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#Nobody knows exactly how they are actually related
I used to be pro Pali, too.. sort of.
I live in a Muslim country, and our government tends to lean towards radical Islam.. as a general rule our population tends to be really, really antisemitic. I myself have always admired Jewish ppl but since we have exactly one (1) synagogue in our country it's really hard to learn about the culture (from a verified source).
There wasn't much news here about Oct 7, but I remember right after October 8th there was a TON of misinformation.. stuff like, oh no how could Israel do this unprovoked... hamas is a small resistance fighter group, they dont have rockets; they treat their hostages really well! Actually Oct 7 wasn't a big deal and nobody got *seriously* hurt.. that kind of thing.
As you know they were throwing the words genocide and apartheid around and. I remember feeling... shock, and disbelief. Even then something didn't feel right.
But then there was this flood of all these gory videos of ppl, kids, injured.. everyone was sharing them, everywhere. My country is both Very Muslim and Very Anti Colonialism so it was... THE topic. Everyone had an opinion. and so I went... I don't agree with Palestinians being killed.. I guess that makes me pro Palestine?
But that didn't last very long because people started being really antisemitic... Well, I don't have to name examples, I'm sure you know. I quickly became disillusioned with the movement, and the fact that my own ancestors were similarly treated when we were kicked out of our own homeland is part of that... The lack of compassion, the black and white thinking, the callousness was disgusting. Still is.
Now I'd say I'm anti-war in general. I'm anti ANY people being shot/bombed/kidnapped. I'm sick of all the world governments equally, but I care a lot about the people living under them. In an effort to combat antisemitism I have started pushing back and rebutting people's antisemitic rhetoric wherever I could, in person and online here and there- it's hard though. I just wish there was a way to do it without being shut down & labelled every which way the minute I open my mouth about it. Though, again, I guess you can relate.
Anyway I'm telling you this to hopefully explain that.. idk. If even I, someone living in a country steeped in anti Jew propaganda with very few Jewish citizens, can wake up and realise this is fucked up, maybe there's hope for people in other countries. Idk. It made more sense in my head.
I'm really sorry you and Jewish people in general have been through this, again, and I'm really sorry we, the supposedly progressive goyim, have let you down. I don't know if there's really any way to make up for this, but I hope you know that we will make an effort to do better in the future.
I hope you do find peace and safety again in your lifetimes.
I don’t have anything else to add to this anon, thanks for reaching out. You’ve said this more eloquently and powerfully than I could. I hope you stay safe and healthy!
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bet-on-me-13 · 1 month
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Ellie and Raven have a complex relationship
So! This is an AU where Dan is Trigon, and Ellie joined the Teen Titans. It's not really a Story, but I thought it was funny.
...
Robin: I have a Question for the two of you.
Ellie: What's up?
Raven: Hm?
Robin: You guys call eachother Sisters, Cousins, and in one case you called eachother Aunt and Niece. What's your exact relation?
Ellie: Well that's tricky. See, my Dad is the King of the Infinite Realms, and his true name is Danny. Raven's dad is Trigon, but his true name is Dante.
Robin: And are Danny and Dante brothers?
Raven: No, not technically. See, Dante is an Evil Alternate Future Version of Danny, so they are technically the same Person. But then Dante came to the past, got beaten by Danny, and got shoved into a Mortal body for a while.
Ellie: If that was all, they we could just call eachother Sisters or Cousins. Our Dad's are technically the Same Person, but they consider eachother Brothers.
Raven: Except Ellie isn't a normal daughter.
Robin: What? How?
Ellie: I'm technically a Clone if Danny, not his Daughter. So I'm simultaneously Raven's Sister, Cousin, and Parent since I'm a Copy of a version of her Dad, but I could also be considered her Aunt since Danny and I called eachother siblings before we decided I was his Daughter.
Raven: So Ellie is my Sister/Cousin/Aunt/Mom/Dad.
Robin: ...what the hell.
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sonknuxadow · 6 months
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sorry i know i cant stop people from having their headcanons or aus or whatever but i find it kinda silly when people present the idea of silver being shadows son as if its an actual plausible theory.... because all the "evidence" for it is very minor stuff thats easily explained away . and then theres also the fact that in the 06 timeline shadow was put back into stasis shortly after iblis destroyed the world because humanity was looking for someone to blame for it. and silver also says that iblis has been around since before he was born. im aware that the future is always changing so a future where an adult shadow is around to interact with a tiny little baby silver isnt entirely out of the question but wouldnt this plot detail make shadow being silvers biological father very unlikely if not outright impossible??
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isabelguerra · 2 years
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i dont have an actual name for it but depressed college au is probably one of my favorites. i dont really care for the adults in paranatural and thinking about how the activity club/others might grow up and continue their lives is so much more interesting to me
#i started reading this comic when i was 15? i think? and now im recently 23. i cant really say i relate or want to relate to 12 year olds an#y more. and yeah i prefer a lot more nuance and complexity when crafting+ reading stories#but when your protags are 12. well. yeah pass#pnats adults are fine but the kids are the ones i have any actual emotional interest or compulsion towards#so when i write something that might be less 'yippee whimsical wacky adventures' and the options are spender and zarei. again theyre fine bu#t i dont really care enough about spender and zarei#but i still want to write about adults you know. BEING 12 was hard enough you could not PAY me to go back into that headspace#honestly thats actually why most of wizard au takes place in their later school years#like you know those aged up mob psycho 100 aus. where mob is like a fireman and ritsu is an english major and theyre not exactly having epic#adventures anymore but theyre coming into themselves etc. god. thats the stuff 2 me#i used to hate aged up aus as a teenager bc i thought it was the author/artists excuse to put kids in weird situations. and idk considering#it was 2015. yeah fair. but i do think i get it now. teenage years are hard and theres a certain part of that hardness that i love. things#like growing up [from a 17yo perspective] and people you love going to college and trying to find yourself and dealing w friends and fear#for the future. THOSE are the kind of teen stories i like reading about. but when you start getting tired and mellowing out and things that#come with the end of college and grad school and growing up [from a 22yos perspective] is similar. but its more somber. youre older now#when the protagonists become people. thats what i like#wizard au is fun as a huge intense magical adventure project but depressed college au is just like. where i can project.#drinking an entire pack of mikes hard lemonade by myself and lying on the floor talking to friends about how im scared and pushing myself#towards a career that i love but dont know i can achieve. friends leaving. getting an apartment for the first time. and the second and#the third. that feels better when i can sit down and go 'okay. someday isabel will do this too. i might not understand. my friends might not#understand. nobody could understand and i could be alone. but max woke up with a hangover today and i know what that feels like' etc#idk just feels better. taking your favorite characters with you while you go through things. by which i mean#'taking my favorite characters and making them go through things'#you want them to be safe and happy and having fun. i want them to feel fear. we both know what we want from fiction and treasure each#depressed college au#dcau
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dudenastii · 3 months
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if i decided to start writing about firth and charles like their lives throughout the years together and apart...would ya eat that up or ?
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infiniteglitterfall · 2 months
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I do realize this is a real niche post but I cannot tell you how many damn times over the past 10 months I've seen gentiles tell Jews some version of, "Your own holy book SAYS God doesn't want you to have a country yet!"
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And it's such an incredibly blatant and weirdly specific tell that they're not part of something that grew from progressive grassroots, but something based on right-wing astroturfing.
1. Staying in your own lane is a pretty huge progressive principle.
Telling people in another group that their deity said they couldn't do X is, I think, as far as you can get from your own lane.
2. It's also very clearly Not In Your Own Lane because I've never seen anyone actually be able to EITHER quote the passage they're thinking of, OR cite where it is.
It's purely, "I saw somebody else say this, and it seemed like it would make me win the debate I wasn't invited to."
3. It betrays a complete ignorance of Jewish culture and history.
Seriously? You don't know what you're referencing, its context, or even what it specifically says, but you're... coming to a community that reads and often discusses the entire Torah together each year, at weekly services... who have massive books holding generations of debate about it that it takes 7 years to read, at one page per day....
And saying, "YOUR book told you not to!"
I've been to services where we discussed just one word from the reading the whole time. The etymology. The connotations. The use of it in this passage versus in other passages.
And then there is the famous saying, "Ask two Jews, get three opinions." There is a culture of questioning and discussion and debate throughout Judaism.
You think maybe, in the decades and decades of public discussion about whether to buy land in Eretz Yisrael and move back there; whether it should keep being an individual thing, or keep shifting to intentional community projects; what the risks were; whether it should really be in Argentina or Canada or someplace instead; how this would be received by the Jews and gentiles already there, how to respect their boundaries, how to work with them before and during; and whether ending up with a fuckton of Jews in one place might not be exactly as dangerous for them as it had always been everywhere else....
You think NOBODY brought up anything scriptural? Nobody looked through the Torah, the Nevi'im, the Ketuvim, or the Talmud for any thoughts about any of this?? It took 200 years and some rando in the comments to blow everyone's minds???
4. It relies on an unspoken assumption that people can and should take very literal readings of religious texts and use them to control others.
And a sense of ownership and power over those texts, even without any accompanying knowledge about what they say.
It's kind of a supercessionist know-it-all vibe. It reads like, "I know what you should be doing. Because even if I'm not personally part of a fundamentalist branch of a related religion, the culture I'm rooted in is."
Bonus version I found when I was looking for an example. NOBODY should do this:
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There are a lot of people who pull weird historical claims like "It SAYS Abraham came from Chaldea! That's Iraq!"
Like, first of all, a group is indigenous to a land if it arose as a people and culture there, before (not because of) colonization.
People aren't spontaneously spawning in groups, like "Boom! A new indigenous people just spawned!!"
People come from places. They go places. Sometimes, they gel as a new community and culture. Sometimes, they bop around for a while and eventually assimilate into another group.
Second: THE TORAH IS NOT A HISTORY TEXTBOOK OMFG.
It's an oral history, largely written centuries after the fact.
There is a TON of historical and archaeological research on when and where the Jewish culture originated, how it developed over time, etc. It's extremely well-established.
Nobody has to try to pull what they remember from Sunday school for this argument.
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jawbone-xylophone · 4 months
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Okay time to be really opinionated: I think almost the entire TMA fandom writes Michael Distortion wrong.
Every time I read a fic about him people are emphasizing how swirly and elongated he/it is.
What's scary about Michael is that it is essentially the living personification of gaslighting. He makes everything else metaphorically swirly.
Sure there's "nobody would believe you", but most people who meet Michael think he looks angelic. He only looks scary out of the corner of your eye, or if he's feeding you just enough truth to get your guard down. He's fun to draw and describe as a psychedelic nightmare, but he is basically the gaslighting demon. It's a polite young man with curly hair and a beautiful smile who you could absolutely take home to meet your mother.
You only know he's a monster because your lizard brain starts screaming.
On a related note, its portfolio also includes dissociation and hallucinations, and nobody takes enough advantage of that– like, kissing Michael. Lots of people describe kissing Michael as a very physical event with notes of static and that tingling sensation of limbs falling asleep. A good start, but my argument: you feel him smooching your cheek and giving your hand a cute little squeeze, despite the fact that he's across the room ordering a coffee. It feels so real. You can feel his callouses catching at your fingers, but no matter how you flex your hand there's nothing there but air. You don't know if you just want it that badly and your eyes are lying, or what. He brings you a coffee and the sensation vanishes.
I know exactly what that episode about "the man who wasn't there" was because I've experienced it, and nobody utilizes that enough. Have you ever closed your eyes and tried to walk through a room, and been Firmly Convinced there was an object in front of you you were about to run into, despite no evidence of such an object when you open your eyes? It's a little like that. Any sort of relationship with Michael Distortion (not recommended and likely a way it has killed many people) would involve you getting comfortable with the fact that your senses are lying to you at an exponentially increasing rate, like a frog slowly being boiled alive.
Is he there? Is he not? Does it matter? You feel loved. You remember being told good morning and eating a homemade breakfast. Did you actually? Maybe it's a memory from a year ago you only think is from this morning. He's adorable even if his laugh gives you tinnitus. Maybe you've always had migraines. He takes care of you through them. Can you remember what he does to take care of you? ....normal people stuff, probably. Ice packs. You think he brought you ice packs once. You're sitting at a bus stop, going... somewhere, for a reason you're sure, and your body is telling you you're sitting on his lap but you keep checking, tapping with your nails, and the seat is hard metal. Does it matter? Maybe it really is him. You'd prefer if it was him. These cute little hallucinations are his way of showing affection. It's comfortable, even when the city shuts off your water because you only thought you paid your bills. He gives you his coat in the rain, and you laugh together and run through the weather, but when you get home you're holding a stranger's purse full of cash instead of a coat and you have no idea why. It's his idea of affection, though. He says he loves you when you ask about it, anyway, and don't you need the money now?
He's a lovely young man and the only normal thing in a world gone mad. The gloves only come off when it's done playing with its food.
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roanniom · 2 years
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more eddie phone sex more eddie phone sex i am screaming it from the rooftops
Not a Creature Was Stirring
Eddie Munson x Fem!Reader
Warnings: NSFW, 18+ ONLY!, phone sex / masturbation, dirty talk, light alcohol consumption, light drug use (pot), tiny bit of distance related angst, these idiots are actually pretty sweet so a lil fluffy though it’s filthy? Idk
“So what are you wearing right now?”
“Eddie I’m on the phone in my parent’s kitchen. You can’t be a perv right now,” you chide him in a whisper, but he definitely still hears the smile in your voice.
You’ve been gone for less than 10 hours and yet Eddie is already going out of his mind missing you. Since you’d only been dating for a few months, the two of you agreed that him going home with you for the holidays might be moving a little too soon. You both, however, are bitterly regretting the decision.
“Not being a perv, baby. Just trying to picture you standing there all pretty, happy to talk to me,” Eddie replies. He intends for it to sound teasing, but it comes out just as genuine as he means it. It makes your throat get a little tight.
“Wish I was talking to you in person right now instead.” Your voice is small and his heart skips a bit.
“Me too.”
“This was stupid. Can’t believe I didn’t tell you to just come with me,” you huff, twirling the phone cord around your finger in distress.
“I mean we said it was too soon for the whole meet-the-parents thing,” Eddie reminds you, but his jaw is clenched as he holds back all the things he’d wished he’d said. Like how desperately he wanted to spend this special time of year with you, and how he would have loved the chance to win over the people who you care about most.
“Yeah but we were wrong. Who says there’s a timeline set in stone for this kind of thing anyway?”
“If you weren’t so far away, I’d hop in the van right now and let you know exactly where I want us to be on the timeline,” Eddie declares, feeling bold due to the distance and the fact that you can’t see his face. You laugh, which he’d hoped you would.
“If you weren’t so far away I’d let you.” It comes out shaky. You hadn’t said much but you’d said plenty, holding back the tears that threatened to spill out of nowhere. Eddie can hear it over the phone and he aches with the need to encircle you in his arms. To make any and all bad feelings melt away. He’s desperate to hear you laugh, so he tries his best.
“You can make it up to me by touching yourself and letting me hear some pretty sounds.”
“Eddie!” you say with a hushed squeal. Your eyes dart around to make sure you’re still alone in the kitchen, though nobody would be able to hear him even if they were near.
Eddie barks a laugh.
“It was worth a shot.”
You chew on your lip and contemplate, checking the clock on the wall above the sink.
“If…if you’re still up at midnight I can…maybe call you back from my room,” you saw slowly. Eddie’s eyes widen.
“Oh honey, if it means the chance to hear your sweet voice, I won’t be the only thing up at midnight.”
~*~
You’re adorably prompt, calling him back at 12am exactly on the dot. Eddie knows because he had been staring at the clock for the last fifteen minutes, willing time to fold in on itself if it could bring him just a little closer to you.
Eddie wrenches the phone to his face, a massive smile on his lips.
“Hey Princess,” he says, nice and low. Your laughter on the other end is breathless.
“What if it hadn’t been me? What if it was Wayne calling to tell you something?”
“Wayne would survive being called Princess,” he says with a shrug you can’t see. You giggle and Eddie preens. “What has you in such a good mood in the witching hour baby?”
“It’s all you, Eds,” you confirm, keeping your voice soft because of the time. “But I did steal a bottle of wine from my cousins after I said good night and I might have had a few glasses quickly before calling you.”
“Ah, looking for a party, are you?” A thrill runs down Eddie’s spine and he sits up a little straighter in bed, reaching for a pre-rolled joint and a lighter. He’s seen you tipsy before and you’re both adorable and insatiable.
“Yeah. And I was a little nervous,” you add honestly. You’d never talked dirty over the phone before, and even though you’ve had sex with Eddie many times by now, you’re still a little self conscious. Worried you won’t say the right thing or be sexy enough for him.
“Nervous about what? That someone’ll hear? You’re in your room, right?”
“Yeah, the cord from the hall phone was long enough to reach inside here, thank god.”
“So there’s nothing to be nervous about. You’ll be quiet, like a good girl, and nobody’ll know that you’ll be touching yourself for me.”
His words go straight between your legs, turning you on even more than the anticipation for this conversation had turned you on. He hears your sharp intake of breath and feels proud. Proud that without even touching you, even from so great a distance, he can still have a physical impact. Eddie strikes his lighter and inhales deeply, breathing his joint to life and taking a good long hit.
“I’m not nervous about people hearing I’m nervous that…” you trail off and Eddie feels apprehension for the first time all night.
“Nervous that what, baby?”
You huff in frustration, words not as easy in your tipsy state while also the excitement in your veins prompts you to get over yourself and stop wasting the time you have with him.
“You so much better at the dirty talk than I am…” you try to continue but he scoffs, cutting you off.
“If you dare say you’re nervous that what you say won’t be hot enough for me, I’ll scream.” Eddie drops the lighter back on his bedside table and scooches down to recline more comfortably now that he’s confident that your concern is silly. “Not to be creepy, but you could just breathe into the receiver while I jerk off and that would be enough to get me to cum my brains out.”
You let out a startled laugh at the absurdity of the statement and Eddie feels accomplished, taking another hit.
“You’re a fucking weirdo,” you respond affectionately.
“Yeah? But I’m your fucking weirdo,” Eddie counters, letting his hand smooth down to the front of his boxers. “And your fucking weirdo is hard as a rock right now, so is there anything you want to do about that?”
“Well…” you begin, getting comfortable in your bed despite the blood pounding in your ears, making it harder to hear the rustling of Eddie’s clothes over the phone. “If I was there…I’d probably tell you to get those boxers off and out of my way.”
“How did you know I still had my boxers on?” Eddie chuckles.
“Because I can hear you touching yourself through them. And because you always like doing things the hard way.”
“So, so hard Princess,” Eddie muses, pulling them off. “Ok, I’m naked for you. Boxers off as requested, ma’am. Now I repeat the question that I asked earlier - what are you wearing right now?”
“I’m wearing your Dio shirt. The one you left at my place last week,” you whisper sheepishly. Eddie swells with pride (and something close to possessiveness).
“You’re in my shirt and I can’t even see you? That’s cruel, baby,” he pretends to be cross. “Ok my Dio shirt and what else?”
“Nothing else,” you reply.
“So if I asked you to put your hand between those pretty little legs you’d be able to tell me how wet you are for me right now real easy?”
You do as he’d mentioned, bringing your hand down to gather your waiting slick.
“I’m really wet for you right now, Eds.”
“Good. Can you rest the phone on your shoulder or the pillow or something so both your hands are free?” he asks, doing the same thing himself as you move to follow his instructions. He holding his joint up in the air while getting a glob of lotion from the bottle on his nightstand, bringing it down to slide over the shaft of his cock. It adds a smooth glide to his motions that makes him swallow a moan.
“Something I should be doing with these two free hands, handsome?” you ask. You’re really pushing yourself here, trying to be confident in spite of the nerves. Eddie appreciate it and silently vows to make it so worth your while.
“Yeah. Take one and play with that little button I love so much. And the other one…tease your nipple with it through my shirt.”
You do as he says, rubbing circles into your clit, sending ripples of pleasure to your extremities. Your other hand presses and teases at your nipple through your shirt, making it harden from the friction of the material. You hum at the feeling and Eddie chuckles.
“Good, baby?”
“Really good. But not as good as it would have been with your hands.”
“No? Well why don’t you go and put two of those fingers inside you right now. Let’s get this show on the road, yeah?”
You slide your middle and ring fingers inside your tight entrance, finding little resistance with how wet you are. Your other hand squeezed your breast more fully as you find a rhythm moving your fingers in and out of yourself.
“What about you? Are you…jerking off?” You ask shakily. You hadn’t been joking when you’d insisted he was better at dirty talk. Eddie usually talked all night long, leaving you with no obligations beyond feeling fucking incredible, moaning, and occasionally responding with a “yes! Yes!” or a “feels so good!” when prompted.
Eddie chuckles over the phone at your attempt, but the sound makes warmth spread through your body, rather than the embarrassment you’d assumed you’d feel. Apparently you’re too turned on to feel anything other than desire for him.
“Jerking off is a little crude. I’m not exactly a horny fifteen year old here, baby,” he admonished jokingly, abandoning his joint in the near by ashtray. You can hear the shick shick shick over the phone though and your stomach swoops. Of course he’s all lubed up. You know Eddie likes it wet. “I am, however, stroking my cock to the thought of your sweet pussy.”
“Oh god,” you whisper and Eddie laughs again. Your free hand abandons your tits and comes down to play with your clit as you add a third finger into your hole. Still not enough to recreate the stretch of Eddie’s fingers, let alone his cock, but still, better than nothing.
“Mmm what did you change? What’s got you moaning like that?” Eddie prompts. You feel heat spread through your body.
“I…I added another finger,” you admit and Eddie all but growls.
“That’s what I’m talking about. I know my baby likes to be stuffed full.”
“It’s not enough, Eds,” you whine then, and his heart wrenches. His instinct to give you something, more, everything hitches in his throat and he’s fucking his fist in earnest.
“Well then what will help? You got a toy there or anything that’ll feel…I don’t know, fucking more like me?” he laughs. You let out a frustrated laugh too.
“No, I don’t have a massive dildo just laying around at my parents house, Eddie.”
Eddie groans and squeezes himself even harder to stave off the urge to cum suddenly.
“Oh fuck, say more about how my dick is massive.”
“I didn’t say your dick is massive,” you say rolling your eyes, but thrusting your fingers in and out of yourself faster nonetheless. “I was talking about a dildo -,”
“I know what you meant, baby. No need to get coy with me now.” Eddie’s voice is hoarse. He’s trying his best not to cum, but something about your desperation, the sound of your voice (and if he’s being honest with himself, probably the weed), is bringing him all the way to the brink.
“Okay you’re right,” you say, finally letting go, circling your clit with abandon and bucking your hips to meet your hand, simulating what it feels like to meet Eddie’s thrusts. “Your dick is massive and perfect and I wish I was bouncing on it right now.”
Eddie’s eyes widen.
“Ah, so you’ve been picturing yourself on top?”
“You’ve been picture yourself on top?” you counter.
“Well yeah,” he admits. “But I just needed a visual, baby. I can flip us over in my head,” he adds with humor.
“No tell me what you were thinking,” you ask, you voice suddenly quieter, strained. You’re so close, desperate to cum with him. The way he wants you.
Eddie rolls so that he’s no longer on his back, his knees now digging into the mattress. He braces himself with one hand by where your head would be if you were there, his other moving furiously up and down his cock, tugging in down strokes that would have him bucking right into your pussy.
“I’m thinking about what its like when you’re under me and I fuck you so hard, every part of you jiggles. And those tits. Fuck.”
Eddie loses himself for a moment, grunting through the feeling of fucking himself. Imagining you there with him.
“You always take me so well, Princess. You’d take me so well, huh?”
“Yeah. I’d…I’d be so good for you, Eddie,” you whimper.
“I know you would be, baby. You make it so easy to just sink right in and just…fuck. Just give you everything I’ve got.” He’s so fucking close now he can feel his balls tightening, heavy and waiting.
“I-I want it,” you whine, voice cracking.
“What do you want princess? Tell me,” he commands gently. His hips are thrusting down towards the mattress now and he’s right on the edge of combusting.
“You,” you say, your voice small. Almost silent as all of your energy and focus zeros in on the tension building in your core, ready to snap. “Fuck…want you. Wanna cum. Wanna cum so bad Eddie.”
“Cum, baby. Come on and cum for me.” His tone is desperate, and the breathlessness is what has you tipping over the edge. The sound of your quiet moans, as your walls spasm and tighten around your own fingers, is what does him in. Eddie, free to be much louder alone in his trailer, cums with a deep groan that passes over the phone lines, through your ear and directly into your cunt, making your clit pulse anew beneath your frantically rubbing fingers.
“Merry fucking Christmas to me,” he finally mutters, sounding hoarse and wrecked when he finally drops onto his back on the bed, letting his softening cock fall from his grasp, spent. He hears your weak giggle over the phone and smiles.
“Hope you get everything you want for Christmas this year, Eds,” you whisper, fondness swelling inside you and evident in your voice.
“Oh Princess,” Eddie says with a chuckle, throwing an arm over his eyes and breathing deeply to help himself settle in the come down of his high. He wishes almost bitterly that you were in his arms right now, cuddling in the afterglow, but that sound of your voice on the line and the promise of your impending return keep his heart light. “I’ve already got all I could ever ask for.”
~*~
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The Arcana HCs: What M6 get from their parents
~ for the Vesuvia Weekly prompt, "I see where you got it from"! ~
Julian
For someone who's never claimed to be a sailor, he sure spends a lot of time at sea and dreaming about future boats
It's much less surprising when he starts talking about the few hazy memories he has of being the oldest son of merchant parents. His early childhood was spent playing above and below decks
Which explains his specific brand of wanderlust pretty well. Instead of it being a boredom with the mundane or a fear of commitment, it's this deep sense of himself as a global citizen
He's happiest in marketplaces and finding his family among odd groups of people from all over the world, what can he say??
Not to mention his "if I can't find what I need here, maybe I just need to try somewhere else" mentality when it comes to problem solving. Need more education? Time to visit a new country!
It would make sense for his natural aptitude with learning new languages, forming quick connections, and creating collaborations to have come from fairly successful merchant parents as well
Whether that's also where he got his godawful cooking skills from, or whether that's just a "him" thing, remains up for debate
Asra
You learned it pretty quickly after meeting them - you know exactly where that constant, almost insatiable curiosity comes from
That, and the tendency to have a new thought, forget the current conversation, and trail off into disjointed mumbles as said thought gets rapidly unpacked and explored from several angles
If Salim is who Asra gets his brain from, Aisha is where he got his spirit. That stubborn hope and determined dedication to care for who he loves? He got that from the women who looked the Devil dead in the eye and told him to leave her child alone or else
You can also see a lot of the way Asra relates to you in the way their parents relate to each other. It's that easy, intuitive comfort of shedding pretenses from the get go and embracing uniqueness
Why bother trying to show off what you're good at, when you could try something new together instead? Sure they could give you a tour of their gate - or Salim could give his experimental magic a test run now that you're around to help out!
Not to mention how all three of them seem to know healing magic
And they all love a good cup of tea
Nadia
She could spend hours telling you exactly how unlike her sisters and parents she is, but let's be real. Satrinava genes are strong and you could pick one out of a crowd any day
The intelligence levels she couldn't hide if she tried? Check
The absolute perfection of her fashion choices? Check
The habit she can't turn off of looking not just at you but through you with a kind of perceptive, piercing gaze that has no intention of telling you what she's figuring out about you? Also check
(Seriously, every member of her family does it nonstop and at this point you're wondering if you should just give up all your secrets)
The tendency to approach any problem or conflict by openly stating her own opinion/perspective first? Check
The down-to-earth openmindedness that you have to actually talk to her to discover? Check. Nazali seems to be the one exception, but you're pretty sure that's after years of traveling around
The immediate need to take responsibility for whatever's going on, or more accurately, going wrong? Check
Somehow always smells nice? Check
Muriel
There was a lot about Muriel that you thought was "just Muriel" until you made that trip South together and saw all the subtle ways he became more grounded in himself
Nobody's concerned about taking up too much space in vast tundra. No wonder he always seemed to feel cramped
It also seemed a bit counterintuitive for such a minimalist furnace of a man to own a veritable pile of furs until you walked into Khamgalai's hut. He might not remember it, but he probably spent his first few years wrapped and dressed in them
Not to mention his tendency to fill his space with earthy, herbal smells to the point of carrying pouches of it with him. There were dried foraged plants all over the rafters there
What eventually came to be one of his strongest ties, though, was his craftsmanship. How someone who disliked frivolous things did so much detail was beyond you, until you saw those tapestries
And, of course, the remnants of years of nomadic movement in his need to spend hours at a time outside every day, keeping a steady pace through the forest to assure himself that all is well
Portia
This didn't spring out at you from her the way it did from her brother, but Portia has a capacity for dramatics that she does a deviously excellent job of downplaying
Sure, she seems considerably better adjusted and grounded than he does, and sure, her tendency to compensate for the unique needs of her loved ones shows up in being hypercompetent
But you're certain at this point that at least one of her parents was a hell of an actor/dramatist. You've watched how easily she can put on whatever face she needs to accomplish what she wants
Not to mention the love of stories and art of storytelling. You know you're at a Devorak gathering when both you and half the other people in the area are totally drawn in to a fond memory retelling
You can also see the makings of traveling merchants in her job as Vesuvia's ambassador. It's almost scary how easily she makes herself at home spending months at sea, going place to place
And both scary and awe-inspiring when she finds herself locked in negotiations. Whether with a marketplace stall owner, or a stubborn noble with an import she wants, she's indomitable
Lucio
Honestly, beyond their physical similarities, it's pretty hard at first to see all the ways in which Lucio takes after his mother
They're both such strong products of their environment. Morga is stern, stonefaced, and (to put it bluntly) stingy, but she takes accountability beyond her means and always faces hard choices
Lucio is the opposite. Loud, expressive, flamboyant, unconcerned with discipline or rules, terrified of hard choices or accountability, and (when he's not under duress) generous to a fault
The first place you saw it? Their dismissiveness, unfortunately
As soon as it's not something they understand or relate to, they both lose interest in talking about it and tend to be quick to brush it aside, often without pausing to consider other's feelings first
Not to mention how quickly both of them jump to using aggression to express themselves. You can tell it's got a whole lot more to do with how intensely they feel things than any bad intentions
But the trait you learn they share most is what you take the longest to notice: quiet, unassuming protection as a subconscious love language. They'll always keep watch when you're vulnerable
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misscrawfords · 9 months
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I was listening to Pride and Prejudice on my drive back from my mother's today and it's been so long since I've actually read the novel as opposed to engaged with one or other adaptation...
Goodness, it's good, isn't it? And Elizabeth is so much more complex a character than she is often presented in adaptations.
The thing that was standing out to me today - I was listening to from when Mr. Collins proposes to Charlotte and I stopped just when Elizabeth was talking to Colonel Fitzwilliam at Rosings - was the chapter which is just Jane and Elizabeth talking about Bingley. This gets cut from adaptations or so condensed to be meaningless, but it's incredible. It's just a whole chapter of the sisters chewing over why Bingley ghosted Jane (for lack of a better term) and what Caroline's motivations were and the thing that gets me is that they're both right. Jane is right that Bingley can't be blamed for being a friendly young man and that he had no malicious intentions but Elizabeth is also right that young men can be thoughtless in their dealings with women who have less freedom than them and their thoughtlessness can do real hurt. (She's also right about Caroline, of course.) It struck me as such a modern issue. Maybe I've just been thinking about the unwitting hurt that thoughtless young men can cause recently, but everything is so complicated. Bingley is a flake who makes a mistake with regards to Jane but he's also a genuinely lovely young man who makes it right in the end - he's still on his own journey through life which he will continue with Jane. Jane herself lets her desire to see the best in others cause her to see friendship where it isn't, but being deceived in a friend is not so uncommon, is it? And she's not stupid or weak. Heck, she endures her heartbreak being talked about openly by her mother in public for months silently and without rancour. And she does it all without ever resenting Bingley! Jane's the strongest character in the whole novel and an inspiration to the rest of us - FIGHT ME on this!
The other thing I really picked up on was what an important moment in Elizabeth's character development Charlotte's engagement is. It actually kind of breaks my heart - her best friend makes a life choice that she can't support but has to and nothing will ever be the same again between them. It's the first dent into Elizabeth's world view that forces her to see that people are different from her and can make different decisions and this is okay and not just something she can laugh at. It's so relatable in terms of life events - when a close friend marries and then when they have a baby, these things absolutely still do alter friendships. Elizabeth gets over it and even enjoys seeing Charlotte in Hunsford but we are frequently reminded by the narrator that the previous confidences they enjoyed will never be the same again. It's a really big moment for Elizabeth and really the first event in the novel to start to shake her foundations of her comfortable existence. The other two are Bingley's desertion of Jane and Wickham's decision to pursue Mary King over her. By the time she goes to Hunsford, she is prepared in a way for the final massive shock to the foundations of The World According to Lizzy Bennet, not that she knows it. Such is growing up.
And OMG Lady Catherine is SO vulgar and inappropriate! She is a direct parallel to Mrs. Bennet and the rest of the Bennets. Just as Elizabeth feels accute embarrassment at the Netherfield Ball, Mr. Darcy is feeling exactly the same at Rosings. Beautifully done. But their awareness of what is appropriate behaviour is something that unifies Darcy and Elizabeth even if Darcy massively fails to behave like a human around Elizabeth. Pride and Prejudice is such an expose and examination of "how to behave in social situations". There is nobody who doesn't come under scrutiny and pretty much every type of behaviour is gone over with a fine tooth comb.
Sometimes I feel almost ashamed when people ask me what my favourite novel is and I say "Pride and Prejudice" because it's such a damn cliche. I should say something heavier or more obscure or at least I should say it's Persuasion, the "thinking girl"'s favourite Austen. But P&P is so special to me on so many levels and you know what? It is a MASTERFULLY written book.
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hxrukii · 21 days
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vil, malleus, and idia with child reader who is similar to Sofia the first?
❝I was a girl in a village doing alright, but then I became a princess overnight. And now... I've been transported to another world?!❞
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╭・๑ 𝐒𝐮𝐦𝐦𝐚𝐫𝐲︰ʚ Some of NRC with child!Reader who's similar to Sofia the First..‧₊˚✦
‧₊˚↷ 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫(𝐬)┊❝ Vil Schoenheit, Malleus Draconia, Idia Shroud. ❞ ⸜⸜*
↷︰ʚ 𝐍𝐨𝐭𝐞 ‧₊˚✦ Reader and Yuu can be the same person and is a gender neutral. Sorry this took so long!! My motivation never wants to cooperate with me 😭
╰・𝐖𝐚𝐫𝐧𝐢𝐧𝐠(𝐬) ‧₊˚꒰ Platonic (obviously). ɞ‧✦
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During the Opening Ceremony, a child suddenly appears at NRC, with no way to send the child home, since according to the Dark Mirror, the child's home does not exist. Crowley decided to have the Dorm Leaders take care of the child while he slacks off looks for a way to send the child home, for he is gracious. How will some of the dorm leader's react?
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At first, Vil was probably unsure of the headmage's idea of leaving the child with him.
He is a busy man after all, and he is worried that he might just not have the time to take care of the child.
And he also was worried by the fact that the child might just be too rebellious and have him grow grey hair before he even hits his forties.
To his surprise, Sofia!Reader seemed to be unusually mature and also has a high level of self-control for a child their age.
But now Vil was worried, after all, it is said that some child act more mature than others because they grew up in a toxic environment, where they were forced to grow up too fast.
He probably began to feel even more worried when he noticed they Sofie!Reader seemed to be have some trust issues. Which, mind you isn't exactly normal for a child.
Now tries his best to take care of them and making sure they feel safe.
Becomes somewhat protective of Sofia!Reader. If he will admit it or not is another thing.
But because of that, he is constantly stressed whenever he leaves Sofia!Reader alone 'cause she always seems to run into trouble one way or another.
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Wasn't there during the Opening Ceremony, so he was surprised when Lilia came back to Diasomnia with a child.
What is a child doing at Night Raven College??? (Why did they name it Night Raven College when it's a high school??!
Was probably terrified of hurting or scaring Sofia!Reader, stayed as far away from them as possible.
To his surprise, and delight (somewhat) Sofia!Reader seemed to not be scared of him.
Was probably really surprise when Sofia!Reader seemed to be very good at using magic.
Took it upon himself to teach Sofia!Reader every self defense spell he could think of sho that she could protect herself.
Very overprotective.
Sofia!Reader now has one of the top 5 best mages in Twisted Wonderland as a bodyguard and also said bodyguard's retainers protecting them.
Probably really intrigued by Sofia!Reader's amulets.
Like wdym the amulets let's you talk with animals? And allowed you to transform into a mermaid, or any animals or muthinc being you see? At allows you to shrink yourself? And you can summon people when you need help??? (Nobody tell him that some of these people are related to the Great Sevens.)
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Probably dying and panicking internally
I mean, I don't blame him, Crowley literally dumped a whole child onto him.
Idia is probably scared shitless of Sofia!Reader, he seems like the type to think that children are literal demons.
Thanks the Great Sevens that Sofia!Reader is actually pretty calm.
After all the panicking, I feel like Idia would probably know how to take care of Sofia!Reader, since he had to take care of Ortho before his death so he isn't really clueless about what he should do. (Fun fact: did you know that human Ortho died at age 8? Which is how old Sofia was at the beginning of the show.)
Though at the same time, Idia can barely take care of himself so also having to take care of a child would be pretty challenging.
Ortho is usually the one to take care of Sofia!Reader, because Idia was to busy with his games or something.
Idia will probably be the on introducing Sofia!Reader to technology, since they literally never even saw of phone in their entire existence (which wasn't a very long time but still.)
Would probably also be interested in their amulets and how it works, but doesn't expect to learn much from Sofia!Reader since they also don't know how the amulets work.
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꒰ ◁ ꒱┊❝Back to Vil, Malleus, Idia's Masterlist❞
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bluemoondust · 23 days
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Okay, hear me out. I have a similar idea like your headcanons about Bill and the reader that is into magic and cryptids stuff BUT this time the reader actually has the ability to see all of the sorts of creatures that others can't see or these creatures feel comfortable enough not to hide from the reader. Perhaps they even have a knack for witchy stuff. But nobody believes the reader, at first thinking that this is just "childhood imagination" but then telling the reader that they're "too old for this" so the reader pretends to "be normal". I imagine Bill would relate to the feeling of being the "freak" and being able to see what others can't
!!! This!
I can definitely see this also happening! Bill really does seem to latch onto those he can relate to. And hey, he likes the weird and unusual, so you're right up his alley!
The whole thing where people chalked up your abilities being "imaginary" is genius. I can see anyone just going like, "Oh, well it's probably just a phase, they'll eventually grow out of it." When it doesn't, people give you weird looks (can see this as how Norman from Paranorman was treated) until, yeah, you decide to fake 'normalcy'.
Bill of course would see right through you and your facade. You two are just peas in a pod, aren't ya? He knows exactly what to say and you're just relieved to see that you have a real friend. You don't have to pretend around him anymore, but Bill always states that maybe you won't have to pretend anymore one day. He also praises that you're better than your peers and that he'd rather have someone like you around for eternity. Friends are forever, right?
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mysteriousl0ser · 5 months
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FUCK IT, TADC EP 2 THOUGHTS MAJOR SPOILERS!! BE WARNED
LETS GO!! Pomni is still pretty screwed up over her first day here, I mean this is all fresh and new to her so like DUH. everyone else here is somewhat or entirely adjusted and kind of just cope with the fact that theyre here I dont think pomni has really processed how long theyve been here?? In the pilot she seems SO bothered by how okay they are with this and willingness to do caines fuckass adventures
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i dont blame her, anywho pomni in her nightmare-induced state starts to abstract, she had to face an abstraction early on in her days here which like have to be pretty truamatizing (duh) and cried out to ANYONE, but where she called for help literally no one helped her “oh well” they though
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Pomni doesn't feel like anybody else cares, shes the only one whos still going through an adjustment phase and freaking the fuck out while everyone else is just going along with the adventure, something she still thinks is kinda pointless and doesn't get why anybody would waste their time here doing when they COULD be looking for a way out, why is she the only one who seems to still be distressed here? To feel lost? At least from her perspective, it seems that way. Unfortunately, these people have already been here for a while.
Pomski then meets someone whos just like her, their whole reality was shattered and they don't belong anywhere, mirroring how pomni feels at the moment, even if she still has some sort of grip now vs when she first got here
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And she finds comfort in that!!! Why is it that this NPC feels more real than the ACTUAL REAL PEOPLE trapped here with her??? Whatever the reason, its something to hold onto. Something to LATCH onto. Hes Real. or at least he feels real, and maybe she feels like she belongs with him because at least he knows the feeling, something shes not really felt w anyone else before
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This comfort and solidarity she has with gumigoo is shortlived however as she gets brutally reminded that he wasnt real. The anchor she had vanished and there's quite literally nobody to catch her fall.
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And i feel like ragatha trying to comfort her the way she did didnt help AT ALL. it was kinda a sore reminder that gumigoo is easily replaceable, and GOD thats so frustrating?? This thing felt so real to her and nobody seems to care that he just vanished!! If they could be so apathetic to this whos to say they wont just treat her demise just the same as she thought they would???
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But then something important happens. They have a funeral for Kaufmo, someone whos been established to be their friend way before Pomni ever came here. And maybe it didn't ever settle in before that kaufmo was a real person! Literally!! And he was real to them. Just like gumigoo though less directly they relate to being in pain and kind of in shock of losing someone who they cared about and who was a real person to care about to them AND LIKE YOU CAN SEE WHERE IT CLICKS IN HER FACIAL EXPRESSION HERE, THE CHANGE IN HER EYES AND THE WAY HER EXPRESSION LOSENS AT THIS IDK IT DRIVES ME CRAZY GOD THE ANIMATORS WENT OFF W THIS EP VS THE PILOT IM IM IM
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anyways anyways They have their funeral service, theres quite literally no reason for anyone to just lie and go along with whatever bs caines got going on, this also quite literally has nothing to do with him. This is kind of their own little way of keeping some sort of human traditions and respect for the human persons that get stuck here because they care. HELL you can even see pomni feel a little guilty here when ragatha says that his funeral was disrupted cause she arrived here
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anyways thats exactly it!! They fucking car!! This whole time pomni thought that they just didnt care and were kind of apathetic or downright patronizing her over all this and mocking her or whatnot, like in her dream sequence. But no, they all talk respectively about their memories and experiences with kaufmo, the things they shared together and the feelings they had. EVERYBODY was grieving. Ragatha who always tried to put on some cheerful and kind of irritating (to pomni at least) everythings fine facade (which also kind of feels less real to her at least i think so but i don't think she figured it to be a coping mechanism) to just straight up start crying and breaking up a bit, even mentioning how this does not ever get any easier and how shes had to deal with this plenty of times before.
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Zooble the usually apathetic and kind of asshole who keeps to themselves and gives off i don't care energy and probably gave off the impression that they didn't care about anyone here and just treated the people stuck here as an unfortunate fact and nothing more actually being vulnerable and probably doing the same as ragatha talking about their memories with kaufmo
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Kingers ALWAYS kind of zoned out or not really taking anything seriously and just being there completely lost in space, but here hes grounded, and even earlier in the episode when ragatha needed it most he remained grounded then too (tho pomni didnt see that i just wanted to mention it). Just like the others he grieves and lives in the unfortunate moment
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more of the kinger being grounded when the thought counts
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GANGLE- dude even if its for just a moment she smiles here despite having her tragedy mask and like her whole shtick is being of whatever mood or emotion her mask is allegedly wether she wants to or not, but no here shes more than just that, she smiles for a bit when reminiscing her moments with kaufmo only to go back into crying, and man shes always crying with her tragedy mask but its beyond as far as anyone can tell wether or not its really her or just because of her mask, but here? its really her, no matter what the mask on her face shows!! shes genuinely smiling despite having her comedy mask and shes genuinely crying which is very blatantly obviously different to the usual mask cry etc etc
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heres something about all this, it hits pomni in a way. These people ARE real, and they care. They care about her, they have nothing else but eachother and THATS something to latch onto. Thats something to hold her down, even if they just met pomni
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SPEAKING OF JUST MEETING POMNI she literally expressed how she didnt wanna just LEAVE gumigoo there by himself because she believes no one should just be left there
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the circus peeps just met pomni and just like how she felt a real connection to gumigoo in this digital hell she feels a sort of connection with these people too. Theyre gonna have her back all the same, maybe she wont feel so out of place and alone. BONUS THING!! The literal only times she genuinely smiles is when she feels this real connection to what feels real to her and has a genuine and sincere moment with these people whether it be an npc or a trapped member. Idk it just means something to me how significant both these moments are tipped off with a genuine smile a REAL SMIE!! (id add pictures but tumblr has a 30 image limit) OH ALSO BONUS BONUS THING THE DIFFERENCE IN OUTRO MUSIC IS SO IS SO ITS SO the outro song for the pilot kinda feels so ethereal and out of the moment at least to me it kinda feels like it you're slipping through the cracks and just, existing within yourself as the rest of the world around you kind of shatters into glass or melts into water or something i dont think ANY of that made any sense but its loud and its blaring and its so out of reach in a way, mad disassociation vibes but the outro song for the 2nd ep is a lot quieter yet its right there, at first it starts really small, lonely even. trapped by yourself but as the music gets louder and more instruments join in on the song it kind of has a comforting feel? bittersweet? even? its grounding ina way which is much different from how the first one felt at least to me lmao and the comforting feel kinda only emphasizes what I was talking about earlier- the comfort in having that anchor of reality with having a real moment with these people and making that connection yk? and like as i was saying at first the song starts off with just one instrument, at the start of the episode pomni feels utter alone and out of place even if these people here with here are stuck in the same situation as her, together alone. but as the other instruments join. in it kinda uplifts the song a bit, its not one sole instrument anymore like how in the end pomni feels that connection with everyone else, not so alone anymore idk jackshit about music theory so this is entirely a feelies talk instead of like- music lore? so don't take anything i say as like- idk some professional speak im just a nerd nerding about silly digital fixations ANYWAYS THATS ALL FOR NOW I AVE MORE TO SAY BUT THIS IS LONG ENOUGH LOL if you actually read all the way down this far thank you for listening!!! i really really appreciate it :]
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saintsenara · 9 months
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What is your rationale for disagreeing with the fanon that the horcruxes affected Voldemort's sanity?
that it's literally canon that they don't!
i obviously don't have an actual problem with people using the idea that the horcruxes affect voldemort's sanity as a trope, if that's what works for their story, but what irks me is that this idea is often repeated by voldemort enjoyers as canon fact, when the impact of horcruxes on cognitive function is spelled out clearly in half-blood prince:
Harry sat in thought for a moment, then asked, “So if all of his Horcruxes are destroyed, Voldemort could be killed?”  “Yes, I think so,” said Dumbledore. “Without his Horcruxes, Voldemort will be a mortal man with a maimed and diminished soul. Never forget, though, that while his soul may be damaged beyond repair, his brain and his magical powers remain intact. It will take uncommon skill and power to kill a wizard like Voldemort even without his Horcruxes.”
in half-blood prince - as in every book prior to deathly hallows - dumbledore functions as the "word of god" character, which is to say that the information he provides us - as long as it relates neither to harry nor himself - isn't up for interpretation, it's understood within the narrative as correct. we can also be sure that he's done his research on horcruxes, knows exactly how they work, and is speaking as an expert when it comes to their impact on the mind - and we can also note that slughorn [who also seems to know what he's talking about when it comes to horcruxes and their function] doesn't mention them causing any cognitive damage when discussing them with the teenage tom riddle.
but nobody has ever made as many horcruxes as voldemort! maybe one doesn't affect the mind, but seven certainly could.
except this doesn't align at all with how the series understands the relationship between the soul and the will.
one of the central themes of the harry potter series is the value of choice. all of its main characters have narrative arcs which hinge - in some way or other - on them making a choice, very often the choice between what is right and what is easy. ron chooses to leave and then chooses to come back; hermione chooses to stay. sirius chooses to take a stand against the life his family expect of him. snape chooses to repent of his sins and work forever to atone for them. harry chooses to walk into the forest and die. lily chooses to ignore voldemort's request for her to stand aside.
all of these choices are made of the character in question's own free will - and the same applies to everything voldemort does in the series. he chooses to kill and to keep killing of his own free will, with the full capacity to understand his actions, and he refuses, right until the very end, to show the slightest bit of remorse for what he's done - and it is this, in the narrative's view, which makes his behaviour so heinous and which causes his behaviour to have such an impact on the state of his soul.
if we assume that voldemort's grasp on rationality declines with the number of horcruxes he makes, we are also assuming that his capacity to understand the full wickedness of his actions also declines - but his motivation for killing myrtle to make a horcrux and his motivation for killing frank bryce to make a horcrux are exactly the same: he wants to, and he doesn't give a solitary fuck about the life he's just taken.
and this stands in contrast to something else we see in canon - the idea that killing does not automatically have an impact on the soul:
“And my soul, Dumbledore? Mine?” “You alone know whether it will harm your soul to help an old man avoid pain and humiliation,” said Dumbledore.
this - the set-up to snape's mercy-killing of dumbledore - suggests that your soul is not harmed if you know without question that the death you cause is justified.
snape kills dumbledore of his own free will, but this suggestion also implies that it would be perfectly possible for the soul to remain unharmed if a killer was understood to be non compos mentis. that is, if someone lacked the capacity to understand their actions were not justified, then their soul would see them as "not guilty by reason of insanity" and not splinter.
voldemort's ability to make so many horcruxes in the first place, then, must depend on his capacity to understand exactly what he's doing - to know he could choose not to kill and then still do it anyway.
and we do actually see in canon that - while he's shown to be someone who kills with the slightest provocation in the films - the voldemort of the books is clinical and methodical in his violence:
“Nice costume, mister!” He saw the small boy’s smile falter as he ran near enough to see beneath the hood of the cloak, saw the fear cloud his painted face: Then the child turned and ran away... Beneath the robe he fingered the handle of his wand... One simple movement and the child would never reach his mother... but unnecessary, quite unnecessary...
the canonical voldemort's known kill count is actually surprisingly low, and each of his victims is clearly selected with a rational [in the "does he have a disorder of thought?" sense, not in the "is this morally justifiable?" sense] motivation driving his decision to attack them - even if his actions are also affected by an emotional trigger [he does not, for example, kill his father or massacre the goblins who tell him that the cup was stolen for reasons which are irrational or delusional - incandescent fury or fear that your secret is out are not insanity].
voldemort kills and makes his horcruxes out of choice, and the series is clear that his capacity to understand that choice does not degrade across the course of his life.
ok, but you have to admit that he's definitely not... all there, personality wise...
sure. but i don't think this has anything to do with the horcruxes...
the idea that voldemort runs around shrieking and cackling to himself is an invention of the films. the canonical voldemort is shown to be lucid and thoughtful even in deathly hallows, he remains a formidable strategist right up until the end - and i think it's also worth noting that the films really gloss over just how successful his takeover of the government is - and his prodigious intellect and magical talent are acknowledged by the order throughout the series.
his more volatile personality traits - his fondness for monologuing, his rapid switching between being superficially charming and feral, his tendency to get lost in his own obsessions, his emotional brittleness - are all ones the eleven-year-old riddle is shown to possess, and i think it's much more interesting to explore the idea that they remain aspects of the person he once was which the adult voldemort cannot hide behind the mask he has constructed.
but - yes - its certainly true that the resurrected voldemort of order of the phoenix onwards is more paranoid, harder to soothe, crueller to his death eaters, more inflexible in his thinking and so on than he is implied to have been in the 1970s, and so i understand why many readers interpret this as evidence that his last two horcruxes [harry and nagini] - plus the arcane horror of his resurrection ritual - might have sent him round the bend.
but i think that the implication of canon is that this behaviour has much more mundane causes.
in october 1981, all the evidence we have is that voldemort is about to win. he is an unassailable terrorist kingpin with an army of highly-trained, highly loyal minions and - we can assume - widespread popular support.
and then only four of these supporters try to find him.
it's clear - as we can tell from the fact that barty crouch jr. is so shocked to discover that he didn't massacre the reassembled death eaters where they stood - that voldemort is livid that none of his "loyal" servants came to rescue him from the tree in albania his soul piece was hiding in, choosing instead to pretend they were under the imperius curse and that they'd never have been seen dead supporting him had they been in their right minds. it's also clear that he has no choice but to welcome these death eaters back to the fold once he's resurrected because he'd have no core supporters otherwise.
but it's also clear that he doesn't trust any of them one single bit once their commitment is proven to be so fragile - and that it is this, this evidence that he's just a human being with human feelings, rather than a creature of pure magic whose mind has been warped by that magic, which provides a much, much more interesting explanation for his increasing volatility as the war draws to its conclusion.
voldemort is at his most interesting - in my opinion - when his humanity [and his failure to outrun it] is foregrounded. this isn't incompatible with his creation of the horcruxes at all. but it is, i think, incompatible with the idea that they warp his mind.
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papamado · 5 months
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A "theory" regarding Sampo's abilities
okay so this is an absolute mess and more of a ramble but I think it might be worth sharing so here I am Since I'm very normal about Sampo Koski, I've noticed some paralels to.. osme things... and i ended up with a concept that Sampo might be aware/know the future/what is supposed to happen, aka the same/similar thing to what Elio is using as a base to write his scripts, or is aware of the scripts that Elio creates. On Belobog we don't encounter stellaron hunters (for obvious reasons), but Sampo does end up being the one who affects the way the plot goes and actively puts it in motion, he's the one in control (to some extent) He also appears to be aware of stuff that has yet to happen and its possible outcomes (getting Natasha even before we started fighting Svarog, knowing that we will arrive on Luofu despite it being an unplanned stop, the possible future Belobog catastropy) There's 2 ways to approach this: 1. He works with how it's supposed to go, (following the trailblazer around, kinda like stellaron hunters happen to do) 2. He deliberately works against it (Jarilo VI is supposed to face destruction but he prevents it, could be for personal reasons) Theres also the whole thing about him breaking the 4th wall, which could be connected. Awarnesss of the fact that this is a game could result in him having a knowledge of what the plot of said game is.
I strongly HC Sampo to be an Elation emanator, so I thought about what being an elation emanator could mean, as in, how realistically the powers could manifest From the recent guide that was released along side the 2.2 stream, we have a small entry about Masked Fools which confirms that the path powers are DIRECTLY tied to their masks (this could mean both metaphorical or physical masks but from what i get from the context here it most likely refers to the physical ones?? the concept works with both possibilities tho so whatever <3 )
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We know that sampo doesn't have his mask currently (which also works in a symbolic way, Masks represent the devotion to Elation, him not having it could represent how he wants to distance himself from what Elation is considered to be and pursue his own idea of it instead. The general description provided here for how masked fools are doesn't exactly fit him either whichmight further prove that idea, i should write a seperate post on that, anyways-) , so how the hell can he do shit that we assumed earlier was Elation-related powers? i have 2 possible explanations for this 1. Him being an emanator lets him use the path powers without a need for a mask, if thats the case - the mask would only provide a powerup 2. Elation emanator powers are something else altogether
when we look at his current power set/abilities it can all be tied to the fact that this is a game so, him bieng an emanator of elation would allow him to ignore the rules of this world/mainupulate said rules, simple as that it would also explain why he can break the 4th wall, why he is aware of the future events, what leads to them and/or how to stop them in the first place and how he can do stuff that contradicts what's been established lore vise (like how nobody should be able to cross the barrier between the Overworld and Underworld), those rules don't apply to him, he's beyond them. But there's more we DO have an in game example of people already messing with the reality in the same manner - Silver Wolf From what I gathered (with help of some friends of mine mwah mwah), the "reality editing" abilites of Punklorde people are directly tied to a technology present in said world - that combined with the world view of those living here results with them reating the world they live in as if it was a game
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Adding onto that, during "punklorde mentality" mission we get to hear Leonard say this:
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"Masked fools believe it really exists" so are the Masked Fools aware that someone could posses *actual* (not provided by technology) power to alter/manipulate reality and ignore the established rules of the world? We can kinda see such thing happening with Aha in stimulated universe, not only do they break the 4th wall, but according to Herta they also seem to be affecting the stimulated universe itself Aha's manipulation of reality is also mentioned in the "Glimpses into the Beyond"
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So maybe to wrap it all up: 1. Sampo could be aware of the possible future events and use the reality manipulation abilities/the fact that the rules don't apply to him to achieve a desired outcome 2. Him and the Stellaron Hunters have some paralels in the narrative when it comes to the role that they play and what they do?? kinda??? 3. Punklorde people could be affiliated with Elation to some extent, even if not directly blessed by it I am probably VERY wrong about all of this but honestly I'm having fun with this theory so idc <3
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1-800-c3dr1c · 1 year
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Hi, I saw that you have open requests. could you write a story about Neuvilette and his partner where Neuvilette learns that the traveler told his partner that he is a dragon. but the reader had something to do, so she would leave Fontaine for a few days. on the other hand, Neuvilette would think that this is why she does not want to see him, because she has been hiding from him until now, and of course because of this there would be a hell of a storm in Fontain. i like angst but with a happy ending. Thank you I love you. 🥺👉👈
LONELINESS. neuvilette angst to fluff oneshot. female reader. <3 SPOILERS FOR THE 4.1 ARCHON QUEST. DO PROCEED WITH CAUTION.
requests are: open! please look at the pinned post for characters i will write for. <3 let me know if you’d like to be in my tag list for whenever i post anything related to neuvilette under this post as well, or in my inbox!
OH MY GOD THANK YOU SO MUCH FOR REQUESTING NEUVILETTE, I LITERALLY LOVE THIS MAN AND I HOPE THAT YOU LIKE THIS!! <3
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“he’s a dragon.” were most certainly not the first words you’d expected the traveler to utter when you two met after they had come back from the fortress of meropide. you had stared at them, baffled, asked them to repeat what they had told you despite not even hearing yourself speak. and they did.
“he’s a dragon.” and that’s when it clicked. your partner, the iudex of fontaine, was the hydro dragon. how had you not realized this sooner? you had caught little bits of his grief even when he never explicitly stated it, and when you did it just so happened to rain. but you didn’t want to believe it at first.
“you’re lying.” you didn’t even hear yourself contradicting them, the words just sputtered out absently, as if you had no idea what you were doing. which you didn’t.
“i’m sorry,” the traveler just shook their head, knowing they couldn’t exactly get you to see through your own fantasies of not recognizing the truth. they knew you’d come to your senses soon, but you needed to be left alone.
and left alone you had been. they had walked away, leaving you to stare after them, attempting to collect your thoughts.
your partner was the hydro dragon. it was such an unfathomable thought, but the more you thought about it, the more likely it was. and yet, time was cruel.
you could not ask him about it now, no. you had a mission outside of fontaine, and you knew you’d be gone for a few days. you had been planing to tell neuvilette this, but you had never gotten a chance. today was your last day in fontaine, and you would leave in two hours.
you knew that he would not be back in less than two hours. despite that, you waited until the very last moment for him to come home, for you to be able to tell him what you knew.
but you simply wouldn’t, or rather, couldn’t. when the time came, you simply took your bag, walked off, and didn’t look back.
neuvilette had thought differently. he had chosen to take a few days off of work after the traveler had told him they had accidentally let it slip to his partner that he was the hydro dragon. ever since then, he hadn’t even seen her. grief-stricken and thinking that she hated him with her entire being for hiding such a big secret, it was constantly raining in fontaine. people were no longer walking the streets, and fontaine was neatly flooded in itself.
the traveler had tried to calm him down, but it had been no use. he actually started crying. not just the feeling of grief, but actually tears rolled down his cheeks. hence why, he stayed in his office all day, allowing little to nobody in except for the traveler and a few select melusines.
“she hates me,” he murmured to himself, the thought having been running through his head for many days now. ever since she left, that’s all that has been on the poor iudex’s mind. “she hates me.” he repeated, finding that it may just end up being the truth, no matter how much he didn’t want to believe it.
until you had walked into his office, startled to see that his face was tear-stained. you quickly walked over to him, but he hadn’t even registered that you had walked in yet.
“neuvilette?” you whispered his name, standing right beside him. this shocked him out of his thoughts, and he turned to you.
“y/n.” he spoke your name, trying to clear his throat. “where.. did you go?” he sounded so quiet, so hurt.
“i’m sorry. i had to do something outside of fontaine, love. but i’m back now.” you told him softly.
love. that nickname instantly brightened his mood, before it dampened again. you don’t hate me, right? because.. because i’m.. the hydro dragon.” the last two words you could barely hear, but you understood.
“so that’s why it’s been raining so much. is that what you thought? oh, neuvilette.. i could never hate you.” you kissed his cheek, and he pulled you close, hiding his face in your shoulder.
“thank you. for not hating me. i love you so much.” he murmured. “so, so much.”
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