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jessenigma · 11 months ago

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My Favorite New Manga Reads of 2023

For the past few years on twitter, I've made threads of some of my favorite manga and light novel reads from the past year. This year, I decided I would move it over to two tumblr posts.

After the cut are some of my favorite titles that I picked up for the first time in 2023.

Talk to My Back, Yamada Murasaki

I like to pick up something a little more unusual at least once a year and so at the beginning of this year, I picked up this 1980s alt-manga title about the life of a Tokyo housewife played out in short vignettes. It's a frustrating read because of how real it feels and how much it feels like things haven't changed as much in the last 40 years as I'd like, but it's all the more fascinating for it. The essay at the end discussing Yamada Murasaki's work and placing it in context was a nice bonus too.

When a Cat Faces West, Yuki Urushibara

I love Yuki Urushibara's Mushishi (slow though I have been to actually finish it), so when Kodansha announced a license for Urushibara's much shorter series, I was there for it. It has a cool concept - there are areas of "flow" that will pop up out of nowhere and shift people and places out of time and space and one guy has tasked himself with helping people fix issues caused by it - but mostly it feels like Mushishi but set in the present day. I love a series that's just vibes all the way down.

Skip and Loafer, Misaki Takamatsu

I was absolutely smitten with the Skip and Loafer anime, so when it ended with what felt like a pretty definitive "we are not making a second season of this" final episode, I started the manga. A high school slice of life series lives by its characters and Mitsumi is the more adorable dork ever. The other characters are equally delightful, even when I don't necessarily like them, and I'm so eager to dive deeper into their lives.

Associate Professor Akira Takatsuki's Conjecture (light novel), Mikage Sawamura

This series feels a bit like what you'd get if you crossed The Case Files of Jeweler Richard and The Night Beyond the Tricornered Window: a college student with a supernatural ability to hear lies that alienates him from everyone meets a folklore professor with a mysterious past fascinated by mysteries, and together they investigate possibly-supernatural events. It's a bit silly, but the relationship between the leads is interesting and there's a lot of fun urban legends in the mix. There's also a manga adaptation that I haven't yet picked up, but maybe one day...

March Comes in Like a Lion, Chica Umino

I was curious about this one from the second Denpa announced the license just because of how much I'd heard about the series for years now, and it did not disappoint. I love a good story about a depressed and lonely teenage boy sublimating his feelings into an obsession with a uniquely Japanese pastime, especially when there's so many people around him wanting to help him stop being alone. Now I just wish that the release wasn't quite as slow as it has been, even if I know the many reasons why...though at least I still have the anime to rewatch while I wait.

Don't Call It Mystery, Yumi Tamura

After reading Basara and Wild Com, I was eager to get my hands on a newer series by Yumi Tamura, and the fact that it's a modern-day non-fantasy series made it all the more interesting. Totonou's incessant observations about the things going on around him are delightful, especially when they lead him straight into all kinds of dangers or even just leave everyone around him wishing he'd stop talking for about five seconds. I just want to pat him on the head and ask him to make me some curry.

After the Rain, Jun Mayuzuki

I got a card for the Japan Foundation's ebook library not too long ago, which has been great for picking up a lot of books that aren't available in my local library's collection, including this series. I had heard about it but was a bit hesitant because it's about a teenage girl who gets a crush on her much older boss...but hey, why not give it a try from the library? I'm glad I did because there was such a sweet relationship between them that ultimately helped them both out of the ruts they were in with their personal lives and dreams.

River's Edge, Kyoko Okazaki

I still can't decide if I actually enjoy Kyoko Okazaki's work or not, but I got a little closer to it with River's Edge. It's a harsh story about disaffected teenagers who find a dead body, but somehow it feels less depressing than the other works of hers I've read because they're teenagers and there's still the possibility that they can escape the lives that are dragging them down. I will say this - Okazaki's stories are never boring, whether I enjoy them or not.

Her, Tomoko Yamashita

I got a little overambitious this year and ordered the Italian release of a Tomoko Yamashita title I've been wanting to read for years. Can I read Italian? No. Did I think maybe I could figure it out kinda okay because I've studied French and Spanish? Yes. Did I end up reading everything through a translation app? Also yes. But this collection of interconnected stories about women and relationships was excellent despite the language barrier. I was thrilled to finally see the context for the kiss between a younger woman and an elderly woman that I so admired in Yamashita's 15th anniversary artbook, and its story was a touching exploration of what "normal" means. I would love to see this in English, but unfortunately I can't see it getting picked up.

Glitch, Shima Shinya

I was thrilled that Yen Press decided to pick up another title from Shima Shinya after Lost Lad London, and Glitch has been well worth my time. While it is a fantasy story about a town full of glitches in reality that I'm excited to see play out fully, what really caught my eye is the sheer amount of diversity in the characters - one of the leads is nonbinary, there are mixed race characters, there's a lesbian couple, etc. It's all part of the story but not in a didactic way, which I appreciate immensely. Shinya's art also makes me so happy, and I hope Yen continues to get more of their work.

Lilies and Voices Born Upon the Wind, Renmei

Speaking of diversity in characters, I enjoyed this series not only because it was a nice yuri with a motorcycle lesbian (always a bonus in my book, the motorcycle) but because it had some really thoughtful discussion of asexuality in multiple forms. I wish I could've gotten one of the printed copies that were available for purchase at one con, but alas.

Witch Hat Atelier Kitchen, Hiromi Sato & Kamome Shirahama

Did we really need a cooking series spinoff of Witch Hat Atelier? Probably not. Am I glad we got it in English anyway? Absolutely. This is basically an Olruggio/Qifrey slowburn domestic au fanfic and I adore it. And I love that they keep up the conceit about magical ingredients in each chapter's recipe, even though they are legit recipes you can actually make with the real ingredients recommended as substitutions. What Did You Eat Yesterday? but with witches, clearly an ideal combination.

Scribbles, Kaoru Mori

I am not actually a diehard fan of Kaoru Mori's work - I drifted away from A Bride's Story when I ran out of volumes at the library - but I do unabashedly adore her art. Scribbles is just perfect for me with its pages from her sketchbooks and her commentary about things like the ideal skirt tightness. I bought this in hardcover and all and will continue to get the other volumes in hardcover even though I almost always get Yen Press titles digitally because it's so much cheaper that way, that's how much I like it.

Innocent, Shin'ichi Sakamoto

I've had my eye on Shin'ichi Sakamoto's work for a while because I saw a bunch of panels from Innocent on here and fell in love with the art. What I did not expect was that the violently erotic story about a French executioner would actually get an English license. It's gorgeous and violent and weird and I am so here for it. Now, if I could just be sure that Dark Horse actually plans on releasing the whole thing...

Barbarities, Tsuta Suzuki

Much like with Innocent, I saw panels from Barbarities on here ages ago and wished I could read it without much hope, given the lack of other licenses for Tsuta Suzuki's bl since SuBLime's relicense of A Strange & Mystifying Story ages ago. But thankfully I am getting to read this nebulously historical drama with all of its social machinations and pretty men getting flustered by other flirtatious pretty men. And such nice clothes!

A Home Far Away, Teki Yatsuda

Kuma really gets some stellar licenses and A Home Far Away was especially good. Set in 1990s America, it reminded me of nothing so much as My Own Private Idaho crossed with Banana Fish and made me weep absolute buckets in the end. I don't think it's for everyone, but if you were ever an aficionado of depressing 90s queer cinema like I once was, this might be one for you.

À vos cotés [Tonari ni], Basso

I was shocked when the announcement for the French release of this title crossed my twitter timeline earlier this year - France has even less by Natsume Ono than the US does, but one of their publishers managed to get one of her actual bl titles published under her bl penname? So naturally, I had to get it. It's super sweet, about a young man who likes to take photos of horses at a racetrack who meets a much older man, and I swear reading it was just like reading her non-bl work only this time the two characters actually got to say their feelings out loud. This would be a perfect addition to several mainstream US publishers' bl lineup, and I would be the first in line to buy it if they did license it in English.

Dear, My God, Nemui Asada

More by Nemui Asada in English! I love Asada's work for its unique storylines and this one didn't disappoint, with a story about a priest having sex with a cult member to help save him and another story about a guy who ends up with a talking plant. It's a bit disappointing that it's only available on futekiya - when will we get some of these titles in print already?

Ikigami & Donor, Hiko Yamanaka

Hiko Yamanaka is another one whose work is always a bit outside the mold, and Ikigami & Donor is an interesting sci-fi bl about powerful "living gods" who have tremendous abilities but can't heal from injuries without blood, bodily fluids, or tissues from one specific donor. It's a fascinating concept and the way the relationship between one ikigami and his donor played out made for an interesting story. I hope to see more from Yamanaka one day.

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gentleoverdrive · 2 days ago

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[November/1 of 2] Let's go on a journey!

Let's talk about ACCA: 13-Territory Inspection Department.

(How to hook your audience right the hell out of the gate: with an incredible banger of an OP) ---- ACCA 13 (I'm just going to call it that from now on) is a manga written by the unbeatable Natsume Ono, the same trailblazer behind the heart-wrenching Not Simple, the charming Ristorante Paradiso and many others, and personally one of my favorite anime of all time. ---- No, this is not hyperbole: I mean it 100%

(I'm aware my taste is a little bit on the "oldie" side of things, but again, just presenting evidence; you can make your own topster here) ---- Natsume Ono is a master of her craft and will often get you invested in narratives that you might have otherwise given a pass to (an all-too-common problem with anime and manga, unfortunately) and nowhere is this more evident than in ACCA 13, which concerns itself with the story of one Jean Otus.

(Smoking is a filthy habit, but damn if our pretty man du jour doesn't make it look cool as hell) ---- Jean is a 28-29 year old man who works as the second-in-command of the auditing branch for the ACCA organization. ACCA is the Dowa Kingdom's civilian organization in charge of its Thirteen Territories' governance, and our man here is often the one in charge of making sure that no one is cooking any books, fleecing its subjects, etc. Basically he watches the watchmen. ---- Jean is easily recognizable for his blond hair, piercing blue eyes, perpetually even-tempered disposition, being a smart cookie, and his chain-smoking. He's also extremely good at ruffling the feathers of many a person without meaning to. ---- Following him in the weird life he lives is his little sister Lotta...

(Yes, she is voiced by the always delightful Aoi Yuuki (JP) and Alexis Tipton (EN), what gave it away?) ---- Ray of sunshine, high-schooler, building manager and baked goods enthusiast. Jean being who he is worries her but she also knows that her brother is far more perceptive than he's given credit for. ---- To finish with the "main trio". we have Nino...

(Hotter men have likely existed in anime, sure; few, if any, have ever carried themselves with the sheer natural swagger this man does) ---- Nino has been a family friend of the Otuses for a while, and often makes it a point to check in on the siblings and see what's up, especially since the siblings are otherwise all the family they have. He fancies himself a freelance reporter/photographer... or does he? ---- And that's one of the charms/strongest points about ACCA 13: Some things/people are not always what they seem, and it's always good to keep your eyes and ears peeled to find your way around life, a philosophy often espoused by the other "secret" main character in this shindig, ACCA Director-General Mauve...

(Speaking of sheer charisma, swagger and handsomeness/beauty) ---- Voiced by the late Atsuko Tanaka in Japanese and Rachel Robinson in English, Mauve is a character who recognizes that not all that seems well is actually well, but she also strives in making sure things end up going well, which is how she gets the ball rolling in our story. ---- Natsume Ono, like many other idiosyncratic writers, likes to stick to certain themes and narrative devices, and ACCA 13 is no different in this regard. What is also true is that you'll always get something really special with her, since she often likes to address different topics and circumstances of people. And while many characters come and go in this series, they're all pretty memorable...

This is a series that, in my opinion, you cannot go wrong with either the original Japanese, the localization of the dub or even the original manga. 12 episodes/6 volumes that are a sheer joy from beginning to end and a cast that delivers in spades. Fantastic music, storyboards, cinematography and outstanding performances regardless of which language preference you may have. ---- Shingo Natsume & Tomohiro Suzuki (the director and head of the writers' room for this) were coming out of a hot streak that came from working on Space Dandy and the first season of One Punch Man and you can tell that they're firing on all cylinders with this incredible adaptation. ---- Again, there's a reason I really like this show and put it on my "all time faves" list, even if I admit that I have cooled off considerably wrt Re:Zero and Free!, so maybe I need to update that list, but I pretty much stand for everything else, including this absolute jewel. Anyway, enjoy yourselves and I'll read you on the next one!

#diary #journals of an old bastard #acca 13 #ACCA: 13-Territory Inspection Department #ACCA 13区監察課 #anime #manga #natsume ono #オノナツメ #yelling about anime #no references #watch it #fuck yeah anime #read it #fuck yeah manga #in this house we stan for Natsume Ono

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