#National/story
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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badolmen · 8 months ago
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They don’t even attempt to assassinate US politicians anymore. You notice that? Not since the anthrax scare back for… who was it, Barack? And even that… pathetic. This new generation has no respect for an honest hitman. I’m not sure this new generation has any honest hitman - you see that shit with Boeing? Sloppy, fucking disgraceful - you kill the whistleblowers before they get halfway to a lawsuit. What kind of fucking amateur is doing faked suicides the night before testimony? Goddamn greenhorns. Back in my day someone tried to shoot Ronald Reagan in broad daylight. There used to be bomb threats to Congress. I took out a few union leaders in the utilities sector myself. Today’s generation? Won’t even threaten to throw a punch - not even over on that - what’s it now, ‘X’? They got no guts. None! And they don’t even have poor impulse control to boot! Too much of that - that panopticon anxiety bullshit. “Oh what if I get a called out post???” People used to send the president letters full of bioweapons. In the mail! Today’s generation? Not a chance. All because of woke.
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seafoamsol · 6 months ago
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8/4 is Perceptor Day!
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Be careful not to shake the cage; the denizens will get very scared.
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hamletthedane · 29 days ago
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Just remember: whatever level of insane you are about Wicked, you will still NEVER be as insane as Stephanie J Block and Sebastian Arcelus running down to a NYC courthouse one early morning to elope before their wedding day, just so they could perform As Long As You’re Mine on Broadway that night as a married couple
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demaparbat-hp · 8 months ago
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Izumi of Jang Hui died young. She was sixteen and unwed. A kind child, protective and lonely—thus unfit for this world.
Izumi of Jang Hui was murdered. The Painted Lady was born out of hatred and grief. Her skin is painted red with the patterns of her scars. Her home is the river where the Dark Water Spirit dwells—he who found her, drowned and beautiful.
Build shrines by the river and pray for her good will. Harm her land or people and pray for mercy.
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worfsbarmitzvah · 8 months ago
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there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”
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suntails · 2 years ago
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echo
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beifong-brainrot · 3 months ago
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Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.
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I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.
Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.
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And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.
In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.
Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.
Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.
The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.
It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.
I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.
Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.
We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.
This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.
We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.
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Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.
Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.
One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.
However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.
But that's not what happened, and the scene is amazing on that front and all others.
We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.
Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.
The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.
However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.
We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.
Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.
This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.
As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.
To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.
It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.
I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.
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Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.
Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.
I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.
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Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.
I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.
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I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.
Toodles!
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sarrf · 2 months ago
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This pic speaks for itself 💔
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jesuistrestriste · 1 year ago
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happy holidays to these pictures of mike faist specifically
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folklorespring · 6 months ago
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I love when "not all russians, it's putin's war" westerners face the reality
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okartichoke · 4 months ago
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at a concerrttt yyessss yessss
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klapollo >:3
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link to masterpost || some quick justifcations/explanations below cut!!:
Birds of paradise <333 Them being of the same bird family is important to me... (honorary mention to the snowy owl for Kristoph) (also honorable mention to the paradise crow) (but i like them having matching ribbons (and the two birds i went with are more closely related))
I originally tried giving Klav the whole fluffy back of yellow/white feathers, but (a) he looked SO over complicated (especially compared to everyone else) and (b) I realized that no other character has back feathers, anyways. so it would make sense he does not either.
The ribbon-tails are similar to Apollo and Trucy's hearts: they both inherit this feature from one of their parents. (One parent is a stephanie's astrapia, one is a lesser bird-of-paradise). (Also of note: the lesser bird-of-paradise also has two long wire plumes, if you look closely)
Tails: (Klav's is basically a ribbon-tailed astrapia's tail btw.) Because the tail is such a notable feature of these species, I'm including it, though they also come from the base of the wing (though I'll probably just draw them as essentially tails in the future), and are much shorter than they would be, were they proportional.
i got very lazy on the individual introduction sheets they're so bad 😭😭 specifically klavier pls just imagine he and his wings look better there 🙏🙏🙏 LOL i hope the other drawings make up for it !! >:3
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FINALLY MY CAT!!!! it’s been a while,,, this is him everyday after taking his pills cuz he knows it’s milk time now (image from my dad) (also flat colors and zoom bc me likey this image)
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childrenofcain-if · 29 days ago
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People making fun of C for their limp: 😂😂😂🤣🤣🤣
People when C pulls out their cane to play whac-a-mole with them: 😦😨😵
bold of you to assume they wouldn’t pull out their gun first 🫢
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demaparbat-hp · 1 year ago
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WIP
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gunsatthaphan · 8 months ago
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"[...] the most worrying thing about internships is what kind of people you'll meet..."
The Trainee - coming June 30th
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tofu83 · 5 months ago
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Don’t resist, you are enlisted.
The Nation has surrendered to the Interstellar Alliance. The occupying military government announced that all adult males across have been enlisted and must immediately report to military camps in various places to undergo physical and mental transformation to become crusade soldiers and join the battle to conquer the earth.
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There are many men who are substandard: too smart or too weak. This is not an excuse to resist recruitment. Those men who do not meet the standards will undergo mechanized transformation and become cyborg soldiers with uniform specifications.
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Those men who persisted in resisting will be arrested by converted soldiers and sent to transformation factories. They will be transformed into unconscious soldier drones and will eventually join the battle to conquer the earth.
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You should be honored because you are fighting for a noble goal and your new master. Your time of freedom and wisdom is over, and from now on you are left with only your true gifts: obedience and muscle.
We reiterate: Don’t resist, you are enlisted.
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