#My helluva meta

[tealvenetianmask]

The "old movies" of Blitz's traumatic memories went by really fast, so I slowed it down to .25 and watched it frame by frame to see what I could find. Here are the frames I found interesting.

The necklace. It's confirmed that this is the same one that his mother wore, and he found it in the fire. Maybe it fell off while she tried to escape the flames? We also see how it haunts him when her eyeball turns into it in his hallucination.

Cash throwing a hard fucking smack. Maybe after the fire? It kind of follows narratively, but I couldn't get much from the background. Or maybe it's earlier? Either way, our theories that Cash was physically abusive are confirmed. Fuck him.

Two cute M&M moments. I've felt for a while that when they got together it really messed with Blitz's world. The second one looks familiar. Is it from Exes and Oh's right before he hugs them and acts invasive about Chaz? Either way, his hands are reached out. He feels like a third wheel since they became a couple. So it seems like a lot of his creepy behavior comes down to feeling abandoned by his friends and trying to SOMEHOW be close to them in the only way he knows how to do so safely (being sexual and joking).

This moment with Loona at the end of Seeing Stars. The rage in her face. This was played for laughs mostly (Loona refusing the hug and kicking him in the balls) but maybe it was actually hurtful? Seems like it stuck with him. Seems like he fears that Loona actually resents him (so these two need a talk too eeek).

Barbie. Yepppppp. I can't decide whether this is in Unhappy Campers or from an earlier time.

ALL the Stolas moments. Is it reading into it too much to notice that in all of the moments before Blitz raged in The Full Moon, Stolas is looking at him, and in all of the moments after, he's looking away? Regardless, these are all really upsetting moments for Blitz. And the sheer number of them says something about how fresh and painful the breakup still is for him. HOPING they reunite and make some progress on this next episode. :(

I love the role that Blitz's HANDS play in these glimpses into his traumatic moments. He's never touching anyone, and often reaching or pulling back, or touching an object instead. He has so much love in him, and he's so lonely.

Updates, for anyone who's seeing this from the original post. Thanks to those who pointed these out.

Blitz's hands are burned when Cash smacks him, so it's from after the fire.

The M&M moments are from Murder Family and Truth Seekers.

[demon-country]

Man, no wonder Stolas got literal heart eyes after Blitz did this. This was his "Harriet! Don't get on that train!" moment, the big gesture he so desperately wanted just so he'd know that Blitz really did care about him enough to want him to stay. He had been so sure that that was going to be the last time he ever saw Blitz, that the last thing he ever did would be saving Blitz's life, and Blitz's response was to fight against the chains dragging him away just so he could run to Stolas with a desperate, heart-wrenching plea not to sacrifice himself.

Blitz had thought for sure that he'd never be able to give Stolas the kind of dramatic romcom moment Stolas longed for, but the joke's on him and us, because even though we all knew he would inevitably end up giving Stolas one and were eagerly awaiting it, no one expected it to be like that. And yet, the writers pulled through for us once again, because there really could not have been a more meaningful and moving way for him to have done so.

Anything where Blitz actually said something along the lines of "don't get on that train", could have been misconstrued by both Stolas and irl media illiterate viewers as Blitz just saying what Stolas wanted to hear without actually meaning it (assuming Stolas even remembers that conversation). But there was nothing contrived about this, there was no time for him to have possibly thought about any potential romcom moments at all; he just saw that he was about to lose Stolas for good and fought as hard and as frantically as he could, just to beg Stolas not to take the fall for him. To not love him so much that he'd think Blitz was worth protecting with his very life.

And I don't even think he realizes just how much that meant to Stolas, to know that the man he loves would fight for him with such fervor, despite knowing that it was a fruitless effort. Blitz, without knowing it and without even realizing just how much raw, earnest, desperate love he was displaying, gave Stolas exactly the kind of overt and undeniable proof that he was loved and wanted that he had always needed.

Except that, as Stolas has already found out, that's not enough. He made his big gesture to Blitz and Blitz made one to him, and that's a great start, but love's not just shown through grand gestures and they're not what'll help you pick up the pieces when your world falls apart.

The smaller, softer, quieter gestures of love are what Stolas will need most going forward, but for someone who has received as little love in his life as Stolas has, who has suffered from depression for ages, and who has just lost almost everything (including his antidepressants!), it might end up being hard for him to tell the difference between what is done out of love and what is done out of mere obligation to repay a debt. Not to worry, though, because he'll learn how to spot it soon enough.

He'll see that sometimes love is shown by taking care of someone when they don't have the strength to do it themselves

And by taking them by the hand and giving them a place to rest when it all becomes too much for them to bear

And by catching them when they fall, even when you're upset with each other

And by being so comforting that they feel safe falling asleep and leaving themselves vulnerable next to you without any hesitation.

Perhaps the greatest injustice the world has dealt to Blitz is by convincing him that he ruins lives, when the truth is that the person behind his walls has a way of loving people that is so incredibly healing. Simply by being his real, honest self, he manages to give the people he cares about the kind of love they need the most, without even trying. Without even noticing how much his words and actions have affected them for the better.

And now that those walls have started to drop, his loved ones have been able to start showing how much they love and want to support him as well. I have faith that once Stolas has cottoned on to the little ways Blitz has been showing him that he cares, that he'll start reciprocating those gestures. The man is such a romantic and in the song Just Look My Way he even says "I can give you everything you need" as well as "and no matter what in this world I could give, it's not enough"; there's no way he won't eventually try to provide for and take care of Blitz once he's well enough to. He just needs some time to heal, and until then Blitz will be there, giving him the love and care that he needs to keep his head above water.

Tl;dr: all the people who said that Blitz would never be able to give Stolas what he needs in a partner have just been proven dead wrong on all counts, and will continue to be proven so.

[tealvenetianmask]

So I might be delusional, but here’s what I think:

This will be at the beginning (or close to the beginning) of Apology Tour, like people have been theorizing.

Blitz is going to start by doing everything he can to get Stolas to accept him back into his life (not as just friends, but not defined) short of talking about his feelings, because feelings are still scary. He’s going to be very flirty (smiling, putting his feet up) and refuse to leave. His plan will be to charm his way out of this, and it won’t work. So yes, we’ll get sassy Stolas, and Blitz will probably get thrown out again.

I think the emotional arc of the episode on Blitz’s side will be him starting to open up in a way that’s genuine and doesn’t default to anger (I don’t want to be this way, not forever). I think that the arc for Stolas will be about starting to see Blitz as he is, not as a romance fantasy and not as the piece of shit Verosika sees him as either.

I think that the episode will show us progress toward them understanding each other and getting closer to a place where they can have a real relationship.

same place, still bowing to him

If Blitz is asking to start over as friends I might end up a mess

[zarnzarn]

i see all these comments talking about this after the new episode, but. i would like to state for the record that stolitz isn't. toxic.

first off, the concept of a toxic and a healthy relationship are such... vague terms. when you're online, drenched in language and tight moral boundaries, trying to put a nuanced story like helluva boss's into boxes is easy to attempt and impossible to do.

a toxic relationship is one where one or both parties is maliciously affecting the other. I'm talking fetid, nasty, rude interactions where there is more hurt than love. they're unhappy more often than not when they're with their partner, there's no respect or give from the other side.

stolitz is nothing like that.

Stolas actively cares about Blitz and actually has no fear or hesitation in ADMITTING IT OUT LOUD TO OZZIE. he has been calling, texting, commenting, laughing and finding ways to spend time with Blitz. he's throwing everything he has to the wind, finding the courage to move forward with the divorce, putting everything he has into trying to keep him. he's been alone in a palace since he was born, on medication, with such less people dear to him that he remembered the circus boy who spent a day with him DECADES ago- so when blitz comes into his life and brings back in laughter and color and sex, he's holding on with everything he's got.

and blitz does care!!! he cares a LOT, the whole series we see him falling in love with stolas through SHOW NOT TELL (his expressions, his choices, his fear, his lashing out) and utterly unable to process that stolas cares about him too when talking to fizz; almost a desperate kind of denial-

cause yknow. the first time he tried to confess something to someone he really liked, he accidentally killed half the people he knew and ruined the lives of the rest?

thats gonna leave just a teensy impact on the will to express your emotions in the future, methinks.

even before that, he clearly felt like on some level that he was unworthy and he's said twice that he despises himself for the accident even though it wasn't actually his fault. being self aware doesn't stop the emotions from emotioning.

he keeps insisting its only sex so urgently to anyone who doesn't ask because he can't even imagine it being anything else. he's both disappointed and relieved when he repeats that stolas sees him as a novelty, because what else can it be?

(there's a whole other spiel of how brave both Stolas and Blitz have to be to say it out loud even when asmodeus can't afford to, considering how publically and completely beaten down both were at the club.)

(there's also another whole spiel about how frustrating it has been for ME to see all these comments over time with such bad takes based on like,, 20 min worth of info of a show that takes months to release an ep. like godDAMN have some patience?? let the story UNFOLD MAYBE? IT WAS ALWAYS GOING TO HAVE AN EXPLANATION WHY WOULD YOU CRITICIZE THINGS THAT ARENT EVEN FINISHED ESPECIALLY AN INDIE ANIMATION- i digress)

mind you, this has NOTHING to do with abuse. an abusive relationship is one where one is actively harming the other with full awareness. Stella is an abuser and their marriage is abusive.

and stolitz isn't that; it isn't even unhealthy or toxic. it's a consensual, transactional fuckbuddy relationship that slid into something more for both of them.

but!!!!! one of the main reasons for the problems that everyone looks over is-

they're in a BDSM relationship.

I can't possibly delve into dynamics without making this a 10k research paper BUT even though we've gotten only hints and costumes and dialogue- they're very clearly and undeniably in a BDSM contract. Behind the scenes of this crazy show is a whole different story, of these two delving into the most hardcore kinks out there- knifeplay, painplay, bondage.

if you've gotten into the community, if you've read a couple dozen particularly good fics by authors who know what they're talking about, hell; even if your only experience is fifty shades or 365 or whatever- you gotta know that BDSM scenes are crazy fucking emotionally heavy. there's so much that has gone down between them during their full moons that helluva can't get into!!

but you know how in so many of these popular medias and fics, the dom in the relationship is also like,, the billionaire/mafia heir/prince, etc, the one with financial and physical power? this isnt that. it has been very clearly stated that stolas is subbing, blitz is domming.

now take a moment and think about how much that fucks up the dynamics.

in stolas' eyes, blitz is a confident, dangerous individual who's an old friend and cherished memory of his, who he's trusted wholly with his safety during sex and he's lucky to have; and he has been in an abusive arranged marriage for the past eighteen Years, he's probably not going to be pushing his luck with his dom that much in the first place. plus, blitz is never cowed by him during their conversations- think back to the first phone call right after he stole the book, completely unafraid.

and for blitz, it's someone trusting him again- but it's also a royal- a blue blood who's nearly untouchable and so much more powerful- who couldn't possibly like a piece of shit like him, apart from the sex he gets out of it. he only flirts once he gets some sort of cue from Stolas; he's desperately trying to view this as only a Goetia trying to get his rocks off, despite all the evidence to the contrary, because anything else is unfathomable to him, no matter how clearly Stolas shows it, because of the ptsd.

both of them thinks the other has the power. both of them aren't expecting the other to keep shut if something's bothering them.

and there's so much conflicting messages from the other too!

stolas calls him a plaything when trying to intimidate the humans; stolas cups his face gently and asks if he's alright

blitz asks him on a date and tells him to get better soon; blitz yells that it's only sex and doesn't reply to his messages

ya see?

bring it to fizzozzie for a second now; even though they do look all good on surface, you can still see fizz's trauma and doubt in all their interactions, they're still forced to keep the relationship secret. do you see his face when Ozzie says in hyperbole that he's never leaving the house again, or when someone accuses him of being a pampered house pet or when he got sexualized in the 7th ep? whatever happened in the interim between the accident with mammon, it fucked him UP. even though oz seems to be well aware of this when he tells him not to apologise and in their general interactions, fizz still visibly has trouble separating plaything/commodity from healthy relationship.

shout the fuck out to Ozzie btw, man knows whats UP. rooting for these two so much omg.

i forgot where I was going with this point, I'll edit it when i remember. but yeah! lovely fucking relationship, but damn what angst filled issues.

anyway, to sum up- stolitz is not a toxic relationship. the relationship is stuck sludging through misunderstandings and careless microaggressions and trauma responses, but it's not unhealthy or toxic because of the simple reason that most of the current hurt comes from... a misunderstanding. stolas didn't realise blitz would need reassurance about what they were and blitz didn't see stolas as someone who could get hurt.

unecessarily calling it toxic, even online, is more impactful than people think too. almost all spindlehorse ARE on all social medias; so MANY YouTube animators i know have found jobs there; they see your words, especially since a lot don't tag posts with "anti hb" correctly to keep them out of the main tag. there are Very few queer medias made BY queer people that haven't gone through heavy corporate revisions- helluva boss is practically a historical landmark in its success. it's very very very fucking easy to forget that not ten years ago some of the only queer videos on YouTube were butter lover (one kiss at the end post credits), dirty paws and welcome to hell (subtext).

the amount of "critical talk" helluva boss gets for what it is is very unprecedented. it's a beautiful show. can't wait for the next episode.

[warblogs17282]

Stolas within parties, and unhealthy coping mechanisms. (Featuring Blitz)

Let's start with a bit of concerning behavior in regards to the happy pills.

We see Stolas take two pills at the start of the day, the day where he's about to meet Blitz again for the first time in years.

But when we see Stolas again after the events of s1 e7? He takes three pills, so at some point between these two moments in time, Stolas upped his dosage, and honestly, my guess is that the of events of s1 e7 is the start of Stolas upping his dosage, although I don't have any evidence to support this. While this doesn't point to anything in specific, it's still behavior to be a bit concerned about.

The Parties and Problem Drinking.

One of the things that interested me the most was Stolas being able to call Verosika's party as being about 'mutual pettiness' so quickly, and that got me thinking about the similarities between the parties that Stella hosted, and the parties that Verosika hosted.

In this part, Stolas feels rather isolated in contrast to the rest of the party talking to each other and having fun, and it's also clear to see that Stolas feels uncomfortable as well. Both of these are obviously because of the fact he still has feelings for Blitz and has just generally been isolated his whole life, but it also shows us a noticeable parallel between this party and the ones that Stella would throw.

Stolas is isolated and uncomfortable yet again. Sure Stolas is uncomfortable at Stella's parties for different reasons, but there's still two links between them I can notice.

The first being the reasons why both parties have been thrown in the first place, and the second being Stolas' relationship with alcohol in regards to parties.

"Stolas, you know I like throwing parties!" This implies that Stella throws parties quite often, and considering how these parties are really just thinly veiled excuses to allow Stella to gossip and chat shit about Stolas to her friends while being right next to Stolas, it gives us another reason as to why Stolas is uncomfortable being at Verosika's party besides his feelings for Blitz and being isolated his whole life.

It's because one of the main reasons Verosika's parties were thrown was to shit talk and to antagonize Blitz, or 'celebrating mutual pettiness' as Stolas rightfully calls it. There's various other reasons why I don't exactly believe that the primary reason why Verosika threw the parties was to 'help others cope', that I've covered before. It's clear in her behavior both inside the party and outside the party (for example, s1 e3), that Verosika hated Blitz for what he did to her before. (I'm not claiming that Verosika isn't allowed to be angry at Blitz for that, but her behavior up to this point is 100% going overboard.)

Alongside the violence against the Blitz shaped merch and cakes (which I will cover in this post), we see Verosika openly insulting Blitz to the entire crowd, and we know that Stella would insult Stolas to her friends at her parties. So, it wouldn't surprise me if another part of the reason of why Stolas is so uncomfortable is because he's been in a similar situation before to what Verosika is doing with the parties in regards to Blitz.

So, another thing we know is that Stella uses physical violence against Stolas, as shown by the time she attempts to backhand him in s2 e1.

Guess what we see a whole bunch of during the party against the Blitz dolls? Sure it's a bit exaggerated with the knives and mallets etc, but it's still physical violence, so it's reasonable to assume another part of the reason why Stolas was uncomfortable at the party was because of his own experiences with physical violence.

"Plus, it's true, so you know you can come if you want." - Stella

"I felt it rude not to stop by." - Stolas

I believe that these two quotes point to a sense of obligation to show up and stay at the parties for at least a little bit regardless of if the party makes you feel uncomfortable. Like that Stolas felt like he had to at least make an appearance and stay for a little bit.

Which begs the question, why does Stolas stay so long at Verosika's party, despite saying "I really shouldn't stay long."?

Two interconnected reasons come to mind. The first being the fact that Stolas was already starting to get himself drunk at the start of the party, which just naturally leads to Stolas just drinking more.

The second reason is probably because of the song. Stolas was very much just thrown into the spotlight and told to sing about his relationship with Blitz, so I wouldn't be surprised if that indirectly pressured him into drinking more, something I cover in the next section.

I think something that we haven't really considered is the PROGRESSION of Stolas drinking in both parties.

Stella's Party: The party starts, Stolas naturally doesn't want to be there and feels uncomfortable, but most likely feels like he's obligated to stay and make an appearance, so he starts it off by drinking a little wine. Then the most difficult part of the day happens, Stella starts talking shit about Stolas to her friends, right in front of Stolas as well. So I assume in an attempt to make the party more bearable for him, he gets the strongest thing he can get his hands on and just starts chugging the bottle.

Verosika's Party: Stolas joins mid-way through, feels uncomfortable being at the party for a few reasons, but again, most likely feels obligated to stay for at least a little while to make an appearance, so he starts drinking from the cups a little. Then Stolas gets to a difficult and emotionally taxing part of the night, the part where he's basically thrown into the spotlight, and made to sing about his relationship with Blitz, around 23-24 hours after the full moon argument. So the emotions surrounding that are still very raw for Stolas.

After that point you see Stolas start drinking a lot more, starting to chug that cup. Plus, when Blitz starts talking to Stolas, he also starts chugging the bottle itself quite a lot, in what I guess was because he was already partly drunk by that point, and in what I think was an attempt to dull his emotions more to most likely make the night more bearable for him.

At least, I think that was the general thought process behind the progression of Stolas drinking in both parties. The scenarios between them both are quite different, but I still think that there's some similarities to be noted here.

So, in conclusion, I believe that part of the reason why Stolas has an issue with problem drinking is because of Stella's parties, and that there's quite a few similarities to be noted between Verosika's party and Stella's party.

Of course, I can't make a post on problem drinking without mentioning the time that Stolas most likely got blackout drunk after the events of s1 e7.

Blitz and Addiction.

Now, I wonder just how many of you thought the question of 'Why is Blitz so concerned about Stolas throwing it back like this?' and the answer lies in Blitz's history with drinking, and addiction.

Let's start with Blitz's father, Cash, it's implied that he's an alcoholic, both from the picture below and from the line "Remember how you used to distract my dad so I could steal his booze?", which tells us that Cash kept himself stocked up on booze all the time. So it shows us that Cash's likely alcoholism was always a part of Blitz's life, all up until Blitz left the circus.

There's also Barbie Wire who got addicted, although on a substance named H-8, instead of booze. We don't know exactly when Barbie Wire got addicted to H-8, but because Blitz says "Oh. Thank, Satan.", and the fact that Barbie Wire means a lot to Blitz, it shows that her getting addicted to H-8 most likely effected Blitz in some negative way.

Finally, Blitz has seen it again with Verosika, who is also an alcoholic, who went to rehab for it but got out because of her celebrity status. When she exactly became an alcoholic and went to rehab we don't know.

Something to note here is that, according to a study, addiction tends to run in families, and dialogue in the Queen Bee episode suggests that Blitz attended those parties Beelzebub hosts a lot in the past, because of this line "He-hey, I knew it was you! Fuck, man, where you been? You here for the party?" and "Come in and show us all up again.", implying that Blitz used to be a regular at her parties.

Plus, in truth seekers, Blitz admits to doing a lot of drugs in college.

The only times we see Blitz drink during this show has been in social settings, and sure while Blitz did invite Moxxie and Millie once on screen to a dive bar, that doesn't change the point I'm making at all.

So, what the show is trying to tell us is that Blitz did a lot of drugs and alcohol in the past, and nowadays he's not completely avoiding alcohol, but the only times he'll drink is in social settings.

Regardless of how bad things have gotten for him, such as Ozzie's for example, Blitz refuses to drink or do drugs at all, he just ended up having a cry session on the couch and just consumed ice cream. Compared to Stolas who dealt with everything by most likely getting blackout drunk.

I imagine that Blitz very intentionally limits himself on doing drugs and alcohol, because he knows so many people that have the issue of addiction.

[akirathedramaqueen]

There's one piece of concept art that made me see the entire Apology Tour disaster in a different light.

So, we've been talking with @warblogs17282 about Stolitz and how their break-up ended up playing out in the 'Apology Tour' episode.

Why ended up? Well, there's a collection of concept art which, to my limited understanding of this craft, is one of the first steps in the production process of animation. This post by @birdy-babe includes a great chunk of it, shared by artists after the episodes aired (like storyboards, but much more stylised, showing how different some original ideas were). Long story short, one of the concept arts from the 'Apology Tour' episode suggests their quarrel was originally meant to be much harsher.

A short summary of the concept art to see what we are dealing with

In the background, you see a lot of apology postcards and silly cutesy stationery, suggesting Blitzø is in the middle of his Apology Tour.

The contact name isn't 'Stols' but 'Bird Dick,' implying their relationship is at an earlier stage, with less respect—at least on Blitzø's part.

There's a photo partially cut by the edge of the messages screen. From the signature gloves and boots, cowboy hat covering Blitzø's private parts, and visible nipples, it appears to be a nude image—replaced in later stages of development with stupid gay affirmation memes (as hard as it is to believe, I couldn't imagine there could be anything worse than the Striker horse gay jokes... well, it could, my dudes, it fucking COULD).

There are three messages, one of which is unsent:

"Stolas, cum awwwwwwn, u no u want it :)"—likely attached to the nude;

"Dude just talk to me"—desperation crawls in; he finally realises the shit has hit the fan;

"Im sowwy :("—an apology, but the text remains unsent, perhaps because it seems pointless, given that the 'Not Delivered' notifications and warning signs indicate Stolas has blocked his number.

Why do I find this fascinating, and why does it fill me with immense hope?

Because they still fucking care so much, and neither has completely closed the door on the other. By comparing the concept art to the final product, you can see how many intentional choices were made in dialogue, visuals, and behaviour to make it clear that these two idiots still want things to continue. Stolitz is meant to fucking live.

Now, if you want to see some comparisons—evidence, really—let's dive into each other's changes, focusing on what we can gather from the concept art.

Blitzø's side

Change 1—thank gods, no nudes. The gay memes are sillier and a bit lighter. Of course, they still showcase utter disrespect, a horrible prejudice against sexuality, and a poor understanding of how deeply Stolas was hurt, but I find them... less bad.

Change 2—no more 'Bird Dick.' Blitzø has actually come up with a real nickname for Stolas! Feelings are boring for you, huh, Blitzø? I can almost hear the song’s lines: "O-oh, hooked, addicted you might say, conflicted in a way…"

Change 3—Blitzø's attempts to apologize now show much more contemplation. Since Stolas hasn’t blocked him, Blitzø knows his words aren’t just being thrown into the void. Although the 'unsent' detail remains, it now carries real weight and impact.

All three changes are seen in these two GIFs.

He knows he did wrong. He knows he wants to salvage it. He might not yet know how to do it healthily, but he tries—he tries so fucking hard!

Look at the range of raw, cutting emotions as he speaks to Stolas and finally delivers his apology—probably the only one he genuinely meant. Well, maybe except for Verosika, a bit later.

It's not that it's hard for Blitzø to say 'sorry'—we've seen him do it a lot lately. He's actually quick to apologise and take responsibility, so Stolas's remark about him not feeling any remorse couldn’t be further from the truth. But the fact that he isn't running away this time—chasing after Stolas and trying his best to mend things—is drastically different from how he treated Verosika back then.

Stolas's side

Here’s the moment that struck me deep. It’s the only change, since the concept art shows Blitzø’s POV, but it’s such a significant one.

Do you think Stolas has moved on? Do you think he’s done with Blitzø? Not convinced, even when he’s literally singing about still wanting Blitzø?

Well, here’s your proof—he didn’t block Blitzø. They scrapped that.

More than that, the entire interaction emphasizes that Stolas isn’t pushing Blitzø away for good.

How do I know this? Stolas is very insistent on using phrases like 'for now,' 'right now,' and 'now' throughout his attempts to tell Blitzø off.

Here are some citations:

"I was hoping my lack of 'ha-ha's' in response to the photos you sent me would be an indicator I didn't want to talk right now."

"Seeing you right now is hard!"

"I'm tired of this! I'm uncomfortable with how you're speaking to me now!"

Why is this so important? Because he isn’t asking Blitzø to leave him forever. All he’s asking for is time.

Even while hurt, Stolas gives Blitzø plenty of chances to explain himself civilly. Look at the hopeful glances each time Blitzø shows any glimpse of genuineness.

Stolas fucking hopes Blitzø will take back all the cruel things said and brash actions done.

You know, Stolas... I've spent the entirety of this morning listening to love ballads, and that was...

For what?! You want me to be like, "Oh sorry, this entire time I assumed the worst because I was convinced a prince could never love someone like me and I've let my self-hatred stop me from apologising to anyone I could ever care about!"

You see the furrowed brows and the sad look? Stolas hopes for the best... but gets the worst because Blitzø isn’t there yet.

I’d even go so far as to say Stolas is acutely aware that Blitzø uses his brashness as a shield to protect himself. He literally sang about it in 'Just Look My Way.'

Unless it's me? And no matter what in this world I could give, it's not enough to get through these walls you've conjured up to live.

So, what gives?

Is this the behaviour of people who want to give up on a relationship they still clearly hold dear?

No. Even when they’re angry, aggressive, hurt, or drunk, they still seek understanding and forgiveness. They continue to listen and try.

They might lack the skills and may choose the wrong time, place, or words to express what truly matters...

One person, scared of being rejected so much that he unconsciously conveys this message by saying, "You don’t have to stay here with me," and carrying it throughout the whole conversation...

The other, coming to terms with his feelings, admits them, and his fears, a bit too late—when his romantic interest is too drunk to comprehend anything…

And in both cases—self-loathing, self-hatred, doubts, scars, trauma… and a lack of hope.

But there is hope. No, this is reassurance, my folks.

You know when it's hardest to stay in a relationship? When it’s hardest to come and say, "I am sorry," when it’s hardest to still love the person?

When you’re hurt. When they’ve hurt you.

And, despite that, you still come to them and still want to talk to them.

If this isn’t ironclad evidence that this is more than just a fling or a couple of fun sex dates, I don’t know what is.

And the 'Apology Tour' fucking proves it, rather than ruins it. It only strengthens the point. It’s easy to live in happiness, but it’s so hard to go through it while you’re in pain. When you see them doing that, you realise it means everything to them.

Stolitz is to live.

[justanotherhh]

smthin about blitzø's romantic relationships defined by him as bodyguard, with fizz, with verosika, and with stolas. something about that being a part of his core, either as a negative (it's all about putting his body in front of theirs because he's the "less important" factor and it's the only real thing he feels has to offer alongside sex) or as a positive (he likes protecting others, he likes being of use, it's a good way of communicating how much he cares and he's good at it)

but yeah, that forming part of the foundations of those relationships from his side

[aspoonofsugar]

Society's Sins

@laughingsour: You mentioned before how Mammon is the only one of the sins who doesn't sing a song to introduce himself and his character during his own first apperance, rather his introduction is by him stealing songs from more talented performers. You noticed how Satan stands in between as he does steal Stolas and Blitzø's song but unlike Mammon he's actually singing himself?

Thank you so much for this ask! It gives me the chance to share some thoughts I have about the episode (which I loved) and the series, as a whole. So, the focus will be the Sins and their thematic role in the story.

First of all, some considerations about the Sins in general.

So far, Ozzie, Bee, Mammon and Satan are the Sins, who have been properly introduced.

Lucifer is a Hazbin Hotel character, so he will most likely not appear in Helluva. However, he is referenced multiple times and his character is very important, even if he is absent (precisely because he is absent tbh).

Leviathan and Belphegor have appeared, but they have yet to speak, so we know very little of them. They will probably get a proper introduction later on in the series.

So, let's focus on the 4 Sins that got at least one episode dedicated to them:

Season 1 has Ozzie and Bee appear - They are positive characters and helpers, as Ozzie gives Blitz the crystal and Bee is kind with Loona at her party. Even in Mastermind, they are the only Sins, who speak in I.M.P.'s favor.

Season 2 has Mammon and Satan appear - They are negative characters and antagonists, as Mammon mistreats Fizz and Satan punishes Blitz and Stolas. Mastermind has them being the most vocal against imps, in general.

At the same time (and here we come to your ask), each Sin gets an introductory song about their vice. Let's go deeper.

SINGING SINS

Asmodeus, King of Lust, has House of Asmodeus:

Asmodeus: You singing love songs in my lustful lounge? Fizzarolli: Ozzie's ain't the place for sentimental sounds! Asmodeus: What'd you expect from a proprietor like us? Fizzarolli: Your demon host, Asmodeus, the embodiment of lust! Asmodeus: Give me a thrust! Fizzarolli: Bwabwabwabwa bwaaaah- Asmodeus: Show me some lust From the groin to the bust In desire, we trust In the house of Asmodeus

The song is an exploration of lust (FizzXOzzie) vs love (MoxxiexMillie) and it's solved by Moxxie and Millie winning and kissing. The final message is that romantic love doesn't weaken lust, but makes it stronger. Later on in the series Ozzie himself embraces this idea and sings the song "Crooked", which empowers his "lust" with "love".

Beelzebub, Queen of Gluttony, has Cotton Candy:

Hey! I'm whatchu need, I'm watchu want I got it all, a carnival I'll bring you up, I'll take you down I'm sticky sweet, stuck in your teeth Like cotton candy Cotton candy (Ah-ah, ah-ah) Cotton candy (Ah-ah, ah-oh) Cotton candy (Ah-ah, ah-ah) I'm whatchu want Not watchu need (Ah-ah, ah-oh)

The song is Bee introducing herself as "cotton-candy". She is an "eye-candy", who loves partying and sharing food with her guests. In exchange, she enjoys others' emotions of happiness and fun, in a virtuous cycle. She basically likes eating healthy, at least emotionally speaking :P

Mammon, King of Greed, sings no song, but has his debut episode called: "Mammon's magnificent musical mid-season special (ft Fizzarolli)".

In other words, all the songs featured in the mid-season special are Mammon's songs. They do not directly say anything about greed, but they comment on this sin in a meta-narrative way. The Sin of Greed is a talentless performer, but he steals others' talents, so his songs are stolen songs. Loo Loo Land is the perfect example of this:

I have a dream (He has a dream) I'm here to tell (He's here to tell) About a magical fantastic place Called Loo Loo Land

After all, the song itself is about Mammon profiting of Lucifer's Lu Lu World theme park. It's sung by RoboFizz, which is Mammon's way to exploit Fizz's voice and body. As a cherry on top, it is a rip off of Charlie's Inside of Every Demon is a Rainbow. It is the perfect embodiment of greed.

What about Satan, King of Wrath?

Satan is just as special a case as Mammon is, but in a different way. As you said, he sings, but not his own song. Rather, he steals Stolas’s. Why? I think that he sings someone else's song to convey he is trying to pass up as someone he isn't:

Satan: I am the mastermind, and here I am the law I've ruled the endless dark Since long before the golden angel's fall

He claims he was the First King of Hell, before Lucifer's fall. However, Word of God clarified this is a lie. So, Satan isn't the Master of Hell, but he acts like him. Similarly, Mastermind is not his song, but he takes it over to affirm his authority. Not only this, but his stanza is pretty ironic:

So you see Next to me, your master plans all look so small Little mice When you break my rules You pay the price!

Satan says he is able to see through others' plans, but throughout the episode he is tricked by everyone.

Andrealphus sets up the whole rigged trial by foreseeing how Satan will react to the whole situation

Striker lies to Satan about who the instigator of Stolas's murder is

Blitz convinces Satan to let the rest of I.M.P. go

Stolas tells Satan he is the one behind everything, when it makes no sense

So, Satan insists that he is a mastermind, but he isn't. That's the point of the song. He presents himself in a way, which is false, hence why the song isn't really his own. Maybe, just like it happened with Ozzie, Satan too will get another song, where he will sing his true heart out (I sure hope so because Patrick Page's voice is wonderful). This would work also because Mastermind is different from the other Sins' songs, in the sense it isn't really about the Sin of Wrath. Why is that so?

SATAN, SIN OF WRATH

Satan: I am the mastermind, and here I am the law (Deadly Sins: He is the law) I've ruled the endless dark Since long before the golden angel's fall So you see Next to me, your master plans all look so small Little mice When you break my rules You pay the price!

Satan's section of mastermind introduces the Sin as the law, so he embodies the wrath against trespassers and rule-breakers. In this sense, he is the physical personification of a draconian law system, which is why he is... well, a dragon :P

Still, this is a very specific interpretation of the Sin of Wrath, which gets weakened by Satan being the only Sin, who doesn't thrive into his vice:

Ozzie owns a sex club, mass produces sex toys and enjoys a healthy sexual life with Fizz. He joyfully sings how he embodies lust and is proud of it.

Bee organizes parties, gives everyone alcohol and food and even shares her own Bee-Juice with others (Verosika), so that they can have fun at their own gatherings. She is the best Queen of Gluttony ever.

Mammon is obsessed with money and is able to market and profit of everything and everyone. He steals from imps, other Sins and even the King of Hell himself. He is a douche bag, but he lives up to the expectation of what Greed is.

Satan is instead shown to try and keep his Sin in check:

Yogirt: Um, Satan? Sorry. W- wh- what did we say about negative energies in our mind temple? Yeah, remember to take deeeep breaths.

He even needs to, if he wants to be functional as the Judge of Hell. This ties with Satan's contradiction: his name means "accuser", not "judge". In a fair trial, the person, who makes a judgement shouldn't be the same, who accuses. However, Satan is uninterested in listening to the different parties:

Satan: Why don't we take a vote. Who wants to listen to hours of testimony? Who wants to kill this imp bastard and get home for lunch?

And he focuses on finding someone to punish:

Satan: You dare try to tell me how to PUNISH!?

He is an "accuser" forced into the role of a "judge". This is why he doesn't sing much about wrath. He is trying to step into the role of another Sin.

I wouldn't be surprised if it were revealed Satan himself is a little bit frustrated by this. Who knows? Maybe the Sin of Wrath is so prone to bursting into rage because deep down he is angry at a certain someone :P:

This is a headcanon of course - During the episode, we see a door with all the Sins' seals on it. However, Lucifer's seal is broken. This could be just a symbol of Lucifer's absence and loss of influence. However, wouldn't it be interesting if in canon someone broke it? And who could be both big enough and so prone to anger that he would lash out against an absent king? Maybe the Sin of Wrath himself.

Whatever the case, it is obvious Lucifer's absence has progressively messed up the balance among the Sins. This is why the episode draws a lot of attention to the missing Sin of Pride.

LUCIFER'S ABSENCE

Mastermind offers us a pretty clear idea of the Sins' political standing:

Ozzie and Bee are sympathetic towards the lower classes. They date respectively an imp and a hellound and would like to hear Blitz defend himself.

Satan and Mammon are classist and racist. They look down on the lower classes and are the most eager to kill Blitz.

Leviathan and Bellephagor are more difficult to pint-point, but I think there are two possibilities: 1) They are both neutral, as Levy's two heads can't agree on a political stance (she can't make up her mind :P) and Belle would just sleep throughout most of the discussions 2) Levy is more on Mammon and Satan's side, as she sits closer to them, whereas Belle leans more towards Bee and Ozzie, as her sit is closer to theirs.

In any case, it is probable most of the Sins' disputes would end up in a tie (either 3 vs 3 or 2 vs 2 vs 2), which means a 7th vote is key for deciding. As a result, Lucifer (and Lilith)'s presence was probable pretty important to make the group work. Now that Lucifer is inactive, Satan is using his power and influence to impose himself in every discussion, hence why Ozzie and Bee are annoyed:

Still, there is more to Lucifer's absence. For example, isn't it interesting that so far he has been mostly referenced in two episodes? The first is Loo Loo Land and the second is Mastermind.

In Loo Loo Land, Lucifer is mentioned directly:

Octavia: Is it true this park is just a really shameless spin-off of Lucifer's far more popular Lu Lu World?

And both his face and symbols appear here and there:

This checks, as Mammon's Loo Loo Land is a rip off of Lucifer's own park. Mammon is so unimaginative that he keeps the apple as a mascotte and Lucifer's head, as one of the attractions. You can also read a sign, where Mammon claims he did not copy Lucifer's ideas.

In Mastermind, Lucifer's name comes up twice:

Stolas: Oh, my Lucifer! What are they doing?

Satan: What in LUCIFER'S HELL IS THIS?!

He is called the Golden Angel by Satan, several symbols related to him appear in the courtroom and his empty seat is shown:

These details are there to remind everyone that he is the true King of Hell. After all, Hell Nobles and the Sins themselves use his name as a swear word and it is implied he is the one who built the courtroom they are all in.

Why is Lucifer so heavily referenced in these two specific episodes? It's because they show two Sins trying to take over Lucifer's Kingdom in different ways.

Mammon copies Lucifer's most commercially successful ideas and takes advantage of Lucifer's depression to evade his lawsuits. He makes cheap rip offs of the King of Hell's greatest hits and grows richer and richer.

Satan takes Lucifer's spot as the leader of the Deadly Sins and rules Hell in his stead. He presents himself as the legitimate King of Hell and imposes his will on the other Sins, who can do nothing, but accept it.

In short, Mammon is taking over Hell's economy, whereas Satan is taking over Hell's politics. They are spreading their influence by using the power vacuum left by Lucifer. Basically, they are trying to become Lucifer. Hence, why they end up referencing Lucifer so often. At the same time, they are clearly creating a society, which stands in opposition to Lucifer's old dreams.

This is obvious in Mastermind, where Stolas's situation is clearly meant to be compared to Lucifer's own one:

Some villain's grand design To use the book To breach the world of man!

Stolas describes his crime as using a dangerous artifact to mess with the world of man. This is exactly what Lucifer and Lilith did, which is why it is not by accident Lucifer's symbol is in focus, as Stolas sings this part.

Not only that, but Stolas's punishment echoes Lucifer's.

Lucifer is banished from Heaven by the Six Elders:

He is condemned to spend the rest of his life in Hell, with beings considered inferior by angels.

Stolas is stripped by Six Sins of his title and power:

Satan: STOLAS! I hereby strip you of your status, your power, and your title for the next hundred years.

He is condemned to spend 100 years as a normal citizen of Hell, with beings Hell Nobility sees as inferior.

It is basically the same punishment. So, the irony and tragedy of Lucifer is that his own Kingdom ended up becoming a grotesque copy of Heaven. And he actively contributes to it by staying inactive.

At the same time, I don't think it is a chance that the two Sins, who are thriving in this environment are Satan (Wrath) and Mammon (Greed). Rather, I think this ties into Helluva Boss's social commentary.

GREED AND WRATH - SOCIETY'S SINS

Hell is a society where Greed rules the economy and Wrath rules politics. This is why it is a hellish society :P Of course, this doesn't mean every problem society has can be tracked back to Mammon and Satan. Rather, it means these two Sins are so influential because society as a whole lets them. Both the Ars Goetia, who support them to keep their privilege and the lower classes, who adore them. For example, many imps and hell born demons:

Refer to Satan as a deity and idolize him

Love Mammon and buy his merchandise

Moreover, the influence of these two sins comes up in different plot-lines. That's because all the recurring villains so far are motivated by either wrath or greed.

I.M.P. have two recurring villains getting in their ways:

Striker, who is introduced in the Ring of Wrath and is mostly motivated by his resentment for both Hell Royals and Blitz

Crimson, who is introduced in the Ring of Greed and is mostly motivated by money

Stolas has two main villains, who target him:

Stella, who hates him and is mostly motivated by anger

Andrealphus, who wants Stolas's assets and richness

Earth has two recurring groups of antagonists:

The Cherubs, who by this point are bursting with anger against I.M.P.

The Dhorks, who are using their investigation on I.M.P. to get more fundings and technological gadgets

The Cherubs and Dhorks aren't connected to this theme perfectly, but it checks, as they are not part of Hell's society.

That said, Blitz's personal villains and foils (Striker and Crimson) and Stolas's ones (Stella and Andrealphus) all fit the pattern. This was shown also during the trial:

Blitz and Stolas are defeated by their dark foils:

Striker is who Blitz would be, if he gave in to his wrath towards the system and the world, in a destructive way. He is an imp, who hates society, but is so weak and exasperated he can only lash out against those like himself. All to feel some satisfaction and power.

Andrealphus is who Stolas would be, if he only thought about his privilege as a Goetia. A person, who is so sexually repressed everyone can see it and who is motivated mainly by a thirst for power and material gains.

So, Hell Society is broken, but it is broken because both the higher and the lower classes are animated by wrath and greed.

The highest classes are so greedy, they only think about enforcing the status quo. Moreover, they punish violently, who tries to change things.

The lowest classes are so angry, they would lash out against any scapegoat, who is offered to them (see imps hating on Stolas, even if it's obvious he has just saved Blitz). At the same time, they are so blinded by greed, they would do anything for a quick buck, even if it is detrimental for them in the long run.

These are my thoughts on the Deadly Sins so far. Obviously, I may be wrong and things may change as the Sins get explored more. As for now, though, I think this is their thematic meaning and importance for the series as a whole!

Thank you and have a nice day!

[roseyswords]

FULL MOON SPOILERS!!!!

So first of all..

I was not expecting to see the cherubs this episode. That... That was a big shock. Seeing them and their plotline was certainly interesting. It was funny seeing their reactions to just everything going on with Blitzø.

And speaking of Blitzø. Um fuck?! My heart that hurt!? "I think so highly of you. I didn't realize you think so little of me" like OUCH? I keep adding question marks to my sentences because my brain can't quite comprehend how it's feeling.

I find it really interesting that Blitzø brought up Stolas's imp butlers. This is a part that has stuck out with me really strongly. Cuz we've seen Stolas squeeze the shit outta one of them when angry on the phone with Stella. And it really makes me wonder just what kind of behavior has Blitzø exactly seen of Stolas interacting with his butlers. Because Stolas is a very rich man, who has only imps working for him and Blitzø noticed.

Which is funny because he notices literally nothing happening around him this whole episode. Which feels thematically relevant. He's always been oblivious to the more emotional side of Stolas's affection for him but that is also by design of how Stolas treats him. Remember Stolas is the same guy who used to get routinely bleeped due to his sheer level of hornyness. Blitzø has only ever seen their relationship through a sexual lens.

I also find it very interesting that he goes into that interaction already extremely worried and insecure and scared out of his mind that Stolas is tired of him. Which makes going in and being confronted with Stolas's emotions even more jarring and confusing for him. He's already coming in with an intense amount of anxiety with the singular goal of pleasing Stolas, which just highlights the unhealthyness of their dynamic that Stolas is trying to break away from.

Moving on to Stolas's mind for a bit. It has got to fucking hurt that when you finally put yourself out there emotionally and the other person immediately thinks you must be fucking with them. I think it really opened his eyes to how their relationship has truly been when Blitzø assumes that this serious conversation must just be some really weird roleplaying scenario.

And when Blitzø yells at him and reveals that he thinks of him as this rich pampered jerk, it is a startling difference of perception between the two of them that Stolas now has to contend with. It is so interesting to me how Stolas in this scenario is trying really hard to think about things from Blitzø's point of view in terms of how their deal must be affecting him, but he's also not prepared or emotionally equipped to think about how that must shape how Blitzø sees him as a person.

So overall that just leaves us with a lot of pain, and anguish, and a really beautiful episode.

And wow...that hurt.

[blitzwhore]

I think the thing that kills me the most is that I really do think Blitz was picking up what Stolas was putting down. He's smart, he's observant, and I'm pretty sure he was already processing things as Stolas was speaking. Putting all those things Stolas has done that back up what he's saying now together in this context. He's got those big, shiny eyes going from Stolas to the crystal to Stolas to the crystal, and by the end he looks like he's really starting to hope. And then his self-loathing comes in with the steel chair and goes, "too unrealistic, settle for bondage like the rest of us", and his eyes lose their shine and their hope. It's too good to be true, so it must not be.

I completely agree. Blitz really does seem like he's following what Stolas is saying and putting the pieces together before his instincts kick in. Not just that, but Blitz looks genuinely disappointed and bewildered when Stolas stops him in his tracks when he starts "role-playing". He genuinely thought Stolas had to be messing with him—so much so that when his role-play doesn't work, it confuses him even more, because that was the only other possible explanation to everything Stolas just said to him.

And when Stolas says his goodbye and dismisses him with strained formality, stepping away, realisation hits Blitz again and he immediately backtracks and reassesses the situation. His "You were serious? Hold on, Stolas, what the fuck?" isn't him judging Stolas or calling Stolas crazy. It's him trying to understand. Was his first read of this situation really the correct one? That can't possibly be. But Stolas actually looks like he was serious, so it must be. At this point, though he's still not letting himself feel that hope that almost took over him a moment ago, Blitz is trying to figure out if he can maybe, possibly, eventually get there.

But then Stolas says he already has his answer from Blitz. And here's the problem: by the time Blitz is beginning to actually comprehend exactly what Stolas is saying and the implications, as well as what feelings he's allowed to safely feel in that moment, Stolas has already put an end to the conversation.

And this same pattern is repeated from beginning to end of the scene. Throughout their entire meeting, the gates to both of their hearts keep opening—desperate to be seen, understood, and wanted—and then closing again—too terrified of being hurt, too ready for heartbreak and disappointment, to remain open for too long.

And, every single step of the way, they are desynchronised. Over and again, one's door opens just in time for the other's to close. And so neither of them is able to see the other's gates when they open. All they ever see is the other shutting them out.

Only at the very end does Blitz manage to finally look at Stolas and see. But by that point, it's too late. Stolas is already shutting him out, but this time for good.

(Or so it seems. For now. Rest of Season 2, save us!)

[velvet-games]

I feel like we don't talk enough about how blitzø is a femme fatale. the trope of an assassin that often gets their way by seducing and sleeping with people is almost exclusively reserved for female characters, yet blitzø manages to be that while also somehow perfectly integrating that trait into a very masculine persona. like it's actually so seamless that you almost wonder why it hasn't really been done before -- of course sex appeal is not a tool exclusive to women. of course cocky, hypersexual fuckboys who brag about their dick game could use sex as a way to gain favors. and of course there are women (i.e. millie) that prefer to use raw strength and skill over sexuality in their work.

[tealvenetianmask]

Blitz is going to be the death of me.

Right before the crystal, when he thinks that Stolas is really breaking up with him, he straight up begs.

"Stolas, please, I need this book. Please."

Uh huh the book . . .

"I need this book, Stolas. I will do anything.

Looking down (maybe telling himself, "I knew this was coming eventually") and then looking up, trying not to cry.

Despite . . . his everything here, I'm pretty scared that half the audience will think this is really about the book, and I'm not ready for the bad takes yet.

[demon-country]

When Stolas is really, really upset, he occasionally stims by hitting his head. By Mr. Butler's complete lack of reaction, this must have been a fairly common occurrence in his early childhood.

I like that we see both happy and unhappy stims from him. The repetition feels deliberate, just like how both times see him super excited and anticipatory he does little hops or bounces (hard to tell which without seeing his feet).

Another repeated stim is that when he's happy he tends to hold his fists up by his chest, which you can see in the scenes where he's bouncing too. In Seeing Stars he even shakes his fists because he's so excited to have found red glasses that look like his second pair of eyes (he's so fucking cute, I can't stand it).

I wonder if we will see these same stims more often, now that his mask is off again and he's no longer being told he needs to hide his emotions.

[lost-romantique]

The Stolitz plotline didn't just "happen"...

One thing I will never understand is people complaining that the Stolitz plotline taking center stage happened randomly...

It didn't.

The plotline has been building-up since the very first episode of Season 2.

The only difference is the change of perspective.

During the start of Season 2, the Stolitz plotline has been solely focusing on Stolas' POV, while Blitz, the protagonist, was dealing with seperate shit.

Because at the end of the day, Blitz has a life outside of Stolas, he has people to worry about, and his own personal shit to deal with.

They had one episode together in Seeing Stars, but that's it.

Afterwards, whenever anything Stolitz related was put into focus, it would switch to Stolas' POV, while Blitzø was preoccupied doing something else.

Western Energy is a good example of this, an extremely controversial episode that divided the Fandom at large... and still does.

Major things happen to Stolas this episode:

Stolas, who initially didn't see the threat of Striker till he actually got stabbed, is made hyper-aware of his overall wellbeing immediately afterwards

Stolas is told of the class disparities between imps and royalty, and how much Striker despises them. However, Stolas doesn't get what the fuck Striker is talking about, he's too busy being cunty towards him (what a bloody legend)

This is the first time the audience is made aware of Stolas' overall lack of awareness, and his inability to grasp the class divide.

Stolas spends majority of the time hoping and praying for Blitz to save him, to fulfill that 'knight in shining armor' fantasy he puts him in

He's shocked and maybe even a little disappointed to realize that help came, not in the form of his suave knight he's been crushing on, but his crew

Meanwhile Blitz, was busy helping his daughter get a Hellbies shot.

I really don't want to argue about Western Energy right now, all I will say is that I don't hate Blitz for wanting to put his daughter first. Blitz, at the end of the day, is trying his damndest to be a good father to Loona, who has her own myriad of issues she's dealing with and that Blitz is aware of. Blitz is aware of the issues that Loona faces and her fear of needles. Blitz was not aware of Stolas getting hurt.

"He can get hurt?"

Western Energy is the only episode of Season 2 where Blitzø’s perspective in regards to the Stolas situation is ignored.

And I am hoping and praying that they will bring up Western Energy again before the season ends. Please...

Oops...

Stolas attempts to get his hands on the Asmodean crystal, and he reveals, for the first time, his growing affection towards Blitz.

Stolas, sweetie, I love you, but I hate your stupid fucking hat. Maybe Blitz would notice you more if you took your fucking hat off, he loves your feathers.

Meanwhile Blitz and Fizzarolli took center stage as they mended a friendship that's been broken due to a certain P.O.S.

Cash Fuckzo, I hate you.

Just Look My Way is the final piece of the puzzle right before Full Moon...

We are made fully aware just how much Stolas cares for Blitz. How much he wants to be there for him, how much he cares for him, etc.

So yeah, the Stolitz plotline taking center stage didn't happen at random.

It has been built up slowly and steadily throughout the entire season before everything imploded spectacularly in a great ball of fire.

We are just now slowly peeling back the layers of the depth of Blitzø’s feelings for Stolas, as their NOT-breakup, consumes a huge part of his life.

This is why I stress so heavily how much the Stolitz relationship, prior to Full Moon, is told in Stolas’s POV.

Prior to Ghostfuckers, all we had were assumptions to go off of when it came to Blitz's opinion on Stolas.

However, through Ghostfuckers we start to learn just how much Blitz truly cared for Stolas. Just how much he really meant to him.

[stolitzsings]

Maybe this is obvious, but I feel like it's important to remember that Via is just as sheltered as Stolas has been, with regard to the outside world.

Like, it's very clear from Sinsmas that Stolas had no idea how non-royals live. If you asked him before Mastermind, I doubt he could have envisioned a life for himself outside of the palace walls.

So of course Via is having trouble envisioning herself in Stolas’s life now! She doesn't know how incredibly inhospitable Stolas’s existence in the palace was, and she doesn't understand that his only chance to truly live is outside those confines.

The palace is all she's ever known; to her, that is life, and Stolas removing himself from that sphere is synonymous with leaving her behind. Unlike Blitz, she simply can't fathom a life that looks so, so different from what she's always had.

Stolas did his utmost to provide her with stability throughout her childhood, even at the cost of his happiness and her understanding. Of course she feels like her whole world is crumbling right now, and all she can see is that Stolas, who had been that pillar of stability for her for so long, has let go.

I'm not saying Stolas never did anything wrong, or that Via’s feelings are unjustified. They're both in such difficult, painful positions right now and will have to work hard to understand each other, and that is such an exciting thing to look forward to in the rest of the show

[pipsqueakparker]

i'm writing a fic (it was not supposed to be as long as it's becoming) with millie & blitz that takes place right after western energy

yknow for maximum angst

but anyway so i rewatched the episode for Research purposes and this was the first time i caught this

i mean, first of all, love all the foreshadowing hidden amongst these like 2 second frames. but does that say 3 days?

im assuming that's a reminder notif for the meeting with oz in 'oops' - are you telling me that happened 3 days after he was nearly killed?

so this man rolls up to ozzie's, still freshly full of ptsd from his own assassination attempt, i'm sure. and then is there for the moment ozzie finds out his boyf has been abducted (just like stolas had been) and that also, it was the same fucking man.

also okay now that i'm here, can we just talk about not only the like reliving of trauma that just seeing striker probably did to stolas but also.

but also.

ozzie's reaction to fizz being kidnapped & threatened is, like, probably the exact reaction he wishes blitz had had. that's the response he wishes he could garner out of someone, but instead. his wife put the hit on him, and... no one cared, at least in his experience of it, i'm SURE that's how it felt.

like, yes, moxxie & millie came and saved him, and yes, blitz had such a valid reason to not be there. but if we're looking at it through stolas's eyes - the only thing that kept him from being fucking murked right then and there was stella calling it off. millie & moxxie got there after that, but if stella hadn't called would they have gotten there in time??

and i mean, striker sure did make a point to rub in how no one was coming for him. (and like then he got left on read while he was in the hospital! ouch!)

if stolas felt a little bitter while he watched ozzie fight to do whatever the fuck crimson wanted just to keep fizz safe... yeah, i wouldn't blame him. that fucking sucks. that. fucking. SUCKS.

this poor goddamn owl.

(and i'm not disparaging blitz at all with this before anyone reads it that way. this all started bc i'm writing a whole ass fic now from blitz's pov after the 'git bevver swoon' text, bc as someone with a lot of useless guilt in my soul, i love digging into characters and their guilt complexes)