#Nanlite

[of-two-lands]

44°58'23.5"N 6°03'54.8"E

youtube/oftwolands

www.oftwolands.com

[coffeenuts]

[zdoodle410]

The name of the game is lightworks.

pro photos by KY Multimedia. rest by me.

[calochortus]

Buttoned snout scales by André De Kesel Via Flickr: Extreme macro of moth scales (Hopsnuituil, Hypena rostralis, Lepidoptera, Erebidae; Boom 25 Februari 2024). Image 1.2 mm wide (inner side of left snout). Studio stack of 197 images (steps of 1 µm with Cognisys StackShot), assembled in Zerene Stacker (Pmax, Dmap). Sony A7RM5 (APSC mode) + bellows + Raynox DCR150 (tube lens) + Mitutoyo M Plan APO 20x/0.42; ISO-100, 1/80sec, diffused LED light (Nanlite).

[mishalphoto]

“ Ali “

Welcome to you in my frame 🖼️

.

Camera:

Nikon D7000 ( @nikonmea @nikon.sa )

Lens:

Nikkor 50mm F/1.8G

Light:

Nanlite Pavo Tube 6c ( @nanlite_global )

.

Thanks: Mojahed @mojahed_c7

.

[digitaltechreviews]

TechTember continues!

Here’s your updated official calendar.

SEPTEMBER

6th - GoPro HERO 12

7th - Nanlite new product

12th - iPhone 15/15 Pro AppleEvent

20th - Amazon hardware

21st - Microsoft event

tbd - Sonos Move 2

tbd - DJI Mini 4 Pro

OCTOBER

4th - Google Pixel 8

[thesmaku]

Nanlite FS-300B Point Source Light

I take a closer look at the Nanlite FS-300B point source continuous light for video.

[balyssatrofort]

Editorial - The Girlfriend from AARP

I had the opportunity to shoot an editorial, Revealed! 5 Of The Best Standing Exercises That Are Perfect For A Hotel Workout for the Girlfriend from AARP. For this shoot we used constant lights to create GIFs of 5 different workouts. Crew: Model: Natasha G of Sports & Lifestyle Unlimited Make Up Artist: Danielle Mitchell Hair: Rachel Reid Wardrobe: Bailey Harrs Photo Assistants: Gen Trofort…

[chinesehanfu]

[Hanfu · 漢服]China Tang Dynasty Chinese Traditional Clothing Hanfu Photoshoots

“那是一场漫长的，绝望的，无畏的等待。”

————————

📸Photo：@朱山尽_

💡Lighting：@Nanlite南光 ​​​​​​

👗Hanfu： @嵠上

🔗Weibo：https://weibo.com/6906018733/N8X2h3EWM

————————

[sigalrm]

Brick wall by Pascal Volk

[of-two-lands]

44°58'23.5"N 6°03'54.8"E

youtube/oftwolands

www.oftwolands.com

[admirationary]

mu_gung: 지느러미로는 멀리 못가

for. @yeojin..o_x photo @mu_gung styling @sooksmell_stylist hmua @h.make_gh flower @na_kkim_pyeo nail @nailed_it_rany object @be_hyeppy_ lighting @nanlite_global, @plthink_official (#FC120B #PAVOTUBE15C #NANLITE)

12 February 2025

[kprsmth]

Blog #5 My Identity

My identity has changed so much recently. Just in the time that 2025 has given me, I've been through so much that has carved me into who I am even more than before. The following photos represent how I've recently felt my life has been made up of.

Taken on my Lumix S5IIX, 50mm 1.8, using a Nanlite Mixpad for controlled, constant lighting.

I wanted this photo to represent the two-faced nature of my emotions. I've had so much happen to me personally that has been very challenging to navigate, and while choices must still take place, I'm stuck at every corner. The blue represents the solemn nature of my choices that I know I have to make. If I am upset, so be it, but it can't drag me down if it's out of my control. The red illustrates the strength and power I felt - like I could make any decision I wanted to, right or wrong. These two characteristics lead to the complicated task of navigating life and its ups and downs.

Taken on my Lumix S5IIX, 50mm 1.8, using natural light

No, this photo isn't loading. To continue with the theme of conflicted emotions, this photo describes one of those: the feeling of not being seen for who I am. Surrounded by soft, cool colors, standing on the remains of a recently cut tree in my backyard, I wait for someone to see me for who I am as I navigate through the crazy contingencies of life. I wanted to convey the emotion by still crafting a simple composition, alluding to my life structure (which doesn't look too complicated), but add the headache of the photo being out of focus to show that even with the dream of a simple life, you get what you get.

Taken on my Lumix S5IIX, 50mm 1.8, using natural light

This photo changes everything for me compared to the two previous images. Although simple, I couldn't help but utilize this to convey my dire need for help, specifically through God and his path for my life. With nothing else to fall back on (the empty blue sky that fills the image), I completely trust the path already set for me. I may feel happy, sad, angry, and confused at times, but at all times, I am reaching my hands to another to guide me along the path that has been created because I can't see it on my own. My faith was born last year and has grown so significantly in a short amount of time. I have grown as a person because I finally let go of the belief that I can control everything and trusted in my fate through this gift of life.

[ghostcultmagazine]

Catch up on what you missed this week in the world of Rock and Metal news with our show! #musicnews #rocknews #interviews #newmusicfriday #metalfestivals #tourdates #metalconcerts #vinylcollector #metalmerch Check out our new Affiliate partner @merchbar-musicmerchvinylre7215 official licensed band merch and music! Discounts on every order with our link: https://bit.ly/MerchbarGCM #riptonybennett #ripsineadoconnor #ripdavecohen #riprandymeisner #rippamelablair Dave Cohen memorial fund on gofundme https://ift.tt/afviAz9 Support this awesome compilation album raising money for the DSA SF Strike Labor Board: https://ift.tt/tqrfsRV Sign up for our newsletter: https://t.co/AT21gjHkRw Check out our linktree - updated daily with top stories https://ift.tt/vcs6wTg Year of the Knife - recovery fund https://ift.tt/kRA7iSV Please donate to Jesse Malin's recovery fund via Sweet Relief https://ift.tt/YrQ0jpE Buy us a Ko-fi https://ift.tt/JhKjnV2 or We now take Cashapp $ghostcultmag Follow us on Twitch: https://ift.tt/2x17Efb Sub to us on Reddit: https://ift.tt/4BfoMuH Gear we use: - ***These are affiliate links and Ghost Cult makes a small commission on every sale. Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Light Stands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo And our iconic Rope Light https://amzn.to/3ycdmyz For the full list of Ghost Cult gear: http://bit.ly/OJCPicsKit

[mishalphoto]

“ Bo Murad “

Welcome to you in my frame 🖼️

.

Camera:

Nikon D7000 ( @nikonmea @nikon.sa )

Lens:

Nikkor 50mm F/1.8G

Light:

Nanlite Pavo Tube 6c ( @nanlite_global )

.

Thanks: Mojahed @mojahed_c7

[lewisn-napierfilm]

Antyeshti India Shoot

Firstly, I just want to say that the experience of shooting Antyeshti in India was such a memorable and unique experience. The shoot went really well despite the differences in language and culture and we got some footage that I am really proud to have my name attached with.

For the majority of the crew, this was the first time we had worked on an international co-production and this presented several challenges. Although the British contingent had all been warned ahead of time about the heat, the dangers of jetlag, and had a faint awareness of what Indian culture was, speaking for myself I had no idea what the experience would be like and the jetlag hit me hard. Luckily Abbie had scheduled a couple of days on either side of our flights to get up to speed with the local timezone.

My first day in India was spent checking the locally rented kit, which consisted of Godox versions of the nanlites I'm familiar with from Napier. After this, we were prepped for the next 5 days which consisted of 3 or 4hr drives into the countryside, largely working off generators and battery lights.

Although the surroundings and culture were very different, the actual shoots felt very familiar and ran very well. This is partly because of the organisation by Abbie & Saif but also because of the incredibly hardworking crewmembers who worked as if they'd known each other for years instead of days. The days were hot and long, however, and I often went back to Kushal's sisters' apartment wanting nothing more than to eat and sleep. In retrospect, it was definitely worth it however and I will jump at the chance to work on more international shoots if given the chance.

One of the shots I'm most proud of. I love how soft her face looks and the lighting on her sari.