#Marvel Comics Imprint

[savage-kult-of-gorthaur]

THE PINNACLE OF PUBLISHED '80s KIDCORE -- TURNING CARTOONS INTO COMICS IN '84-'85.

PIC(S) INFO: Resolution at 1156x1698 -- Mega spotlight on two vintage print ads for Star Comics, an imprint of Marvel Comics aimed at child and/or younger readers, c. 1985, the ad appeared in: "Strawberry Shortcake" Vol. 1 #1 (April 1985). Star Comics/Marvel.

PIC #2: Star Comic advertisement from 1984, featuring characters from titles such as: "Strawberry Shortcake," "STAR WARS Ewoks," Healthcliff," "Planet Terry," among others.

Source: https://forum.sanctuary.fr/t/page-s-de-pub/185608/225?page=9 (forum.sanctuary 2x).

[vertigoartgore]

1988-1989's Havok & Wolverine - Meltdown Vol.1 #1-4 (+ the tpb) covers by artists John J. Muth (#1, #3) & Kent Williams (#2, #4).

[thedreadvampy]

What would you call the genre of 2010s-2020s TV shows which are:

stylistic, with cinematic transitions and colorful shots

kind of tonally YA adjacent but aimed at adults; snappy, irreverent, probably centering some amount of mystery or detective work

mildly goth/alternative aesthetic and tone

involve pursuit by some manner of Paranormal Agency with a 60s bureaucracy aesthetic, either time travel or something similar, and a range of superpowers

the/a villain is almost certainly a woman with piled up hair and a skirt suit who character design and affect wise is doing what Michelle Gomez did in Doctor Who. Separately, Michelle Gomez may or may not also be there.

have an ensemble cast of quirky, sarcastic and jaded characters, interacting with a rotating cast of similarly quirky side characters

often but not always a comic book adaptation; either way, involves a heightened reality which aims to be as 'comicsy' as possible while achieving emotional verisimilitude.

I'm reasonably certain this has to now count as a genre or at least a concrete aesthetic cause I can reel off so many of these. Off the top of my head; Dirk Gently, Doom Patrol, Umbrella Academy, Loki, and Dead Boy Detectives, just to start. I think weirdly tonally and aesthetically these shows owe a lot to Pushing Daisies.

anyway yeah is there a name for this?

[wanderingmind867]

You know why it's hard to find good marvel comics nowadays for my reading list? I think i've figured it out, and it's oddly simple: DC has fast and loose continuity, while Marvel has constant event comics and crossovers and continual continuity. As much as I sometimes hate DC's continual continuity issues, it sure makes it easy to pick up standalone modern stuff. The DC Zoom imprint is 90% all standalone middle grade graphic novels. I don't think Marvel has anything like that. And as I like stuff from both companies, I just want to say: I wish Marvel took a page from DC's notes here. Because I don't like the big crossover events. Seeing so many of them feels like a big turn off. So maybe I will be stuck with just Squirrel Girl, Howard the Duck and Spider Ham for my Marvel Comedy Characters. Because they're the least tied to mainstream events that I can find, and that's 100% a plus to me.

[webshootersandwingdings]

Marvel Team Up (2004) #11

[kryptonbabe]

There are so many good comics out right now, I might be overwhelmed, but I'm not complaining

[omercifulheaves]

Elektra: Assassin #1 Art by Bill Sienkiewicz

[marybatson]

ill tell u why the shazam live action movies flop as as cbm adaption. they didn’t have mary go to an undisclosed location in the amazon where giant insects lived and beat them up when they were being annoying to the locals. they didn’t recreate this iconic image

[panzerdrako]

100 all time greatest comics (2014)

[luciferinn]

i really wanna do a big read through of all the like, failed marvel imprints just because there was a such a large period of time where despite their successes in other areas they just could not get their readership to read books that were anything akin to dc's vertigo like they really wanted to

[savage-kult-of-gorthaur]

"MARVEL KNIGHTS WILL BE A PLACE FOR TOP TALENT TO WORK WITHOUT CONSTRAINTS..."

PIC INFO: Spotlight on a 1998 house ad for the Marvel Knights imprint of Marvel Comics that contained standalone material taking place inside the Marvel Universe (Earth-616), when Marvel outsourced four titles ("Black Panther," "Punisher," "Daredevil," and "Inhumans") to Joe Quesada and Jimmy Palmiotti's company Event Comics.

"Marvel Knights...

...is the showcase for "evergreen events" — self-contained limited series that think outside the box, that challenge readers to re-think their favorite Marvel characters and re-evaluate the legends that surround them. In other words, Marvel Knights will be a place for top talent to work without constraints, and deliver the kind of product fans deserve!"

Sources: https://forum.sanctuary.fr/t/page-s-de-pub/185608/225, Wikipedia, various, etc...

[vertigoartgore]

Dave Johnson : "Blah,biddy,blah,blah,blah. What's there to say ? I did design the new Punisher logo. Pretty happy with it. The cover itself is OK. Not my favorite by any means. But then they can't be all my favorites."

Dave Johnson : "Tried to get that quiet mean vibe. The 'he's so bad, he doesn't need a million guns to kill you' look. And yes, after doing it I realized the Venture Bros. skull thing going on. Wasn't my intent. But what are you gonna do? It was bound to happen.

100% real paint on rough watercolor paper."

Dave Johnson : "Half traditional/ half photoshop."

Dave Johnson : "This one feels a bit like Steranko. I guess I could have sealed the deal by adding a swirling , hypno graphic to one of the backgrounds to really drive it home, but that really wasn't what I set out to do. I'm really enjoying the fact that since I re-designed the logo, I can now use it in the overall design as opposed to letting it just sit there on top of the page getting in my way like most comic cover trade dress. Too bad I still have to deal with the horrible scourge called the UPC box. I mean, seriously !?! Does it have to be so freaking BIG ! Not at all. But nobody wants to rock the boat in the name of beauty."

Dave Johnson : "Red, red, red. Why do I love that color so much? It dominates my work like skulls dominate Mignola's work. My chair is red, I got 2 cars that are red. Devilpig is red. My homemade Samurai armor is red. 

Oh well, why fight it. We all like what we like. It's just that simple.

Damn Equis !

*note* X-Ray is a photo that was manipulated to show all the broken bones. Except the pinky. Because Punisher can kill you with just his pinky. He's just that bad ass."

Dave Johnson : "Ahhhh, Bullseye. You really know your way to my heart."

Dave Johnson : "What a crazy cover. To me, it just screams "insane" ! Maybe I was inspired by a certain DA member that entered into my life recently. Even though I did it before he started sending me death threats (haha) I guess I had an episode of fore sight."

Dave Johnson : "Even though I haven't posted the cover to no.7 yet (because I still need to finish it) I'm posting this. It's a 5 issue story arc involving the character Bullseye. So, I'm trying to do 2 things.

To have every cover involve a bullseye graphic element (so far, so good)

To do all the covers using a blue color palette to reference the original costume of Bullseye (even though the character in this story never dons the outfit)

Also, I realize this cover is kind of a book end cover to an earlier Punisher cover. This one… [link]

But hey, it just worked out that way. If I'd have know that Bullseye was coming up in my future I might have not done the earlier cover. But that said, I wasn't about to NOT do this cover because of that. It fits to well with the story.

But maybe I'm thinking about it too much because the reality is, that it's a stupid comic book cover and the world will go on as is, no matter what I do, haha."

Dave Johnson : "I really had a good time on this one. Bullseye looks like he's really lost it and has become obsessed with getting into Punisher's head.

I gotta say, in some ways this cover assignment has been more fun than 100 Bullets covers. And that's saying a lot. Plus, about a week ago, I was talking to Tim Bradstreet. He said that if I ever needed a fill-in he'd be happy to do so. I told him 'he's have to pry it from my cold, dead hands'. Hahaha."

Dave Johnson : "Ahhh, the Bullseye motif is in effect for one more cover. Actually, I have one more to do with this story line. The writer (Jason Aaron) said that Frank wears a gas mask in this issue. Which is crazy timing because I had started to write back and forth with this guy :icondarkasylumxxx: about a trade. Art for a gas mask. He had asked if I could use his gas mask design on a cover, and I told him that kind of stuff was in the writers hands not mine.

Crazy how the universe works like that."

Dave Johnson : "Hot of the presses. The last cover for the "Bullseye" story line. The bullseye motif was fun to play with. And I can't wait to see what comes next for ol' Punisher. I'm willing to money on the fact that whatever happens, it'll be mondo violent."

Dave Johnson : "Man, this cover fought me all night. I started around 11pm with a basic idea of Punisher holding prison bars so tight that blood was coming outta his hands. But the execution eluded me until 4:30am. The angle I liked, but how to make it say 'Punisher' ? Then the idea of the key brought it all home. Finished it up by 6am and off to Marvel on the East coast just in time for them to get it when they open up the doors. Yeah me!

I think this is my favorite Punisher cover so far. Not sure what you'll think, but I'm sure you're tell me, haha.

Going to go to bed now. I feel like a vampire.

Update Got this response from :iconprimeless: "I'm nobody, so I guess my words will mean nothing to you. Also, my art won't ever be as good as yours. I love this cover as I'm fan of your work, but I continue thinking that your work for 100 bullets is the best you ever did.

The reason is that i find that the Key is saying that "Punisher got somebody into jail" not that "punisher is in the jail".

Sorry. My english is not very nice."

And here's my response: "The cover is not meant to be taken as a literal statement. It's main purpose is to tell you 1. It's a Punisher book 2. It takes place in prison. Obviously, the key isn't a real key. It's a story telling device. Whether or not you personally see it "Punisher got somebody into jail" or "punisher is in the jail". Without the key, it's just a guy holding onto prison bars. With it, it's a guy who, may or may not be Punisher. The goal is to make you pick up the book and find out."

Posting this because I thought it would clarify any future questions. Thanks"

Dave Johnson : "It's a simple cover with a simple idea. Punisher is prison, prisoners not happy about it. Rinse, repeat. Call me in the morning."

Dave Johnson : "You know what sucks ? The way I work. I agonize for 2 weeks to come up with a cover design that I don't hate, and then it only takes me 1 day to do it from start to finish. Imagine if that were the other way around? I'd probably be over rendering and adding so much detail it would make your eyes bleed. But instead I wait until one day before the deadline to force me into doing something. 

Bah! I guess it is what it is. 

This one was hard because I've already done a Punisher cover dealing with Frank's origin story. Seen here [link]"

Dave Johnson : "Mmmmm, Electra vs. Punisher. Sure, why not."

Dave Johnson : "This cover kind of turned out to be a little partridge family bus art style or if you please the art that inspired that art style on the bus [link]

Well, it's not my best cover, but it's not my worst. I really dig how Punisher's face turned out though. But maybe you hate it.

Discuss."

Dave Johnson : "Punisher cover time. Mostly photoshop if you're wondering. No real paint was harmed in the making of this cover."

Dave Johnson : "Another Punny cover. Enjoy.

*note* if you notice, no blood on Frank in the photo. It's the little things."

Dave Johnson : "Sadness."

Dave Johnson's cover run (+ commentaries for nearly each of them) on Aaron/Dillon's Punisher Max Vol.1 #1-22 (2009-2012). Source

[keycomicbooks]

Magilla Gorilla #4 (1965) Gold Key Imprint of Western Printing Co.

#MagillaGorilla #4 (1965) #GoldKey Imprint of Western Printing Co. Magilla Gorilla is a fictional gorilla and the star of The Magilla Gorilla Show by Hanna-Barbera that aired from 1963 to 1967. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA https://www.rarecomicbooks.fashionablewebs.com/Magilla%20Gorilla.html  #GoldKey #KeyComicBooks #RareComicBooks #VintageComicBooks

[geekcavepodcast]

Marvel Announces New 20th Century Studios Imprint

Marvel Comics has announced the creation of a new comic book imprint for 20th Century Studios’ franchises like Planet of the Apes, Alien, and Predator. The 20th Century Studios comics imprint will begin in April with Planet of the Apes #1.

The Hollywood Reporter broke the news.

(Image via Marvel Comics - Joshua Cassara’s Cover of Planet of the Apes #1)

[dorothylarouge]

Dorothy's Big List of Comic Book Recs - DC Comics Edition

I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers DC Comics; Marvel and indie lists will follow! Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers. I'm also not including books from the Milestone and Wildstorm imprints as they're kind of a separate sphere to me, although some Vertigo books may be included.

SUPERMAN

All-Star Superman by Grant Morrison and Frank Quitely: This is the book that made me a Superman fan. It is an out-of-continuity celebration of Superman and his world, and an exploration of why Superman as a character has endured for nearly a century.

Superman For All Seasons by Jeph Loeb and Tim Sale: A gorgeously-illustrated and Americana-flavored recounting of Superman's early years in Metropolis, anchored narratively by the changing of the seasons.

Superman: Birthright by Mark Waid and Lenil Francis Yu: For my money, the definitive origin story for Superman. Great characterization of the entire supporting cast, including Lex Luthor, make this a perfect entry point into the character and his world.

Action Comics (1939) and Superman (1939) by Jerry Siegel and Joe Shuster: The earliest Superman stories are still really great, and have a populist edge that many later stories sanded down. They're pulpy and fun and I recommend them!

Action Comics (2011) by Grant Morrison: This run spans issues 1-18, plus a special issue 0, of the series launched as part of DC's mostly-failed 2011 reboot, and covers Superman's early years in this continuity. The early issues bring back some of the edge that was present in the Golden Age comics, and the rest of the run is solid stuff as well. Morrison always comes highly recommended.

Superman: Red and Blue: An athology series that focuses on a broad sampling of Superman's world and supporting cast, written and drawn by various creators.

Action Comics (1939) by Geoff Johns: Specifically, I would say that issues 855 to 870 are a good span to be checking out for Geoff Johns' run on the book. These include some great stories focusing on classic Superman villains such as Bizarro, Toyman, and Brainiac.

Superman Smashes the Klan by Gene Luen Yang and Guruhiru: An adaptation of a classic Superman radio story set in the 1940s and focusing on Superman's place as an immigration narrative. And Superman gets to rough up some Klansmen!

Man and Superman by Marv Wolfman and Claudio Castellini: Another story of Superman's early years, this one focusing on his struggles to adapt to life in the big city after moving from Smallville, as well as his first encounters with Lois Lane and Lex Luthor.

Superman: Up in the Sky by Tom King and Andy Kubert: A lovely self-contained story which demonstrates just how far Superman will go to save a single life.

Superman (1939) by Elliot S! Maggin: This mammoth run spans issues 247 to 400 of the classic title, and includes some fantastic stories such as "Must There Be a Superman?" (issue 247), "The Greatest Green Lantern of All" (issue 257), and "The Living Legends of Superman" (issue 400)

Superman (1939), Adventure Comics (1938) and Action Comics (1939) by Mort Weisinger: This run spans a lot of the Silver Age era of Superman, including Action Comics #241-392, Superman #120-231, and Adventure Comics #247-396. It's a lot of issues, but in those days you can mostly read them in any order since they're pretty self-contained. This run includes a lot of classic villains and stories, as well as the earliest adventures of the Legion of Super-Heroes.

Supergirl: Woman of Tomorrow by Tom King and Bliquis Evely: A spacefaring take on a True Grit-style western with gorgeous art, and a definitive story for the Girl of Steel.

Superman’s Pal, Jimmy Olsen (2019) by Matt Fraction and Steve Liber: a madcap romp and a delightful sendup of Silver Age weirdness.

BATMAN

Batman: The Long Halloween and Batman: Dark Victory by Jeph Loeb and Tim Sale: Another Loeb/Sale joint, focusing on Batman's earlier years and the transition of Gotham's underworld from the mob to a coterie of costumed kooks.

Arkham Asylum: A Serious House on Serious Earth by Grant Morrison and Dave McKean: An examination of the facility housing Batman's rogues, and what those rogues symbolize in his world.

Batman (1940) by Dennis O'Neil: This is a classic run which re-established a dark tone for the Dark Knight which has endured to this day. The run spans Batman #224-268, along with a handful of issues of Detective Comics. Among the major developments of this run are the introduction of Ra's al Ghul and his daughter Talia.

Batman: A Lonely Place of Dying by Marv Wolfman, George Perez, and Jim Aparo: The definitive story about why Batman needs Robin. Read it in trade since the story spans both the Batman and New Titans titles.

Batman by Grant Morrison: I'm hesitant to include this because it delves so deep into Batman lore, but it really is essential reading, introducing Damian Wayne along with other concepts. Please do disregard Morrison's frankly appalling characterization of Talia. Read in omnibus format as the run spans multiple titles.

Batman: The Killing Joke by Alan Moore and Brian Bolland: It's cliche at this point but the story still is fantastic and one of the best Joker stories ever written.

Batman: No Man's Land: An epic storyline across many titles dealing with Gotham being cut off from the US after a massive earthquake and Batman's efforts to keep the peace in an abandoned city. Read in trade format.

Batman (2011) by Scott Snyder: This run spans issues 1 through 51 of the New 52 relaunch, and introduces concepts such as the Court of Owls. It's a fun run, including a brief period where Jim Gordon acts as Batman.

Batwoman (2011) by J.H. Williams III and W. Hayden Blackman: A gorgeously-illustrated book about Batman's cousin and her adventures as the Batwoman. Worth reading for the art alone.

Nightwing (1996) by Chuck Dixon: Dixon's a tool but this is still the definitive Nightwing run. This run includes volume 1 of Nightwing, a 4-issue mini, as well as issues 1-70 of volume 2, which establishes Dick's home base of Bludhaven as well as his rogues' gallery.

Detective Comics (1937) by Paul Dini: This run spans issues 821 to 852, and features some great stories by one of the great Batman writers and a co-creator of the classic animated series.

Robin (2021) by Joshua Williamson: A great run that helps to flesh out Damian Wayne's place in the DC Universe.

The Boy Wonder by Juni Ba: A great story with gorgeous art that focuses on Damian Wayne and his relationships with the other members of the Batman Family.

Batgirl (2000): The first series to focus on a Batgirl, specifically Cassandra Cain, the best Batgirl, as she struggles to adapt to life after an abusive childhood being raised as an assassin.

WONDER WOMAN

Wonder Woman (2006) by Gail Simone: Simone's run is the longest that a woman has ever written comics' premiere female superhero, and it's just good comic book fun. The run spans issues 14 to 44.

Wonder Woman (1987) by Phil Jimenez: Jimenez's childhood love of Wonder Woman shines through in his run, which placed a renewed focus on Diana's supporting cast and especially her family. The run spans issues 164 to 188.

Wonder Woman (1942) and Sensation Comics (1942) by William Moulton Marston: Wonder Woman's creator laid down the basics of the character and her world, and those early Golden Age stories are still a great read. They're fun, engaging - and more than a little kinky with hindsight.

Wonder Woman (1987) by Greg Rucka: In the early 21st century, Greg Rucka was The Guy for writing female superheroes, and his run on Wonder Woman is great. It features Diana becoming an ambassador, writing a book, fighting Medusa, and matching wits with Veronica Cale, her own Lex Luthor. The run spans 196-226. I must also mention Wonder Woman: The Hiketeia, also by Rucka, which is a Greek tragedy where Diana finds herself torn between duty and justice.

Wonder Woman Historia: The Amazons by Kelly Sue DeConnick: A beautifully-illustrated story of the Amazons and the Greek goddesses, which lays the foundations for Wonder Woman's world.

Wonder Woman (1987) by George Perez: This run reintroduced Diana after Crisis on Infinite Earths, and the first 25 issues feature Perez's simply-unmatched artwork. The whole run spans the first 62 issues of the book, and serves as a blueprint for most subsequent takes on the character.

THE FLASH

Flash Comics (1940) and All-Flash (1941): The Golden Age Flash and his early stories by his creator Gardner Fox. Must-read if you're interested in Jay Garrick, the first Flash.

Showcase #4, 8, and 13, and The Flash (1959): The Silver Age Flash, Barry Allen, made his debut and early adventures here. Much of the art is by the great Carmine Infantino, and Gardner Fox returned to write some stories. The whole concept of the multiverse debuted in this run.

The Flash (1987) by Mark Waid (as well as Grant Morrison and Mark Millar): This run starts in issue 62 and lasts until 162, with a brief run by Grant Morrison and Mark Millar towards the end. This run is the definitive Flash run, focusing on Barry Allen's protege Wally West maturing in the role of the Flash and establishing himself as the true fastest man alive.

The Flash (1987) by Geoff Johns: This run spans issues 164 to 225, and refocuses the Flash's traditional rogues' gallery, offering modern origins for many of them, while also introducing new foes like Girder, Blacksmith, and a new Reverse-Flash.

The Flash (2016) by Joshua Williamson: This run spans issues 1-88, as well as 750 to 762 of the relaunched volume 1 of the book. I hate the recentering of Barry Allen from 2009 to 2019, but Williamson's run is the most tolerable, and serves as a love letter to the Flash, while also setting the stage for Wally to return as the primary holder of the mantle.

The Flash (2023) by Simon Spurrier: The current run of the Flash, it focuses on Wally as the main Flash and the Flash Family as an ensemble. The extended first arc features a threat to time itself, and goes into some really surreal and experimental territory for a Flash book.

Impulse (1995) by Mark Waid, et al.: A more lighthearted and comedic companion book to Waid's run on Flash, this book focuses on Bart Allen, Barry's grandson, who was raised in the future and has the attention span of a goldfish, as well as his relationship with the zen guru of speed, Max Mercury.

GREEN LANTERN

The Green Lantern (2018) by Grant Morrison: A police procedural starring Hal Jordan that gets into some pretty freaky territory, with gorgeous interiors by Liam Sharp.

Green Lanterns (2016) by Sam Humphries: A buddy cop type title focusing on the team of Simon Baz and Jessica Cruz. Humphries' run spans the first 32 issues of the book.

Far Sector by N.K. Jemisin and Jamal Campbell: A murder mystery in space which establishes a new Green Lantern, Jo Mullein. Super easy to get ahold of since it was rereleased as part of DC's Compact Comics line of $9.99 trades.

Green Lantern/Green Arrow (1970) by Dennis O'Neil and Neal Adams: This run brought a social conscience to comics as Green Arrow was reinvented as a left-winger and a man of the 60s counterculture, joining Green Lantern on a quest across America. The run spans issues 76 to 89 of the book.

Green Lantern (1990) by Ron Marz. Marz's run starts in issue 48, and sees the Green Lantern paragon Hal Jordan descend into darkness before being replaced as defender of Earth by Kyle Rayner. The run lasts until issue 125, and as Kyle is my favorite Lantern I have a fondness for it.

Green Lantern (2005) 1-67 and (2011) 0-20 by Geoff Johns: Johns brought Hal Jordan back as the main GL, and his run expanded the world of Green Lantern by introducing the emotional spectrum. His run is the basis for most Green Lantern lore going forward, and is pretty essential reading.

Green Lantern: War Journal by Phillip Kennedy Johnson and Montos: A 12-issue series featuring John Stewart as he ventures into space to fight a dark force corrupting life in the galaxy. The new definitive John Stewart run.

TEAMS AND TEAM-UPS

JLA by Grant Morrison, Mark Waid, Joe Kelly, et al.: This was a back-to-basics approach to the Justice League with a core group of characters. Morrison's run on the book is probably the best, but Waid and Kelly also bring in some good stories.

Justice League of America (2007) by Brad Meltzer and Dwayne McDuffie: Another relaunch of the time, this time with a large roster inspired by the classic 1970s era of the League. Some great stories in this run, including a crossover with the Milestone characters.

JSA (1999) by Geoff Johns, Paul Levitz: The first team in comics was relaunched in the 90s by Geoff Johns, who established the Justice Society as a family first, later bringing in the Marvel Family for some great stories fleshing out Black Adam's character.

Justice Society of America (2007) by Geoff Johns: Johns' second run on the JSA is a continuation of the first, with a focus on legacy and new heroes reclaiming the mantles of Golden Age heroes. Introduces the delightful Maxine Hunkel as the wind-powered Cyclone.

New Teen Titans by Marv Wolfman and George Perez: Lightning in a bottle. This book likely saved DC after the disastrous DC Implosion. The best Titans run of all time, quality of art and writing that has never been recaptured with this team. If you loved the cartoon as a kid you will love this book.

Young Justice by Peter David and Todd Nauck: For all intents and purposes, the Teen Titans for the 90s generation. Funny, heartfelt, with great cartoony art by Nauck.

Doom Patrol (1987) by Grant Morrison, Rachel Pollack: A truly, wonderfully weird tale of the most off-beat superheroes of all, with themes of identity, life, and art woven throughout.

The Terrifics by Jeff Lemire, Gene Luen Yang: At a time when Marvel was treating the Fantastic Four like dirt, DC put out their own version, which captures the wonderous adventure of a Silver Age science fiction book with some great character work from a great core cast. A thoroughly underrated title.

Suicide Squad (1987) by John Ostrander: An often darkly-humorous book about a team of second-string supervillains coerced into doing the government's dirty work. The definitive Suicide Squad run.

Villains United (2005), Secret Six (2006), and Secret Six (2008) by Gail Simone: A group of supervillains forced together by circumstance and find themselves working together as mercenaries. A real found family of freaks type of situation.

Legion of Super-Heroes by Paul Levitz and Keith Giffen: This run spans issues 282 to 313 of the 1980 book, and 1 to 63 of the 1984 book. Includes some of the greatest Legion stories, including the Great Darkness Saga.

Birds of Prey (1999) by Gail Simone: This run covers issues 56 to 108, and focuses on female heroes kicking ass, basically Charlie's Angels with superheroes.

Batman/Superman: World's Finest by Mark Waid and Dan Mora: A team-up book between Batman, Superman, and the DC Universe, set earlier in their careers.

Justice League International (1987) by Keith Giffen, J.M. DeMatteis, and Kevin Maguire: As much a workplace comedy as a superhero book, this is a very different take on the Justice League, from the time when "bwa-ha-ha" ruled the DCU.

THE FOURTH WORLD

The Fourth World Epic by Jack Kirby: Read in omnibus or trade format. The first stories of the Fourth World from the King of Comics, Jack Kirby. The story spans Kirby's run on Superman's Pal Jimmy Olsen, The New Gods, The Forever People, and Mister Miracle, and ends in The Hunger Dogs.

Orion (2000) by Walt Simonson: A follow-up to Jack Kirby's epic, this book focuses on Orion, the son of Darkseid, and his quest to vanquish his father once and for all.

Bug! the Adventures of Forager by Lee Allred and Mike Allred: With Mike Allred's striking artwork, this book serves as a love letter to Kirby's time at DC Comics.

Mister Miracle (2017) by Tom King and Mitch Gerads: A slightly-psychedelic take on the Fourth World, focusing on Scott Free and his family with the backdrop of a bloody war unfolding between New Genesis and Apokolips

New Gods (1989) by Mark Evanier: This was a return to form for the New Gods, who hadn't had a lot of new stories to themselves since Kirby left DC, and it's a great read.

AND THE REST

Green Arrow: The Longbow Hunters (1987) and Green Arrow (1988) issues 1-80, by Mike Grell: Probably the definitive Green Arrow run. Political, edgy, and mature.

Animal Man (1988) by Grant Morrison: A fun and surreal series of adventures featuring one of the DCU's unsung heroes.

Booster Gold (1986) by Dan Jurgens: A Reagan-era story of a money-obsessed celebrity superhero rediscovering the altruistic spirit of a true hero buried deep within him.

Zatanna: Bring Down the House by Mariko Tamaki and Javier Rodriguez: A quest through the realms of magic as a reluctant witch gets caught in the crossfire of a mystical war.

Amethyst, Princess of Gemworld (1983, 1985, and 1987): For fans of magical girls and sword and sorcery, this is a must-read. A girl from Earth discovers she is the princess of a mystical realm and embarks on a quest to save it.

The Question (1987) by Dennis O'Neil: A grounded, philosophical story of a man trying his best to make things better in a city abandoned to corruption and decay.

Monkey Prince by Gene Luen Yang and Bernard Chang: Drawing on Chinese mythology, this book focuses on an unlikely superhero with connections to the monkey king, Sun Wukong.

Blue Beetle (2006) by John Rogers and Keith Giffen: Giffen leaves after issue 10, but Rogers continues until issue 25, and the rest of the volume is pretty decent as well. It establishes Jaime Reyes as the Blue Beetle, and if the cards had been better he could have easily become DC's answer to Spider-Man. Ah, well. It's always nice when he gets a book, and this is probably the best one.

Galaxy: The Prettiest Star by Jadzia Axelrod and Jess Taylor: a YA graphic novel featuring a transgender alien princess. What's not to like?

Hawkworld (1989 and 1990): A science fiction epic of Thanagar, world of the hawks. A great read on its own, but it unfortunately did a lot of damage to the continuity of the Hawkman family of characters.

Hawkgirl (2023) by Jadzia Axelrod and Amancay Nahuelpan: A fun little miniseries focusing on Kendra Saunders moving to Metropolis and having to deal with the trauma and hardship of her past. Guest starring Galaxy from that other book!

Starman (1994) by James Robinson: A grungy, Gen X book about legacy and what we leave behind, with plenty of hooks for the new reader to investigate regarding the Golden Age superheroes.

The Power of Shazam! by Jerry Ordway: The post-Crisis take on Captain Marvel and the Marvel family. A great read, and the last great run for the classic versions of these characters.

Sandman (1989) by Neil Gaiman. Obligatory Neil Gaiman is a piece of shit out of the way, his Sandman book is a beautiful and at times horrifying read, and its importance as a story manages to outweigh my disdain for its creator.

Swamp Thing (1982) by Alan Moore and Steve Bissette: Moore's run begins in issue 19 and ends in issue 64. This is the definitive Swamp Thing run, which set the standard for all to follow. It's a creepy and often touching story which remains some of Moore's best work in the medium.