#Natalie Perry

[religion-is-a-mental-illness]

By: Christopher F. Rufo and Luke Rosiak

Published: Apr 22, 2024

Recent headlines about UCLA School of Medicine suggest that the institution has lost its focus. Instead of brushing up on organic chemistry, its students were subjected to lessons on “Indigenous womxn” and “two-spirits.” Future doctors had to take a class on “structural racism” and were led in a “Free Palestine” chant by a Hamas-praising guest speaker. The school made plans to segregate students by race for courses on left-wing ideology, and two of its psychiatry residents championed “revolutionary suicide.” 

Why has the school charted this course? One reason is its commitment to diversity, equity, and inclusion ideology. UCLA has a DEI program called “Cultural North Star,” and at the medical school, it is led by Natalie J. Perry, whose official title is Cultural North Star Lead. Her UCLA biography says that her job is to “embed our aspirational Cultural North Stars [sic] value [sic] in our organizational DNA.” UCLA honored Perry last month for teaching students to “do what’s right,” saying her “empathy and radical listening” are to thank for her “success as an educator and a leader.”

According to a Daily Wire and City Journal investigation, however, Perry’s academic career is based on fraud. Perry published her Ph.D. dissertation in 2014 at the University of Virginia about college diversity programs. An analysis of the paper found it ridden with the worst sort of plagiarism, reproducing large swaths of text directly from several other authors, without proper citations. The scale of the plagiarism suggests that Perry lacks both ethics and competence and raises questions about academic programs that push DEI.

Perry’s dissertation lifted passages from ten other papers. In key portions of her text, she copied almost every paragraph from other sources without attribution. She fails even to mention at least four of the ten plagiarized papers anywhere in her dissertation.

Let’s review some examples.

The first three pages of Perry’s paper, “Faculty Perceptions of Diversity at a Highly Selective Research-Intensive University,” suggest that she did not even bother to read beyond the first page of papers from which she stole. Her dissertation’s second sentence reproduces verbatim part of a sentence on the first page of a paper by Adrianna Kezar, Peter Eckel, Melissa Contreras-McGavin, and Stephen John Quaye. Her third paragraph, without citation, lifts more than 100 words from the first page of a paper by Angela Locks, Sylvia Hurtado, Nicholas Bowman, and Leticia Oseguera.

Each colored portion of the below text was taken from a different author:

In some cases when Perry did include parenthetical citations, she wasn’t citing the papers whose text she had lifted. Instead, she simply reproduced the citations included in those stolen excerpts.

Take the above paragraph, which ends with “(Bernard, 2005; Bollag, 2005; Munoz, Jasis, Young, and McLaren, 2004; Williams, Nakashima, Kich, and Reginald, 1996).” Perry was not synthesizing those authors. Instead, the citation was part of Adalberto Aguirre and Ruben Martinez’s paper, from which she apparently copied and pasted, without attribution.

A core part of Perry’s dissertation involved summarizing work done by professors Robert Quinn and John Rohrbaugh. Instead of citing them directly, however, Perry cribbed summaries from other academics. Perry copied and pasted almost all of a nearly thousand-word passage from a paper by Chad Hartnell, Amy Yi Ou, and Angelo Kinicki, without quoting the authors.

Consider, for example, the following excerpt from Perry’s dissertation. The italicized portions were taken verbatim from Hartnell, Yi Ou, and Kinicki’s paper:

The CVF is widely used in organizational literature (Ostroff et al., 2003). Measures of organizational culture that directly or indirectly assess the CVF have been administered in over 10,000 organizations globally (Cameron et al., 2006) within the following academic disciplines: management, marketing, supply-chain management, accounting, social services, hospitality, and health care. Further, the reliability and content validity of Cameron and Ettington's (1988) measure of the CVF has been empirically supported in studies utilizing multitrait-multimethod analysis (Quinn & Spreitzer, 1991), multidimensional scaling (Howard, 1998), and structural equation modeling (Kalliath, Bluedorn, & Gillespie, 1999). Surprisingly, prior to 2011, there had been limited assessment of the theoretical foundation of the CVF despite its reported content validity and widespread use in research and practice.

The rest of Perry’s analysis of Quinn and Rohrbaugh’s work is largely copied, unquoted and unattributed, from a 2003 paper by John Smart. Below are pages 13 and 14 of Perry’s paper, outlining its “Theoretical Framework,” with the italicized text coming directly from Smart:

To develop this theory Quinn and Rohrbaugh (1983) asked a panel of distinguished organizational theorists to evaluate the similarity between every possible pair of 39 indexes of organizational effectiveness derived from Campbell’s (1977) exhaustive synthesis of criteria used to assess the performance of organizations. The results of this analysis revealed three basic dimensions underlying the judgments of respondents. The first dimension is organizational focus, which distinguishes organizations that have an internal emphasis on the development of people from those that have an external focus on the development of the organization. The second dimension is organizational structure, which distinguishes between organizations that have an emphasis on stability and control from those that have an emphasis on flexibility and innovation. The third dimension is organizational means and ends, which distinguish between organizations that emphasize processes such as planning and establishing goals from those that emphasize resulting outcomes such as productivity and efficiency.

In a section titled “Positioning Diversity Leadership in Higher Education,” Perry copies almost every sentence from one of several other papers. In no case does she credit the actual source:

Finally, in a section on organizational culture, Perry duplicates language from a variety of other authors:

Perry presented her paper as “qualitative” research because she chatted with what appear to be ten members of her colleagues at the University of Virginia who sat on the faculty-retention taskforce and counted their musings as “data.” But when the paper gets to this section, where plagiarism wasn’t possible, Perry includes the following jumbled passage that includes a glaring spelling error:

The positionality of the participants informed the perspective on the origins of the commission. /in response to the needs of the varios [sic] stakeholders within the university, the commission addressed issues of diversity on the faculty, undergraduate, graduate, and university level.

The section of original text suggests that her plagiarism could be used to mask glaring academic deficiencies. Moreover, Perry in her references section fails to list some of the papers that she cites parenthetically in the body of the dissertation—a telltale sign that she had simply copied those citations from somewhere else. Legitimate academic inquiry would not excuse such shoddy work.

Perry and UCLA did not return requests for comment.

Entrepreneur Mark Cuban recently argued that DEI policies don’t necessarily lower an organization’s expectations. But for Harvard, UVA, and UCLA Medical School—where Perry earned her master’s, Ph.D., and DEI position, respectively—this is evidently not the case. These institutions have dramatically lowered expectations for favored groups and pushed a cohort of “scholars” through the system without enforcing basic standards of academic integrity.

Ultimately, Natalie Perry is to blame for her misconduct. But these institutions of higher learning share some fault for permitting such shoddiness to stand unchallenged.

==

These are the same people who want to lecture us how much more morally enlightened they are than we are.

[sohoharlem]

A lot has happened since I was here.

Celebrity wise.

* Chris Evans got Married to Alba Baptista.

* Tom Hiddleston had a baby.

* Sebastian Stan left Instagram.

* Natalie Viscuso and Henry Cavill are still together.

* Sebastian Stan and Annabelle Wallis are still together. (that we know of)

* Tom Holland and Zendaya are still together.

* Matthew Perry passed away. Fuck.

* Taylor and Travis??

* Two Strikes? Actors and Writers. Waiting on Actors strike to end.

* Harry Styles and Taylor Russell!

* Channing Tatum and the gorgeous Zoë Kravitz are engaged!

* Sophie and Joe are over.

* The DCU is getting a reboot. Henry no longer Superman.

* Henry Cavill…Highlander!

* Thunderbolts is 4 months behind schedule because of the strike.

* MCU still struggling a bit with phase 4 forward. Robert Downey Jr rumored to make a return?

* What’s new with Pedro Pascal since Last of Us died down a bit? Is he still the internet’s boyfriend or has someone new taken his place?

* Deadpool 3 is coming.

* Who is watching the new Hunger Games and who used to be part of that fandom?

* Wanda is confirmed dead in the MCU. Thoughts, Elizabeth Olsen (mother) fans?

* Tina Turner and Tony Bennett passed away.

* Ariana Grande and Dalton split.

* Kylie Jenner and Timothee Chalamet

* How’s Ben Barnes and Julianne Hough doing?

* Is Nina Dobrev engaged yet?

* How is Olivia Wilde doing?

*How’s Anthony Mackie doing?

* Chris Evans also left Instagram?

* Blink 182 has a new album?? Have we gone back in time?

*Robert Pattinson is having a baby.

Did I miss anything? I’m sure I did. This was off the top of my head. If so, feel free to send in asks about it anyway. Catching up here!

[hollywocd]

misc. like/reblog 🌟

[lgbtqreads]

September 2024 Deal Announcements

Adult Fiction Author of WAKE UP, NAT & DARCY Kate Cochrane‘s YOURS FOR THE SEASON, a sapphic romance in which a former Olympic hockey player who has reluctantly returned to her home town for Christmas teams up with her childhood crush to win their town’s annual holiday contest and a fancy romantic prize, despite telling everyone “we’re just friends,” to Errin Toma at Carina Adores, for…

[wowthesewomen]

Natalie Dormer Interview: Margaery's Death in Game of Thrones & Making The Wasp

[damionchamberlain]

the wolf

[makeyouminemp3]

since i'm usually indecisive about mainly and basically everything in life, my sexuality headcanons for my fave female characters change every other day. so I decided that she's bisexual in one universe and a lesbian in another. it's much more simpler for me in that way

[lamaisongaga]

FASHION CREDITS: JAZZ & PIANO SHOW 4.0 PART I

Lady Gaga made a triumphant return to Las Vegas where she'll be staying until July to complete another round of her highly sought-after Jazz & Piano residency shows! And of course, she brought a whole new batch of costumes styled by Sandra Amador and Tom Eerebout along with her.

First, we‘re hopping onto our virtual plane where I‘ll be taking you to Marbella, Spain to once again meet with young fashion designer Adrián Manceras who‘s kind enough to let us take a look in his atelier where he crafted Gaga‘s opening number: a fabulous cocktail dress showered in champagne sequins, finest crystals and delicate fringe trimmings!

I can‘t help but notice how Gaga sticks to the same designer when it comes to the opening number‘s look. From headpiece down to the shoes. Yet, she changes the design every time she comes back to Vegas.

Here, she‘s donning yet another insane showgirl-inspired headdress with turkey feathers and Swarovski crystals by the ever-so talented Arturo Rios who sent me this image JUST for your eyes!

The Italian-American entertainer topped her look off with a new custom pair of Laruicci crystal statement earrings

Her favorite Jimmy Choo metallic silver Anouk stiletto pumps provided the finishing touches.

The choice of purple was as unexpected as the combination of sequins, feathers (provided by Mother Plucker Feather Company), and PVC. Yet, this look struck me the most, standing out in a sea of bold fashion statements!

Delving into La Maison Gaga reveals an intriguing history behind her glamorous wardrobe. LA-based designer Michael Costello has been crafting stunning caftans for Gaga for a decade. His journey with her began in 2014 when he designed a sequined piece similar to this one for her "Cheek to Cheek! Live" performance . This collaboration marked the start of a creative partnership that has since produced numerous iconic looks, each more dazzling than the last.

Michael also collaborated with Gladys Tamez Millinery on the halo-like black feather pillbox headpiece!

New York City-based heritage jewelry brand A.JAFFE created some of the earrings, including these teardrop stunners!

Gaga surprised her audience last night with a special rendition of "Americano". It‘s been 12 years since she performed that song!

For this act of the show, Perry Meek whipped out a stunning dress even Jessica Rabbit wouldn't pass upon.

Crafted from red crystal mesh, this dress features an off-the-shoulder hourglass silhouette, trimmed with red ostrich feathers. And it comes with a matching coat!

Her Harriet wired red feather fascinator is a hand-made piece by Carrie Jenkinson Millinery ($331.79), one of the UK's leading fashion milliners.

This white-gold crescent earring set surrounded by differently cut diamonds is another A.JAFFE design.

And I hope I’m not the only one who‘s drooling over these Jimmy Choo Romy crystal-encrusted red pumps.

Then, Gaga stuns on stage in a total Giorgio Armani look which comprises this plush black velvet strapless bustier column dress with crystal band embellishment ($4,777) and the Fall/Winter 2018 Privé Haute Couture pink ostrich feather coat she previously wore for her V Magazine 2019 cover!

Gaga's MUA Sarah Tanno-Stewart collaborated with Face Lace on all the differently designed crystal eye stickers for the residency!

LG debuted a bunch of new looks on her second night and the uber-talented Michael Costello had another wonder up his sleeve when he revealed this stunner to me yesterday morning - a custom sparkly black and gold sequin silk chiffon caftan with incorporated metal belt, shoulder pads, plunging neck and daring open sides, based on Michael's upcoming "DNA" collection!

He also created her matching custom ruched faux leather gloves and feather boa in collaboration with Mother Plucker Feather Company.

What's a good jazz stage look without a fun plummeted hat to top it off? British milliner Carrie Jenkinson Millinery made sure to exceed stagewear standards with her Spring/Summer 2024 Selina feather hat (£520).

Her go-to performance shoes: the timeless Jimmy Choo Anouk black patent leather pumps ($675).

Malaysian couture design house Rizman Ruzaini joined the game by crafting a show-stopping red chiffon cape dress showered in Swarovski crystals. Thanks so much for these exclusive behind-the-seams photos!

She also brought back her Jose & Maria Barrera vintage 1993 “Crystal Evening” runway crystal necklace.

Gaga gave us an epic performance of "La Vie En Rose", dressed in rose silk satin caftan-style layered dress with stripped coque feathers, custom-made for her by Ukrainian fashion label Santa Brands.

This look was completed with a bunch of stellar accessories, including the Carrie Jenkinson Millinery Spring/Summer 2024 Valencia exploding feather fascinator (£579)...

...the Swarovski Millenia octagon-cut crystal bib necklace...

... and the Cornelia James Melissa opera-length black velvet gloves (£160).

If the dress from the third night's opening seems familiar to you, it's because she's worn this custom Natali Germanotta x Debra Cooper blue sequin fringed cocktail number back in 2019 before!

This look got a black version of the aforementioned Arturo Rios turkey feather and Swarovski crystal headpiece.

It‘s Michael Costello‘s world and we‘re just living in it! His third custom dress for our girl's third night is this uuuuuultra sexy black satin number with one-shoulder caftan silhouette, trimmed with luxurious ostrich feathers by Mother Plucker Feather Company and featuring beaded appliqués on the shoulder and waist.

It was finished off with this vintage Philip Treacy 1996 black feather firework headpiece which has already been previously worn by Gaga back in London in 2015!

For the fourth show (June 29), LG brought out another Michael Costello x Mother Plucker Feather Company confection — a black-as-the-night satin caftan, showered in small jet crystals and trimmed with feathers.

It was only a matter of time before she brought out a fairytale headpiece by milliner Piers Atkinson.

From his archives, she opted for the Fall/Winter 2021 "Triptych" collection elevated black ostrich feather pompom fascinator with beaded tassels.

[ablatheringblatherskite]

NEW EDIT!!! For my new comfort show... Freelancers!!

(Yes, as the font on the thumbnail may have given away, it's a Freelancers Friends Theme song edit!!)

I worked unreasonably long and hard on an edit that's only barely a minute long, but I'm actually really proud of it, so I hope y'all like it 🥹

[puntoyapartes-blog]

No sé cómo iniciar, no sé cómo comenzar de cero, me siento vacía, como quisiera explicarle al mundo que solo me quiero perder por unos días, quiero desaparecer de aquí, no quiero existir, como le explico a mi familia que me doy por vencida, ( que estaba saliendo pero ahora solo siento que me estoy hundiendo) como les explico a mis seres queridos que renuncio a esto, que realmente ya no tengo la fortaleza para seguir aquí con ellos, que cada vez que intento levantarme viene una cosa tras otra y ya no puedo aguantarlo, como les explico que hoy no tengo ganas de seguir viviendo

[unfriendly-neighborhood-feminist]

GO WEST HYPE!!!!!!!!

im literally so excited for this movie. i loved them so much as a kid and i love the stuff they make now

[aeroplanestouchthesky]

I HAVE THE BEST FRIENDS. IM LOVED

[twos-have-blues]

If I said I had Pillar of Garbage on all my playlists. What would you do

[hollywoodfamerp]

UNFOLLOW (5+ DAYS OF INACTIVITY: THE FOLLOWING HAVE BEEN REOPENED)

Bruna Marquezine ( @brunamrqzn )

Jake Gyllenhaal ( @jakeygyllen )

Kaia Gerber ( @kaia-gerbcr )

Natalie Portman ( @natportmn )

Park Soo-Young (Joy) ( @soovelvetjoy )*AT PLAYERS REQUEST

Perrie Edwards ( @pez-edwrdz )

Sophie Thatcher ( @sthatcherz )

Sydney Sweeney ( @sydney--sweenxy )

WARNING (3 - 4 DAYS OF BEING INACTIVE/INCONSISTENT ACTIVITY)

Kylie Jenner ( @kyliejcnncr )

Paul Mescal ( @mcscals )

BUBBLE WARNING (DO NOT UNFOLLOW)

Josephine Skriver. ( @josie-skriver )

Makia Monroe ( @maikeymonroe )

*Inconsistent activity, only answering memes, signing on the day before an activity check, reblogging/posting social media and photos do not count as activity. Bubble warning is for members who fall under what HFRP considers to be bubble rping. Further explanation of bubble rping is defined in our rules.

Those who have been unfollowed are more than welcome to return! You have 24 hours to message us via ask box POLITELY if you’d like to reclaim your character before it officially gets reopened. Don’t forget, if you feel like you need to step away - you can always ask for a hiatus!

[family-on-6]

i wish i could go back to when i didn't know Natalie is Freezing wasn't a real band and i couldn't listen to Pillar of Garbage on spotify

[cheese-in-space]

Newest song obsession yes I’m fine

Britta you are so stupid and I love you