#Niki Lindroth von Bahr

[doublebilldave]

Triple Bill Number One (Halloween Special):

The House (2022) + Wendell & Wild (2022) + Guillermo Del Toro's Pinocchio (2022)

Three really good, weird, creepy and fun stop motion animated movies that all came out in the year of our lord 2022.

[texaschainsawmascara]

The House (2022)

[whatamigonnawatchtoday]

The House

2022. Animated Dark Comedy

By Paloma Baeza, Emma De Swaef & Niki Lindroth von Bahr

Voices by: Mia Goth, Claudie Blakley, Matthew Goode, Mark Heap, Miranda Richardson, Jarvis Cocker, Yvonne Lombard, Sven Wollter, Susan Wokoma, Helena Bonham Carter, Paul Kaye, Will Sharpe

Country: United Kingdom

Language: English

[bioabsurdity]

Been trying to find a way to rewatch this stop-motion short by Niki Lindroth von Bahr (you may know her work from The House (2022)) again ever since Criterion took it off their streaming service and I finally found it. I decide to uploaded it (unlisted) in case anyone else is interested in watching it.

[moviemosaics]

My picks for the 15 best films of 2022

1) The Banshees of Inisherin (dir. Martin McDonagh)

2) Everything Everywhere All at Once (dir. Dan Kwan and Daniel Scheinert)

3) No Bears (dir. Jafar Panahi)

4) The Eternal Daughter (dir. Joanna Hogg)

5) Beyond the Infinite Two Minutes (dir. Junta Yamaguchi)

6) Hit the Road (dir. Panah Panahi)

7) Women Talking (dir. Sarah Polley)

8) The House (dir. Emma de Swaef, Marc James Roels, Niki Lindroth von Bahr, and Paloma Baeza)

9) Argentina, 1985 (dir. Santiago Mitre)

10) Skinamarink (dir. Kyle Edward Ball)

11) Prey (dir. Dan Trachtenberg)

12) Triangle of Sadness (dir. Ruben Östlund)

13) The Innocents (dir. Eskil Vogt)

14) Broker (dir. Hirokazu Kore-eda)

15) The Wonder (dir. Sebastián Lelio)

Read my thoughts on these films and 15 more here!

[lstnrr]

Niki Lindroth von Bahr, “The Burden”

[1day1movie]

The House (2022) Emma De Swaef, Marc James Roels, Niki Lindroth von Bahr, Paloma Baeza.

[thelatelatelatelatedoublefeature]

[alfreedomm]

Min Börda

[originalharmonysalad]

Apocalyptical musical on modern life | "The Burden" - Animated short film by Niki Lindroth Von Bahr

A dark musical enacted in a market place, situated next to a freeway. The employees of the various commercial venues deal with boredom and existential anxiety by performing cheerful musical turns. The apocalypse is a tempting liberator.

[simoneashley]

FAVORITE FIRST WATCHES OF OCTOBER

i was tagged by @ayo-edebiri to show my favorite first watches for october. i wasn't in the mood for many movies but i've managed to watch a decent amount at the end. and i highly recommend these!!

A Girl Walks Home Alone at Night (2014) dir. Ana Lily Amirpour

The Rocky Horror Picture Show (1975) dir. Jim Sharman

Alien: Romulus (2024) dir. Fede Álvarez

The House (2022) dir. Paloma Baeza, Emma De Swaef, Niki Lindroth von Bahr and Marc James Roels

Fresh (2022) dir. Mimi Cave

ParaNorman (2012) dir. Sam Fell and Chris Butler

Tagging: @claudeleine @pennywises @sherilynfenns @hotgirlmeg @xinakwans

[esqueletosgays]

THE HOUSE (2022)

Director: Emma de Swaef & Marc James Roels, Niki Lindroth von Bahr, Paloma Baeza Cinematography: James Lewis & Malcolm Hadley

[pastamansta]

A List of Stop-Motion Feature-Length Films You Probably Haven't Tried.

If you’re anything like me, stop-motion animation is something that you’re sick of hearing about, because it’s always the same fucking recommendations. I took the time to browse over Wikipedia’s “List of stop-motion films” and do what I could to create a list of stop-motion feature-length films that might be worth a watch and that you haven’t constantly heard animation brats cream themselves over. Obviously, this list is not perfect, it’s mostly based off of the films I was able to find generally high reviews for on Letterboxd, but this list will contain nothing from Aardman, nothing from Laika, nothing from Wes Anderson, Tim Burton, or Henry Selick, but will contain at least a handful of things you haven't heard constant chatter about. These films are also fully stop-motion, so nothing from Ray Harryhausen or Jan Švankmajer either. Oh, and no shorts or television, obviously.

I will go ahead and put the following eight as films that aren't as frequently referenced in "best stop-motion films of all time" articles, but will find their ways into conversations about stop-motion without much difficulty;

René Laloux's "Fantastic Planet" (1973)

Will Vinton's "The Adventures of Mark Twain" (1985)

Adam Elliot's "Mary and Max" (2009)

Charlie Kaufman & Duke Johnson "Anomalisa" (2015)

Claude Barras's "My Life as a Zucchini" (2016) [French]

Phil Tippett's "Mad God" (2021)

Dean Fleischer Camp's "Marcel the Shell with Shoes On" (2021)

Guillermo del Toro's "Pinocchio" (2022)

If you haven't seen those eight, I'd take care of that first. Now, we hit other stuff.

Lotte Reiniger's "The Adventures of Prince Achmed" (1926) [German]

Wladyslaw Starewicz & Irene Starewicz "The Tale of the Fox" (1937) [French]

Ivo Caprino's "The Pinchcliffe Grand Prix" (1975) [Norwegian]

Piotr Kamler's "Chronopolis" (1982) [French]

Chris Taylor & Mark Hall's "The Wind in the Willows" (1983)

Dave Borthwick's "The Secret Adventures of Tom Thumb" (1993)

Stanislav M. Sokolov & Derek W. Hayes's "The Miracle Maker" (2000)

Christiane Cegavske's "Blood Tea and Red String" (2006)

Jan Balej's "One Night in One City" (2007) [Czech]

Stéphane Aubier & Vincent Patar's "A Town Called Panic" (2009) [French]

Fernando Cortizo's "The Apostle" (2012) [Spanish]

Chris Sullivan's "Consuming Spirits" (2012)

Paul Cowan & Amer Shomali "The Wanted 18" (2014)

Jan Balej's "Little from the Fish Shop" (2015) [Czech]

Takahide Hori's "Junk Head" (2017) [Japanese]

Michael Mort's "Chuck Steel: Night of the Trampires" (2018)

Cristóbal León & Joaquín Cociña's "The Wolf House" (2018) [Spanish]

Paloma Baeza Niki, Lindroth von Bahr, Emma De Swaef, & Marc James Roels's "The House" (2022)

That's what I've got for the time being. If you can recommend a feature-length, majority stop-motion film that's not Aardman, Laika, Wes, Burton, or Selick, I'd be more than happy to look it over and see about adding it to the list. Enjoy.

[madhogthymaster]

Master Recs: Horror Cinema!

Do you like Horror films? Yes, you do. Here is a modest selection of 13 cinematic offerings to quench your thirst for seasonal spooks, from lesser-known gems to entertaining schlock and everything in-between. I have good taste and you are welcome.

Renfield (2023), dir. Chris McKay

Renfield rules so hard it hurts, let me tell you. Nicolas Cage as Dracula is already the best selling point imaginable but if you look past the premise, you'll find a heartwarming story about overcoming abuse and codependency, with loads of great action and gore to boot. Good old Nic hams it up to eleven as the Prince of Darkness, channeling the verve of Bela Lugosi, Christopher Lee and Lon Cheney all rolled into a deliciously evil sandwich. He's legitimately monstrous and intimidating in a way the character has not been in decades.

It's very effective when he's presented as the abusive "partner" from which Renfield (as in, classic Movie Renfield) is trying to escape. I'm surprised by the lengths the film goes into depicting the emotional trappings of such a relationship - amidst all the funny jokes, that is. It pulls off the unenviable task of being a tonally cohesive Horror comedy, one that leaves no room for doubt as to which moments deserve to be treated seriously or not. Its homage to Golden Age Hollywood cinema and unapologetic queerness are also appreciated.

The House (2022), dir. Emma De Swaef, Niki Lindroth von Bahr, Paloma Baeza, Marc James Roels

The House is a stunning work of stop-motion animation and a solid anthology that explores the existential hang-ups and anxieties of the "Middle Class", crafting solid Horror (and not-so Horror) stories in the process. It has dancing bugs too! I recommend it.

Cocaine Bear (2023), dir. Elizabeth Banks

The last film appearance by the late Ray Liotta. Cocaine Bear is a gruesomely delightful time: a spunky schlock with a killer premise that hooks you up from the start, taking a self-indulgent, humorous sniff at its own status of being "Based on a True Story." This film had the audacity to feature a Wikipedia quote. It's great!

Sweet Home (1989), dir. Kiyoshi Kurosawa

Delightedly, I beheld 1989's Sweet Home, as expertly remastered by Kineko Video. It's a cheesy good time with glorious practical effects and a few, effective low-budget trickeries. I personally give it props for an unexpected Laurel & Hardy's Fra Diavolo reference! This classic is mostly renowned for its videogame adaptation which became a major influence for decades to come.

At the time of writing, the film can be watched on YouTube, making it the most easily accessible entry in this entire column.

Jennifer's Body (2009), dir. Karyn Kusama

It took me this long to finally watch Jennifer's Body, an underrated Horror comedy starring Megan Fox that was unjustly dismissed back in the day. She plays as a literal man-eater, by the way.

There is definitely a lot to enjoy from a modern take on Carmilla whereas the delectably gory blood-feasting works as a backdrop for a toxic high school friendship as well as a commentary on the consequences of sexist exploitation, misogyny and trauma. Save for the occasional slur, it holds up very well.

The Color Out of Space (2019), dir. Richard Stanley

A proper skin-crawler based off the eponymous story by H.P. Lovecraft. Its psychedelic and Stuart Gordon-esque visceral interpretation of the source material is a clever way to circumvent the issue of portraying an "indescribable" alien entity. The Colour, being an unfathomable force outside our science and rationale, serves as a reminder of how insignificant we are in the face of a larger universe we can never hope to comprehend. It works as a metaphor for our atavistic fears.

The film is very much about powerlessness, losing control, losing oneself to the madness or, alternatively, to the realization that nothing was ever "under control." It's Cosmic Horror done right - and also without the racist subtext. Oh, and Nicolas Cage is also in it. I might have buried the lead there.

Gretel and Hansel (2020), dir. Oz Perkins

Here's a scary fairy tale that might have escaped everyone's radar, Gretel and Hansel: a beautifully crafted, meticulously composed film that drenches itself in a disquieting, surreal atmosphere subtly empowered by an alienating soundtrack. It's gripping, to say the least.

The Ritual (2017), dir. David Bruckner

Reviewing and discussing Horror cinema is hard as the truly notable films are best experienced without the burden of knowledge: the viewer should be blindsided by the unknowable terror as much as the characters. That is to say, I can't openly talk about why The Ritual (2017) is great. You should watch it for yourself and get absolutely smack-jawed by the experience.

Society: The Horror (1989), dir. Brian Yuzna

This is unpleasant on an existential level and that, in turn, makes it a really effective Horror. It builds itself as a Kafkian nightmare about the dread of Conformism, feeling out of place in a Society ruled by the white and wealthy, a classic Suburban nightmare scenario. It morphs into an indictment of Capitalism and Classism when the grotesque and revolting third act slimes its way into balls-to-the-wall satire. Bill Warlock (Eddie from Baywatch) puts on the performance of a lifetime as the justifiably paranoid teen protagonist. Shout out to the credited "surreal make-up artist", a man named Screaming Mad George. He did too much of a good job, let me tell you. Needless to say, I recommend this perturbing visual madness with all the content warnings imaginable.

Society waits for you.

Overlord (2018), dir. Julius Avery

I watched Overlord and you should too! It begins as a slickly directed World War II drama before it organically develops into a spectacularly gruesome, intense Action Horror punctuated by a Chef's Kiss of a climax. It gets a special recommendation for the cathartic abuse of nazies! This is the Wolfenstein adaptation you have always wanted.

Willy's Wonderland (2021), dir. Kevin Lewis

Since you can never have enough of Nicolas Cage, here's Willy's Wonderland: a self-aware, genre-flipping, D-grade schlock with the presence of our favourite actor silently and menacingly staring at things - which he does, in spades. The fact that he kills off a bunch of Not-FNAF animatronics is just the icing on the cake! Let me be clear: he does not speak a single word throughout the flick. He's effectively playing "Silent Videogame Protagonist" and his sheer magnetism carries this diegesis to the finish line. A lesser actor would have not been able to pull this off. In all seriousness, Willy's Wonderland works squarely because The Cage was onboard with it. The direction is otherwise unremarkable, the production is even cheaper that one might expect and the rest of the cast is mere fodder. The Cage was its only ace and it played the right hand! That's a whole lot more entertainment value than a film seemingly designed to anger Freddy Fazbear's gooners would realistically deserve. You should watch it if you really want to see Nicolas Cage make sweet love to a pinball machine. Apropos of nothing, did you know that pretentious hack/real life human piss stain Scott Cawthon is a top Republican donor and a pro-lifer? I thought that would be cool information to remember.

The Endless (2017), dir. Justin Benson e Aaron Moorhead

Here's another cosmically disconcerting recommendation for the Lovecraft crowd in the back: if you're looking for a uniquely scary film that deals with the Fear of the Unknown, drowns itself in breath-taking atmosphere and exquisite Uncertainty, I recommend you to watch The Endless. It might knock your existential socks off!

Calamity of a Zombie Girl (2018), dir. Hideaki Iwami

I have kept the "best" for last! Calamity of a Zombie Girl is the weirdest Slasher I have ever seen, mostly due to its inability to keep track of its own genre. It's a B-movie with guts, blood and nudity, a supernatural lesbian romance, a martial arts film and a screwy, goofy comedy all rolled into one cheap-looking animated feature.

The editing is atrocious, constantly abusing the fade-to-black transition without rhyme or reason, the dialogues are inane and contrived, the animation is abysmal (it's a low-budget production by Gonzo, you see) and tonal consistency is downright mythical. In spite of all that, or because of it, the aforementioned bizarre nature of its premise and execution makes it incredibly fun (and funny) to behold, especially when genres collide with each other in relentless, brutal fashion. From the victims' point-of-view (the especially idiotic and ultimately useless extras, I should say) this film plays out like a traditional Slasher flick but from the perspective of the killer, the re-animated zombie girl herself, this is her own action packed Ecchi comedy.

Her first kill occurs as a goof on her part: she shoves a man off like a "dainty dame" and accidentally cracks his skull wide open on a column. Soon after, she rips a guy's arm because he was getting "too friendly" with her and scolds him for his inappropriate behaviour. She then proceeds to have a fight scene with one of the expendable extras because her opponent just happened to be a self-taught Kung Fu master. Also, her undead maid (because of course there's an undead maid) gets kidnapped and she must rescue her! This string of barely held-together nonsense leads to a spectacularly convoluted third act that somehow involves an old abandoned church, a school gym, a game of Anime Sports Ball and a literal Saved by the Bell moment. Did I mention this is all supposed to take place in a non-specific university campus in Japan? Because otherwise you might think the film is happening in two completely different continents! Aside from the immensely idiotic fading transitions, Calamity of a Zombie Girl is hilarious and enjoyable. It's pure, untainted, excellently awful schlock carried to the finish line by the sheer strength of its befuddling ideas. Watch it and tell your friends about it!

Merry Spookmas, you little freaks! --- Follow Madhog on:

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Also, here’s a helpful website: https://arab.org/

[chwedout]

✨films i watched for the first time in 2023 that i think everyone should watch at least once in their lifetime✨

favourites are listed in bold

20th Century Girl (2022, dir. Bang Woo-ri)

All Quiet on the Western Front (2022, dir. Edward Berger)

Asteroid City (2023, dir. Wes Anderson)

Audition (1999, dir. Takashi Miike)

The Banshees of Inisherin (2022, dir. Martin McDonagh)

Barbie (2023, dir. Greta Gerwig)

Beau Is Afraid (2023, dir. Ari Aster)

Better Days (2019, dir. Derek Tsang Kwok-Cheung)

Bottoms (2023, dir. Emma Seligman)

Canola (2016, dir. Chang)

Columbus (2017, dir. Kogonada)

The Darjeeling Limited (2007, dir. Wes Anderson)

Fantastic Mr. Fox (2009, dir. Wes Anderson)

Grave of the Fireflies (1988, dir. Isao Takahata)

Guardians of the Galaxy Vol. 3 (2023, dir. James Gunn)

The House (2022, dir. Paloma Baeza, Niki Lindroth von Bahr, Emma De Swaef, Marc James Roels)

House of Hummingbird (2018, dir. Kim Bora)

I'm Thinking of Ending Things (2020, dir. Charlie Kaufman)

In Bruges (2008, dir. Martin McDonagh)

Infinity Pool (2023, dir. Brandon Cronenberg)

Isle of Dogs (2018, dir. Wes Anderson)

Killers of the Flower Moon (2023, dir. Martin Scorsese)

Memories of Murder (2003, dir. Bong Joon-ho)

Lady Vengeance (2005, dir. Park Chan-wook)

May December (2023, dir. Todd Haynes)

The Menu (2022, dir. Mark Mylod)

Nausicaä of the Valley of the Wind (1984, dir. Hayao Miyazaki)

Next Sohee (2022, dir. July Jung)

No Country for Old Men (2007, dir. Joel Coen, Ethan Coen)

Oldboy (2003, dir Park Chan-wook)

Past Lives (2023, dir. Celine Song)

Paprika (2006, dir. Satoshi Kon)

Perfect Blue (1997, dir. Satoshi Kon)

Portrait of a Lady on Fire (2019, dir. Céline Sciamma)

Priscilla (2023, dir. Sofia Coppola)

Puss in Boots: The Last Wish (2022, Joel Crawford)

The Quiet Girl (2022, dir. Colm Bairéad)

Ramen Shop (2018, dir. Eric Khoo)

Saltburn (2023, dir. Emerald Fennell)

Shiva Baby (2020, Emma Seligman)

Sing Street (2016, dir. John Carney)

Sound of Metal (2019, dir. Darius Marder)

Spider-Man: Across the Spider-Verse (2023, dir. Joaquim Dos Santos, Justin K. Thompson, Kemp Powers

Sympathy for Mr. Vengeance (2002, dir. Park Chan-wook)

The Tale of Princess Kaguya (2013, dir. Isao Takahata)

TÁR (2022, dir. Todd Field)

Theater Camp (2023, dir. Molly Gordon, Nick Lieberman)

The Truman Show (1998, dir. Peter Weir)

Weathering with You (2019, dir. Makoto Shinkai)

Women Talking (2022, dir. Sarah Polley)

2021 | 2022

[toon-feasts]

The House, Segment II: Then Lost Is Truth That Can't Be Won (2022) dir. Niki Lindroth von Bahr