#Marseille
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Humanimal
Marseille, 2017.
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it is so funny to me, as a french person, that jean moreau canonically comes from marseille because that means he has the STRONGEST southern accent when he speaks french like imagine the texan accent double it and give it to jean
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Marseille, France (by Simon Kessler)
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Un café, s'il vous plaît
#travel#travelblr#travelgram#travelspo#coffee#coffeeblr#cafe#cafes#france#south of france#marseille#coffee shops#city#cities#neutral#neutral tones#aesthetic#aes#ph#phone photography
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(×)
#assad zaman#with friends#actors#france#marseille#iwtv cast#interview with the vampire#amc interview with the vampire#iwtv#amc iwtv#armand#the vampire armand#why is he so pretty#ms*
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Above: Hotel Sofitel in Marseille, (1983). Designers are Atelier 9.
Below: Espace Oscar Niemeyer au Havre (photographed in 1983). Designed by J. Maur Lyonnet and Oscar Niemeyer. Sce architecture de la ville.
Scan
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Unité d'habitation, Le Corbusier, Marseille 1947-52. valentin.jeck Instagram
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Sketchbook Gouaches ! Marseille/Austria in the Spring and Magnolias,
Annecy Ajaccio this month ♥
#gouache#plein air#no plein no gain#sketchbook#Sirocco#and some doodle fanart !#Annecy#Ajaccio#Marseille#Austria
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nagel neue tn ich bin schneller🏃🏻🏃🏻
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June 2024 - Marseille - France
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André Maglione (French, 1838 - 1923) - The port of Marseille at dusk
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Suspended Moment
20 frames. 2,3 mb.
Marseille, 2017.
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"Unité d’Habitation / La Cité Radieuse", 280 Boulevard Michelet, 13008, Marseille, France [1947-52] _ Architect: Le Corbusier _ Photos by: Spyros Kaprinis [25.05.2024].
"The building takes the form of a housing bar 135 metres long, 24 metres wide, 56 metres high and mounted on stilts. Three hundred and thirty apartments, divided into twenty-three different types, can accommodate a population of between 1,500 and 1,700 occupants having at their disposal on the seventh and eighth floors a shopping street and a hotel-restaurant, together with a kindergarten and sports facilities on the roof terrace. The constructive principle adopted, the so-called “bottle rack”, consists in building apartments inside an independent frame of posts and reinforced concrete beams. The apartments are made up of standard elements assembled on the site. All the apartments are dual-aspect, except those on the south side. A sun-break loggia provides an open-air facility at the same time as limiting exposure to sunlight. Protected by double glazing, the apartment interiors are subject to the two basic rules of naval and monastic architecture: rationalism and simplicity. The living room, open on two levels, is the nucleus of the family “home”; upstairs the parents’ room occupies the mezzanine. The kitchen is equipped like a laboratory: electric cooker, refrigerator, rubbish chute and storage racks. The entire apartment is fitted with racks replacing traditional storage. The ventilation of the kitchen, bathroom and toilets is mechanically operated, while the entire apartment is supplied with clean air by an air conditioning system. These facilities were not found in the low-cost collective housing units of the time, and the standard surface areas of the Unité d’Habitation are greater than these by between 40% and 50%. The seventeen-storeys below the terrace are connected by eight interior streets which, given the overlap of the two-storey apartments, each serve three floors. Each street is accessed by a battery of four elevators complemented by a service elevator and three emergency staircases. The entire building and its equipment are designed in terms of the Modulor, the universal measuring unit conceived by Le Corbusier."
#Unité d’Habitation#La Cité Radieuse#Marseille#France#Le Corbusier#1947#1952#Spyros Kaprinis#2024#Concrete#Brutalism#Housing#Architecture
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Marseille, France
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Palais Longchamp - FRANCE
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