#Michael Dorman

[kuraiganas]

ONE PIECE, 1.01 – ROMANCE DAWN.

[lacontroller1991]

Fluff/WhumpTOBER 2024

Whoop whoop, we're back baby! I am very excited for this years prompts!! Prompts taken from @flufftober and @whumptober

Most will be written in terms of female pronouns (if not from a first person perspective) as that's what I'm familiar with.

Day 1: Lost Pet Meet/Race Against The Clock: Edward Teller (Benny Safdie)

Day 2: "Left. Other left!"/Trust Issues: Deacon

Day 3: Favorite Scent/Set Up For Failure: Nick Valentine

Day 4: Market Day/Hallucinations: Modern AU Ernest Lawrence

Day 5: Acorn, Chestnut, Pine Cone/Sunburn: Cooper Howard

Day 6: Mistaken Identity/Not Realizing They're Injured: Robert MacCready

Day 7: Hoodie Weather/Only for Emergencies: Nick Valentine

Day 8: Chopping and Piling Wood/Sleep Deprivation: Ernest Lawrence

Day 9: "Don't do that!" "But..."/Obsession: Cooper Howard

Day 10: Bet, Game, Contest/Blow to the Head: Deacon

Day 11: Ingredients and Spells/Seeing Double: Deacon & Robert MacCready (ft Duncan and Shaun)

Day 12: "This is spooky." "Really?"/Starvation: Cooper Howard

Day 13: Attic, Cellar, Hidden Room/Alt:Secrets Revealed: Deacon

Day 14: Fantasy AU/Mundane AU/Left For Dead: Daryl Dixon

Day 15: "What are you wearing?" "It's laundry day!"/Childhood Trauma: Deacon

Day 16: Yes, No, Maybe/Necrosis: Ernest Lawrence

Day 17: Only One Bed/Nowhere Else to Go: Robert MacCready

Day 17 Alt Ending: Dead Dove Do Not Eat

Day 18: Bewitched/Revenge: Sole Survivor

Day 19: Yarn/Blood Trail: Nick Valentine

Day 20: Alt: "Wait, you love me?" "Always have."/Emotional Angst: Gordon Stevens

Day 21 *my birthday whoop*: Bonfire/Body Horror: Deacon and Robert MacCready

Day 22: Heirloom/Bleeding Through Bandages: Deacon

Day 23: Stormy Night/Forced Choice: Deacon and Robert MacCready (ft. Duncan and Shaun)

Day 24: Comfort Food/Radiation Poisoning: John Hancock

Day 25: Haunted House/Surgery: Modern AU Ernest Lawrence

Day 26: "I can't find it."/Nightmares: TBA

Day 27: Alt: "I hate it." "No, you don't."/Voiceless: Robert MacCready

Day 28: Lucky Charm/Denial: Rick Flag

Day 29: Time Capsule/Fatigue: Robert MacCready

Day 30: "Forever?"/Recovery: TBA

Day 31: Make a Wish/Asking for Help: Robert MacCready

If you guys would like to be tagged for any of these, please let me know!!! These will all be posted on AO3.

[gordopickett]

Bye, Bob. ���

Just thought I'd post this clip from the "Hi Bob" ep of For All Mankind where Gordo, Dani, & Ed are watching/discussing The Bob Newhart Show. I love their "Hi, Bob" moment & how they carry on that tradition throughout the series. 🥰

[skapediem]

hi bob

[thefrakkintrinity15]

This picture is sooo funny. Wrenn looks like thinking “I will outlive all of them”. 🤓

New York Comic Con 2019 (Corey Nickols/Contour)

[castalyne]

[anguishmacgyver]

[reveluving]

me: I don't have a type

the type:

I'm starting to see a running theme here 🤔

[tavners]

missing this FAM fam together

[thetempleofthemasaigoddess]

ONE PIECE HEADCANON

Garp is still in possession of Ace, Gol D. Roger's cutlass. Roger had left it on the Oro Jackson when he left to turn himself in to the Marines, but Rayleigh had Garp have it, asking him to give the sword to Roger's son, one day. Garp promised; he wanted to gift the sword to Ace on the day his grandson would officially join the Marines.

[sunflower-of-versace]

One Piece Live Action

(S01.E01-08 • 2023)

[hannahwatcheshorror]

THE INVISIBLE MAN (2020)

💁‍♀️Strong Female Lead

This movie is very clean and long with dark and modern settings, it takes a spin off of the classic movie monster but nearly a decade later. Elizabeth Moss is stunning as per the usual and her character acts in ways that make sense and have purpose. The beachy scenes and lighting style reminded me of The Menu. A very thrilling watch from start to finish!

(Trigger Warning Abuse, Suicide, Self Harm)

⭐⭐⭐⭐

Elizabeth Moss plays our boss ass babe, Cecilia, who is immediately running from her horrifying boyfriend who punches out a car window when he sees she is gone (but he doesn’t have anger issues). You see her creepy ex has a lot of science and robotic stuff in a lab but that will come into play later. We fast forward a few weeks and we find out the ex died so Cee starts to feel more safe in the world… That is until the world starts being really unsafe for her like her water being “randomly” drugged and her knives being moved around… Cee figures out she's basically being haunted by her ex because he was a science genius and a creep and he didn’t actually die but instead is just spending all his time being invisible and stalking her. But that is a crazy theory for people to just believe right away so no one does (she is literally every townsperson the cops didn’t believe in the first film).

Her ex sends a really mean email to her sister which the sister takes as science fact which is so funny to me because the sisters see each other regularly but one got a strongly worded email randomly and thought, “there is no way this is fake.” Cee goes to her sister and is informed about the horrible email but when she tries to deny it the door gets slammed in her face and, again, I call mad shenanigans because if someone sent my sister an email from my account it would take her months to read it and then I would just say that I didn’t send it and she better fucking believe me or I swear to goodness. Anyway this sends Cee spiraling, her ex surprises her in the attic, he speaks for the first time (ew!) and then they get in a huge fight!

This was crazy to watch because Elizabeth Moss had to fight a green screen or (I guess) just her demons because there was nothing there, it was awesome to see (or not see). She escapes and discovers that this generation's iteration of The Invisible Man is made of a suit and not multiple injections of a gnarly chemical that makes you insane (her ex was already insane to begin with). Cee hides a copy of the suit in her secret little hidey-hole (which I’m honestly surprised her ex let her have considering he knew everything else she was doing) and then gets her sister to meet up with her but, oh boy… Her ex punishes her for “stepping out of line” by murdering her sister and framing her for it. Best (ex)boyfriend ever, right ladies?

So now Cee is under observation since she is screaming about an invisible man and said invisible man now has a front row seat to her AND his baby growing inside her? (Fun fact, she's pregnant.) She tricks her ex into appearing before stabbing him and shorting out his suit a bit, enough for a fun scene of a “now you see me, now you don’t” invisible man. This results in a lot of injured or dead cops yet somehow ends with the ex being let go because he blamed his brother.

Finally Cee has dinner with her ex, exits to slip into something more comfortable, pops on the invisibility suit, ushers her ex into his next project (being dead), and walks out with the dog. Mic drop, she is gone. (Also thanks to her cop friend who has to clean all this up for her.)

[lacontroller1991]

ANNOUNCEMENT:

I am going to try to do flufftober/whumptober, is there any characters you would like to see? If any, please let me know in the comments.

I cannot guarantee that I’ll do every day or write for every character but I’d love to see what you guys come up with :)

[gordopickett]

Behind-the-scenes of Territory before the muster. 🥰🧸🤠

@ilovemendo @lacontroller1991 @tavners

[skapediem]

for all mankind season 1 poster for my design class - trying to throw together different space race propaganda art styles to convince the masses to PLEASE WATCH THIS SHOW!!!!

[adamwatchesmovies]

The Invisible Man (2020)

I “saw” 2020’s The Invisible Man again and liked it even more the second time. Any disappointment you might have once you realize it is not an adaptation of the H.G. Wells novel - or a remake of the excellent 1933 film - will disappear after witnessing the magnificent performance by Elizabeth Moss, the overwhelming sense of paranoia generated by the camerawork, Leigh Whannell’s direction, or the smart way it incorporates themes of domestic abuse into its story.

Cecilia Kass (Elisabeth Moss) escapes her violent, controlling boyfriend with the help of her sister, Emily (Harriet Dyer), her friend James (Aldis Hodge) and his daughter (Sydney (Storm Reid). While hiding from Adrian (Oliver Jackson-Cohen), Cecilia learns from his brother, Tom (Michael Dorman) that he committed suicide after she left. Despite this, she becomes convinced he is alive, that he's found a way to make himself invisible and that he's now stalking her.

The usual rule in movies is “show, don’t tell”, and it’s a testament to the script by Leigh Whannell that he breaks this rule in one important way but that the film still works. What sort of abuse was Cecilia subjected to? We don’t really know. The film begins on the night of her escape. We see her check the clock in the middle of the night, carefully move Adrian’s hand away from her waist, pull a duffel bag out of a ventilation shaft, move a camera away from her exit, go down into the basement to shut off the alarms and carefully make her out. On the outside, the home looks majestic but from our point of view looks like an endless maze of suffocating corridors. Her next move is to climb the wall surrounding the property and then run through the woods to the road where her sister is scheduled to meet her. Later on, Cecilia tells us how Adrian would punish her, how eventually, he didn’t need to because he could foresee her every move and practically read her thoughts. Your imagination fills the gaps, and we’re just getting started.

It doesn’t take us too long to figure out what’s really happening. Adrian has, indeed, made himself invisible. That’s an endlessly more frightening truth than if Cecilia was still trapped inside the house with him. When she and James discuss her fears, the camera always seems a little bit too far away, like a third person needed to be squeezed into the frame. The negative space all around them becomes Adrian. It no longer matters whether he is hiding in that corner or not because he could be and the fact that he COULD be there means he’s there, slowly choking Cecilia just like before. No, not like before. Previously, she had hope. If she could make it off that property and onto the street, she would be free. Now, no one will come to her rescue because everyone believes she’s safe. Anything Cecilia says about Adrian stalking her just makes her seem unstable. Soon, she won’t have a choice. She’ll willingly decide to go back to him just so she can stop wondering if she’s being stalked or not.

Enough praise cannot be showered upon Moss for her performance as Cecilia. She plays this horribly broken person with pinpricks of who she must’ve been before Adrian showing up here and then. She’s so frightened of him that you can’t help feeling the same, particularly in those long shots at night when the camera simply stares at an empty door frame. We know there’s someone there. So does Cecilia. It’s like she’s been around the monster for so long that she can also read his thoughts. Rather than prove an advantage, it’s merely another reason to be terrified. He doesn’t need to even utter threats anymore. The threats are already there and whatever she can think of, he can counter with ease. She’s smart so there is hope but talk about an uphill battle and since this is a horror movie, you don’t know how it’s going to end. I’ll give you a hint: it’s a pitch-perfect conclusion.

 The Invisible Man is genuinely frightening and it creates terror without resorting to cheap tricks. The picture heaps suspense upon suspense, makes sure you’re invested by fashioning these great characters and gives the roles to actors who are up to the task. Masterfully directed, fresh, and relevant, it’s not merely a great horror film; it’s a great film period. (June 10, 2022)