#NOT SAYING. SHE'S WRONG

[rexscanonwife]

I was talking more about my s/i and Charles in their college years with a friend and I'm obsessed with them 😭🙏

I've got more stuff I wanna draw but for now take a little sketch of what I imagine to be their first kiss, a heat of the moment thing after he wins a fencing match, and a little comparison of my take on 20 year old Charles vs. 40 something year old Charles 😂 his youth and whimsy? GONE!!

[apollos-boyfriend]

we have GOT to kill tiktok/twitter self-censorship i just witnessed a grown adult say the word “smex” out loud to our professor

[bklily]

I hope in season 6 Marinette commits even more crimes. I hope she steals a cellphone in every episode. I hope she breaks into every house in Paris. I love when Marinette is an illegal perpetrator. God forbid women have hobbies. Is it a sin to let girls have fun?? I didn't think so. Your honor my client can do whatever she wants because I said so. Her boyfriend loves her for it he can bail her out of silly crime jail it's fine.

[protoctist]

i know ryoko kui is a real one because she wrote 97+ chapters of a manga about fantasy ecosystems and food chains and not once did she write the phrase "survival of the fittest" (it's a bad phrase) (it's a social darwinist phrase even) (hated amongst biologists) (doesn't make sense) (darwin didn't use it) (coined by an business major) (one of the worst phrases in pop science) (no good)

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[goryhorroor]

horror sub-genres: cannibal

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[lucyllawless]

[toast-the-unknowing]

Had a debate with a friend and now I gotta know

please reblog for larger sample size, my friend bet me no one would say Gimli and I wanna prove her wrong

[lilislegacy]

when i say percy is one of the only people in the world who will stand up to annabeth or call her wrong, i do NOT mean she’s a horrible person and he calls her out for being one. allow me to write a long incorrect quote scene to show you what i actually mean:

*in some battle, post-heroes of olympus*

annabeth, fiercely in control and leaning over a large map: okay, here’s what’s gonna happen, everyone. we are going to evenly distribute our forces and deploy them in successive waves. we must avoid further division to ensure that each wave remains strong and concentrated on the central target. we are going to systematically weaken their core. once their primary fleet becomes depleted, we will expand our focus to engage secondary targets. we will defeat brute force by gradually eroding their strength over the course of several hours. anyone got a problem with that plan?

everyone in the strategy tent, including the smartest children of mars and athena:

annabeth: that’s what i thought. okay so-

percy: actually, i do

*everyone’s eyes widen in surprise*

annabeth, raising her eyebrows: what do you mean?

everyone: *backing away slowly in fear of her wrath*

percy: i get what you’re saying, and usually you’d be exactly right. but i know these guys better than you do, wise girl. i’ve actually been here and fought a couple of them before. yes, they are insanely physically strong creatures, but you’re overestimating their intelligence and positioning. if we do what you’re saying, they’ll just pick us off little by little. we need to be quick and dirty. force their hand

annabeth, pinching the bridge of her nose: percy, you’re talking about a full frontal assault on their strongest point. that’s reckless. we’ll be outnumbered and overwhelmed.

percy, stepping closer to the map and pointing to the terrain: not if we use their terrain, which i personally know. if we concentrate our forces here and here, we can create the illusion of a weaker center. they’re crazy strong, but much more arrogant than you’re assuming. so knowing them, they’ll all focus on our main assault, assume they have us outnumbered, and put all their energy into trying to punch through. but if we’ve got our best fighters hidden in the valleys, instead of holding back, we can hit them from both sides once they commit

annabeth, her brow furrowing as she considers percy’s plan: we’d be baiting them into a trap. they’d think they’re winning, but the second they overextend, we surround them. they won’t see it coming because of the way their ranks are arranged.

percy: exactly

annabeth: it’s based off the assumption of their own tactical shortcomings, but… it’s brilliant. come here and show me all the pathways, and i’ll plan for the side attacks. do you have any advice there?

percy: nope, i need you for that part

*them working seamlessly together as everyone else stands around in shock*

[tyrannosarahsrex8]

Found a clip explaining song 40, the last song in epic the musical, (spoilers?) is a duet and this headcannon came to me lol.

Text if my hand writing is too hard to read:

Panel 1:

Odysseus: okay, okay. Time to reunite with Penelope. aahhhh

Athena: she’s outside your bedroom

Telemachus: I-I’m sure it’ll be okay?

Panel 2:

O: wish me luck

A: you’ll be fine

T: good luck!

Panel 3:

A&T: …

[sinsydia]

Sebastian being a menace Pt. 2

[basslinegrave]

pin-up

b&w originals

[dapper-lil-arts]

I'm not the kind of person that's like "Here let me fix the canon" usually but like holy crap gen 5 implied a lot of messed up shit about our hero Twilight Sparkle lmao

[sleevebuscemii]

like i said. they dont even fall to that ground. art deliberately lowers patrick onto it.

[frodo-a-gogo]

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms