#My concept sketches were so different

[wormzandgutz]

a little lovebug

[fatedroses]

I offer the frankly hilarious scenario of zenos and estinien having to work together (probably because of tataru) and a little bit of headcanon-ing I have in regards to the one main issue they run in to when theyre a duo.

[averlym]

litany of the martyrs (click for better resolution!)

[skeletalheartattack]

have you posted about gelato before :o ?

honestly, every mention ive made of Gelato in the past month or so has just been through the tags of some posts ive reblogged on here, it's only been until now that ive gotten around to showing him off!

this is Gelato, a Flamingo/Secretarybird mix that my friend @meetthehelper put together!

for a while, i've been wanting to figure out a bird fursona for myself, and i wanted one that had a similar silhouette to that of Scratch (i.e. Scratch & Grounder), and the bird that seemed to make the most sense to me was a flamingo. it was Helper's idea to mix him with another bird species, and i really like what she ended up with :)!

[miimomonstragora]

I love seeing concept art. Sketches, doodles, messy pencil or pen work, all of it. Seeing the building blocks of what made a character, an outfit, a creature, a piece of art, a world, anything come together fuels me. Like, oh, you only have the concepts of a story in your head? Well so did all these people and look what happened when they took the time to let them grow and breathe and become what they are now. Ahh! I love it.

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[halfbit]

i've been in a weird bird concept mood lately

i love bald head birds

big beak bonus bitch bird

[badnikbreaker]

none of u are ready for the roleswap im cookin up

[magentagalaxies]

going to a comedy open mic tomorrow mostly to watch my friends (it's at a cool venue that my improv troupe performs at once a month and a few improv troupe friends are doing standup there) but when these friends were asking if i'd be interested in coming they were like "btw there's usually a ton of open spots on show days if YOU want to do something... and they're not strict about it only being standup either, people have done character pieces and sketches etc like they embrace the weirdness... and they're not strict about time limits you could probably do anything between three and eight minutes... sometimes if there's not enough people signed up they'll even let you go twice..." and i'm like god damn it i thought i was gonna take a break from aubrey but this setup is like tailor made for an aubrey appearance lmao

[sysig]

It clearly wasn’t important to you (Patreon)

[sparrowlucero]

just curious, why oviraptorids for your silurians?

oh I definitely tossed around a few different ideas before the oviraptors, they just ended up feeling the most right to me. here's something that could almost pass for a design process:

The first shot at a silurian I did was this tuatara redesign of the original fish guys; i didn't really like it as it doesn't feel very evocative of the original to me (the fact that they're going for "black lagoon fish man" does not jell with how subsequent designs are lizard people, and I just couldn't marry those two things well here) (also, wow, I hadn't even rewatched surface (2005) at this point, goes to show how much of a throttle that's had on my design sensibilities for the past 20 years)

I think the second was this (sort of) prosauropod, after a friend informed me that the species is canonically meant to be prosauropods (sure jan). This wasn't a super serious design, I drew it in like 5 minutes for my friends (I did consider prosauropods seriously later on, but never drew any concepts past this)

When I was looking through my folders I found this drawing next to the last, where its just the humanoid silurians but with feathers. pretty sure this was just meant to be exactly what you'd expect a feathered design would have been on the bbc in 2011. I don't remember drawing this, but here it is for posterity.

the next (actually somewhat serious) attempt made them weird raptors; at this point I was actively trying to give them a flat, owl-like face so they were evocative of the humanoid designs in the show. I really wanted them to feel like generic spec bio dinosaur people of the 2020s (a tongue in cheek update to them being generic spec bio dinosaur people for the 1970s) and this kind of has that vibe, but I didn't think it looks great; something about it feels very non expressive and kind of forced to me. (The kea-inspired colors stuck around though.)

later I revamped that sketch and added a cassowary-esque crest (you can see the one in the frilly clothes here is just that first design with a crest tacked on).

I also doodled an oviraptorid version in the corner while I had dinosaurs with crests in mind; I ended up really liking how much that looked almost human in profile, so I ended up fleshing that out more:

This looked way more expressive and bespoke to me, and felt the most evocative of the original humanoid designs (somehow), while still looking like a real dinosaur species instead of a totally made up one

so yeah the oviraptors ended up sticking around at that point - they just clicked way more than any of the other attempts!

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[gotta-get-back-to-hatchetfield]

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

[springlockscars]

oral fixation (w.afton/fem!reader)

pairing: william afton | steve raglan/fem!reader content tags: oral fixation, oral sex, body worship, pussy eating, tongue fucking, praise kink, william can not keep his mouth off you. summary: William has an obsessive habit of chewing and biting things, especially when he's stressed. You interrupt his work at just the right time. word count: 2,898 read on AO3

18+ content below cut. minors do not interact.

note: I am so glad I received this because I love oral fixation fics.

In public, Steve’s mannerisms, his facial expressions, were a well-rehearsed performance. Not a single person would be able to see the crime scene he cleaned up a week ago through the crease in his eyebrows, or the screams of a victim he still heard ringing in his ears in the way he sipped bitter coffee from a chipped mug; they simply were not there.

No, Steve Raglan was an ordinary guy. A little peculiar perhaps. Sometimes he tried a little too hard to be funny, and that affinity he seems to have for rabbit themed memorabilia could be classed as odd to some. Aside from that, Career Councillor Steve Raglan acted no differently to any other employee in the office.

In private, however, the comfort of his own home or even the privacy the closed door of his office provides, William Afton wore his thoughts externally like he wore the sleeves of his shirt. William would chew on the plastic end of a pen while pouring over a client’s file; agonising over how he was supposed to find suitable employment for a 37-year-old with only a high-school education, a criminal record and a 9-year unexplained gap in his employment history.

He would light up a cigarette or two, rolling the paper filter between his lips, biting it carefully with his teeth while sketching concept blueprints for a new animatronic design, trying to seamlessly integrate a dispenser for a knockout gas that wouldn’t be overtly noticeable.

William would bite his nails and chew his lips when you were out late and not responding to his calls or texts, crashing those worried lips to yours as soon as you’d come through the door. “My phone died and I had to stay late, you don’t have to worry I’m safe.” “All manner of dangerous people are out there,” he sighed your name, “can you use a coworker’s phone to call me if it happens next time? I hate to be sitting on the edge of my seat wondering if someone is hurting my girl.”

It was now that William was deep in thought, a half burned out cigarette resting in between his lips. He was tweaking some finer details on an endoskeleton hand, wanting it to have more precise movements, he had said before heading into his garage workshop. That was over five hours ago and the dinner you decided to make him was almost ready.

You watched him from the doorway. The ashtray showing he was on at least his third cigarette; he was stressed. Stepping over boxes and piles of scrap metal, you made your way over to him, resting a palm flat against his back.

“You’re tense,” you said quietly, smoothing your hand over the expanse of his rigid back.

William leaned into your touch but didn’t stop working. You took the chance to gently work out some of the knots in his muscles while he manipulated the metal on the bench, the cigarette still in between his lips. Watching as he moved it between his teeth from the left to the right side of his mouth, flicking it with his tongue and inhaling deeply.

You moved from behind him to lean on the edge of the desk, facing him now. Mentally crossing your fingers in the hopes he wouldn’t snap at you, you take the cigarette from his mouth, immediately drawing his attention. You raise your eyebrows teasingly, bringing the mauled butt to your own lips to take a drag.

“Dinners almost ready,” you exhale the smoke over your shoulder away from him.

A smirk on his lips, “What time is it?” he asks, placing his tools down and finally sitting up straight to stretch out his aching back muscles, twisting his neck side to side. He takes the endoskeleton hand from the desk and places it gently in a box, moving it to a shelf out of the way for now.

“11:41pm, according to the clock in here,” you inhale one more time, feeling the buzz in your head, before passing it back to William who takes the almost finished cigarette graciously. He seems way more interested in it now that it’s been between your lips.

He leans back in his chair, removing his glasses to rub his fatigued eyes then tossing them on the desk. He places the cigarette back between his lips to take a deep, satisfying drag, then stubs it out in the ashtray next to the rest. William exhales, smoke briefly clouding your vision as he reaches for your hips and pulls you down onto his lap, holding you tightly in his calloused hands. One holding your waist, the other gripping your thigh.

William nuzzles into the curve of your neck, nose and scratchy facial hair tickling your sensitive skin. He smiles when he can feel your heartbeat against his lips. He places a kiss, then two. Tracing the tip of his tongue from collarbone to ear, pressing a kiss in the space behind your ear and sweeping your hair back out of the way. You live for these moments. The way he dotes on you and worships every inch of you like a piece of fine art.

“I’m sorry I was distracted in here. Have I been neglecting my girl?” William nips the lobe of your ear with his teeth, before kissing a path down the juncture of your neck again.

“Could tell you were stressed,” your breathing heavy, “you need a break.”

“Hmm,” he responds against your skin.

He kisses firmer, harder, more intensely until he’s sucking a bruise into the delicate skin. The way you feel against him, the way you taste on his tongue. More, is all he can think, closer…

He swivels in his desk chair and guides you onto the hard wooden surface of his workbench, sweeping nuts and bolts, welded pieces of metal and wires out of the way. Some clattering to the ground, but he doesn’t care about that right now. William stands, his 6ft 4” frame towering over you as he leans down, gripping your waist with both hands, and connects his lips to yours.

You can’t help but moan obscenely into the kiss. The ferocity and desperation of his lips moulding against yours has you instinctively grinding your hips against his. Wiliam deepens the kiss, his hot tongue sliding over yours, exploring your mouth and bending you into submission. The kiss tastes like the tobacco you both shared, giving you the same pleasant buzz. He bites at your plush lower lip, pulling it with his teeth enough to make it to puff up and redden.

William leans back slightly to get a better look at you; your hair dishevelled, lips swollen and glistening, chest rising and falling with ragged breaths.

“So beautiful,” he stoops back down, lips connecting to your jaw before nipping and sucking at the skin of your neck again enough to bruise, traveling down to the collar of your shirt.

William slides his skilled hands underneath the fabric, caressing the skin there up to where he can feel your bra. He pushes your shirt higher, up over your chest, off your shoulders and over your head, paying no mind to where it falls.

Immediately, his lips connect to the soft skin of your breast poking out of the top of your underwear. Biting and sucking hard, desperately needing to touch you, to mark you everywhere his lips will reach. His warm hands snake underneath your back to unclasp your bra. He pulls the elastic straps down your arms and discards the garment on the ground, bending further at the waist to bring a nipple into his mouth.

Your back arches into his touch, one hand gripping the back of his head by his hair, the other finding purchase on the workbench by your head to keep you steady. William sucks and bites down on your nipple, bringing it to a hard peak. He moves all around the soft flesh, nipping and leaving bruises. With no pens to chew on and the cigarettes discarded, your body was his distraction from his frustrations and worries right now. Not that this would be the first time.

William moves across your chest to give your other breast equal attention. He bites down on your nipple hard enough for you to gasp and tighten your grip on his hair. He glares up at you through hooded eyes, not angry, but amused.

Whilst caressing and kneading the flesh of your breasts, he moves lower down your body, nipping at your torso and abdomen, leaving a trail of little red marks as he goes. He teasingly kisses the skin just above the waistband of your trousers. Deciding to speed things up he hooks his fingers into the hem and pulls them swiftly down your legs, leaving you in only your panties on top of his work bench.

William smooths his thumbs over your hips where your underwear sits. Continuing his goal of kissing every inch of you, he presses his lips to your mound, moving lower and lower, until he’s kissing right over your clothed clit.

A rush of adrenaline courses through your body, arching once again into his touch. William, however, moves away from the area you need him most. He sits back down in his desk chair, giving him the perfect angle to place hot, open-mouthed kisses to your inner thighs, marring the area shades of bright red and deep purple with his lips and tongue.

Once he deems your thighs suitably marked, he pushes your legs further apart for him to gain access to the area you both need him the most. William runs two fingers down your clothed slit, a grin forming when he sees your arousal seep through the fabric. He teases you like this; tracing over your clit with his fingers, pushing into your entrance as far as the fabric of your underwear will allow. Watching you squirm on his desk, begging for a release.

William finds himself becoming impatient, biting on the skin of his lips, he needs you in his mouth again like an addict craving a fix. He finally lowers his face back down to your core, running his lips across your clothed mound before, with no warning, biting down in the area he knows your clit will be. You scream and arch dramatically off the desk, a hand coming to grip his hair. He smirks up at you, eyes swimming with lust and feeling pride surge in his chest. Nobody else could make you feel like this. Nobody but him.

William flattens his tongue over your clit through your panties as you come down from the electric jolt of pleasure. His saliva soaking through the fabric to your skin underneath, mixing with your arousal. The material of your underwear becomes smooth under William’s tongue, clinging to every dip and curve of your cunt as his hands grip your thighs tight.

“Oh fuck, Will…” you whined.

He hums against you, sliding closer to the desk on the chair and hooking his thumbs under the crotch of your panties. The cool air making goosebumps spread all over your body as it hits your wet core. William holds the fabric to one side, granting him access to tease your pussy while you writhe and moan beneath him. Noticing your reaction to the cold air of the garage, he blows against your cunt, grinning when he hears pathetic whimpers slip past your lips, and he watches you clench around nothing.

He moves closer and takes the swollen flesh of your labia between his teeth, biting ever so slightly. Just enough to make you squirm and moan his name. William sucks the flesh into his mouth hard enough to leave yet another bruise to match the many others that are scattered all over your body. The rough sensation of his facial hair causing the heat to stir low in your abdomen.

Once a suitable mark has been formed, William shifts his attention slightly higher. Flicking his long tongue over your clit, finally making contact skin-to-skin. One of your thighs rested on his shoulder with his arm wrapped underneath, holding you securely at the hip, with his other arm laying on top of your hips, holding your panties to the side to give him direct and uninterrupted access.

“Oh my god!” your own hands come down to grasp at his, feeling that heat intensifying inside you.

William doesn’t stop for a second. He sucks expertly on your clit until you’re writhing against his face. He moves lower and plunges his long tongue deep inside your tight hole. Your grip on his hands tightens as you arch into his mouth. Your upper arms pressing your breasts together, feeling the tenderness on the skin from the assault he laid into them moments ago.

William loves the way you taste, and he resolves to lap up every last drop of your arousal like it was his final meal on death row. He licks a stripe the entire way up your cunt from entrance to clit, before wiggling his tongue back inside, rhythmically stroking your walls. His breath is hot between your legs.

A sweat breaks out over your skin, you pant desperately as William builds your climax, stroke by tantalizing stroke of his tongue. He grips your thighs hard in his hands, bruising handprints holding them in place on his shoulders as you try to grind down against his face.

He eats you out like a man starved; routinely thrusting his tongue deep inside, moving it to circle your clit, pressing flat and teasing with the tip, biting and sucking intensely on your clit and labia before moving back to fuck you with his tongue — all while his facial hair scratches you so delightfully, only adding to the stimulation.

The heat is intensifying. You can feel your muscles begin to tense, twitching uncontrollably against William’s face as your climax takes over your body.

“A-ah, fuck! Oh fuck, Will!” you cried out, chest heaving as you pant and gasp for air.

William strokes your thighs encouragingly, breaking away from your core for a moment.

“Let go for me, baby. Come for me, that’s it,” he dives back in, coaxing you higher and higher, his nose bumping your clit. He loves hearing you cry and squirm at the mercy of his control.

Everything tightens and tightens, reaching an apex until there’s nowhere left to climb, and then you finally snap. Screaming William’s name as your muscles spasm, jolting your entire body. Your thighs tremble at either side of his head. William grips you tight, rhythmically pulsing his tongue inside and helping you ride out your orgasm. Shocks radiate throughout your body, your abdomen twitching and tensing with every clench of your walls.

William finally pulls back, laying gentle kisses to your inner thighs and caressing over your hip bones with his thumbs affectionately.

“Good girl,” he soothes, “good girl, you did so well for me. So good.”

You lay there completely bare on his desk, eyes closed, breathing deep and feeling light headed as you come down from the intense high he gave you. A smile creeping onto your face and a warmth spreading in your chest at his words of praise.

William takes your thighs from his shoulders, stands, and rests your legs on his desk chair. He presses a brief kiss to your abdomen, then higher in the valley between your breasts, your neck, jaw, then finally pecking your lips before deepening the kiss and allowing you to taste yourself on his tongue. You just begin to run your hands through his hair when he leans back.

“I’ll be right back, okay?” he said.

You narrowed your eyebrows, confused as he stepped away.

“Give me one minute, I’m coming straight back.”

You hear him cross the room in wide strides, then the sound of his footsteps as he ascends the stairs in the house. Only moments later, his footsteps drum down the stairs and enter back into the garage.

William drapes something soft over your body; the blanket from your bed. He helps you sit up and pulls the blanket snug around you, then holds you steady as your legs tremble beneath you when you try to stand.

“Woah, easy. Sit here for a sec,” he guides you to his chair, easing you down into the worn seat.

“Thanks,” you sigh, “that was… intense.”

He leans against the desk facing you, the side of your legs pressed against his, “too much?”

“No! No, definitely not. It was good,” you feel warmth creep up your cheeks.

“Good,” William smiles. He swivels the chair and pulls you against him from where you’re sat, your head leaning against his stomach.

“Did it help?” you ask, looking up at him through your eyelashes, “you’re not biting your lip or lighting up another cigarette.”

He chuckles, “oh, it helped. Definitely way less stressed.”

“Good.”

William cups your face in his palm and leans down to press a soft kiss to your lips.

“C’mon, we should go inside. It’s getting cold tonight,” he says, “and didn’t you say something about dinner?”

William gathers your discarded clothes from the floor and offers you an arm to hold, leading you out of the garage and back into the warmth of the house where luckily, there was no smoke billowing out of the kitchen.

[turnaboutfix]

Oh yes of course!!!

I meant specifically like her very early concept art (blue haired) and like, one of the first ones where she has short hair (but still with those 2 loose locks at the front)? I hope you know which one I'm talking about lolol

BUT if you wanna speak your thoughts on like. All of them. I want to hear 👂❓️

( @ellivcca asked what I thought about Maya's concept art and I replied in priv if they could be more specific)

Let's talk about Maya's designs! ✨

I will skip the blue-haired art for now, since I have more to say about her other early designs. They're in a few Japanese AA Guidebooks, but "逆転裁判2 真相解明マニュアル", or "Gyakuten Saiban 2: Fact-Finding Manual" has the most in one place. There are blurbs that discuss the designs, and I'll do my best to summarize them. My Japanese isn't amazing and I had to mostly rely on machine translation + cross referencing dictionaries, so it's possible I may be inaccurate. Also, I'm a novice at Japanese culture, so if I'm misrepresenting anything please bring this to my attention and I'll correct things accordingly!

The book acknowledges that Maya was intended to be of high-school age, hence the the sailor suit artwork. They seem to suggest that the loose socks was a hint at Maya's spunky personality.

When they began to explore her as a spirit medium (1), they wanted her to come from a wealthy, noble family. It looks like a lot of these explorations made it to Franziska's design, with some of the shapes of the shoulders and the jabot-looking neck wear, which is interesting!

As they kept exploring in the second round of sketches (2), they stressed traditional/folk dress as being an important part of her design. They noted they had her carrying something on her back at the time, which I think hints more to her "folksy" feel.

The beaded necklace she's wearing in (2) are drawn from Mala bead necklaces, which are prayer beads rooted in Hinduism and Buddhism and are said to help focus the mind during meditation. They seem present in a lot of spiritual figures in Japan.

Later (3), they explicitly comment drawing inspiration from the Matagi, a group of hunting clans in the northern Japanese mountains (be careful looking them up, they do bear hunting and there's a lot of explicit imagery, even on the wikipedia).

They comment on that this version of her early character might be very athletic. She also seems to be more stoic in these explorations.

Then, for (4) and (5), they evolved the design to make it look appear more feminine, giving her long hair, but making a note that her look isn't typical of modern people. The large orbs in (3), (4) and (5) I think are supposed be drawn from "Yuigesa"(結袈裟), or harnesses decorated with pom-poms worn by Shugendō practitioners, hermits who live in the mountains and practice asceticism.

Then in (6), they added the magatama and committed to her having black hair. They note shortening the hem of her costume from design (5).

The magatama addition is pretty significant! Magatama necklaces are used by noro priestesses of the Ryukyu Kingdom from the islands in the very south of Japan.

Their religion broadly speaking, involves ancestor worship and the relationships between the living and dead, gods and spirits. It seems to me like the culture in Kurain Village draws a lot from the Ryukyuan people--and you can even see this with the beads along with the magatamas.

But there seems to be a lot of generic imagery of Spirit Mediums that I've been able to find in Japanese media which have shared elements of design in Maya's final design. The most interesting of these to me is "ほんとにあった!霊媒先生", or "It Really Happened! Spirit Medium Teacher". The design similarities are striking (and make me wonder if Maya was an inspiration?)

So, to summarize it all up, it seems like the early designers (and there were only two! Kumiko Suekane and Tatsuro Iwamoto) wanted a character who was different, folksy, feminine and spunky that displayed unique spiritual power to aid in the narrative/game mechanics of the games, and they explored the different facets of their own culture--from the northern Matagi clans to the southern Ryukyuan people--Japanese iconography, and tastes into Maya's final design.

And I think that's Real Neat. :)

Thoughts about other designs (Blue-Haired/SoJ Maya) under the cut cuz oh my gosh this post is already huge.

Blue haired Maya!

What's interesting to me is that a lot of the design language on this early Maya art seems to have been carried over to Ema's design (glasses, boots, coat/skirt). She also has similar vibes to Lynne from Ghost Trick.

I definitely enjoy Maya's final design a lot better, but I like the triadic color harmony and spunk here!

And then her design update in Spirit of Justice! These concepts are from "逆転裁判6 公式ビジュアルブック", or "Gyakuten Saiban 6: Official Visual Book". :)

Takuro Fuse (the character designer) comments that he never drew Maya before when he took a stab at updating her, so he wanted to get that down first before tackling the designs. He wondered how she would change over the course of 11 years, and first experimented with a design, thinking about how Mia would look like as a spirit medium. He thought it would be interesting if Phoenix wouldn't be able to tell if Maya channeled Mia. (Me too tbh.)

I feel like this design has a bit too much going on, but I do like the longer cream colored sleeves!

Takuro talks more about how he was exploring all sorts of designs before landing on something more simple. He wanted her to have what he called a "traveling costume" and was very fond of the hat. These designs seem to pull from similar places I've discussed with Maya's early designs, as well as Japanese pilgrims.

As fun as the additions and changes to her design are, I think it was very smart to just add subtle changes: the longer robes, jacket, and the additional beads to her necklace. The shawl is a nice touch, too. This reflects how post-7yg Phoenix and Edgeworth also have subtle changes to their designs as well, which I love and I think were very smart moves from a design-perspective as well as personal taste. Their designs are very iconic and I think it was a service to maintain that iconography.

This was a very fun thing to explore! Thank you kindly @ellivcca for the ask!

[shmaba]

I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!

I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here

The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)

There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)

The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.

Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.

That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.

Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.

I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.

NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).

Also in the trailer you see a couple brief sketches I did for some world building concepts:

Speaking of sketches there are a number of art pieces of mine in the Quickstart guide

A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).

Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!

As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started. 

I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!