#Melancholie der Engel

[chaoticframes]

The Angel's Melancholia (2009) dir. Marian Dora

[mtonino]

Melancholie der Engel (2009) Marian Dora

Melancholie der Engel (2009)

[general-sleepy]

Okay, Unsane, congratulations on being the first movie to make me stop partway through not because I was bothered morally (Africa Addio and Conjuring 3 did that) or bored (countless) but because I was legitimately too upset and frightened to continue.

[allevilsarc]

i joke about lucy not really watching movies but i think he'd enjoy like. extreme horror flicks.

and also like ... saw and final destination.

[angelic-ambedo]

The Weirdest Fucking Movies I've Ever seen Pt. 1

Okay so I sort of champion myself as a lover of weird movies. And it's funny because regardless of how many I've seen, every time I watch a weird movie I genuinely feel as if it is the weirdest movie I've ever seen in my life.

So, I decided to make a list which compiles all of said weird movies and then a description of why I find each so uniquely weird. If you find any of these descriptions or titles intriguing, I recommend you seek these movies out, because a weird movie = a good life ya know so yeah

If you have more weird movies please please recommend them im hungry for new crazy cinema bebesssss

Eraserhead (1977) - genuinely makes no sense.

Coherence (2013) - trippy scientifically interesting thriller

Some Velvet Morning (2013) - abusive cat n mouse relationship

Eternal Sunshine of the Spotless Mind (2004) - emotional violence

Greener Grass (2019) - let's shame suburbia!

Trash Humpers (2009) - people fucking the trash...?

Julien Donkey-Boy (1999) - mental illness be so sad and trippy

Gummo (1997) - literal photo album of a dysfunctional town

Slaughtered Vomit Dolls (2006) - bulimia PSA in disguise

Black Bear (2020) - art seeps into the "real" world

Begotten (1990) - god kills himself

Trouble Every Day (2001) - eating people presented as...a turn on?

Baise-Moi (2000) - punk feminist murderous women are sick and society sux

Palindromes (2004) - one character is played by a ton of different actors of different ages, races, and sexes

964 Pinocchio (1991) - so much vomit, even more cyberpunk lobotomy sex machine madness

Meet the Feebles (1989) - the muppets give each other STDs and commit mass murder

In the Realm of the Senses (1976) - a torrid, pornographic affair used to escape the horrors of a war-torn world

Enter the Void (2009) - going to the past, present, and future, POV shots that include blinking, going inside the body, taboo themes with a psychedelic style

Love (2015) - horny pseudo-porno about a misogynistic asshole who somehow pulls hot, sexually adventurous women

Climax (2018) - LSD fueled nightmare

Pink Flamingos (1972) - a competition to be the "filthiest person alive" (spoiler alert: the cool drag queen wins)

Vivarium (2019) - Suburbia is still creepy, guys

Be My Cat: A Film for Anne (2015) - can we please stop having erotomania like celebrities aren't into u babe :(

No No Nooky TV (1987) - Computers being cool and saying "boobs" and "clit"

The Piano Teacher (2001) - unsafe nonconsensual bdsm and sexual repression is...no. please no.

The Night Porter (1974) - stockholm syndrome and wild bdsm stuff with postwar themes

Belle de Jour (1967) - more bdsm themes

Titane (2021) - woman fucks a car and gets pregnant

Daisies (1966) - two girls cut up pickles and destroy the patriarchy

Creep 1 and 2 (2014, 2017) - murder has never been this funny

Garbanzo Gas (2007) - a human cow gets an all-expenses paid trip to a motel before it hits the slaughterhouse

Melancholie der Engel (2009) - ew.

In Our Garden (2002) - old men dicks + weirdest dialogue I've ever heard in my life

The Rehearsal (TV series) (2022) - this is the ultimate weirdest thing ever and I don't know how else to categorize it.

Trigger Warnings (all of these movies are weird/fucked up but some of them contain actual fucked up stuff that like. happened in real life. so below are the triggers for that kind of stuff. All of these films are genuine films, not the gore stuff the internet produces, but some of them because of the country/time period/transgressiveness include content that is inappropriate and/or ethically unacceptable, so I've included those movies below)

Baise-Moi - unsimulated sex scenes which includes SA scenes that actors consented to but characters did not. this proves a feminist point but is still incredibly upsetting and stayed with me for a while as there are close ups and its awful.

In the Realm of the Senses - Please look into this one more before you watch it, I'm not going to describe things in detail because it makes me so uncomfortable but there are some scenes that involve young actors that should not ethically have been in the situations they were put in. The movie is exceptionally well made and from what I know globally respected so I don't know why they had to ruin it for me but whatever.

Pink Flamingos - One infamous scene involves an actual chicken death. It was the early 70s (long time ago and no PETA) and they apparently ate the chicken afterward, so I felt less immoral about this one but still gross.

Melancholie der Engel - okay please genuinely never watch this movie unless you're super into traumatizing yourself and are very desensitized I guess. There's a ton of actual animal abuse in very very graphic/unnecessarily disturbing shock type situations. There's other bad unsimulated stuff but this is the worst of it from what I know.

Love and Meet the Feebles contain scenes that are transphobic and/or racist, which is gross. Slaughtered Vomit Dolls was made by a very bad person. A bunch of the movies also have unsimulated sex stuff, I don't know if that makes anyone uncomfortable but if it does I'm just putting it out there.

[o-vishtay]

🅦🅗🅨.

[rottika]

So… I just saw Melancholie Der Engel.

[deusluxuria]

jotaro apathetically reviews more weird movies:

( content notes: mentions of disturbing shock films )

the greasy strangler: this is the greatest film ever made. i regularly quote it around kakyoin and it makes him question my sanity even more. horse shit. cat shit. duck shit. tiger shit. walrus shit.

paranormal activity: ok the footprints in the flour scared me but otherwise idc i'm listening to kylie minogue right now

angel's melancholy (melancholie der engel): why do people hype shit up so hard like "this is the most disturbing movie of all time" and then it's literally just 2 hours of people peeing on each other. i watch fucked up movies because i have PTSD stop ruining my coping mechanism

"august underground" series: one of these ruined my life and i've already sent everyone responsible to the hospital. i saw some part of one of these as i grown-ass adult, and thought it was real and i cried and called my mom, i'm not kidding. then she told me to stop watching weird movies and i said No.

the toxic avenger: it was ok but i can't remember if the dog died or not. if the dog died it was a bad movie

dogma: 🎶 AND I'M HERE TO REMIND YOU OF THE MESS YOU LEFT WHEN YOU WENT AWAY IT'S NOT FAIR TO DENY ME 🎶

tumbling doll of flesh: idk i liked the credits song. when this movie came out, i could only listen to it by putting in the stupid VHS and fast-forwarding and it sucked because you have to see Things again. also this movie was stupid and bad.

teeth: right on

boogie nights: it's not weird, necessarily, it's just fun for a bit and then makes you sad and scared. kinda like taking edibles

channel 309: again, pretentious bullshit that's just piss porn, except this time they put it in black and white because oooo aaaa pretentious high art

old boy: Oh No

brasil: this movie invokes the feeling of seeing the instagram logo on a package of wonder bread

"signs" by m night shyamalan: what

"old" by m night shyamalan: 👁️👄👁️

"the visit" by you know: i watched this with my wife and she told me to throw the tv out the window lol

girl hell 1999: humans were a mistake

it follows: there was a stand like this once and it scared me more than any stand ever

"audition" by takashi miike: this is his most tolerable film honestly. the other ones give me road rage even while i'm just sitting in my stupid chair

society: i watched this one with my mom and the one thing she said was "well alright" ahahaha

possession (from 1981 i think): girl power i guess. one time in india, kakyoin and i passed by a carton of eggs, and we asked each other at the same time if we'd ever seen this movie and now we have 18 children together (in the sims)

[princealigorna]

hey do you have any recommendations for german extreme horror? your description in that post sounds sick as fuck and I wanna watch it lol

With a little bit of gender changing, I basically just fused a bit of Ostermontag and a bit of Necromantik.

Other good examples are Schramm (the other movie by the creator of Necromantik), Funny Games, and Melancholie der Engel (Melancholy of Angels)

[fabiansteinhauer]

Goltzius

Goltzius sticht die wildeste prudentia bifrons. Seine Graphik macht deutlich, warum sich Walter Benjamin so für Aby Warburg interessierte, seine schlangengerüstete prudentia bifrons hat in ihrer verdrehten Haltung zur Zeit selbst etwas vom Engel der Geschichte und von Warburgs Polobjekten. In dem Sinne sind Goltzius' Bilder das Scharnier zweier Interessen, einem Interesse von Walter Benjamin und einem Interesse von Aby Warburg. Oder anders gesagt: bei Goltzius findet man die Bilder jener Kardinaltugend, die nur Walter Benjamin und Aby Warburg haben und teilen (weil nur sie das zur Tugend gemacht haben). Andere kennen diese Tugend gar nicht oder denken gleich, sie sei ein Laster. Das ist eine Tugend der Polarität, der Wendigkeit, aber auch des Verkehrenden und Verzehrenden. Man nennt diese Tugend Melancholie.

Goltzius wirbelt eine sedimentäre Geschichte auf. Seine Malerei übertrumpft teilweise noch die Bilder von Giulio Romano in Sachen Verkehrung. Seine Venus ist aus Fleisch, ob sie aus Fleisch und Blut ist, soll einem egal sein.

[monkeyssalad-blog]

Zarah Leander by Truus, Bob & Jan too! Via Flickr: Dutch or Belgian postcard, no. A.X. 290-89. Glamorous, mysterious diva Zarah Leander (1907-1981) was a Swedish actress and singer, who is now best remembered for her German songs and films from the late 1930s and early 1940s. With her fascinating and deep voice, she sang melancholy and a bit frivolous songs specifically composed for her. Zarah was for a time the best-paid film star of the Third Reich. In her Ufa vehicles, she always played the role of a cool femme fatale, independently minded, beautiful, passionate, self-confident and a bit sad. It gave her the nickname 'the Nazi Garbo', but a recent book claims that she was, in fact, a Soviet spy Zarah Leander was born Sara Stina Hedberg in Karlstad, Sweden, in 1907. Her parents were Anders Lorentz Sebastian Hedberg and Matilda Ulrika Hedberg. Although she studied piano and violin as a small child and sang on stage for the first time at six, Sara initially had no intention of becoming a professional performer. She led an ordinary life for several years. As a teenager, she lived for two years in Riga (1922–1924), where she learned German and worked as a secretary. She married actor Nils Leander in 1926, and they had two children: Boel (1927) and Göran (1929). In 1929, she had her breakthrough when her counter-alt voice was recognised by revue king Ernst Rolf. In his touring cabaret, she sang for the first time 'Vill ni se en stjärna' (Do you want to see a star?) which soon would become her signature tune. She got a record contract with the Odeon company, for which she recorded 80 songs till 1936. One of the songs she recorded in 1930 was Marlene Dietrich's 'Ich bin von Kopf bis Fuß auf Liebe eingestellt' from Der Blauen Engel/The Blue Angel (Josef von Sternberg, 1930). In the early 1930s, Leander played in several shows and performed in three Swedish films, including Dantes Mysterier/Dante's Mysteries (Paul Merzbach, 1930) and Falska Millionären/The False Millionaire (André Berthomieu, Paul Merzbach, 1931). Her persona in those films was already that of the singing, mundane vamp. She had her definitive breakthrough as Hanna Glavari opposite the legendary Swedish film star Gösta Ekman in Franz Lehár's operetta 'Die lustige Witwe' (The Merry Widow) (1931). In 1932 she divorced Nils Leander. She declined American work offers but she opted for an international career on the European continent because of her two school-age children. In 1936 she went to Vienna to star at the Theater an der Wien in the operetta 'Axel an der Himmelstür', composed by Ralph Benatzky and directed by Max Hansen. This parody of Hollywood and Greta Garbo was a huge success. She also got the role of a successful revue star in the Austrian film Premiere (Geza von Bolvary, 1936) with Karl Martell. Then she was offered a three-film contract by the German Universum Film AG (Ufa) studios, as propaganda minister Joseph Goebbels was looking for a new muse of the cinema of the Third Reich. She would earn approximately 200,000 Reichsmark and 53% of her gage would be paid in Swedish Kronor (crowns). Leander said "yes", despite the political situation. Zarah Leander's first film at Ufa was Zu neuen Ufern/To New Shores (1936) directed by Detlef Sierck (later known as Douglas Sirk). After the other two films of her contract, La Habanera/Cheated by the Wind (Detlef Sierck, 1937) with Ferdinand Marian, and Heimat/Home (Carl Froelich, 1938) with Heinrich George, she was so popular that Josef Goebbels, who according to his diaries did not like her, had to continue her contract. On renewal, her salary increased even further, and in 1940 the Ufa offered her a contract for six films, to be produced in the following two years, for a total of 1 million Reichsmark. Zu neuen Ufern had launched songs such as 'Ich steh' im Regen' (Standing in the rain) and 'Yes, Sir', that were sold on record in various languages. These songs earned her more money than her films, even if she was the best-paid German female film star in the early 1940s. Her songs 'Davon geht die Welt nicht runter' (It is not the End of the World) and 'Ich weis, es wird einmal ein Wunder gescheh'n' (I Know One Day a Miracle Will Happen) from her film Die grosse Liebe/The Great Love (Rolf Hansen, 1942) received double entendre in the time they were distributed and struck chords with the Germans. Among her other films in those years were the comedy Der Blaufuchs/The Blue Fox (Viktor Tourjansky, 1938) with Paul Hörbiger, a biopic of Pyotr Ilyich Tchaikovsky, Es war eine rauschende Ballnacht/It was a Gay Ball Night (Carl Froelich, 1939) with Marika Rökk, Der Weg ins Freie/The Way to Freedom (Rolf Hansen, 1941) with Hans Stüwe, and the crime film Damals/In the Past (Rolf Hansen, 1942) again opposite Hans Stüwe. In her films, Leander often portrayed independent, fatal women, with strong will-power but haunted by destiny. In real life, she was a 'tough cookie' too, as she demanded that she should select her scripts and composers. At a party, Goebbels once asked her ironically: "Zarah... Isn't this a Jewish name?" "Oh, maybe", she answered him, "but what about Josef?" "Hmmm... yes, yes, a good answer", Goebbels had replied, according to IMDb. Zarah Leander never became a party member and refused to take German citizenship, but her films and song lyrics were viewed by some as propaganda for the Nazi cause. After her villa in the fashionable Berlin suburb of Grunewald was bombed during an air raid in 1942 and the increasingly desperate Nazis pressured her to apply for German citizenship, she decided to break her contract with Ufa. In 1943, she secretly left Germany and retreated to Sweden, where she bought a mansion at Lönö, not far from Stockholm. Initially, she was shunned by much of the artistic community and public in Sweden (In 1936 the reactions were completely different when she started to work in Nazi Germany. Most of her Ufa films were very popular in Sweden as in the rest of Europe). In November 1944, Swedish radio decided to no longer play her records. But, as Antje Ascheid describes in her in-depth study 'Hitler's Heroines', Zarah's role was complex: "She regularly supported communal fundraisers and appeared in 'request concerts' - live radio shows in which famous star singers performed songs requested mostly by soldiers on the front - that aired all over the Reich. In addition, Leander was frequently depicted attending social functions at the homes of political leaders, which further linked her public persona to Nazi officials in power." After the war, she was severely questioned, but in 1947 she managed to record her songs again in Switzerland, where she also sang for the radio. Concert tours followed, first in Switzerland, then in 1948-1949 in Germany; and in 1949 she performed in Sweden again. Leander tried her luck once more in the film. Gabriela (Geza von Cziffra, 1950) was the third biggest box office hit of that year in Germany. The following films, Cuba Cubana (Fritz Peter Buch, 1952) with the new and younger idol O. W. Fischer, and Ave Maria (Alfred Braun, 1953) with her old partner Hans Stüwe, were both disappointments. Thus Zarah Leander's film career came to an end, even though she still did four more films till 1966. Her last film was the Italian comedy Come imparai ad amare le donne/Love Parade (Luciano Salce, 1966) with Michèle Mercier, Nadja Tiller, and Anita Ekberg. Leander would continue with musicals and operettas on stage, however, and she also sang her now evergreens in TV shows. She published her memoirs, 'Zarah's minion' (Zarah's Memories), in 1972. In 1975 she played in her last musical, 'Das Lächeln einer Sommernacht' by Stephen Sondheim and Hugh Wheeler based on Ingmar Bergman's film Sommernattens leende/Smiles of a Summer Night (1955). In 1979 Zarah Leander officially retired and in 1981 she died of a stroke in Stockholm and was buried on her estate Lönö. She was married three times. After Nils Leander, she was married to journalist Vidar Forsell (1932-1943). Her third husband was pianist Arne Hülphers from 1956 till his death in 1978. In 2003 a bronze statue was raised in Zarah Leander's hometown of Karlstad at the Opera House of Värmland where she began her career. After years of discussions, the town government, at last, accepted this statue on behalf of the first Swedish local Zarah Leander Society. A year later the book 'The Mystery of Olga Chekhova' (2004) by Anthony Beevor was published, in which the author claimed that both Olga Tschechova and Zarah Leander worked for Soviet intelligence during World War II. According to the author she supplied information about Nazi Germany to a Soviet contact during her visits home to Sweden. In Germany, Zarah Leander is still an icon of the gay community, and her persona has been recreated by many drag queens. Performers like Nina Hagen have covered her songs, and director Quentin Tarantino used her song 'Davon geht die Welt nicht runter' (It is not the End of the World) in his war thriller Inglourious Basterds (2009). Sources: Antje Ascheid (Hitler's Heroines), Paul Seiler (Das Zarah-Leander-Archiv), Lennart Haglund (Find A Grave), Wikipedia and IMDb. And, please check out our blog European Film Star Postcards.

[sven-neawolf]

Title: Der Engel Download: https://neawolf.com/track/der-engel.php Dark Music | Abstract short audio with sounds by Sven Neawolf | Goth #shorts (40s) 2024-11-21_08-24 Follow Me/ Subscribe: https://www.youtube.com/@neawolf/videos?sub_confirmation=1 [WEBSITE] https://neawolf.com ⭐ ⭐ ⭐ Spotify Playlist: https://neawolf.com/on/playlist ⭐ ⭐ ⭐ YouTube Musict: https://neawolf.com/on/youtubemusic ⭐ ⭐ ⭐ 👉 Playlist , Songs By Sven Neawolf , techno sadsong melancholy darkcore doomcore https://www.youtube.com/playlist?list=PLUGbe61FL_nxwW_q0OlC6PJDvuV-c1tSY ⭐ ⭐ ⭐ Audio Music is currently on your favorite platforms: 👉Spotify: https://open.spotify.com/artist/2DWHr0fUQBK7IXJqBHKrTC 👉AppleMusic: https://music.apple.com/us/artist/sven-neawolf/1656944802 👉SoundCloud: https://soundcloud.com/svenneawolf/ 👉AmazonMusic: https://www.amazon.com/music/player/artists/B0BNKP79B7/sven-neawolf ✅ Stay Connected With Me. 👉Facebook: https://www.facebook.com/SvenNeawolf.MentalDarkcore/ 👉Tiktok: https://www.tiktok.com/@sven.neawolf 👉Instagram: https://www.instagram.com/sven.neawolf/ ============================= 🎶 Welcome to our latest YouTube video, diving deep into the world of electronic music with the talented Sven Neawolf! 🎶 In this video, we explore the captivating soundscapes created by Sven Neawolf, a groundbreaking artist redefining the boundaries of electronic music. If you're a fan of innovative, atmospheric, and emotionally charged music, you’re in for a treat! 🌟 Who is Sven Neawolf? 🌟 Sven Neawolf is an emerging name in the electronic music scene, known for his unique ability to blend various electronic genres into a distinctive sound. His music combines elements of Deep House, Techno, and Ambient, often enriched with melancholic melodies and driving beats. Neawolf has gained recognition for his experimental approach and meticulous attention to detail, captivating listeners with every new release. 🎧 What to Expect in This Video 🎧 In this video, we provide an in-depth look at Sven Neawolf’s distinctive musical style. Here’s what we’ll cover: Musical Influences and Genres: Discover the diverse genres that Sven Neawolf integrates into his music and learn about the influences that have shaped his unique sound. Creative Process: Find out how Sven Neawolf creates his tracks, from initial ideas to the final mix. We’ll give you a behind-the-scenes look at the process behind his music. Popular Tracks and Albums: Analyze some of his most well-known tracks and albums to understand what makes them stand out. Get immersed in the sounds and atmosphere of his most notable works. Live Performances and Shows: Experience how Sven Neawolf brings his music to life on stage and what makes his live performances a unique experience. We’ll showcase highlights from his shows and discuss his performance techniques. Future Prospects: What can we expect from Sven Neawolf in the future? We’ll speculate on upcoming projects, potential collaborations, and developments in his career. ✨ Why Should You Watch This Video? ✨ If you’re passionate about electronic music or simply curious about new and exciting artists, this video is perfect for you. We offer not only a thorough analysis of Sven Neawolf’s music but also intriguing insights and exclusive information that you won’t find anywhere else. 🔔 Subscribe to our channel and hit the notification bell to stay updated with our latest content! Don’t miss out on our in-depth explorations of innovative artists and their groundbreaking music. 💬 We’d love to hear from you! Share your thoughts on Sven Neawolf’s music in the comments below and let us know which tracks or aspects of his work you find most fascinating. Thank you for watching, and enjoy the deep dive into the world of Sven Neawolf’s electronic music! 🎵 - #Industrial #noise #brutal #Darkwave #Broken #Weirdcore #SNw&x% #grunge #goth #melancholy #sadsong #industrial #loss #beats #neawolf #mental-darkcore #sadness #dark #doom #noize #harsh #emotional #darkcore #doomcore #MentalDarkcore #IndustrialTechno #gothic #gothic-techno #distorted #GothicScene #DarkTechno #aggressive #Sadness #painful #Traumacore #experimental #gothicgirl #gothgirl #aesthetic #aestheticpost #alt #alternative #angelcore #anime #animecore #art #backrooms #chaoscore #clowncore #creepycore #cybercore #dark #darkaesthetic #darkcore #deathcore #dirtcore #draincore #dreamcore #dreamcoreaesthetic #egirl #emo #emocore #emptycore #explorepage #fairycore #feverdream #feverdreamcore #forgottencore #glitchcore #gore #goth #gothaesthetic #gothcore #gothic #groosthetic #grunge #grungeaesthetic #grungecore #hellokitty #horrorcore #hurtcore #kidcore #kuromi #liminalcore #liminalspace #liminalspaces #lostcore #maidcore #my#

[shiniganja]

edelweiss and jasmine :3

edelweiss ⇢ how’d you think of your url/username? what’s it associated with to you?

I was extremely high and hanging w friends trying to brainstorm a 'brand name' as an artist. I wanted something that reflected my overall vibe and aesthetic (which is death metal + uwu + anime) and I was already signing all of my art with the kanji '死' [death] and going by an online alias of 'shinigami' so I took the 'gami' off and replaced it with 'ganja.' Lmao I still have the old logo design I made for some clothing designs I'm too lazy to finish.

jasmine ⇢ do you have a movie or book you loved but will never watch/read again?

This is tricky bc normally when I find something I like I want to watch/read/etc until all of the serotonin is squeezed out of it but I think I can come up with a few:

Grave of the Fireflies. It's a beautiful movie but given the context of it I can only watch it once

Hereditary. Probably weird coming from me. I adore Ari Alister's work and storytelling, but there are just some scenes and auditory cues that don't sit right with me.

Melancholie der Engel. Tw I like gore and human depravity but I don't fuck w animal abuse. Watched it just to say I did and it definitely hit its mark but the animal parts had me looking away from the screen and I have no desire to ever watch it again or add it to my uwu disturbing shock value movie collection.

[ambreiiigns]

melancholie der engels is fucking. nothing huh

[filmaticbby]

Melancholie der Engel (2009) dir. Marian Dora

[moratoirenoir]