ect ect. Max is one of the most skilled, most knowledgeable, most trained and most respected speedsters of all time. Max is the cream of the crop. You won't find another speedster better than Max. He's a shining example of what's humanely possible for speedsters to achieve.

But Wally, Bart and Barry aren't humanely possible. Those three are insane.

I'm actually going to make a tier list to explain this

ABSOLUTELY FUCKING INSANE:

(AKA actually gods. Can do literally every speedster ability. Faster than literally everything. Beyond op.)

Wally West (now), Bart Allen, Barry Allen

TOP LEVEL OF SPEEDSTER ABILITY:

(AKA the top of the top. Insane skills. Insane knowledge. Insane speed. Likely has a vast amount of speedster abilities other than running. Likely faster than most other speedsters. Op af)

Max Mercury, Jay Garrick, Savitar, Eobard Thawne, Thad Thawne, Irey West (future)

ABOVE AVERAGE:

(AKA one of the following: above average speed, above average connection or above average abilities. Likely has one or two speedster abilities other than running. Slightly op but still beatable)

Irey West (now), August Heart, Edward Clariss, Jess Quick, Alinta (future), Hunter Zoloman (when connected), Lia Nelson, Jai West (future)

AVERAGE:

(AKA average connection, average speed, average abilities. Potentially an additional speedforce ability but no crazy speedforce abilities. Not op.)

Wally West (past), Ace West, Avery Ho, Jesse Chambers, Daniel West, Christina Alexandrova, Jenni Ognats, Jai West (now), John Fox, Red Death, Don Allen, Dawn Allen, Meena Dhawan, Anatole, David Edwards (after), Judy Garrick, Bar Torr, Fastbak, Swoosh, Terri Magnus, Sela Allen, Jonathan Allen, Carrie Allen, Barry West, S'Kidd Flash, Thondor Allen, Jace Allen, Blaire Allen, Nora Allen, Agent Flashling, Danica Williams, Cherub

TRIES REALLY HARD:

(AKA normal connection but below average speed and abilities. Extremely beatable.)

Baroness Blitzkrieg, Johnny Chambers, Bebeck, Cassiopeia, Harold Christos, Inertia 2, Killspeed, Mayfly, Millie Heyday, Runaround Sue, Wind, Pellmell, Poprocket, Velocity, Gabriella Rossetti

OH NO:

(AKA needs outside assistance to access speedforce (suit, drugs, formula), faulty connection, connection is killing them, can only access powers for short periods of time, ect)

Jai West (past), Alinta (now), Owen Mercer, Eliza Harmon, Jerry McGee, Meloni Thawne (*see notes), Gregor Gregorovich, Boleslaw Uminski, Joanie Swift, Mas, Menos, David Edwards (previously), Keigo, Ezra Gill, Henry Cosgei, Jaculi, Jaculi 2, Jimmy Olsen, Xane Swift

So yeah, as you can see by this, although all speedsters with a functioning speedforce connection are technically capable of being op, speedsters rarely actually are op.

We're just really used to op speedsters because we're used to whatever the fuck Wally, Bart and Barry have going on. But they are very much not representative of speedsters as a whole.

Do you guys remember how fast Wally used to be? When he was younger and struggling with his speed and stuff? THAT'S THE GODDAMN AVERAGE. Wally AT HIS SLOWEST was still faster than every single goddamn speedster he came across, including Jay, Johnny, Jesse, the Blue Trinity, the Red Trinity, ect. HE JUST WASN'T FASTER THAN BARRY OR EOBARD SO HE THOUGHT HE WAS THE WORST. Because Wally is fucking insane. He's an insane human being. Anyway, Wally at his slowest is the typical representation of an average speedster. That's how they typically are.

[samcvrpenters]

below are all the characters that i will write requests for. i only write for a female reader, and i’m pretty much open to writing anything. i also make c.ai bots of the characters below, but mainly for gossip girl, YOU, and arcane.

when i make a fic that’s based on an ask/request, i don’t reply to the ask. i just make it, but i’ll put whether it’s based on an ask/request.

the bot list for anything i make is here

see masterlist here

━━━━━━━━━━━━━━━━━━━━

YOU, joe goldberg ❧ guinevere beck ❧ love quinn ❧ rhys montrose ❧ kate galvin

CHUCK, sarah walker ❧ john casey ❧ chuck bartowski ❧ eleanor bartowski

SAW, adam faulker-stanheight ❧ amanda young

GOSSIP GIRL, dan humphrey ❧ serena van der woodsen ❧ blair waldorf

FINAL DESTINATION, alex browning ❧ clear rivers

ARCANE, vi ❧ caitlyn

THE LEFTOVERS, kevin garvey ❧ nora durst

[fairyk133]

hello there! I love your Bully OC, you have out so much thought and depth into her, it's fantastic! I loved reading her introduction post. 🌻

If you don't mind me asking - regarding my own OC, Nora, what would Ruth's first impression on her be like and how would they interact? I feel like they could like each other but I also see potential for lots of arguments and different opinions. 🤭

I’m so glad you asked me this because I’m new to the whole Tumblr thing! 🥹♥️

But it low-key depends on the setting, if being completely honest, Ruth sadly, has a sad backstory, which leads her into having the mindset of being a misanthropy yet somehow can still value human connections, and being a modest& cold yet loving motherly person. Due to her backstory, she doesn’t necessarily like blonde people very much because they remind her of a certain someone who is the reason why she was ashamed of being rich— (when she still was with her bio logical mom) and this was back when she was in Catholic school.

She is very mentally judgmental and calculating! If a person walks up to her she looks at them up and down wondering what do they need? What do they want? and sneak out their motives first because she doesn’t immediately trust people considering the fact she can also be very manipulative herself if she wants to be. She sadly does immediately characterize others based off their actions, what they say but mostly what clicks they’re in ,but with Nora I feel like Ruth would keep an eye on her, but while being modest, classy and demure, and when she slowly starts to see the real Nora, she would let her guard down. (But don’t be fooled by the southern serpent, if Nora showed a sign of being a backstabber to her, she would…definitely handle it in her favor.)

I can honestly see them scheming with one another and finding good information on other people. The thing they wouldn’t really agree on would be Derby as a whole. Ruth Beautè doesn’t like him very much because he somewhat resembles what she was ashamed of being when she was with a group of girls from her old school, along with the fact in my universe, he did buy to get his way in a mock trial session. For that she sees him as a weak man, a person who doesn’t deserve anything. It ruins how much hard work and strength she puts into always being correct right and precise. But she couldn’t judge Nora for having a crush on him considering the fact she understands their relationship and their loyalty to one another.

They could generally be friends, but Nora would be a little bit creeped out by Ruth sense of justice. If anyone tried to get Nora or outcast her ,Ruth would find a way to look into that person‘s history get information on that person and destroy their life just for messing with her. (if you see her mentality section that I left, she does tend to act like Blair Waldorf a little bit.)

But in general, since she does judge what type of person they are based off their clique and how they act around other people, there would be a good chance she would be keeping her guard up around Nora. But when they do or if they do become besties, Nora will see that the cold, southern classy serpent herself is actually a sweet, generous woman who is just fed up by everyone, and had a hard past.

Let me know if you need anything else! :D) 💕

[veronica-lawson-phd]

In the afternoon, three teens step into the bakery, talking amongst each other. Theo Noir leads the way, as Blair guides their younger brother Nora by the hand.

(@thesiblingsoftheblackandwhite)

Hello, welcome to magical munchies! What can I get started for you?

[thesiblingsoftheblackandwhite]

Shame I won’t be able to carry you anymore.

Shut - up, Theodore.

Aw, I love it when you call me that, Wilby.

Becky huffs out a laugh from behind Wilbur, keeping his arms steady.

“You can adjust them to an easier height.”

Blair snickers, hiding it behind his hand.

She’s saying you’re short.

Wilbur’s grip on the crutches tightens.

I’m taller than you.

By, like, three inches.

Before he can snark something back, Nora interrupts, scooting up in his chair.

Hey, at least the pain’s better, right? You were standing…sorta fine.

That takes Wilbur’s mind off the argument. He nods, though not very excitedly.

That…means nothing. And I don’t even know how to work these-

Lifting a crutch to place it down in an attempt to move himself forward just ends in his leg losing its support. Wiley hisses as his knee gives way, almost toppling him to the ground.

If Becky and the crutches hadn’t held him up, he probably would have broken something in the cold vinyl flooring.

“I think a little more practice should do it.”

[justforbooks]

Edna O’Brien

Novelist who scandalised her native Ireland with The Country Girls, and explored the lives of women who love and suffer

Before Edna O’Brien, Irish female writers tended to come from the preserve of the “big house” or enjoyed the kind of privilege that made a life of writing possible. And by and large, their books dealt with genteel themes and conformed to recognisable genres and narrative forms.

When O’Brien’s first novel, The Country Girls, was published in 1960, all that changed. As her friend and peer Philip Roth remarked: “While Joyce, in Dubliners and A Portrait of the Artist, was the first Irish Catholic to make his experience and surroundings recognisable, ‘the world of Nora Barnacle’ had to wait for the fiction of Edna O’Brien.”

Written in exile in London, The Country Girls brought O’Brien, who has died aged 93, to international attention.

The reception in Ireland was largely hostile due to the book’s frank portrayal of female sexuality and desire. It was denounced as a “slur on Irish womanhood” and banned, as were several subsequent books. The notoriety established an enduring public persona – the glamorous and worldly, convent-educated libertine – which sometimes worked to the detriment of O’Brien’s reputation as a serious and committed writer. For decades, her name operated as a byword for transgression and subversion, particularly for women.

In addition to more than two dozen novels and short story collections, O’Brien produced numerous plays, a couple of memoirs, children’s books and a collection of poems. The largely first person, linear narratives of her early novels evolved into a consciously experimental style in the 1970s and 80s. A Pagan Place (1970) is written in the second person singular: Night (1972) is a single sustained monologue.

The debt to Joyce, whom O’Brien revered and was able to quote at length from memory, was obvious. Like Joyce, she understood how the cadences, rhythms and syntax of English as it is spoken in Ireland could be used to liberate narrative from its empirical impulse and, among other things, give voice to female subjectivity. But her themes were entirely her own.

In 1983, the writer and journalist Nuala O’Faolain wrote: “Edna O’Brien is not a writer within a conscious literature. She owes nothing to any predecessor or to any tradition. She is a writer with one theme, women who love and suffer.”

From the 90s onwards, O’Brien consciously expanded her range in a quartet of books that dealt with the massive social, political and economic changes that were sweeping through Ireland, themes largely ignored by other Irish writers.

The first of these, House of Splendid Isolation (1994), dealt with the Troubles via the relationship between a fugitive Republican, McGreevy (based on the Republican paramilitary Dominic McGlinchey, whom she interviewed at Portlaoise prison), and an elderly woman, Josie, whom he takes hostage. In the same year, she interviewed Gerry Adams for the New York Times and in 1995 published an open letter in the Independent calling on the then leader of the Labour party, Tony Blair, to open up a dialogue with Republicans.

In Ireland and England, O’Brien’s involvement in political activity and her perceived sympathy for the Republican movement led to widespread criticism – in the Guardian she was described by Edward Pearce as “the Barbara Cartland of long-distance republicanism”. By insisting that dialogue is the necessary first step of any conflict resolution, O’Brien did no more than anticipate the zeitgeist.

In subsequent books, O’Brien fictionalised divisive events that an increasingly prosperous Ireland would sooner have ignored. The real story of a 14-year-old rape victim who had been stopped, by law, from leaving Ireland for an abortion became Down By the River (1996). Generally speaking, these books were poorly reviewed in the UK and Ireland. Many of O’Brien’s severest critics were the same people who found her intervention in politics offensive and she was routinely accused of being out of touch with modern Ireland.

Her 2002 book, In the Forest, was based on a notorious triple murder in County Clare. O’Brien’s fictional killer, O’Kane, descends into madness and violence via a life of exclusion and abuse. Writing about the novel in the Irish Times, Fintan O’Toole painted the actual events as beyond human comprehension while at the same time excoriating O’Brien: “...(the events) did not and do not have a public meaning... there is simply no artistic need for so close an intrusion into other people’s grief.”

There is an irony here: the Ireland that had been scandalised by the antics of Baba and Kate in The Country Girls was still unable to confront the ugly underbelly of a society in which poverty, the degradation of women, violence and routine abuse had been endemic for decades.

There is an urgent, heightened quality to these books – their narratives strain as they shuttle back and forth across space and time. Chapters are routinely no more than two pages long, staccato dialogue sits cheek by jowl with descriptive passages of extraordinary vividness and terseness. Reviewing O’Brien’s The Little Red Chairs (2016) in the New Yorker, James Wood described her late style as one that “mixes and reinvents inherited forms, blithely shifts from third-person to first-person narration, reproduces dreams and dramatic monologues”.

O’Brien put this style to great use in her biography of James Joyce (1999). It is still by far the best short introduction to the writer, his works and life. Such was O’Brien’s ability to weave her own words in and around those of Joyce that when the manuscript was submitted to the prickly Joyce estate for approval no changes or deletions were requested.

The daughter of Lena (nee Cleary) and Michael O’Brien, Edna was born in the village of Tuamgraney, County Clare, into a newly independent Ireland where church and state conspired to control all aspects of women’s lives and bodies. Her family had the trappings of wealth – they lived in a large house with a gate lodge, kept horses and employed farm workers – but money was scarce.

Her father’s unsuccessful horse breeding, gambling and alcoholism maintained a constant level of tension in the house, which often erupted into violence. Her mother’s love for her bordered on the obsessional – Edna was the youngest by five years of four children. Decades later, Lena’s frequent letters to her exiled daughter in London, many of which admonished Edna for her writing and lifestyle, ended with the hope that they would be buried together.

O’Brien claimed that the only books in her childhood home were bloodstock manuals and the Bible, and she often made reference to her mother’s visceral fear of writing. Her turbulent childhood remained a constant touchstone in her fiction, as did the landscape of County Clare. She was educated at the Convent of Mercy in Loughrea, where she excelled at the sciences – her English teacher found her assignments “too exuberant” – and she enrolled in a pharmaceutical college in Dublin, working part-time in a chemist shop.

She met the Irish-Czech writer Ernest Gébler, eloped with him and subsequently married him, against her parents’ wishes, in the summer of 1954. In 1960, the couple and their two sons, Carlo and Sasha, moved to London, where O’Brien was engaged by the publishers Hutchinson to undertake manuscript reports. Iain Hamilton, who ran Hutchinson, was sufficiently impressed with her efforts that he and Blanche Knopf advanced £25 each to get her to write a novel. The Country Girls was written in three weeks.

O’Brien’s success led to strain on her marriage with Gébler and it broke down in 1966. As with her childhood, it provided a rich seam for her writing. She engaged in a successful three-year custody battle for her sons – she had walked out in the middle of cooking dinner one evening – and this included making an undertaking before a court that she would never let her sons see her 1965 novel, August Is a Wicked Month. The acrimony with Gébler continued – he claimed that he had largely written her early books.

Not since Oscar Wilde had an Irish émigré in London lived such a flamboyant life. O’Brien moved in an international celebrity set and spent extended periods in the US, where she enjoyed a large following. Her friends included Jane Fonda, Jackie Kennedy, Samuel Beckett, Mick Jagger, Francis Bacon, Ted Hughes, Princess Margaret, Ian McKellen and Harold Pinter. In 1972, she was described in the Longford report on pornography as a “purveyor of insidiously pornographic and perverted views on sex”. She took LSD with RD Laing, a disastrous experiment that unhinged her mind for a year. She was a regular at the White House St Patrick’s Day party, and posed for Bill Brandt and David Hockney.

Although O’Brien’s professional career coincided with feminism, she had an awkward relationship with the movement. Her independence provided an early example for those seeking greater equality with men, but many were uncomfortable with the concentration on love in her early books and the fact that many of her female characters could be characterised as victims.

O’Brien was routinely referred to as “the Irish Colette”. It was difficult to square a statement such as “I am obsessed by love, by the need of it and the near impossibility of it …” with the impulse in early feminism for independence and activism. But, while O’Brien’s female protagonists might not provide ready standard-bearers, that was never really her project.

The fine short story The Love Object (1968) perhaps offers a deeper insight into her real motivation. An impassioned affair between a television announcer, Martha, and a “famous”, happily married, lawyer ends badly and Martha reaches suicidal depths. As she slowly, gradually recovers from the affair she finds herself falling in love with the memory of the lover more deeply than ever she had been while he was available to her. The story ends with these lines: “I suppose you wonder why I torment myself like this with details of his presence but I need it, I cannot let go of him now, because if I did, all our happiness and my subsequent pain – I cannot vouch for his – will all have been nothing, and nothing is a dreadful thing to hang on to.” More Proust than Colette.

Casual sexism is commonplace in writing about female writers and O’Brien suffered more than most in this regard. Profiles and reviews of her books concentrated on her looks, her poetic manner of speaking, her accent, speculation about lovers, often at the expense of her writing.

It is hard to imagine Seamus Heaney, John Banville or Colm Tóibín being written about in this way. As she wryly commented: “It’s assumed that in order to be a serious writer, you have to look like the back of a bus.” Because she was regarded as a scandalous woman, it was assumed that all of her female characters were thinly disguised autobiography.

This charge simultaneously relegates autobiographical writing to a secondary category and implies that women’s experience is unworthy of “serious” literature. O’Brien is on record as saying: “Whether a novel is autobiographical or not does not matter. What is important is the truth in it and the way that truth is expressed.”

Although the final decade of O’Brien’s life was marred with ill-health, she continued to write. At the same time, the critical response to her work (and appreciation of her career) underwent a significant shift. It is perhaps ironic that the wholly positive reception of writers such as Eimear McBride, Anne Enright and Anna Burns, all of whom owe a significant debt to O’Brien, created an atmosphere in which the older writer could be reassessed. In Ireland, she was given the title Saoi, the highest honour of the Aosdána, in 2015. In 2018 she was made an honorary dame and in 2021 a commander of the French Ordre des Arts et des Lettres.

Her late novels continued to explore familiar territory – the control of women and their bodies, the treacherous and all pervasive workings of patriarchy, the impossibility of love, the violation of innocence, exile and abandonment – but with a renewed vigour and urgency.

She was drawn to ever more horrific material, and the writing style became sparer and sharper. Reviewing Girl (2019), O’Brien’s reimagining of the 276 schoolgirls kidnapped by Boko Haram jihadists in 2014, in the Guardian, Alex Clark wrote, “There is the blend of economy and lyricism, vignettes tumbling over one another to disorient and energise the reader. There is the intense focus on the emotional lives of women on the sharp end of mental and physical incarceration or constraint, broadening out to sketch in the patriarchal and theocratic structures that hold them there.”

The theme of exile is as old as writing itself. For many Irish writers, it seems to be a prerequisite but for O’Brien it had a particularity that transcended her physical separation from Ireland. From an early age, she perceived her own femininity as a form of exile. She fervently believed that true art could only be produced out of pain, rupture and displacement.

In 1976, in her semi-autobiographical Mother Ireland, she wrote: “I live out of Ireland because something in me warns me that I might stop if I lived there, that I might cease to feel what it has meant to have such a heritage, might grow placid when in fact I want yet again and for indefinable reasons to trace that same route, that trenchant childhood route, in the hope of finding some clue that will, or would, or could, make possible the leap that would restore one to one’s original place and state of consciousness, to the radical innocence of the moment just before birth.”

O’Brien is survived by her sons.

🔔 Josephine Edna O’Brien, writer, born 15 December 1930; died 27 July 2024

Daily inspiration. Discover more photos at Just for Books…?

[noh07]

updated list of mixed name ideas (nov 5, 2024)

in this list, there's any type of names (mostly for english-speaking people though): typical first names, noun names, mythology names, etc.

i sorted them into three categories: androgynous, feminine and masculine.

if you have more ideas of names for trans folks, writers, etc, just lemme know! (Can also be not-so-cool names for the writers, we need them for the asshole side characters :3)

i will update the list every time I have a lot of new name suggestions. you can always find the newest list under the tag #updated name list on my profile, which is currently this one.

(alphabetical list with 712 mixed names under the cut)

--- androgynous ---

Addie/Eddie

Aki

Alex

Alexis

Alli/Allie/Ally

Am/Em

Amethyst

Ares

Ari

Artemis

Ash

Asher

Aster

Azure

Basil

Beluga

Bennie/Benny

Bermuda

Bev

Beverly

Billie

Blair/Blaire

Calypso

Caramel

Cat

Cave

Celeste

Charlie

Chrissy

Coco

Crimson

Crow

Diamond

Edie

Eli

Ellori/Ellory

Emerald

Emerson

Emi/Emmie/Emmy

Evie

Finn

Forest/Forrest

Frances/Francis

Garnet

Gem

Goldie

Gray/Grey

Hayden

Hunter

Indigo

Jackie/Jacky

Jade

Jamie

Jess

Jessie

Jupiter

Lark

Lenny

Lori/Lorie/Lory

Lou

Louie

Mag

Maggot

Mars

Mauve

Max

Meadow

Mercury

Mika

Miko

Mizu

Moss

Neptune

Noah

Nori

Nyx

Ollie

Onyx

Opal

Paris

Quinn

Rafa

Rain/Raine

Raven

Reg

Remi

Remu

Robin

Rocky

Ronni/Ronnie/Ronny

Sage

Saturn

Shilo/Shiloh

Silver/Sylver

Sky/Skye

Snow

Val

Venus

Vin

Vinny/Vinnie

Wilson

Wither

--- feminine ---

Abby

Abigail

Adelaide

Adeline

Agatha

Aileen/Eileen

Aimee/Amy

Alana

Alena

Alessia

Alexa

Alexia

Alexandra

Alice

Alissa

Alli/Allie/Ally

Alura

Amalia

Amber

Amelia

Amelie

Amethyst

Amity

Andromeda

Anela

Angela

Angelina

Angeline

Angie

Anika/Annika

Anisa

Anita

Anna

Ann/Anne

Annie

Anastasia

Andrea/Andreea

Antheia

Arabella

Artemis

Ashley

Astra

Atlanta

Audrey

Aurora

Autumn

Azura

Bailey

Becky

Bella

Belle

Beluga

Bettie/Betty

Beverly

Billie

Brenda

Brie

Calypso

Candace/Candice

Caramel

Carla/Karla

Carmen

Carol

Carolina

Caroline

Catherine

Celeste

Celestia

Celina/Selena/Selina

Celine/Selene/Seline

Charlotte

Christina/Kristina

Christine/Kristine

Claire

Clara/Clarah

Chloe/Chloé/Cloe

Cindy

Cissy

Cora/Corah

Dana

Daniela/Daniella

Danielle

Dalia/Daliah

Daria

Darla

Debbie

Debora/Deborah

Delilah

Diamond

Diana

Dianne

Dora/Dorah

Dorothy

Eburia

Eclipse

Eda

Elena

Eleanor/Elenor

Elisa/Eliza

Elise

Elizabeth

Ella

Ember

Emerson

Emery

Emi/Emmie/Emmy

Emilia

Emilie/Emily

Emma

Esme

Esmeralda

Euphemia

Euphoria

Eva

Evie

Evelyn

Felicia

Fenya

Finya

Fia

Fiona

Francisca/Franziska

Freya

Fuchsia

Gaia

Georgia

Gina

Ginny/Jeanie

Hanna/Hannah

Harmony

Hazel

Heather

Hecate

Helena

Helene

Hera

Hestia

Holly

Hope

Iana

Irena

Irene

Iris

Isa

Isabel/Isabelle

Isabela/Isabella

Ivonne/Yvonne

Ivory

Ivy

Izzy

Jade

Janice

Jasmin/Jasmine

Jenna

Jennifer

Jenny

Joelle

Joelina

Jolene

Julia

Julianne

Julie

Juliet/Juliette

Juniper

Kaia/Kaya

Katarina/Katharina

Kathy/Katy

Kelly

Kira

Lana

Lara/Larah

Laura

Lauren

Laurel

Lavender

Lena

Leia/Leya

Levina

Levinia

Lia

Liana

Liara

Lilac

Lili/Lilli/Lilly/Lily

Lilian/Lilien

Lilith

Lisa

Liv

Livi

Livia

Liz

Lizzie/Lizzy

Loanne

Lola

Lorelei

Lori/Lorie/Lory

Louisa/Luisa

Louise/Luise

Luce/Luz

Lucy

Luna

Lydia

Maggie/Meggie

Meg

Madeline

Maira/Myra

Mara/Marah

Margaret

Marge

Marla

Marlene

Maria/Mariah

Marie/Mary

Marina

Mauve

Melanie

Melissa

Mellie/Melly

Meryem

Mia

Michelle

Milly

Mina

Minerva

Minnie

Miriam

Mona

Monica

Naira/Nyra

Nancy

Natalia

Natalie

Natasha

Nellie/Nelly

Nessie

Nina

Noelle

Nora/Norah

Nori

Nyx

Oliv/Olive

Olivia

Ollie

Paris

Pascale

Patricia

Paula

Peggy

Penelope/Pinelopy

Penny

Petunia

Philippa

Pia

Pippa

Polly

Poppy

Queenie

Ramona

Rania

Rebecka

Regina

Robin

Rose

Roxana

Roxanne

Ruby

Safira/Saphira

Sandra

Sara/Sarah

Sari

Serena

Silvia/Sylvia

Sofia/Sophia

Sofie/Sophie

Stella

Stephanie/Stephany

Tara/Tarah

Tatiana/Tatyana

Tess

Tessa

Tia

Tiana

Tina

Valerie/Valery

Vanessa

Vela

Venus

Vera

Veronica

Victoria

Viola

Violet/Violette

Viona

Vivian

Viviana

Willow

Xandria

Xenia

Yana

Yasmin/Yasmine

Zehra

Zoe/Zoé/Zoey

--- masculine ---

Achilles

Aiden

Aion

Alex

Alexander

Amon

Angelo

Angelino

Anthony

Anton

Arcturus

Ares

Asher

Audrey

Ben

Benjamin

Bennie/Benny

Benson

Bill

Billie/Billy

Bob

Bobby

Brendan/Brendon

Brian

Bruno

Calvin

Carl/Karl

Chad

Charles

Charlie

Chase

Chester

Chris

Chrissy

Christopher

Conan

Damian

Dan

Daniel

Dave

David

Davon/Devon

Dionysos

Don

Donald

Dorian

Dylan

Elia/Elijah

Elio

Eliot/Elliot/Elliott

Emerson

Emilio

Erion

Evan

Felix

Fred

Freddie/Freddy

Gian/Jan

Gus

Hannibal

Harald/Harold/Herald/Herold

Harry

Hendrick/Henrick

Henry

Hunter

Ian

Icarus

Jace

Jade

Jack

Jackie/Jacky

Jaden/Jayden

James

Jamie

Jasper

Jay

Jeremy

Jerry

Jimmy

Joe

Joel

Joey

John

Johnny

Jona/Jonah

Jonas

Jones

Julian/Julien

Julius

Jupiter

Justin

Kevin

Lance

Larry

Laurence/Lawrence

Lee

Lenny

Leo

Linus

Logan

Lori/Lorie/Lory

Louis/Luis

Louie

Lucc/Luke

Lucas/Lukas

Luigi

Marc

Marco

Mario

Mars

Max

Mercury

Michael

Mickey

Mike

Milo

Nathan

Neptune

Nick

Nico/Niko/Nikko

Noah

Noel

Oliver

Ollie

Orion

Paris

Pascal

Patrick

Paul

Pete

Peter

Philip/Philipp/Phillip

Ray

Raymond

Reg

Reginald

Regulus

Remi

Remus

Rick

Ricky

Rob

Robbie/Robby

Robin

Ron

Ronald

Ronni/Ronnie/Ronny

Rubeus

Sam

Sammy

Samuel

Saturn

Sean/Shaun/Shawn

Sebastian

Simon

Sirius

Stephan

Steve

Steven

Theodore

Thomas

Tim

Timmy

Toby

Tom

Tommy

Tony

Valentine

Victor

Vince

Vincent

Wilson

Yan

Zach/Zack

Zeus

If you want me to add meanings, origins, etc., just tell me ^^