#My pose options were limited this is what you get

[kerink]

i want to talk about this idea the fandom has that curly didn't do anything to help anya. the fact of the matter is, curly didn't do anything to help anya on screen.

when we first join the conversation, anya's already told curly about the assault and is just updating him on her pregnancy status. we're never privy to what that first conversation looked like, what anya said or how curly responded or what decisions were made about it. but given that anya confided in him twice more about the situation (that she was pregnant and later that she had told jimmy), i have to assume his response to the initial assault disclosure was sufficient enough in her eyes that she knew she could continue confiding in him.

this exchange reads to me like "what to do about the assault" has been an on-going conversation between them, but curly has limited options to help her. but if he could figure out something to do, he'd do it.

let's look at the options available:

report it to HR. i don't think this option is very viable for a few reasons:

first, pony express doesn't seem to care about its employees. there aren't locks on their bedroom doors, there's only enough food and oxygen to get them from port to port with no emergency allotment, there are more crew than cryopods, they're not allowed to sleep for more than 5 hours a night, etc. i don't think they would have done anything to support her even if they had reported it.

HR may even blame anya for the assault, they may say that it happened because of something she did or did not do. it's her responsibility to take, not theirs.

second:

(thank you to @mudstoneabyss for pointing this one out to me)

curly needs this money because he's considering changing careers, which is likely to result in a pay cut or some amount of time job-hunting without income. swansea has a family back home he needs to provide for. it's daisuke's first year on the job and what a piss-poor welcome a pay cut would be, and he's an intern so the pay cut may be all or most of his salary. jimmy is living in poverty. anya has no savings.

it's entirely possible anya asked curly not to file an HR complaint not only because it would make her financial situation worse, but because she doesn't want to ask him, swansea, and daisuke to literally pay for jimmy's actions.

third:

even if curly did file an HR report he may have been told to do nothing. it's a long trip and they need all hands on deck to make the delivery on time! productivity over employee welfare. it's his job to keep the peace but keep jimmy working.

given how much stress curly's shown to be under, it can be assumed being captain is an extremely taxing job with a lot of both assigned duties and off-book duties. it may not actually be feasible to run the ship without a co-pilot.

maybe all he could do was talk to him.

2. go to the police. are there even police in space? i have to assume so because the alternative poses way too many questions. so there's space police. curly and anya call them and they come to the tulpar and dock on the ship and do an investigation and what happens to that limited food and air supply? the late delivery fee?

i'm a psychologist and my first psychology job was working as a crisis counselor for my county. my primary job was to sit with rape survivors as they had their rape kits done and support them as they made their reports to the police. this may not be true everywhere or across the board or in this dystopia but in my experience the police won't take a rape case seriously, or will have limited options to prosecute, or maybe won't even take the case at all without a rape kit.

so curly and anya call the police. they're going to have to file with HR too, to let the company know what's going on. and now anya has to pay for an HR complaint, a late delivery, and a rape kit.

is she going to get this paycheck at all?

3. curly acts on his own accord. this is the one that makes the least amount of sense to me, personally.

if curly just beats the shit out of jimmy then what? now jimmy's mad and embarrassed and takes it out on anya. we're going to confront him and risk making her suffering worse?

curly can't lock jimmy in his quarters for the duration of the trip not only because, as i said, maybe having a co-pilot is necessary for the ship to operate, but there are not locks on the doors.

curly can't lock him in the cargo hold because a) pony express would probably be beyond pissed off about that and who knows if the crew's pay would get docked or curly would get fired or if dragonbreath would sue them all for property damage and contamination. b) how do we get food and water to him? let him go to the bathroom? we open the doors and he busts out and who knows how violent he'll be then.

curly isn't going to kill him because a) that's one of his oldest friends, and i don't care what he's done or how angry curly is or how badly he wants to help anya, i really don't think it's realistic to think he'd be able to separate the anger from the love enough to end his life. b) it's cold-blooded, premeditated murder. it'd be one thing if curly caught jimmy in the act and killed him in defense of anya, he could maybe get away with that. but after the event is over? curly's going to jail for that, possibly for the rest of his life. if you worked at the post office and a coworker told you your best friend since childhood raped her are you clocking out and going to his house and killing him? it's not reasonable. i'm also just really floored how often i've seen this option brought up on the "prison reform abolish the police no matter how bad you are you still deserve human rights" website.

i also don't think it's reasonable, realistic, or kind to ask curly to act on his own accord without consulting anya. for curly to go against her wishes or act without her consent, that's further taking agency away from her. that's another man deciding what happens in her life. even if curly wanted to beat jimmy up or lock him away or kill him, maybe anya asked him not to.

so i ask, what was curly supposed to do? what did he and anya explore as options? what did anya ask him to do? we don't know and we'll never know. and that was intentional on wrong organ's part.

i don't say any of this to discount or discredit conversations or explorations or analyses about the role The Boys Club, toxic masculinity, and bro culture play into the plot, themes, narrative, or personal take-away players have. i fully 100% agree with, support, and endorse those narrative because despite everything i just said above, it's also true that curly is partially responsible.

it's true that he was irresponsible and an enabler for helping jimmy cheat on his psych exam, but there's no evidence at all that he's a conspirator to sexual assault and abuse, that he was going to cover for jimmy in a court of law. all he said was they would figure it out, and that could mean a whole lot of things.

i think curly has some percentage of the blame for what happened on the tulpar, i just don't think that percentage is as large of a number as a lot of people seem to believe. i'm not asking that we forgive or apologize or absolve curly, what i am asking is that we try to look at the situation with more nuance and empathy and good faith.

i don't think curly was a bad man or a bro who was ignoring anya and covering for jimmy's actions. but i also don't think he did enough to help her. he was never good at seeing the small details amongst the larger picture. he couldn't see jimmy for the dead pixel he was.

i think curly was sleep deprived, possibly under-fed, definitely overworked, and juggling too many balls with not enough options. i think he made the wrong choice, but i think he thought it was the lesser of the evils.

[diejager]

Nooo but there is something about the monster au where there is a casual mention from her that she won't live as long as them (I assume monsters/hybrids are longer lived plus she is a lot more likely to die on mission), like she probably just jokes about it offhandedly and it sends all of them feral because... no? Absolutely not? Insulting. Ridiculous. Not happening.

Cue ultimate clinginess, all rushing to be more intimate because the thought of her not being around is abhorrent. Soap maybe losing it a bit going off on a line of thought about how he could mate her right? Would it be awful if there was a way for her to be a wolf shifter?

I AM GOING TO LOSE MY MIND

Change cw: mention of turning, mention of death, joking about death, tell me if I missed any.

All options are on the table at this point, death had always been something that loomed over them like a shadow, the veil and sickle of death following you wherever you went. You’ve had more than one reminder of your short life, your vulnerability as a human, weak and tender skin, short lives and a delicate body. There were so many things in the world that could pose a possible danger to you and they hated that.

You lived shorter lives than most monsters or hybrids, you grew sick and frail whereas hybrids could fight any viral infections or diseases, you didn’t have thicker skin despite all the extra layers of protective gear and you were a target of many for your choice of career. They were reminded of you mortality whenever you get hurt, blood painting your skin with a strong, metallic odour.

And it didn’t help that you’d often joke about it, throwing offhanded comments that made their hackles raise, body tense and mind brewing with what ifs scenario that has them tearing their hair from the root. While some monsters were more solitary than others, all of them were possessive of what they deemed their family —pack.

Ghost and König stuck closer during training, a tall, imposing figure behind you that acted as a guard dog to ward away anyone they deemed a danger. Soap and Horangi hung around you in the rec room, either laying on you or clinging to you, putting a show of ownership over you. Rudy and Alejandro, the ever active couple, were always finding you around the base, striking up a conversation and wrapping their arms around you. Gaz would was the cuddliest of the group, finding time outside of his busy to snuggle up against you and cover you with his wings, pulling you to sleep on his shoulder. Price, the man with the most authority in the TF made sure that you were always with someone on every Op, having someone to back you up in the most dire situation.

Every visit to the medic made them wild, it brought them closer to desperate measures. Would it be so bad to turn you in one? Would it be so bad to let Soap bite you during the full moon, his bite infecting you with his power: thicker skin, sturdier build, longer lifespan and better sense? The only draw backs were the higher wildness, near feral during full moons and a competitive mindset over the possessiveness and brattiness of a young werewolf.

Would it be so bad to make you return as a wraith? While Ghost learned to control his powers alone, the pain and emotions building up in his body without any way of letting it out, you had him, you wouldn’t be alone with the resurrection. He didn’t want you to feel the terror and agony by yourself —he didn’t want you to know how it felt to die and come back.

Would it be so bad to have a vampire turn you into one without becoming a thrall? You couldn’t walk in the sun, something you told them you enjoyed, you’d be restrained to specific activities and you wouldn’t like that, being limited by the sun. Granted, there were solutions to that, but none very comfortable.

They knew you were aware of your mortality, made fun of it and laughed as it this was your last day, but you didn’t fear death, you only feared leaving them. You were open to their thoughts, listening to their ideas and options with a neutral expression, but you didn’t reject the idea of turning you. That was a good thing, a step forward in their mind.

Now all that needed to do was to let you decide which path you wanted to walk.

tag list: @craxy-person @crowbird @dead-cipher @iwannabealocalcryptid @iizx7y @mxtokko @yeetusspagheetus @capricorn-anon @perfectus-in-morte @sae1kie @yeoldedumbslut @tallmanlover @distracteddragoness @vxnilla-hxrddrugs @konigsblog @havoc973 @angelcakes-22 @cassiecasluciluce @ramadiiiisme @ramblingsofachaoticthinker @ki-cant-spel

[blueishspace]

Looped Sun 2

Loop #16

They didn't stop looping in time, but at least they had eachother. Grian had to admit that it was almost fun with Scar around, definitely felt less lonely with someone else to talk to.

Loop #19

It took 3 loops for Scar to suggest having some fun with this, spice it up. Grian hadn't expected stealing Martyns and Ren bit would be their objective this time but he didn't mind. Getting to be king and screaming "red winter is coming" was actually quite funny and being all shady in Last Life was nice too. As Secret Life comes to an end Scar whispers.

Scar: Alright alright, let me be king next time ok?

Grian laughs at the suggestion just in time for-

Loop #21

Grian had noticed soon that not every loop started the same exact day a while ago but he never expected to wake up already during Limited Life.

Surely things couldn't get weirder then that.

Loop #26

He spoke too soon. This time around he woke up as he was singing a piece of paper, a declaration of indipendence, while wearing a very weird blue american indipendence outfit together wih people he had never met before.

He just went along with it of course and fighting against a weird masked guy for indipendence had been a breath of fresh air but Scar was still missing and Grian was very confused the whole time.

Well until ...

Scar: Thank you Soot, however I think that I could run this country far better!

Grian: Scar? Where were you!? ... What are you doing!?

Scar: That's why I'm going to run myself! Vote for Scar 2020!

To be fair it took some times for things to go badly.

Grian: This is your fault you know that right?

Scar: Hey! Look! At least the country didn't explode or something-

*Boom*

Grian: ...

Scar: ...that wasn't me.

Loop #31

Grian: Damn I didn't bring enough tnt to rig the enchanter. How did I forget??

Scar: Don't worry! I got some!

Grian: Oh thank... where did you get it?

Scar: I kept it in my second inventory from last loop.

Grian: Your what?

Scar: We have a second inventory now! Didn't you notice!

Grian: I see it now ...how?

Scar: It keeps stuff safe from one loop to the other! Cool right!?

Grian: ... Like an enchanting table? But for loops?

Scar: I guess?

Grian: How are you not freaking out about this!?!

Loop #33

This time they woke up early, back in season 6! Grian doesn't understand why Scar doesn't care because he does! Why can't someone explain it to him for ender sake.

Loop #36

Someone explained it. He and Scar woke up somewhere completely different and it was confusing and scary but they finally got answers.

Grian: So our universe is part of a big big big tree?

Anakin: Yes, like every other.

Grian: And the tree is what, under maintenance?

Anakin: Basically.

Grian: And so we are stuck looping?

Anakin: You don't need to pretend to be calm, I can feel your emotions in the force.

Grian: So... we are stuck? Forever?!?

Anakin: Not forever forever, until the tree is fixed-

Grian: So possibly for billions of years!?!

Anakin: Some of the older loops have been going for trillions even.

Grian: ... I'll... I...need to think.

Anakin: I'll write some useful terms down so you can read them once you aren't... You know.

Grian: Guess I have all the time in the world to come to terms with it... Scar is going to hate that he didn't get to meet you.

Loop #37

Scar: ....soooo what you up to?

Grian: Memorising these terms Anakin gave us.

Scar: Ooh sounds...fun!

Grian: Every loop has an anchor, without it the loop can't exist. I tought I was the anchor but it's not possible because I was sent to a different loop last tims.

Scar: So am I the anchor?

Grian: You were missing for the first loops Scar... the only option that makes sense is that both of us are anchors. But even then...

Grian underlines the term "co-anchors" a bunch of times.

Scar: Does that mean I'll get to meet Anakin Skywalker?

Grian: Probably? One day?

Scar: Wooooho!

Loop #38

They were waiting for the moon to crash when Scar posed the question.

Scar: Do you think we can just... stop the moon?

Grian: Hmmm... I guess I never tought about it, why?

Scar: I don't know, just thinking.

Grian: I have an idea...

Loop #43

Scar: Grian what are you doing?

Grian: You remember how last loop started in s7?

Scar: ... Yeah?

Grian: I decided to keep something in my pocket this time around.

Grian took out a golden gauntlet with 6 colored glowing stones.

Scar: ... The button?

Grian: The button.

Grian snapped and the moon disappeared.. He then carefully removed and pocketed it again.

Grian: Well, I'm surprised it actually...worked...

Scar: But what happened to it?

Grian: I just made it really really small.

Loop #51

This was unbearable, Grian tought it was weird when this loops Timmy was acting like an incapable child, then he became worried when he saw that Scott was a pacifist who wouldn't hurt a fly, and then Cleo started burning down literally everything and he started to question his life choices. Everyone was barely themselves, it was like they had been replaced by very cheap imitations.

(Poor Grian had to walk into fanonland)

Loop #67

Scott Smajor liked to think he was often in control of the situation. Not many people liked that about him but if he died it was by his decision.

He didn't feel very in control at the moment, back in the Last Life with Grian and Scar being completely different from what he remembered them being... And he didn't like it one bit.

Scott: Ok ok, stop it!

Grian: What do you mean? We aren't doing anything wrong!

Scott: It isn't right! You are supposed to be in a team with Jimmy and Martyn and you Scar should be alone on a mountain!

Scar: ...

Grian: ...

Scott: ... Sorry that was-

Grian: You remember too?

Scar: New looper! New looper!

Scott: ...uh?

Prev Next

[e-vay]

Hi! If you have the time, could tell me a little about Love and Deep Space? I originally played a ton of Dress Up! Time Princess, as obsessed, and even occasionally threw a little money at it, but ditched it once the UI became too cluttered, they added a ton of things that used up massive resources, and almost all events were P2W. I keep eying LaDS but am worried it might have the same issue? Also, does it have a lot of customization/personalization options? That'd be a big selling point for me.

Oh my gosh, where do I even start! Listen I'm not a saleswoman but I'll do my best to explain. I'll put it below the cut so that people who aren't interested don't have to read. Oh and also (not that you are, but I just want to make this clear for everyone) Love and Deepspace is NOT a game for children. So don't download it for your kids lol

I haven't played any other game like LADS before so I don't know what to compare it to. It is just this very rare game that happens to check every single box of all my niches! It's a romance, it's a sci-fi/fantasy, it's got action and fighting as well as really cute mini games, its got steamy audio stories that'll make ya go WOOF, the writing is superb and the animations are STUNNING!!!! I am not kidding when I tell you the story is so well written; it makes me cry, it makes me laugh, it makes me sweat 🥵 (in a good way haha), the writers really know what they’re doing! Here are just some samples of the different things you can do in the game:

RPG Battles - Multiple fighting styles, including your choice between guns, sword, wand/staff and claymore.

Main Story - This includes written stories, animated cutscenes, character interactions and battles.

Special Events - Variations of the above ^ But limited to a small window of time so you can only participate and get rare items during that window

Lottery ("Wishes") - This is how you obtain 'memories' which you use for battling. Think of them like Pokemon cards. Some of them are extra special and will unlock dates/stories/animations for you to enjoy.

"Date Minigames" - These are cutesy things to do with your love interest like playing cards or claw machine. You can even choose whether you play the claw machine or your date does (hint: some of the guys are good at some of the machines, while others are not)

Photobooth - You can take cutesy snapshots with stock poses or you use the studio mode and make a lot of adjustments to capture the scene you want. They also have an AR mode where YOU can take a photo with him, haha!

Interact with your love interest(s) - The stronger your affinity with him, the more you can do together. This ranges from cute, animated interactions to having "conversations" with him. He'll also text and call you. You can romance all of the love interests if you want and it doesn't negatively impact your affinity with the others.

Audio stories - These are steamy vignettes starring you and your love interest. This one is for all the “Booktok girlies”!!! 🥵 Listen with headphones! 🙈

Anecdotes and other Side stories - The lore in this game is ENDLESS! If you enjoy reading, there are plenty of written stories within the game. If you don't like it, you can just skip through it to gain your reward and move on.

Dress up (limited) - As you play you'll earn different outfits, but there are also outfits you can buy. You can use real currency or in-game currency, it just depends on the outfit. You can't completely create your own ensemble but you can pair different outfits with different accessories to use in the photobooth. You can also decide what your love interest(s) wear or have him decide what he wants to wear.

LADS is free to play and doesn't have any ads. However, if you're prone to FOMO, you'll have better luck receiving items during their special events if you do make purchases. But again, you absolutely do not have to spend any money on it to play.

There is a little bit of a learning curve when it comes to the navigation of the game because there is so much to do within it, but you get the hang of it really fast. I feel like the UI is actually quite clean and organized. I’ve put a screenshot below:

The most confusing thing is the story mode; it kind of jumps around out of order because characters were added after the game's story had already started. But I personally didn't find that a dealbreaker and you can go back into the story and replay it in order any time.

The amount of storage the game will take up on your phone/tablet is a lot, but that's because the game is GORGEOUS. All the characters are fully rendered in 3D and the animations will blow your mind. I can't tell you how many times I'm playing it and I can't believe it's a mobile game. I play on "medium" resolution so my phone doesn't explode on me, but even then the quality is so good.

Customization is where the game unfortunately falls short. Though you do get to customize your protagonist, there are limitations. You can change her face, makeup, hair and voice, but during in-game fighting, dialog and cutscenes, MC will always default to a woman with long dark hair. Some players have found ways to glitch the game so that your customizations like hair style and color will appear in the “kindled” animations (you’ll know what that means when you play it), but it's not a long-term solution. We're all crossing our fingers that they'll update the game one day so the animations reflect our choices better!

There are other customizations in-game that are fun. You have a banner that you can change the appearance of and change your title. As you build a stronger connection with each of the guys, you can have them call you by unique nicknames and they'll refer to you as that moving forward (though you can change it every day). There are also elements of the game that involve you sending and receiving text messages, phone calls, and social media posts and you can customize how those look to an extent as well.

As far as the unique experience you have as a protagonist, when it comes to dialog/action choices there are only so many options you can choose from. The writers have an overall plan for MC so sometimes she'll say things that I would never want her to say, but I didn't write her so 🤷‍♀️ We still get more control than some games offer so I can't complain!

Personally, I do wish it was a little more inclusive than some other games out there. Right now you can only play as a woman and you can only romance the male characters. But that's what other games are for, I guess.

I don't know if this game will be your cup of tea and I know for a fact it's not for everyone, but DANG if this game wasn't made for me in every way! If you do end up playing it, I hope you enjoy it! And you can add me! My hunter’s number is: 82001322820

[nocturnesmoon]

I have thoughts spurring around in my head like feral cats chasing a bouncy ball, and I'm making it everyone's problem.

What if we take the world of star wars, and smash you and the 141 into it.

There are so many different combinations and turns this could take, but what I'm thinking about is the 141, ex-military turned smugglers, and you a Jedi in hiding after order 66.

The clone wars have finally come to its brutal end, and the empire has taken over the known galaxy. The Jedi have been portrayed as traitors and have been promptly executed, and the rest forced into hiding.

It looks bleak for anyone still holding onto the hope of the republic, anyone not willing to adapt to the new world gets destroyed right along with the old.

The 141 being forcefully retired, not that they minded at this point they knew it was a losing fight. With their options limited, and not keen to do the empire's bidding, or anyone's bidding ever again, they chose the obvious choice, to run.

It wasn't the ideal outcome, but with a timer on their lives, and conflicted opinions, Price took charge of the group. He knew that right now survival was the only thing that mattered, that his men would still live to see another day.

The year of acclimating to their new life was rough, they were used to sticking together but they also normally had more direction than this. Being wanted in any area governed by the empire limited a lot of work options for them.

It quite honestly didn't take long before Price resorted to less moral means, it was how their career as smugglers started.

With Gaz's excellent piloting skills, Soap's weaponry and science knowledge, Ghost's brute strength and intimating demeanor, and Price's own smooth tongue and connections, it was the most optimal choice.

And much to the their own surprise, they're pretty damn good at it.

They make good money smuggling a lot of different things across the galaxy, food, weapons, illegal goods. They take almost any job they can get in the start; they don't have time to be picky just yet, they need the credits more than good morals.

Their wanted status is likely to never get alleviated, but they combat it by never settling in one place too long. They prioritize the credits they have and get a ship big enough for both their job and to house the four of them. They're already used to being close, while this is a step further it's nothing any one of them has anything against.

They all agreed that they would stay together, they started this together and they'll end it together.

A few years in they have gotten quite the reputation for themselves, at least among other known smugglers and wanted criminals. They get bigger job opportunities, higher pay, more risk.

The bond they forge between each other is something none of them could explain, but they embrace its qualities, it's comfort and pleasure.

Some things are better to just leave unexplained and enjoy while they last. The only thing they have is each other, and they've grown quite content with that.

That was until something unexpected crash landed into their lives.

Docked at some lesser-known planet in system of farmers, they had originally planned to stop there for a few days to stock up on supplies and look for less likely work opportunities. Farmers sometimes had some strange inquiries they were quite content spending massive amounts of the little credits they have.

It was a peaceful little community, none the wiser to the person hiding amongst them. You, a Jedi who somehow survived the purge of order 66, posing as mechanic. Outside of your Jedi teachings, you had clear proficiency in anything creating and fixing.

It had been the perfect cover during the last year, who would suspect that the innocent mechanic trying to get by would harbor such a grave secret. That the kind person living in the rundown house, would be so full of survivors’ guilt that it was nothing short of a miracle they were still going.

It had roughly been 2 years since order 66, 2 years since you had survived and fled, 2 years on the run from the empire and the usual calm feeling of the force now gone.

Images still fresh on your brain despite the time, of your master, of your friends, those you'd considered your family dying from blasters that once aided them.

Every time you reached out through the force it was now hollow, the echo going into your brain and body, reminding you of the terrifying fact that you were truly alone.

You had no idea why you survived out of everyone, not even a fully trained Jedi, a mere Padawan with few accomplishments to their name. You shouldn't have survived that, someone better should be here in your place, yet no matter how much you think those thoughts, you can't change the reality.

The small farmer planet had been a good hiding spot for quite a while, you even dared to make a few friends during your stay. Despite it being less of a good idea you still kept your blade, the kyber crystal within being the only thing giving you comfort in your grief. Though you hadn't expected to ever need it again, especially not this soon.

Never had you expected that the empire would set their sights here, nor had you expected your methods of hiding had actually been that horrible. It didn't take them longer than a few days ‘til the people you thought friends practically turned you in.

You couldn't find it in your heart to blame them, the empire had very convincing methods, yet it still meant you were forced into a run for your life.

When the 141 had set their sights on this planet they hadn't expected the empire to already be here when they arrived. Price had insisted that the planet was still free, and he was right, a week ago.

They remained inconspicuous, did their shopping, and didn't snoop around too long. There was no need to get the empire hot on their tails once again.

When Ghost and Gaz went into the market, they intended on staying out of trouble, and technically they weren't the ones roped into it.

When they first spotted you, running from a few storm troopers, lightsaber blade raised, they nearly didn't believe their own eyes. All the Jedi were supposed to be dead, yet here you were, a sight to behold.

Nothing about their next actions were ruled by logic, if you ask them later about what they were thinking they couldn't tell you, because the only thing that was a priority now was to help you.

Perhaps it was some sort of obligation, maybe a sliver of hope for something better, or maybe it was just something about you that tugged at them, making them want to protect and help you.

Backed into a cornered alley, almost having lost your pursuers you felt the new threat loom behind you. A technique that was familiar in ways you couldn't explain, and too fast for you to register and counter. You were knocked out cold, and the next time you woke you were on a spaceship in space.

To say that Price was furious with the two was an understatement, they had more or less kidnapped someone unprompted. While Soap found the situation hilarious, he also had a feeling there was way more to this, and a possible danger they could've avoided.

When you wake it's Price that greets you, making sure to establish himself to not be a threat to you, so you didn't do anything drastic. You were on edge, understandably so, but he managed to explain the situation while also avoiding the main topic at hand.

You knew it would come up, he was toying with your lightsaber in his hands while you talked, and no matter how much you stared it down you didn't dare lunge for it yet. The dreaded question, and the answer that people had such varying reactions to.

"You're Jedi?"

You had expected something else when you confirmed to him what you were, what you've been since you could remember. A part of you had expected them to be bounty hunters, ready to turn you over to the empire at a moment’s notice. The reward on your head would be great, you imagine, yet that's not what he does.

He reminisces instead, telling you of a Jedi he once knew, of how he and his men had fought alongside a few of them on special occasions. Never had you imagine that this is where you would end up, in the metaphorical arms of people who could care maybe just a little.

He gave you an offer, they could drop you off at whatever location you requested, or they could work a sort of partnership.

You don't know what to make of it at first. They seem genuine, but people have ratted you out for less. You don't have a lot of options, going somewhere else and trying to find another inconspicuous farming planet wasn't the most viable choice, but neither was bunking with them. Who knew what kind of people they were.

Your chances were not the best, and unfortunately you had a sneaking suspicion they knew that. Whether their intentions were noble or just pity, you decided to take the risk and stay. If it all came crashing down, you'd still have your training, it had gotten you this far, it could get you further.

The first few days you stayed with them was tense, they were all in agreement on keeping you, there was nothing hostile about it, but it was still tense. It was partially your own doing, you walked on eggshells around them, never letting any of them behind you, etc. etc.

They understood to an extent, the way they met you wasn't exactly on the best of terms, it was natural for you to be cautious. So, they let you have your space, they don't pressure you into anything but do try to coax you into a more comfortable environment with them.

The crack starts to form when you see them all gathered in the main area of the ship, laughing, talking, playing a game you're unfamiliar with. Soap is the first to notice you staring, with a big grin on his face he invites you to join them. Hesitant but interested you approach.

Price explains the rules to you, and you get to watch for a round or two before you join in on your own. They go easy on you but you're a quick learner, and it doesn't take long before you become quite vicious in your play.

It becomes a common thing, almost nightly that they all gather to spend time together. The bond between each other grows fast, and it's not long before you start feeling like this is exactly where you're meant to be.

Settling in with them becomes easier and easier, as if they had always waited for another person to welcome in with them. To fill a missing part, they didn't know they needed.

While keeping the secret of what you are is the topmost priority, you end up helping them out on jobs. Due to your training you're very adaptable, able to fill any position where something was missing.

You were an excellent mechanic when the ship was down, and with Gaz's magic touch it halved the time it usually took to repair.

Soap had a really fun time explaining a bunch of different things about weaponry and the science behind it. There had been a lot of different questions you had in the clone wars that was left unanswered, you could finally have someone enthusiastic that could explain them to you.

A lot of long rides were spent like that, of you asking him questions and then more questions because the math he talked about in the first question was confusing.

Even though you were just a Padawan back then, you still had made your fair share of connections during the clone wars. People that you and your old master had come across, and old friends outside of the Jedi order.

Price found it very useful, and though most of the connections you had were friendship and not business, it could still be used as such. A few of them he even helped rekindle, you've been grateful for that ever since.

Though the Jedi order is no more you still try to keep up with your training. You have no guidance any longer, nothing new to look at, but you can maintain what you know.

The others are happy to help you with it as well, they know it's important to you and a part of them have always found it fascinating how you train.

Occasionally you'd have them all surround you in a circle, setting their blasters to stun and randomly shooting at you. It helped sharpening your senses, helped you rely on the force to guide your hand, and to deflect more accurately.

You'd do a lot of training with Ghost that wasn't necessarily Jedi training. While you did a lot of mental training on your own, the physical part was something Ghost had a lot of enjoyment in helping you with.

Sparring, running, lifting, anything he could think of that would help you, he did, and it quickly became thing for you two to train together.

It wasn't anything you had expected with them, not in a million years would you have imagined ending up here. It was a thing you couldn't predict, but neither was order 66.

Nobody you knew had been able to foresee the collapse of the Jedi order. Some things were just left up to chance, and currently here with the 141, you liked your odds.

I just finished reading the book project hail mary, and not too long ago i reread the Ahsoka book. So safe to say i've been in a bit of a space mood, still am.

And what better way to utilize that, than combine my hyperfixation on the 141 and my special interest star wars hehe.

[billietherock]

There was No Weirdmageddon (Pt5)

By:Billietherock

Chapter 2 (Pt2) Deals over Tea

Ford coughs not expecting that answer, I mean who would. But what Ford was concerned about was how he could fix this ‘too much Humanity’ problem. He knew it was how he worked, but was it because he went about things wrong or that simply didn’t have the mental fortitude for the amount of work Bill was asking of him? Or worse, maybe it was both.

It entertained Bill to see Ford in such a state of panic. Watching his thoughts race just behind his eyes, even entertaining for the fact that Ford was breaking the silence with his erratic breathing. This whole situation entertained the demon, even as predictable as it tended to be. His hand was almost twitching with the excitement of an incoming deal.

Bill pours himself another cup of the tea as Ford squirms under his gaze. Ford was finding it hard to focus on his own thoughts, desperately trying to fix himself on the spot.

Bill seems to soften his gaze,” Oh Fordsy, someone is in a panic again~” Bill floats over and lightly touches his head” here. Let’s make you feel better. Great minds can’t think when you’re in such a panic!”

Ford’s cheeks get a slight tint of pink to them, slowly his thoughts start to clear, he takes a breath. Bills chuckles and ruffles Ford’s hair a little before sitting on the table, directly in front of him. Bill throws his hands out to the side and the objects around him immediately disappear, the color even drains from the space they were in.

“So. How to fix that little limitation you have?” He pokes Ford’s forehead,” you can’t really erase the humanity out of a human, cause you’d just end up dead!”

Bill teleports behind him, causing Ford to jump a little,” the thing is, humans need to eat… sleep and rest, or else they become useless piles of worm food! So how do you fix that Sixer?”

Bill wraps his arm around Ford and pokes his cheek, causing Ford to look at him. Stanford Pines for once didn’t have an answer.

“You, don’t I suppose?” He says, grasping at straws for something.

Bill shakes Ford’s head around,” DING DING DING! That’s right! Boy are you smart! You can’t do anything about it! But I can.”

Ford shakes the dizziness out of his brain and quickly looks at Bill,” you can… suppress my human instincts?!” He seemed pleasantly surprised,” how have I never thought of this?! This would put my productivity through the stratosphere!” He grabs Bill,” tell me! How do you plan on doing it?”

Bill blinks and shakes out of Stanford’s grip,” well, unfortunately, eating is required… but sleeping isn’t.” He floats above Ford’s head,” so while you sleep, and dream of whatever, I’ll be piloting this meat suit you call a body! We’d get that portal done in no time.”

He teleports in front of Ford once again and holds out his hand,” so whaddya say? Goodbye to human limitations and hello to progress?”

Stanford Pines in another universe would be all too eager to shake Bill’s hand. Kick off the events that would lead to the deaths of almost his whole family. But now, as he stared at the hand of almost certain death, he was hesitating.

Bill held his pose for a while before quickly growing annoyed,” I will say it again! Sleep wouldn’t be an issue! You could wake up to pages and pages of new notes and get an added bonus!” He leans in,” You could fire that Fiddleford Guy!”

Ford stares at Bill as he keeps the pose, down to the smile only shown in his eye. It’s a few minutes of thinking, Ford’s heartbeat in his ears counting every second. The final stone falls on the cosmic scale.

“No.” He pushes Bill’s hand down.

Bill blinks,” What. do. You. Mean. No.”

Stanford Pines thinks for a second, before looking up with a sigh, he thought of his twin Stanley, what he would do in this situation. He thought about whenever they would get into a situation where they only had one or two options. Stanford steals his resolve.

“I mean I have a different deal… in mind.”

(Thanks to everyone showing their support! Ya’ll may get a few extra parts today since I’m moving back to Uni. Thanks everyone for the support. Any spelling or Grammar errors will be fixed in due time)

[weirdmarioenemies]

Name: Yellow Shy Guy

Debut: Certainly not Mario Kart Tour! (It was Super Mario World 2: Yoshi’s Island)

Yeah yeah yeah this is a very Regular Mario Enemy. Yes, you are on the right blog! But this is a Regular Mario Enemy, in a Weird Mario Situation... yeah, it’s another post about the specifics of character alt colors in Mario Kart Tour. I hope you like those!

Shy Guys come in all sorts of colors! They always have! Red may be default, but yellow can always be counted on to make an appearance if other colors are present. It makes sense, since Yellow is one of the main characters of Colors. Do you consider the primary colors to be red/blue/yellow or magenta/cyan/yellow? Doesn��t matter! Yellow is there! Please do not bring up RGB. But if you do, I will simply retort that the powers of red and green light must combine to give rise to the mighty Yellow!

Yellow Shy Guy is also very often playable! In older, more limited games, the default red may be the only one playable, but these days you can confidently expect Yellow Shy Guy to be an option. If you were lucky in Mario Kart DS download play, you might be assigned Yellow Shy Guy by random chance! Yellow Shy Guy finally became selectable in Mario Kart 8′s DLC, which to me is more appealing than any of the added characters. While my favorite color is light blue, I am a big fan of Yellow Shy Guy, and find his green shoes more fashionable than Light-Blue Shy Guy’s red ones!

But then, along came Mario Kart Tour. Red Shy Guy was the first one present, no problem with that! We all knew the rest would come soon enough. But they came in a weird order! Black, pink, green, light blue, blue, white, orange... At the time of Orange Shy Guy’s release, it had been nearly three and a half years since the game launched. And yet, still no sign of that classic yellow fellow? I’m normally mellow, but that makes me want to bellow! Even a gold Shy Guy was added... gold. The coward’s yellow!

On the wiki’s list of Shy Guy colors, Yellow is among the only ones not using a render from Tour, instead being shown using one from Dr. Mario World, in a different pose. Yellow looks like an impostor among all these others! I’m here if he ever needs to vent.

According to Mario Super Sluggers, Yellow Shy Guy loves to steal. Hey! Stealing is bad! Is that why you’re not allowed in Tour, Yellow Shy Guy? Green Shy Guy loves to hit and run, but that’s okay. Mario Kart is all about vehicular violence. They love that kind of attitude!

This all being said, Yellow Shy Guy is technically playable in Tour, though as a variant in the form of Yellow Shy Guy (Explorer). This is an act of community service, as Yellow Shy Guy is graciously role-playing as an old-timey prospector as seen in the new version of Sunset Wilds, replacing the racist usage of Shy Guys from the GBA version of the track. Thank you, Yellow Shy Guy! But still, he should not have to hide himself behind a costume to get a place in the roster. Or I guess a second costume, in this case. When will being a humble Yellow Shy Guy be seen as enough...?

Poor Yellow Shy Guy. But oh? What is that, under the read more of this post? Wow! I can’t believe it! What a thing to behold! You should click Read More, so you can see it!

Donkey Kong is finally getting a costumed variant, and about time too! Congratulations to him! Sorry to Yellow Shy Guy though. Yellow Shy Guy is not Donkey Kong, you see. Unless he IS Donkey Kong under his robes and mask, and gorillas can be compressed into much smaller states than I was aware of.

...Huh? What’s that, live studio audience of children? There’s something I’m missing? There’s something else of note in this tour? Oh! Thank you for letting me know! Let’s see...

HOORAY!!!!!

Yellow Shy Guy loves to steal, it’s true. And he is especially great at stealing the show! I am so proud of Yellow Shy Guy for finally making it into Mario Kart Tour! #YellowShyGuySweep! It makes me want to play as Yellow Shy Guy in Mario Kart 8, which is a much better game where you can access Yellow Shy Guy quickly and easily.

To celebrate our friend��s victory, if you have Mario Kart 8 Deluxe, you could play the custom Yellow Mode I made up! Here are the rules:

1. All humans must play as Yellow Shy Guy, and use only the yellowest of kart parts!

2. Only yellow items may be used! This means Coin, Banana, Triple Banana, Golden Mushroom, Star, and Lightning!

3. Only yellow courses are allowed! There are not that many yellow courses, so you can use your imagination here. For example, Toad Circuit features a big Yellow Toad balloon, and untextured Yellow sand! Wario’s Gold Mine is about mining some Yellow Minerals! Ice Ice Outpost features a whole yellow track, but don’t even think about driving on the green one!

And speaking of yellow tracks... I hope everyone’s looking forward to the Simpson Tour, featuring the new Springfield Streetrace track! Mario Kart Tour? More like Mario BART Tour! Aye carumba!

[thewebcomicsreview]

Oh hey, Hamsteak 2. Looks like Vriska's...back in Alternia? In a dreambubble?

they sent the thief here in search of power; the power to escape the containment i so painstakingly set up for them

Al confirmed as the Candy narrator. Also confirmed that the black hole is "containment" for the dreambubbles and non-canon worlds, and that all the ghosts falling in wasn't an accident of fighting Lord English.

the black hole could only ever shelter them for so long, and in their haste to shrug off my protection they have opened the door to something far, far hungrier.

This panel is a callback to Karkat about to open the door to the New Universe. Where there were interrupted by Jack Noir. Vriska is interrupted by-

Yoo! It's Davepeta! Who feel into the black hole and has been conspicuously absent ever since. They're the only Ultimate who is not connected to Dirk, and in some ways the only "true" Ultimate. Interesting that Al considers them such a threat, when Davepeta has never been anything but benevolent.

Looks like it's all the sprites, in fact. Why...are there two Nannasprites? Oh god, I'm being pushed to the endless limits of my ability to remember Homestuck Lore. Is one of them pre-retcon? I do not remember.

ERISOLSPRITE: wwe'vve been here for liike a miilliion fuckiin 2wweep2. DAVEPETASPRITE^2: B33 < actually we just got here DAVEPETASPRITE^2: B33 < this place didnt even exist until she popped in ERISOLSPRITE: gue22 ii'll fuck my2elf.

It didn't exist until a character arrived, at which point it retroactively existed the whole time, like how a planet works.

DAVEPETASPRITE^2: B33 < does that not sound insane to you fefeta? FEFETASPRITE: 3833 < 383

What? How are Davepeta and Fefeta coexisting? That definitely doesn't make sense.

Well, logic be damned, it's apparently time for a Vriska training arc.

Gah! Talksprites! Also, Vriska enters "Hell" on page 666 of Homestuck 2, which is I think the first time this comic has aimed at any kind of Meaningful Number.

God, we are full on visual novel here. I didn't know Ren'Py could export to web, but I guess it shouldn't surprise me. I presume/hope the save option is default and won't be needed here, it's 1:30am.

Tavros is here and, much more oddly, alive. I suddenly understand jack shit.

I have no memory of Tavros ever forgiving Vriska for anything...or, for that matter, Vriska even being aware she did anything that needed to be forgiven. I presume she's just lying here, though.

This line combined with this pose is the essence of Vriska

So, Vriska's being forced to "grow as a person" and her big idea to finish her character arc is to atone for her sins by getting Tavros to take revenge on her. Vriska thinks that the secret to gaining power is getting Tavros to kill her.

I wonder where she got that idea.

But that time she refused to mind control Tavros into killing her, she wanted him to grow from it, too. Now we're past that.

I felt smart for remembering the K8LL ME bit but we're being really obvious about it now so I guess they just assumed everyone would and I'm not special :(

Oh shit. Erisol wasn't kidding.

Davepeta roleplaying being a cat who dies horribly is kind of the perfect synthesis of Dave and Nepeta. What is this music. It's very toot-y.

Oh hey a text log. How convenient. So we're trapped in a time loop, then, explicitly recreating Groundhog Day. I guess that explains the infinity hourglass on the Plot Point machine.

Vriska's having a bad couple of years.

Davepeta is "countless" cool dudes and kitty girls, which I think is the first explicit confirmation they're an Ultimate Self, though that was pretty strongly implied at least. The only Ultimate to do so without Dirk's involvement.

Stop letting me intuit things and then immediately making them clear! I don't care if it's good writing, it's making my liveblog bad!

It's so weird to compare this Davepeta to the one in Homestuck OG. There Davepeta was presented as this wise sage mentor figure who'd achieved enlightenment, and here they're much more of "Dave + Nepeta's combined silliness as one character". It's a subtle difference, but go back and read Davepeta giving this same kind of talk to Jade back in Homestuck 1. I guess that's the difficulty of a character with so little screentime in the original, they're either very limited or they feel slightly off.

Oh my fucking god, a to-be-continued select screen. Shit, that takes me back in an unexpected way.

Also, from the associated news update, "the big flash" is apparently several months away (10/25?), and I have to say they might want to be careful about overhyping it, if they have small flashes and now Ren'Py novels that are just preludes. If it's anything less than a Cascade after months and months of hype it could fall flat where a surprise [S] Enter would've popped the fanbase hard.

[ohwolfling]

11 from the sultry ask prompts? 👀👀

Gale Dekarios Smut. NSFW. 1151 words. Content: light bondage, mage hand, invented spells, fem Tav.

From this prompt. #11 "You know, no one would believe me if I told them how much of a tease you are." You didn't request a blorbo lmao but I assumed Gale as that is what my legacy has become. Anyway, I may try to make this a fuller fic if folks enjoy.

“How are you feeling, my love?”

Tav is resting on a pile of pillows and furs at the foot of Gale’s bed. A rope binds her wrists to her calves. Her calves are wrapped ten fold and the rope’s threads creep upward and wrap tenfold once again around each thigh. It wraps doubled and firm around her waist, a thick twist traveling up her spine, then falling down over her shoulders. It crosses at her sternum and falls between her breasts, each breast wrapped completely by the rope. Nothing of the binding is painful but it is rigid in its limitations. She is posed back straightened, knees bent, legs open.

“As if you don’t know.”

Gale smiles.

The weight of the woven rope tickles with rousing energy. The crisp, cool thrill of a winter’s lightning. It was lesser, of course, but it was the same energy she would feel from the flicker of his orb, in the days when they were new to one another. It would ebb and glow with the intensity of his kisses, the strength of his grip on her hips, with every thrust into her. Whenever she placed her hand upon his chest in those moments, she would feel it. A storm of Weave and Man. Even lessened, less volatile, less hungry, less him, its spark along the rope was intoxicating.

“When are you getting over here,” Tav licks her lips as she asks, allowing her eyes to run the length of Gale’s body.

He makes a fine specimen, sitting on the chaise with one leg folded over, a book propped in his lap. His thin breeches pull taut against the muscle of his calves. The neck of his tunic is unlaced, drooping painfully low, seemingly inviting her in. She wants to run her nails down his chest, place kisses along his collar bones, feel his chest hair tickle her face as she travels down and down and down…

“Well, it’s hard to know,” he flips the pages of the book before him. “Still deciding what is to be done with you. The options are nearly limitless. I haven’t given this book extensive study before now, you know. Bit spontaneous of us, really. Besides, I have a lovely view.”

Gale looks up from his book and his eyes fleetingly flicker a vibrant violet. She feels the energy from the rope intensify, all too briefly. Her nipples harden with anticipation and the energy seems to vibrate into her core, so sudden and shocking that she moans.

Gale meets her moan with laughter and simply says, “Mmhmm.”

Tav writhes against the ropes and Gale watches. She can feel his eyes move down her neck, over her breasts. As his eyes trail down her stomach, she is struck with the sense of memory of his hair brushing against her skin in his many journeys downward. She feels herself become wetter for the thought and a keen ache meets her entire lower body as his eyes find her blooming.

His hands had not been on her since he bound her but a wizard of his renown had many ways of keeping her ready, squirming, desperate for him, even as he sat out of her reach. The rope had to be boiled and cooled to be softened, some sensual tradition from Kara-Tur per Gale’s playful but thorough explanation of the process when she’d found the ropes in the surprisingly varied box he kept just under his bed.

He had, of course, used that time to wind her up. Gale had pressed her against the counter tops and kissed her deeply along her neck and chest as the water came to boil. As the water did its work on the rope, he had unlaced and slipped off her breeches, his fingers tracing her lips until she began to open for him. One and then two fingers found the heat of her and he made her slick with wet. As the rope cooled, he traced his thumb in slow, inconsistent rhythms across her clitoris. Gale was precise, efficient, and took great pleasure in making her cum. The clumsy rhythm had been deliberate, painfully pleasurable but never fully committed.

She re-lived it now in her mind, as well as his hands upon her deftly threading, weaving, looping the rope around her. Tying it tightly, checking in with every knot (“it should be snug, darling, but no pain… never pain” “do you feel held, pleasurably of course?” “more pressure or less?”). It was as if he felt her pining for him in the moments before. Finally, he closes his book and makes his way to her, removing his shirt as he does so.

“Look at you,” Tav sighs, wanting so badly to reach up and tug at his paints, to run her hand down that tell tale trail of hair and feel his manhood harden in her hands.

Gale drops to his knees before her, just far enough to still be out of her reach in her current condition. She gives a small pout of discontent and he smiles, “Patience.”

With a steady motion of his left hand the familiar pale cerulean of Mage Hand manifests into view.

“May I?”

He already knows the answer, but Tav consents all the same.

Gale guides the hand to trace fingers along her mound, then down across her lips as she sighs. His eyes darken with an increasingly familiar ache. It makes her want him more. She knows it won’t make him stray from this path of driving her wild. No matter how badly he wants her, he wants to see her wild for him, out of her mind for him more.

The conjured hand slides finger on either side of her, spreading her open, and Gale licks his lips but makes no move towards her.

"You know, no one would believe me if I told them how much of a tease you are,” Tav laughed, half desperate, half thrilled.

“Oh, there’s so much I still mean to do to you.”

As the mage hand spreads her further open, still not entering her, Gale leans forward, placing a hand just against her. The conjuration moves to circle its fingers around her clit as Gale whispers, “Caladium,” and his hand presses to her opening. An unbelievable and potent warmth sends a hot jolt of pleasure through her.

Tav moans into his mouth as his tongue meets hers. Gale kisses her back deeply before pulling away. He watches the pleasure travel across her face as his fingers enter her.

“You’re going to need,” he plants a kiss along her neck, “so much,” another kiss down her breasts, sucking a nipple into his mouth all too briefly, “patience.”

His fingers leave her and with an open palm he sends pulses of heat like thunder.

[adobe-outdesign]

Could you review the ixi?

Briefly limited edition for a very short period after their release, Ixi are mostly just goats, and there's really nothing fancy about them beyond being goats (unless you want to count the collars). They are pretty nicely designed goats though, with distinct eye shapes, lots of black accents on the hooves, eyebrows, and horns, and some nice markings around the face and muzzle that really help to break up the body.

I also like the personality Ixis have, being mischievous and sort of sassy. This was more obvious in their old circle art, but you still get it a bit from the converted version as well. It's fun and helps make them stand out.

This might be a controversial Hot Take(TM), but I'd argue that Ixis mostly benefited from customization. The old art was just a bit janky all around—the circle pose mostly looks good, but the default happy poses could look kind of off. The converted version cleans up a lot of that, removing things like the second fur tuft on the head that's too close to the horn to be noticeable, the unpleasant lines around the mouth, the shaggy fur lines, etc.

It also refines some aspects, like giving the lighter tail tip an outline to match the rest of the lighter areas and fixing the hind torso, which was all kinds of screwed up on the original art. It also improves the eyes so they're closer to being the same size (it still looks a smidge off to me, but it's at least better). The shading is also less messy (what was up with that pink reflective light on the tail?), the eyebrows have been thickened to match the other black areas more, and it's easier to make out aspects of the design.

Another benefit is that the collars can be removed. I do think Ixi collars look better than Aisha collars (mostly because they can be interpreted as chokers when anthropomorphized, and they at least match the color of the eyes), but it's nice to have the option to remove it if one wants to.

However, there were a few things that don't look as good—namely, the head is both a bit too big and too wide compared to the original, giving it a weird rectangle shape that doesn't quite feel right. Here's a super quick edit of the converted version to try to get the point across:

Also, for some reason the chest fur also stops below the collar instead of under it, and the red Ixi's mouth is no longer the lighter shade like it is on every other Ixi. The sideways hair ruffle at the top is also weird due to them adding a line underneath. So overall an improvement—but not perfect.

Favorite Colours:

Mutant: What a great color! It's just messed up enough to look properly mutant-y, with the fangs, mismatched horns and ears, bipedal stance, spots, and a long, drooping tail. The color palette is subtle and muted, and it's detailed but still completely coherent as a whole. This design also didn't change with customization at all, so it's still as enjoyable as it ever was.

Grey: I already covered this one a bit in my grey color review so I won't get into it much here, but this color is great. The customized version is so-so (good as a neutral base, but the eyes look a bit weird due to lack of top lids), but the UC version is beautiful with its forlorned expression, huge droppy ears, and pretty dull red accents. Even the collar is drooping!

Robot: Converted robot Ixis unfortunately aren't very good—yes, they have to proportionally match the default base, but the chunky round legs, overly large head ridge, and completely botched shading look pretty bad. It looks weirdly rubbery in a really unpleasant way. On the plus side, the unclothed version is terrifying, so it has that much going for it.

However, the UC version is fantastic! It has a super sleek design that manages to look unusually elegant and cute for a robot pet, with a subtle dark green and black palette and high-contrast red eyes. There are lots of good details in there too, like how the neck matches the legs and ears.

[hananoami]

˗ˏˋ ♡ 𝓪𝒇𝒇𝒊𝒏𝒊𝒕𝒚 𝓵𝒆𝒗𝒆𝒍 𝓾𝒑 𝗐/ 𝓩𝒂𝒚𝒏𝒆 ♡ ˎˊ˗

Next up is my beloved personal care physician, DR. ZAYNE LI! He was the second love interest to have affinity level up notifications show up on my screen at login on Monday. Since then he's also passively gained quite a few affinity points to level from up 102 (at the end of v1.0) to to level 105 (his current level)! If you were to ask me why are they leveling up at roughly the same time it's because that's how it's always been since I've started playing on 01/18. While I did have a bias tier, I did not have a preference as to who I would focus on first. What mattered more to me was being able to clear those gd deepspace trials!!! I wish they showed you an affinity points history so I could see what exactly gave me points. However, I have an inkling that I was able to passively gain them from responding his text messages/phone calls/moment's posts. There were also new achievements that I immediately obtained upon login, such clearing his Directional Orbit: Ice - stage 120 and working out with him for 60 days. I also selected one of his solar myth pairs as one of my options in the limited-time banner, Pulse Hunter. [Promise Everlasting] was already at Rank 2, but [Forever Sealed] was only at Rank 1. I really wanted to unlock the duo rank 2 memory bonus for Foreseer, hence why [Forever Sealed] was selected. I ended up pulling 2 copies of that memory, fully ranking it to R3. Having a R2 memory pair bonus also unlocked Foreseer's special color, [Schade's Mercy]. I still have an unused Wish Crate: SSR that I obtained through the Deepspace Gift (600 pulls). I'm still debating if I want to use it for [Promise Everlasting] to bring it to Rank 3 and unlocking the "Thawing Ice" sole you get for FS Memory pair ranked up to R3. As much as I would love to have it, I think I'll sleep on that dream for a while or until I need to fully rank it out to clear a deepspace trial, haha.

AFFINITY: DEVOTION REWARDS UNLOCKED

103: unlocked Text Message: Location, Zayne: Soft Curve (pose)

104: unlocked Phone Call: Slow Life

105: unlocked Secret Times: Sleep Science, Doctor (personal title) Affinity Bonus Stats: +200 HP +10 ATK +5 DEF

[pompomchihuahua]

I just saw you recent ask to the response you had to the anon. If it was the case of after seeing Genya, I wish they put more of Sanemi’s thoughts after seeing his brother for the first time in YEARS 😭

Not saying that Sanemi doesn’t care, but the fact Sanemi COULD have done more, but didn’t to stop Genya. Like I get he secluded himself from him, but that did nothing because in the end, he was still letting Genya fight demons…

I definitely agree that I wish that we saw more of Sanemi's thoughts on Genya in general. I understand WHY we don't in the anime; they wanted it to be a surprise that Sanemi actually still care for Genya because we were supposed to be viewing their story more out of Genya's POV. BUT, the novels were the best place for them to go ALL OUT and while we did get lines like Genya being Sanemi's sole joy, I always wish for MORE with these two.

As for Sanemi doing more, I think it actually says a lot about his character, whether the author intended to or not. He wants to make the situation go away by just... telling it to go away and ignoring it. Yes, he keeps tabs on Genya's health but other than that he just doesn't seem to interact with him.

I do want to pose a question though, to anyone who wants to participate: What would you do if you were Sanemi?

There's the very obvious "Just talk to him! Forgive him and explain your fears and why you don't want him to be in the corps." But stubbornness and emotional stunting aside, there's still no guarantee that Genya would quit.

In One-winged butterfly we get possibly my favorite line from Genya describing his feelings toward Sanemi: "I could get my brother to baby me because I was his kid brother. But who would baby him? He was Mom's right hand, working even though he was a kid. Taking care of his little brothers and sisters with an unreliable dad. Who on earth was there to baby him?"

I absolutely ADORE this line because it shows Genya has more than just a blind admiration for Sanemi but also sees him as a human being who deserves to be cared for and babied in turn. He so badly wants to protect Sanemi as well, I don't think he would willingly leave the corps as long as Sanemi is there in my personal opinion. I think he'd insist on fighting side by side with Sanemi whether he likes it or not. Now, I can see a case being made for him going into more of a supportive role, but leaving Sanemi's side? Absolutely not.

So if talking it out doesn't guarantee he leave, then why not go to Ubuyashiki? Well, there's no guarantee there either that he would forcibly expel Genya from the corps and Ubuyashiki is clever enough to talk Sanemi down from making an ultimatum. "What's to stop him from fighting demons on his own, just like you did, Shinazugawa? At least in the corps we can provide him with resources and some protection."

You could always do what Sanemi chose when pushed to his absolute limit after finding out about the demon eating: cripple him so he can't fight demons. Or even hold him captive against his will.

But it's clear that Sanemi had been actively avoiding those options. He thinks he's doing what's best for Genya, even if we, as the audience, very much know he's not. He's by no means a perfect character, he is EXTREMELY flawed but that's what makes him blorbo.

Hindsight is 20/20 and if he got the chance at a do-over knowing everything he knows now... well, that's a different post

[zsakuva]

Hello! My name is Grim, and I fancy myself a bit of a researcher. Now, this is not for anything important or extremely serious. Instead, this is mostly for my own pure enjoyment and something I have in the works that is to be posted on Tumblr. You are not obligated to answer any or all of these questions I have posed. I know it’s a bit much. Take your time, but don’t feel obligated to do anything. Feel free to add any additional input! Thanks for your consideration!

1. How different do you think your work would be, in terms of getting across a point, in a different medium thats not Audio RP?

2. How do you think your work would be different if it more reflected main stream industry forms of storytelling where you as a creator would be more separate? (ex. movies, tv shows, games, etc.)

3. How important do you find the voice acting in your work?

4. You are the primary voice of your works. Would you consider taking a step back from voice acting in your work to focus on narrative work?

5. Do you believe your own individual ability to voice characters enhances the story overall?

6. Do you enjoy the idea of a “Listener character” or would you better prefer to not have one?

7. As a writer, how does the writing of the Listener take you out of your comfort zone? (ie their effect in relationships, plot movements, etc.)

8. Is Audio RP your favored form of art?

9. How do you believe Audio RP differs from main stream forms of art/entertainment?

10. Do you believe that your work has over arching themes that relate to you personally? (very optional)

Hello, and thank you for the questions!

How different do you think your work would be, in terms of getting across a point, in a different medium that's not Audio RP?

If I were to create similar storylines in another medium, I think my work would be very different. The major element that all my stories are based around is the Listener. Everything is crafted from their perspective, so I need to always keep this in mind when scripting and editing. The best ways to handle the narrative and dialogue are through implications with other characters and SFX; to keep audios sounding as authentic as possible, this must always be considered when I work. Much of it is filled with the Listener's imagination, but to convey a point with only audio cues can be a difficult task.

2. How do you think your work would be different if it more reflected main stream industry forms of storytelling where you as a creator would be more separate? (ex. movies, tv shows, games, etc.)

I'd allow the story to breathe and marinate due to the platform it's on and the medium the story is told in.

The genre of audio RP, especially on YouTube is already limited because creators are told that in order to keep an audience, we must hook them within the first 10-30 seconds. Due to this, we develop our audios with that in mind; it can come as a detriment to our creativity and desire to show a story in a particular way. We're confined by parameters that value immediate views and responses in order for our creations to be deemed successful, and when many use YouTube as their primary source of income, this manner of thinking can become the norm. In order to stay relevant, we must research what's trendy, what tropes are no longer popular, and though it's not necessary, online demand can change on a dime. Exploring different topics and themes are also limited due to this; creators must work within the platform's restrictions, and that has impeded many stories with how deep I can dive and what it could've become.

As a visual medium—particularly movies and TV shows—my stories would be far better. Viewers can perceive them the way I want them to and with far more understanding. Although SFX and a wonderful soundscape can teleport consumers to another place, the nuances that I love and appreciate slip through the cracks. On a larger scale, visualising the settings, fashions, and people can elevate a story as it gives a plainer context everyone can draw from. On a smaller scale, facial expressions and body language are paramount for communication, something that audio RP cannot do.

An example of this would be my newest series, The Noble Trials. It's a high fantasy world which, in itself, is difficult to show because in that kind of setting, anything goes. I want the audience to experience the extravagant events, the opulent locations, the embellished fashion. Of course, as I depend heavily on sound design, I have faith in the listeners to imagine that for themselves, but they'll never imagine it the way I do. The only option is to write it through dialogue, and sometimes, this can feel unnatural. I'm one to sprinkle in details, so if I decide to create a new fantasy creature, I must show it through SFX and characters describing it. That's not to say it can't be done, but that requires more time and effort; it depends on if a creator is willing to go the extra mile for a little more immersion.

3. How important do you find the voice acting in your work?

I find it extremely important! If I want my audience to be transported, then all elements of the story must be convincing, and the character I voice is no exception. Voice acting is the primary driver of it all; though dialogue can certainly tell the audience something, the way it's expressed is vital to adding a layer of realism. As I can't rely on faces and movement to show a particular feeling, it must be emoted through speech, and that can elevate a story to the next level.

4. You are the primary voice of your works. Would you consider taking a step back from voice acting in your work to focus on narrative work?

I've thought about it but I don't believe it to be a possibility. Most of my community listen to my works because I'm voicing the characters, so it's something I must continue doing. However, writing is my strength and passion. It gives me true joy, so if I was guaranteed my career would be retained and someone else voiced the main character, I would consider it. At this point however, it's not an option.

5. Do you believe your own individual ability to voice characters enhances the story overall?

Though I'd say I'm okay at what I do in terms of voice acting, I know there are others that are far better than I am, and I believe they could take my stories much further. My projects are made with audio dramas in mind, so I think that someone more skilled in voice acting could easily transform a character of mine.

Also, my vocal range is pretty good, but voicing all characters (I've created 18 so far with many more to come) is very difficult. Although the audience know it's one man behind all these characters, as a creator I'm compelled to separate everyone so they don't sound similar. Of course, it's impossible to take note of every modulation the voice makes and consistently use certain intonations where necessary, but there will always be similarities between the characters which, to me, hurts the story if the voice is comparable to another and the audience notice. It makes me want to develop my acting more, but it's quite saddening despite what I must do to make characters sound different (pitch, accent, tone, etc). In this case, I am my own limitation.

6. Do you enjoy the idea of a “Listener character” or would you better prefer to not have one?

The short answer is no, I do not enjoy the idea of a Listener character. As a writer, it limits what a story can convey.

In the beginning, it was a great challenge because I could experiment with how to tell stories through the perspective of someone who doesn't talk. It allowed me to develop different means of showing a narrative through SFX and one-sided dialogue, and to understand the limitations and liberties I could make. However, there's a massive downside: everyone is different. Some creators like the Listener being a blank slate for the audience to fill, and that's absolutely fine; I started out like this too!

But as I sank deeper into adding dimension and story to my characters, I realised that I needed to do the same for the Listeners. They need personality, and desires, and struggles that will inevitably clash with other characters. A blank slate cannot drive a story, nor can they transform it in any way because there's nothing to challenge or change. For my stories, the Listener's personality and interests must have something of substance in order to interact with characters.

However, this also proves to be inconvenient because the audience may not be able to relate. Some listeners like to insert themselves into an audio while others enjoy it from a third-person perspective. Those who listen in the former way can have difficulties with what the Listeners do because it's a stark contrast to who they are, and that can break immersion. Additionally, they can develop characteristics about the Listener depending on their own beliefs of them—by their own reflection or other means.

The most recent example would be Alex's series. Tl;dr of the story: Alex and Gremlin (the Listener's petname) have been together for four years. One day, Gremlin accused Alex of cheating, they were wrong, tensions arose, both were stupid, they broke up, and Gremlin left to who knows where. The latest episode is a dream sequence that explores Gremlin's thoughts about what happened, what they think of themselves, and it reveals other questionable things they've done. As a character, Gremlin suffers from trauma, and this drives them to act in unfavourable ways similarly to Alex. The purpose of this audio was to show that Gremlin is not as good as they seem. Everyone is flawed, and I make sure my characters are no different. But many listeners likely can't imagine themselves screaming accusations at their long-time partner, stalking them, and living with crippling trust issues and anxiety; therefore, in their mind, that doesn't happen in the audio.

If the Listener character was voiced, I think their views would be different, but this is the main factor: No matter how detailed I am, the audience will never see the Listener the way I do. And as I want to write narratives in a specific way to convey a specific idea, that can get lost in translation. That means a Listener character must be predetermined in order to write a compelling story and explore themes and situations I can't do with a blank slate.

7. As a writer, how does the writing of the Listener take you out of your comfort zone? (ie their effect in relationships, plot movements, etc.)

Having been doing this for a few years, I think I have a comfortable grasp on how to write Listener characters. The main challenge is natural dialogue between them and other characters, as well as staying true to the personality I've given them. Different Listener characters would notice or mention certain things depending on who they are, and I must always keep that in mind. But for the most part, it's pretty enjoyable!

8. Is Audio RP your favored form of art?

Absolutely not. My favoured form of art has always been audio-visual in nature because that's what I respond best to. Films and TV shows are where my heart truly lies, but expressing myself through this medium is a privilege I cannot take for granted. It can evoke just as much emotion as other arts, and I find that amazing. Although I love watching things, storytelling keeps me sane, and I always have something to share or create. Audio RP gives me the opportunity to challenge my ideas, expand my knowledge, experiment with characters, and develop other skills such as audio engineering (which I love). But most of all, it lets me offer my stories to the world, and I'm so happy I'm able to do so.

9. How do you believe Audio RP differs from main stream forms of art/entertainment?

It's an interesting art form in its own right because although there are certain elements of story set in stone, for the most part it's personalised. Drawing from the way I create audios, the audience—even if they aren't projecting themselves onto them—is experiencing a story through the Listener. It's a limited perspective, and the only things that belong to the consumer are their thoughts, though it might not necessarily be canon to the plot. Most narratives are told through a camera, and what the viewer sees is carefully crafted for the purpose of the story. However, as Audio RP is told from a second-person POV, curating an experience is far more immersive, and I think there is still room to innovate with this medium!

10. Do you believe that your work has over arching themes that relate to you personally?

Without a doubt! Many characters share parts of me, whether that be likes, dislikes, ideologies, experiences, or even direct memories. It's easy to use yourself or people you know as a basis for characters, then build upon that to make them their own individual with their own journey.

Niall is the best example of this. At school, he was closeted but was outed against his will and bullied for being gay, and his crush (the Listener) at the time stood by and watched it happen. In the present timeline, Niall is a creative with a job that keeps him occupied, but those traumas shaped him into who he is: a socially awkward and wary man without love for the part of him he refuses to show. His fears of trust and making friends governed him, but above it all, he was afraid to accept who he is. His story explores that deep fracture: navigating what it means to forgive, changing a once rigid and cold outlook on the world, and in the end, permitting a chance for healing and closure, and realising that living without love is no way to live.

Though I didn't experience most of what he did, writing Niall was a way for me to also have hope in similar thoughts that I carry. It was somewhat therapeutic—more-so knowing that his story resonated with other people and helped them find some form of catharsis.

Thank you so much for these questions! I'm so sorry I wrote so much omg

[pumpkster]

Do you mind explaining how you make your art style.

I pride on imitation but I can't seem to crack how you make art like yours.

HELLO no problem (using this as an excuse to not forget my process too 😭)

for my style you just have to know how to use diff layer modes (for colouring) but also how to put this option

for lineart details (^ it makes you colour inside of the flats from the layer below) IM EXPLAINING HORRIBLY

i dont know if you were asking for the colouring or everything in general? but okay lets take giovanni as a lab rat

LETSGO so what i recommend is a lot of defining

so you first are going to have something like this , no details just focus on the pose

NOW TO THE SECOND SKETCH you should do the head and body in different layers bc sometimes u might mess up in proportions and its easier like this

^(on the first sketch the face is all over the place and not accurate so what helps me is check the forehead size for guidance of where to start the eyebrows and eyes )

see u got a head shape BUT ITS MESSY so time to do the body

awesome

now you make it fit

this looks creepy but sometimes its good to make these as a guide of where the limits of their eyes (+position of their eyebrows) are (also helps for the distance between the nose and eyes)

i prefer their eyes dont touch the corners/sides of their heads idk if that makes sense

SOO IT TAKES SHAPE just get them surgery anytime you see something that looks bad / or that could look better

LIKE THIS WHOLE SECTION

this man and his weird shoulderpads whatever . theres always stuff to modify , here by example i personally dont like the head size so

wooo giovanni exists

let me know if you wanted the colouring process or a character in specific 👍

[pl0xm4st3r]

Rant incoming. I'm really just writing this for myself because I don't want to keep pestering my friends about Persona 3 Reload as I play it. I'm sure all of this has been talked about ad nauseum in the fandom but I don't really interact in fandom spaces. I want to but it's these kinds of thoughts I know people have talked about before that dissuades me. I don't feel I have anything to add.

Anyway, a friend and I were talking about how each of the Persona protagonists are blank slates, and they brought up how despite this, they still think it's possible to play "as them." Which is to say, they all manage to have distinct personalities despite the game not giving you much in terms of characterization.

The first place I noticed this was in the few dialogue options you get. I've only played Persona 5 Royal and I'm in the middle of P3R (Beginning of October), so I'm comparing those. I noticed that Makoto has a lot of instances where you can pick some variation of "What a pain" meanwhile Joker never says anything like that that I can remember. Joker does have instances where he's annoyed, but he tends to be snarky rather than purely dismissive. I think my friend put it well when he said that it paints the picture of Makoto being someone who's constantly in his own head. The fact that he always carries around an MP3 player and can tune out at any moment adds to that. And that brings me to character design.

Obviously with both wearing uniforms, there's a limited amount of expression in that alone. What's more significant here to me is posing. Makoto is slouched over, hands in his pockets, looking down. Joker has a wide stance, and while his head is at a 3/4ths as well, his head is turned more up, and he has a slight smile. Now, in-game they're a lot more similar (slouching and having their hands in their pockets all the time), but I do think this is a significant difference in how Atlus chose to present them.

And my final point is that their characters reflect the themes and aesthetic of the game. Like, obviously this is true, they're each the protagonist. It would be an strange design decision to make them stand out from the rest of the game for no reason. I bring it up because, like I mentioned at the beginning, they're each blank slate characters, so it's hard to latch on to anything with them. And yet, I read a distinct personality from each of them, one reflected by the spirit of the game. Persona 5 is about rebellion and standing up for what you think is right, it's incredibly lively. Meanwhile Persona 3 is markedly more melancholy, and it's mired in death everywhere thematically. I read Joker as far more confident and fiery, while Makoto is more closed off and sad.

What was the point in me writing all this? For one, because I just have a bunch of thoughts bundled up. But it's also because I enjoy writing fanfiction, and I've been wondering how you write characters like these while keeping them accurate. It's hard enough to stay accurate the side characters with more established personalities. How do you write blank slate? It gives you more freedom, but at the same time there is so little to base anything off of that it's easier to go off the path of true characterization. In other words, "he would not fucking say that." How do you write a Joker, a Makoto, a Link, a Gordon Freeman?

[littleeyesofpallas]

Bleach’s Issue with Queer characters (2/3)

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Dordonii might seem like a weird one to point out here, compared to some of the more overt examples, but I think he had a fairly evident queer codedness to him.  His more overwhelming quality was his kind of Spanish flair, what with the tap shoes and Flamenco-esque poses and gestures, the devil horns in his greased hair and on his mask shard, and his little Mephistopheles mustache and beard.  But the ear ring, and Flamenco adjacent sex appeal mixed with the way he kind of baby talks Ichigo strikes me as contributing to a certain daddy-ish gay character type.  Also, I’ve never been 100% sure that it’s not just crosshatching, but I’ve always read it as some chest hair peaking out from his low v-neck.  But I feel like that assessment needs some qualifying context...

Western sensibilities tend to read effeminate features on men as a chief indicator of homosexuality, Japan has never been quite as narrowly focused with its own gay stereotypes.  There is definitely a particular character type in anime and manga that pins the preening vanity of smooth faced and long haired effeminate men on homosexuality, but it’s not really the go-to.  Tracing back to media trends of the 1970s the long haired, smooth chested pretty boy (even the gay ones) very much became the domain of female audiences and creators, where as the prevailing trends of gay portrayals by and for men actually settled more firmly on the hairy and muscular image that bara is associated with now.  I'm not about to do a whole big breakdown of the japanese gay subculture behind the bara thing, because that deserves more time and attentio that i can give it here, but you've got a keyword to work with now, so I encourage you to do a little googling yourself.

Also he has his right ear is pierced?  I don't know if this was ever a thing in Japan, but in America it became kind of a wide spread myth(?)  Originally it actually was a functioning kind of code within the queer community in the 1960s and 70s, but after it became somewhat more generally well known the practice more or less stopped, for pretty obvious practical reasons... but weirdly enough by the sheer power of stupid homophobia, straight people continued to scrutinize and be paranoid of men with pierced ears for decades following.  Again, though, I have no idea if either the original intent or the misinformation of that trend was ever anything that had any kind of Japanese presence...

Anyway... What I’m getting at is Dordonii feels very queer coded to me, just not in ways that everyone picks up on.  But speaking of muscular hairy gays...  Let’s talk about an elephant in the room:

Charlotte Chuhlhourne:

Obviously, Kubo doesn’t quite have the tact to make use of queer identities in a totally respectful way, so it’s hard to tell how much is attributable to Kubo making a character exactly as they appear, and what could be argued to be a character’s theoretical self-identifying terms filtered through Kubo’s limited vernacular.  But the word to know here is Okama[オカマ], which has traditionally referred to gay, AMAB transvestites.  Obvious stumbling point here is that prior to more widely codified and accepted trans identities this term applied to both transwoman and drag queens.

Granted until fairly recently(by which I mean within the relatively short spand my own lifetime) even the queer community at large didn’t always differentiate the two very well; presentation was presentation, the circumstances for it and the specificities of achieving it were personal choices, not taxonomical crossroads; some moonlit as queens and that was it, others would’ve lived as women and never walked a show in their life if that had been a practical option, others still were happily gender fluid, but the scene had one look and one label.  We made due with what we had.

Anyway...  point being that Charlotte’s character is specifically a play into an Okama stereotype.  That is to say, the archetypal look of Okama in Japanese media for many years has been a middle aged, square jawed, often broad or even muscular, drag queen.  Although Charlotte doesn’t actually have one, they are also frequently shown with a muzzle of stubble growing in.  Despite what you might think about jabs at the beard as a masculine feature betraying their feminine presentation, it’s actually not (usually) the reason...

The image comes out of Japan’s gay bar scene --in Tokyo, Shinjuku-Nichoume in particular-- which has long been a cultural centerpiece of Japan’s gay culture.  The larger Shinjuku ward as as whole is itself a commercial district.  So, to the general public who didn’t have any interaction with gay culture itself, the small glimpse they had was from the crossing paths of salarymen commuting into work as straggler okama headed home from the bars the morning after, still in drag and makeup but with unshaven stubble growing in after a long night.

(Also, just a side note on this, but if you’ve ever seen an older (usually bigger) woman with a deep, brassy voice in kind of sultry night attire at a bar referred to as “Mama,” it’s because that’s the owner of a okama bar.  She’s not literally anyone’s mother, she’s the defacto den-mother of sorts for the patrons of her bar.)

It’s still definitely not a flattering portrayal, but it’s one with a very specific history that doesn’t communicate to Western audiences at all.  But there is a certain strangeness to how the Japanese handle this, comparatively.  While Western rhetoric has its hangups with moralist preaching and bitching and moaning about “degeneracy” and “deviancy,” those judgments just aren’t baked into Japanese culture in quite the same way.  In fact, while most of these okama caricatures by and for cishetero creators/audiences are definitely not what anyone would call “good” representation, they do lack a certain expected malice.  Sure, flamboyant bafoonery is a constant in exploitation of gay culture on either side of the Pacific, but where as the West uses this as a means to disarm gay men --to make them non threatening, or to rationalize not taking them seriously-- anime manga and even videogames tend to fixate on the curiosity of it.

(although one enduring, generally positive case of this that actually seems to fly super under western audience’s radars are the great fairys in Zelda. which have maintained their extremely obvious dragqueen inspired look since OoT)

One of the first encounters with the okama charactertype that I only learned to identify looooong after the fact is the Magypsies (haha oh boy that localized choice of slur...) in Earthbound. On the one hand they were treated as a bizarre spectacle and literally not human, but they were magical and benevolent and a little comical but not in the way where they were relegated to being the punchline of a joke and nothing else. And I've found over the years that that tends to be the tone of these kinds of characters.

Another very similar case of this is Ivankov in One Piece, the Kamabakka kingdom Okama and Newkama, including Bonclay/Mr.2. (His "okama way" gimmick being a play on the hardboiled gritty actionhero cliche of a "man's way.")  Where on the one hand, it’s a disgusting, tacky use of the familiar okama cliches, but also their very existence as okama is painted as the basis of their unique form of super power?  Really, it’s just so wildly divorced from reality that it’s hard to even call it “representation,” harmful or otherwise...  Still, in impossibly poor taste based on optics alone, though.

This all is not to try and sweep under the rug that these are still ultimately problematic stereotypes and caricatures to have to debrief each new generation of viewer on just to avoid the slippery slope of total misinterpretation, but I've noticed that there is a distinct difference in how that tone is read. The overwhelming attitude I see from these creators is that these long standing cliches are how okama look and act, but that it makes them interesting or funny, and yes “other,” but rarely lesser.  Obviously that's still rooted deeply in ignorance on part of these non-queer creators, but you can see how it lacks the teeth that the western equivalent has, where such caricatures are explicitly there to defame and demonize, and I think that’s an important distinction to make.

(And let’s not even get into the issue of fake “woke” white people struggling to wrap their tiny brains around the idea of another culture by framing it as that culture’s unique idiosyncrasies as if they’re just failed attempts at conforming to white anglo-centric western values, because THAT is a whole other can of worms...)

To maybe put this into some better perspective here, Tier Harribel has blond hair and tan skin, and given what the Arrancar are and how they live she is presumably naturally dark skinned, and naturally blonde.  But her design is clearly based on gyaru/gal (or possibly ganguro) fashion, which makes use of fake tans and bleached hair.  She looks the way she does because she's made to look like that aesthetic, but looking the way she doesn't doesn't imply she bleaches and tans(presumably those colors are both natural on her in-world). 

That same relationship of image inspiring image while being divorced from meaning is just kind of how Kubo makes these kinds of aesthetic decisions, all across the board, problematic or not.  But of course no one really cares about it when it’s a weird recontextualization of the gal aesthetic because no one’s offended on their behalf.

And in general, I think a lot of these things are just so outside the Western perspective that even when they definitely are problematic, some people can’t even begin to grasp what about it is, and end up fabricating just nonsense arguments against it to rationalize a kneejerk kind of discomfort and confusion over the subject...

Anyway...  having said all that, the next one actually IS a huge problem...

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