#NOT ANOTHER PART OF MY CHILDHOOD

[tackykachowch]

This is what they should've added to Jinx's design in season 2. Btw

UPD: I also want to add this screenshot of my tags on my first ever post about Jinx because I still agree with what I said

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[seysei]

One of the many tragic aspects of Mikuni's character is that if he were to prevent the affair from happening, misono wouldn't be born.

With that being said, the reason why he would want to be misonos' father becomes simple. It's because that's the only way to prevent the affair from happening, and still make sure his little brother is born.

I mean, someone's gotta do it. (Im sorry lmao)

Im thinking he goes back in time, offers Hokaze to marry him to solve the money digging issue, meaning she wouldn't have to go after his father. Preventing the affair, preventing his mothers death & countless others, while also making sure misono still gets born eventually, except it's as his.. and Hokaze's son.

...yeah

And this might be the first time you'll find me not rooting for him.

[spiderin-space]

Lamb unfortunately was Not dainty in their escape 😔😩

(Feat. @paintpaintpaintman’s Petra in the third sketch)

[star-realities]

one thing I love about shifting is that you can literally do whatever you want.

I have a dr where I’m literally purple

[fallershipping]

I think it's funny how I see a lot of people associating Looker as a "you are my dad! boogie woogie" type of character. Like he's beloved for serving a sort of paternal figure, like he's not the kind of guy that gets thirst traps made of on the frequent and how sexy he is compared to Volo or Steven. The man is adopted platonically amongst people.

I have drawn Looker in such ways from day 1 that it was never platonic to begin with

[hirazuki]

Me, episode 1: Oh, a relatable protag! And a relatable female protag, at that. Sweet! That never happens.

Me, a few episodes in: Wait, the protag really is going to be my character? The one I identify with the most? Seriously? It's not going to be a strange, at least somewhat sinister, seemingly hostile male side character? It's gonna be a female character and the protagonist? That's insane, that literally never happens... what's the catch??

Me, more than halfway through the season: ... huh, I guess Maomao really is it. Okay, then ¯\_(ツ)_/¯

Me to myself, after episodes 22/23:

[i-dreamed-i-had-a-son]

I'm sorry I can't take your call right now, I'm becoming unhinged about Transformers again,,,

[hungnitan]

I'm pretty suprise with 4.7 database, hoyo decided to sailing Sethos x Wanderer (additionaly HaiKaveh become more closer) and how heartwarming Sigewinne character story could be...

[princeofuchiha]

You remember that fun ol' genre of fluffy family comedy where for some reason or another.

A guy would get a woman pregnant. And she would opt not to tell him until the kid was like. Fucking nine. And instead of going about it Literally Any Other Way. She just. Sends the kid across the country in a taxi with a note that says "You're the daddyyyy! I have a business trip I'll pick our child up in 3 months <3" without any proof.

And instead of calling the cops to make sure the kid is actually his and this isn't all just a fucked up trafficking operation or something like that. The dad goes "Oh no!! I'm the daddy!! Guess I gotta watch the little guy now URG"

But then they get close and when the mom comes back it's framed like he's the horrible monster for being like "Hey can I still see my kid sometimes."

That was wild huh. But uh. I watched so many of those when I was a kid. And it has left me with the insane urge to see it done with Kisame and Shizuma.

Just. Toddler shizuma getting plopped in Kisame's lap and him going nonono idk what this is but it sure isn't mine. Wait. What kind of idiot sent you waddling in through the gates of Ame looking for me. Hold on. Fuck. Gimme a second. Itachi hold this for a second. I think Zabuza is fucking with me again.

[itzchrissydoesstuff]

Aaaand I’m back in my powerpuff girls phase

[draagu]

WHAT DO YOU MEAN STAMPYS LOVELY WORLD IS ENDING

[mochiko7]

quick sketch, I may color it someday, or not.

[bioswear]

Some things I really like in ToTK as someone who considers Zelda games loadbearing:

the reuse of the Dragon Roost Island theme strikes an extremely specific feeling in my heart and it makes me want to cry from an emotion that isn’t quite nostalgia (it’s like the equivalent of seeing an old friend)

The reuse of parts of the tune of Faron Woods from Skyward Sword in the Korok Forest

That drop-down into the Great Deku Tree threw me straight back to the first time I dropped down the Deku Tree in Ocarina

Seeing Gohma back was like “oh fuck yeah this bitch!” And knowing exactly how to fight her 👌

The reintroduction of Sages but I wish they had kept 7 as the number of Sages as a True Callback to Ocarina of Time

The Stable Trotters really bring a Spirit Tracks/Phantom Hourglass kind of vibe and it’s probably bc of the tiny little chocolate chip of a Hylian Man that’s the conductor - his design is just so DS zelda and it tickles me

That Ganon is an Active Threat again and that the world feels more reactionary to the events and ongoing caused by his return. It feels like Classic Zelda problems

The way Hyrule Castle is suspended above Hyrule is really reminiscent of its sectioned off fate in Twilight Princess

The phantom soldiers that hold weapons down in the Depths feels like the spirit soldiers from TP

Love that the Depths mirrors the Overworld like an homage to ALTP

[gothteddiesdotcom]

I think that part of what like. kills me about the whole media literacy and critical thinking aspect of enjoying media these days is that people refuse to like. contextualize that

A. Bad media can still hold significant meaning to people

B. Media made for a demographic you aren’t apart of is not inherently bad media

C. Media made for and consumed by the opposite demographic is not inherently shallow or flawed nor is it above criticism for its media tropes either.