#Marion Square

[hebrewbyinbal]

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A post shared by Hebrew by Inbal 🇮🇱 Getting English speakers to thrive in Hebrew (@hebrewbyinbal)

Holocaust Memorial in Charleston SC

[concertphotos]

Charleston, South Carolina Aerial View by David Oppenheimer Via Flickr: Charleston, South Carolina aerial view of historic waterfront homes in The Battery - Charleston real estate - © 2024 David Oppenheimer - Performance Impressions aerial real estate photography archives - performanceimpressions.com

[derekklenadaily]

@giftober | Day 6: Brands

[newyorkthegoldenage]

Marion Eldridge, Washington Square Park, 1925-30. Oil on canvas.

Photo: 1st Dibs

[asolitaryrose]

i honestly would love to be as obsessed with Square Enix and the FF franchise as i used to be when i was a teen but i do not understand what's going on with all the remasters-remakes-sequels-prequels and at this point i'm too afraid to ask

[leschanceux]

@trckstaer gets twin shenanigans! -

how the hell they're going to mission: impossible their way out of this shit, mapone does not know. yet.

she's running blindly ( heh ), following the sounds of her twin and using the senses she'd worked so hard to heighten to lead her to safety and not face-first into a wall, the sounds of the chaos they've caused roaring along behind them.

"on a scale of one to ultron, how fucked are we right now?"

[directactionforhope]

Late notice but

Today 10/5 is an international day of action protesting one year of the Gaza genocide!

Find a protest near you today or tomorrow 10/6! If you're in the US, look at the links below, from the US Campaign for Palestinian Rights!

October 5, 2024

Note: Tumblr has capped the number of outgoing links you can use in one post. Go to the USCPR link above and click on a protest for a flyer/organizer info for each and every one of these events.

Albany, NY | 4:30PM Dana Park

Albuquerque, NM | 2PM Robinson Park

Amherst, MA | Amherst Town Common

Anchorage, AK | 2PM Townsquare Park

Atlanta, GA | 2PM 190 Marietta SW

Austin, TX | 1PM Austin City Hall

Birmingham, AL | 2PM Victoria Square

Blacksburg, VA | 3PM Pylons

Boston, MA | 2PM Cambridge City Hall

Burlington, VT | 1PM Battery Park

Charleston, SC | 2PM Marion Square Park

Chicago, IL | 2PM Water Tower Park

Cleveland, OH | 3PM 11804 Lorain Ave

Columbus, OH | 2PM Goodale Park

Corvallis, OR | 12 NOON County Courthoue

Dallas, TX | 12PM The Grassy Knoll

Denver, CO | 12PM 400 Josephine St

Detroit, MI | 2PM 5 Woodward Ave, Detroit

Dover, DE | 12 NOON 250 Gateway S Blvd

Fort Myers, FL | 6PM Centennial Park

Gainseville, FL | 2PM City Hall

Honolulu, HI | 11AM Ala Moana & Atkinson

Houston, TX | 2PM Houston City Hall

Indianapolis, IL |  2PM Lugar Plaza

Kansas City | 1PM Mill Creek Park

Kona, HI | 12:30PM Old airport by the skating rink

Las Vegas, NV | 2PM 3449 S Sammy Davis Jr Dr

Little Rock, AK | 4PM 1200 Main St

Los Angeles, CA | 2PM Pershing Square

Louisville, KY | 3PM Water Front Park

Maui, HI | 11AM Kapuka’ulua (Baldwin Beach)

Memphis, TN | 2PM City Hall

Miami, FL | 5PM Torch of Friendship

Milwaukee, WI | 2PM Zedler Union Square Park

Missoula, MT | 7PM 200 W Broadway

Nashville, TN | 2PM Centennial Park

New York, NY | 2PM Times Square

New Haven, CT | 1PM New Haven Green

New Orleans, LA | 5PM Congo Square

Ottawa, Ontario | 2PM Parliment Hill

Orlando, FL | 4PM Orlando City Hall

Pensacola, FL | 5PM Palafox & Gregorary St.

Pittsburgh, PA | Film screening, 3PM 100 S Commons St.

Portland, ME | 5PM Monument Square

Portland, OR | 3PM Unthank Park

Providence, RI | 3PM RI State House steps & 5:30PM 1 Finance Way

Raleigh, NC | 3PM Moore Square

Rochester, NY | 1PM MLK Park

Sacramento, CA | 2PM West steps of the Capitol

Salt Lake City, UT | 2PM 125 S State St

San Antonio, TX | 1PM Travis Park

San Diego, CA | 2:00PM 1600 Pacific Highway

Seattle, WA | 2PM TBA, with car caravans from Spokane, Pasco, Ellensburg

St. Louis, MO | Liberation weekend, 9AM-8PM 475 East Lockwood Ave

Tampa, FL | 2PM Bank of America Plaza

Toronto, Ontario | 2PM Yonge Dundas Square

Urbana, IL | 2PM 101 E Main St

Ventura, CA | 2PM 501 Poli St

Washington, DC | 4PM White House

West Plains, MO | 12 NOON Downtown Square

Wichita, KS | 12:30PM Spirit Aerosystems

October 6, 2024

Amityville, NY | 1PM LIRR

Boston, MA | 1PM Boston Common

Green Bay, WI | 5:30PM Leicht Memorial Park

Los Angeles, CA | Vigil, 6:30PM Echo Park Lake

Minneapolis, MN | 1:30PM Gateway Park Fountain

Ontario, CA | 1PM Euclid & C St

Paterson, NJ | 2PM Palestine Way with Gould Avenue

Roanoke, VA | Vigil, 6PM Heights Community Church courtyard

San Diego, CA | 4PM Centro Cultural de La Raza

San Francisco, CA | 1PM 16th & Valencia

San Jose, CA | 12 NOON City Hall

St. Louis, MO | 1PM Choteau Park

[munson-blurbs]

Single Dad!Eddie x Fem!ReaderSeries

1 | 2 | 3 | 4 | 5 | 6

Summary: Conflict arises with Harris's new teacher, filling Halloween with more tricks than treats. But it's nothing a visit with Ms. Sweetheart can't fix.

Warnings: allusion to Reader and Eddie's one-night stand, panic attack, Reader's grandma has dementia.

WC: 5.6k

Chapter 6/20

Scruffy!Eddie edit credit to @eddiemunsons-missingnipple Divider credit to @saradika

Guns N’ Roses t-shirt: check. Goodwill jeans with makeshift holes in the knees: check. Bandana tied snugly around his forehead: check. Arms littered with an assortment of temporary tattoos: check.

Eddie grins as he assesses his son’s costume, reaching into the thrift store bag as he pulls out the pièce de résistance: a denim jacket, only two sizes bigger than Harris would usually wear. It was a bit over what he’d been hoping to spend, but he’d reasoned with himself that it could also be worn after Halloween. It was an investment, he’d decided, not a splurge.

His smile falters when Harris indignantly stomps his foot, crossing his arms over his chest. While Eddie had hoped his son would go with more badass tattoo options, perhaps a skull and crossbones or even a snake, he had insisted on a Sesame Street theme. Cookie Monster munches on his signature treat as Harris pouts.

“No, Daddy!” he whines, twisting away when Eddie holds the jacket closer to him. “I can��t wear that!”

“C’mon, Har,” he tries, scouring his brain to come up with a convincing enough lie. “Axl Rose wore jackets all the time!”

Harris doesn’t just shake his head; he swivels his entire body back and forth in protest. “I don’t care! No one’s gonna be able to see my tattoos!” He holds out both arms in front of him; nearly every square inch (besides the section blocked by his cast) is covered. Eddie had spent most of last night diligently applying them precisely where Harris had asked, lest there be a tantrum. There was, unfortunately, a headless Elmo from when Harris had asked–no, demanded–that he try by himself. Still, Eddie figured that only one casualty was a win.

“Those are some sweet ol’ tatties,” Eddie muses, biting back a laugh at the two-dimensional Big Bird on his son’s forearm. “But wouldn’t it be cool if you wore the jacket into school and then–BAM!--took it off and surprised everyone with them?

Harris appears to consider this, mouth tucked into his cheeks. “Can I show Ms. Sweetheart?”

“Sure, bud. We’ll stop by her classroom when I pick you up.” Whatever gets us out of the house in weather-appropriate attire. “But first, show me your most metal pose.”

The boy opens his mouth wide and sticks out his tongue as far as it extends, scrunching his face dramatically until the corners of his eyes crinkle. His middle and ring fingers press into his palm, thumb crossing over them, with his forefinger and pinky raised in the quintessential rock ‘n roll symbol. 

Eddie swoops down and smacks a wet kiss to Harris’s cheek. “That’s my boy!”

Standing among the crowd of parents at pick-up, Eddie opts out of making banal small talk and instead chooses to look at the bulletin board. The previous art project that had been hanging against the faded blue paper–”self-portraits” that the students had made on the first day of school–have been replaced by finger paintings of orange blobs that vaguely resemble pumpkins. There wasn’t one for Harris because he was in Ms. Sweetheart’s classroom then, so it’s his first art project in his new class. He eagerly scans the board for Harris’s, frowning when he can’t find his name. 

Maybe it’s still drying, he tries to convince himself, imagining his son over-saturating the paper with globs of paint. It wouldn’t be entirely out of character.

Ms. Marion’s classroom is a sea of costumed children. A boy dressed as one of the Teenage Mutant Ninja Turtles stands by his mom. A Cinderella, a black cat, and a Thomas the Tank Engine surround Ms. Paula. As soon as Eddie spots Harris, he smiles and waves him over, hurriedly scribbling his signature on the sign-out sheet.

He expects Harris to zoom past the other kids, fueled by the standard Halloween diet of sugar and chocolate, but he just kind of…mopes to the doorway. His shoulders slump dejectedly, and though he keeps his gaze low, Eddie can still see the film of mist staining his innocent eyes.

“Har, what’s wrong?” He waits for an answer, and when he doesn’t receive one–an oddity for his perpetually chatty son–he tries a new tactic. “Wanna show me where your artwork is? I must be gettin’ old, because I couldn’t find it on the board out there.”

“‘S not there,” Harris mumbles, scratching off a flaking piece of the Rosita tattoo on the back of his hand. “I didn’t get to finish.”

Eddie watches as the tears start to slip down his cheeks, and he brings him into the hallway before Ms. Marion or Ms. Paula sees what’s going on. He can’t be certain, but his paternal instincts tell him that they’ve contributed to Harris’s sad state. “Why not?”

“I-I t-tried, but M-Ms. Mar-Marion and Ms. P-Paula got m-mad at me.” The words come out between choked sobs. “‘C-Cuz I c-couldn’t sit d-down.”

“What do you mean?”

“I k-keeped st-standing up, ‘cuz m-my legs wanted to st-stand.” The explanation tumbles out of him so quickly, as though he’s trying to beat the clock. “And they s-said if I did-didn’t sit down, I c-couldn’t do art. But I k-keeped f-f-forgetting, and th-they t-taked away my pay-pay-paper and said, ‘sit in the c-corner!’”

Eddie’s breath hitches, and he has to clear his throat before speaking again. “Did…did that happen in Ms. Sweetheart’s class? The legs thing?” 

“Mhm,” Harris manages, “b-but she let me stand and d-do ju-jumps to get the wig-wiggles out. She just t-t-telled me not to do ju-jumps with s-s-scissors, ‘cuz of s-safety.” His breathing increases to a rapid pace, face flushing red as his chest heaves. “B-But Ms. M-Marion ye-ye-yelled at me!”

Eddie’s brows pinch together, and he gently presses his calloused palms against Harris’s narrow shoulders, desperate to prevent him from hyperventilating. “Harris, you gotta calm down. I can’t understand you when you’re crying like this!” Despite his efforts, his frustration bleeds into his tone, and he winces when the latter sentence ends with an unwanted snap. “Shh, it’s okay. It’s just an art project.” 

“Harris?”

The sound of your voice draws the attention of both Munsons. You let out a small oof as Harris flings himself against your legs, and though he practically flew the five foot distance between his father and you, now is not the time to remind him about using his walking feet.

“Hey, hey, what’s going on?” You crouch down, taking his hand in yours, and notice his quick, shallow breaths. “We’re gonna breathe together, okay? Eyes on me.” You demonstrate inhaling for three seconds, holding for three seconds, and exhaling for three seconds. “Now let’s do it together.” 

He hesitates but ultimately follows your lead, and you guide him until his breathing slows enough for him to sputter, “I t-tried to sit, b-but I c-couldn’t.”

You haven’t the slightest idea what he’s referring to, but Eddie fills you in. You feel the heat of anger creeping through your body, not just for the way your co-worker treated the sweet boy, but for her insolent approach to teaching as a whole.

“We can go to my classroom,” you offer, silently sighing in relief when the boy nods in agreement. “I don’t know if I have the supplies to make the same project as Ms. Marion, but if you have a few minutes, you can draw something now. I bet Mr. Will would love to help you; he’s a super-duper artist.”

Just as you’d predicted, Will jumps at the opportunity to help Harris with his impromptu art project, encouraging him to draw something that makes him happy. While he does that, you comb through the mess left behind from the Halloween party you’d thrown. You’d sooner toss one hundred cupcake wrappers in the trash before attempting a conversation with Eddie Munson. He’s simply too unpredictable; kind and thoughtful one day, harsh and guarded the next.

One of the wrappers in your hand drops to the floor and you reach forward to pick it up, pinching the pleated material between your pointer and middle fingers. You can feel Eddie’s eyes on your form, the way the backs of your thighs are slightly exposed when you bend over, and you stand up quickly. 

“Are you the Magic School Bus lady?” He takes in your lavender dress with planets and stars stamped all over it. Oh. He wasn’t checking you out; he was just trying to figure out who you’d dressed up as. Good. Anything else would be inappropriate.

So why does a twinge of disappointment radiate through you?

You glance at your costume; with all of the commotion, you’d forgotten you’d even been wearing one “I mean, would I even be a teacher if I didn’t jump at the chance to be Ms. Frizzle?” You motion over to Will, decked out in green from head to toe with two yellow horns glued to a headband atop his mop of brown hair. “Have you met my trusty sidekick, Liz the Lizard?”

Eddie laughs. “Yeah, Byers actually used to play in my D&D club back in high school. Made some pretty sick art pieces to liven up that dingy excuse for a room.”

You look between the two of them, trying to do the mental math. “Will, didn’t you say you’re twenty-four?” And if Eddie is thirty, that means…

“I, uh, had a little trouble graduating,” Eddie sheepishly admits, ruffling the back of his hair and offering a tight grimace. “But I got there eventually. Class of ‘86, baby!” 

“Worked out for me,” Will shrugs with a grin, looking up from Harris’s drawing. “You were the best DM Hellfire ever had. Although, rumor has it that Erica Sinclair gave you a run for your money.”

Harris picks up a yellow marker, furiously scribbling a circle in the left-hand corner of his paper. You try peering over to see the whole drawing, but he presses his whole body against the table, successfully thwarting your plans. “No peeking!” he warns, not putting his feet back on the ground until you’ve averted your gaze. “‘S a surprise.”

You put your hands up in surrender. “All right, all right. I’ll be surprised.” You raise your eyebrows at Eddie, who shares a similar response in return.

“Dunno when he got so bossy,” he snorts before calling out to his son, “Har-Bear? Five more minutes. We gotta get home to trick-or-treat with Grampa Wayne.”

“Ooh, that sounds like fun!” you echo as Harris grabs a purple marker from the box. “What’s your favorite candy?”

“Hmm.” Harris uses his free hand–the one with the cast–to tap his chin, continuing to color with the other one. “M&Ms. But only the plain ones. Daddy doesn’t let me have the peanut ones ‘cause he says I could choke.”

You shoot a sly, knowing look at Eddie. “I’m sure that’s the only reason. Such a selfless father.” You cross your arms over your chest and cock your head innocently. “And what do you do with all of these confiscated peanut M&Ms, Mr. Munson? Donate them?” 

Eddie tucks his lips into his mouth to mask his grin. “Listen, the jig is gonna be up at some point,” he mumbles out of the corner of his mouth, loud enough so you can hear but soft enough that Harris can’t. “Let me enjoy my free candy while it lasts.”

“No judgment here,” you say with a small laugh, “they’re one of my favorites, too.”

“TA-DA!” Harris shouts, startling you, Eddie, and Will. He holds up the construction paper and smiles widely. To anyone without kids–or who didn’t teach preschool for a living–it would look like a bunch of colorful scribbles. But you can tell that he’s drawn a group of people standing by a tree (or a really, really tall flower) underneath the sun.

“Wow, Harris! That’s amazing!” you clap your hands together to punctuate your enthusiasm. “Who are all those people?”

Harris’s pointer finger travels left to right across the paper as he names each person: “That’s me, Grampa Wayne, Daddy, you, and Mr. Will!” The stick figure that represents you has a purple scribble on it, which you realize must be the costume you’re wearing. “An’ we’re all smiling because we’re happy!” Sure enough, each person has a curved red line at the bottom of their face. But there’s something else that catches your eye.

All of the people have a small space between them, except for you and Eddie. The circle that Harris drew to represent your left hand overlaps with the circle that is Eddie’s right. 

You glance at the real Eddie, and if he notices, he doesn’t give any indication. “I love it, buddy.” He takes the drawing and inspects it closely. “Yup, this one’s definitely going on the fridge when we get home.” He flicks the paper for good measure. “Go clean up the markers so we can head out, Axl Rose.”

Among the noise of markers clattering back in the bins, you lean in to Eddie, inadvertently inhaling the scent of his cigarettes and cologne. For a brief moment, you’re transported back to the night fate had led you to cross paths; the thought of his lips on your neck in the stairwell has you clenching your thighs and swallowing thickly as you murmur, “I can ask him to make a new one with just you, him, and his grandpa.”

Eddie shakes his head. “N-No. I like this one.” He lets one hand drop to his side and it grazes yours. His rings brush your knuckles, and you instinctively draw back at the sensation of the cool metal and the zing of heat that pulses at his light touch. “Sorry,” he mumbles, not making eye contact.

“S’okay.”

He blinks a few times and redirects his attention to his son. “What do you say to Mr. Will and Ms. Sweetheart for letting you do your art project?”

Harris’s little chest swells as he inhales deeply, storing up as much oxygen as he can fit in his lungs before bellowing, “THANK YOUUUUUUU!”

Eddie brings his palm to his ear canal, rotating his forefinger as though trying to repair a punctured eardrum. “Love the enthusiasm,” he says through gritted teeth. “Seriously, though. Thank you both so much.”

“Of course,” Will says warmly, picking up the marker bin and placing it in its space on the shelf.

“Anything for Harris.” You smile, motioning towards the little boy already by his father’s side. “Have fun trick-or-treating tonight, bud! I can’t wait to hear about all the yummy candy you got.”

Harris scrunches his nose in contemplation. “Are you going trick-or-treating, Ms. Sweetheart?”

“Nah,” you laugh, “I’m gonna stay home and give candy to all the kids who come by.” And pray that Grandma doesn’t curse them out, you silently add.

“Oh.” Harris pauses, grabbing his dad’s hand. “Okay, bye!”

Eddie chuckles as his son pulls him towards the door. “That’s my cue. Um, Happy Halloween,” he adds awkwardly, waving once before disappearing down the hallway.

There’s so much more that he wants to say: you’re the best; you saved the day; you should be my son’s teacher instead of that old, bitchy bat. But he didn’t have time. Maybe another day. At least, that’s what he tells himself. 

Wayne arrives just a few minutes after Eddie and Harris get home. As soon as his gruff voice comes over the intercom, Harris excitedly buzzes him in. “Grampa Wayne’s here!” he yells, even though Eddie’s standing right next to him. He grabs the pillowcase from the couch; it was originally white, but after Eddie accidentally threw in a red sock with the white laundry, it’s tinted light pink.

No sooner does the older man cross the threshold into the apartment, Harris is trying to drag him out again. “Let’s go, before all the good candy is gone!” he whines. His eyebrows pinch together and he drops his grandfather’s hand. “Oh, wait, I gotta show you something.” He scampers off into the kitchen, and Wayne winces when he hears the rattle of magnets falling to the floor.

“I’m okay!” Harris calls out, running back with a piece of paper in his hand. “Look what I drawed at school today!” He gives Wayne the rundown of who’s who.

Wayne analyzes each person in the picture, stopping at the overlapping circles between you and Eddie. “This is great, Har-Bear,” he muses. “Are, um, are Daddy and Ms. Sweetheart holding hands?”

“Mhm,” Harris casually confirms, taking the drawing back. “‘Cause they’re married.”

Eddie chokes on air as Wayne does a double-take. “Congrats, Ed,” he jokes, clapping a hand to his nephew’s shoulder. “Gotta say, I thought I’d at least get an invite.”

“Shut up,” Eddie grumbles, rolling his eyes. “Harris, why do you think that Ms. Sweetheart and I are married?” He wracks his brain for answers, but he can’t come to a logical conclusion. Did I talk about her in my sleep? Oh, shit, what if it was when I had that dream—

“Because you gived her a present,” Harris says, eyes innocent and wide. “And when grown-ups love each other, they give each other presents.”

“Oh, he gave Ms. Sweetheart a present, huh?” On the surface, Wayne’s words are as innocuous as Harris’s, but Eddie hears the teasing buried just beneath. 

Harris nods. “Mhm. He gived her a tape!”

“It was the Toni Braxton one that she came into the shop for…that day that, uh…” Eddie raises his eyebrows at his uncle, who nods in acknowledgment. He brings his focus back to his son. “It doesn’t mean that we’re married. People have to go on dates and fall in love before they get married.”

The young boy absorbs this information. “So you should go on dates and fall in love with Ms. Sweetheart!” His face lights up at the idea of it, and it breaks Eddie’s heart to let him down. 

So, he doesn’t. 

“Why don’t you hang that back up so we can get outta here and get you some candy, huh?” He forces a smile and watches his son scamper into the kitchen before turning back to Wayne and shaking his head. 

Harris peels a magnet off of the fridge, the one Eddie bought him on their Daddy-Son day. It has a sea lion balancing a beach ball on its snout, with HAWKINS ZOO printed in bolded letters along the bottom.  

Lowering his voice to a whisper, he speaks directly to his drawing. “When Daddy and Ms. Sweetheart fall in love and get married, I’ll finally have a mommy.” He presses his hand flat against the paper as though he’s sealing in the wish. He stays like that for a moment until his dad calls his name, and he clutches his pillow case as they head out the door. 

Eddie assumes that the love and marriage talk is done for the evening, but the feeling of relief doesn’t last long. The trio of Munson men is halfway down the stairwell when Wayne starts instigating. “Hey, Har, is Ms. Sweetheart pretty?”

“WAYNE!” Eddie grits his teeth and shoots a sharp look at his uncle. The last thing he needs is for Harris to get his hopes up about a blossoming romance between his dad and his former teacher. 

“Oh, yeah!” Harris gleefully agrees, oblivious to the mounting tension. He grips the railing and jumps from the second to last step onto the tiled landing below. “Super pretty! Like a princess.”

The eldest Munson turns to Eddie. “Didja hear that? Pretty like a princess.”

“I heard him,” Eddie replies tersely. 

“Daddy?”

No. Don’t ask me. Harris Wayne Munson, do not ask me what I think you’re going to—

“Do you think Ms. Sweetheart is pretty?”

Although he anticipated the question, Eddie still freezes. If he disagrees, Harris will inevitably want to know why not. And if he’s being honest with himself, he can’t name a single ugly thing about you. 

He does think you’re pretty. He thinks you’re beautiful. Gorgeous. Stunning. And even though he’s literally seen you naked, fully on display for him–a memory he revisits more often than he’s willing to admit–it’s the thought of what you did today that solidifies your beauty. The way you’d effortlessly calmed Harris down without Eddie even having to ask. The frown on his face almost instantly became a smile, the flow of his tears ceasing and turning into the giggles that brought sunlight into Eddie’s life. You did that.

Any woman can be sexy, but you? In that moment, you were perfect.

Fuck. 

“Daddy? Hello?”

At the sound of Harris’s voice, Eddie realizes that he physically hasn’t moved from his spot on the stairs. His hand is gripping the banister so tightly that it leaves an imprint in his palm. “Yeah, buddy,” he manages through his Sahara Desert throat. “I think Ms. Sweetheart’s pretty.”

“Like a princess?” Wayne’s eyes twinkle mischievously. It’s been a long time since he’s been able to tease his nephew about a crush, and he’s not passing up this limited opportunity. 

“Yeah. Like a princess.”

Education outsiders might think that Halloween is one of the worst days to be a teacher. The lethal combination of sugar and excitement barely contained in tiny costumed bodies seems like a recipe for disaster. But any teacher worth their salt will tell you that there is a day far, far worse than Halloween: November 1st. 

On Halloween, there is the expectation for fun. There’s a costume parade, classroom trick-or-treating, and even a little party. The kids are out of control, but who cares? It’s Halloween. 

But on November 1st, there is work to be done. And you’re expected to teach the months of the year to 10 four-year-olds who are suffering from candy hangovers and won’t stop asking why they can’t go trick-or-treating again today. 

You and Will are preparing for battle as students trickle in, excited to show off the candy stashes they acquired the night before. Abby Carver cries because she ate her Reese’s cup and now she’s sad that it’s gone. Joshua Harrington is continuing to “sling webs” at the other kids despite your incessant reminders that he is no longer Spider-Man. A fight over a KitKat bar breaks out not even five minutes into the day, and you confiscate it before someone causes serious bodily harm. 

Two fingers lightly tap on your shoulder—too high up to be a kid—and you whirl around with an irritated, “what?”

“Whoa,” Eddie says, concern etched into his otherwise soft features. He takes a small step back, nearly tripping over a rogue Lego that somehow made its way out of the toy area. He stumbles but catches his balance easily. “Everything okay?”

“‘S a warzone out here,” you try and joke, but you feel it fall flat. You’re too tired for humor. Grandma may not have yelled at the trick-or-treaters like you’d feared, but she did get increasingly angrier with each knock on the door. After the fifth time of her snarling at you to “shut the hell up” (like you could simultaneously be on both sides of the door), you’d relented and just put the candy bowl on the welcome mat, scribbling “TAKE ONE” on a yellow sticky note, adhering it to the plastic container. 

Two decades earlier, Halloween at Grandma’s house had a completely different connotation. She’d have a little pizza party all set up for you, and she’d buy a big bag of your favorite candy, in case you didn’t get enough during your door-to-door quests. And she’d always let you watch whatever spooky movie your heart desired, regardless of your parents’ rules. 

“That’s what grandmas are for,” she’d said with a wink, and the two of you curled up to watch Little Shop of Horrors. Her demeanor matched the hokey magnet on her fridge that read, If I knew how fun my grandkids would be, I would’ve had them first. You’d stay like that until you both fell asleep, only being roused by your parents arriving to pick you up. The good old days, before Grandma waking up involved watching the confusion in her eyes as she tried and failed to place you.

“C-Can I help you with something?” Your guard goes up immediately when you notice that Harris isn’t with him. The time you’d spent together after school yesterday had been nice, fun, even, but you couldn’t trust that today would be the same. Not after what happened a few short weeks ago. 

“I, um…I just swung by to give you this.” He reaches into the inner pocket of his denim jacket; it’s the same one that he lent to Harris when he’d forgotten his at home. A flash of yellow paper catches your eye, and he unfurls his palm to reveal a small bag of peanut M&Ms. “You said they were one of your favorites, right?”

You look at the treat, not willing to reach out and grab it. What if it’s a joke? An elaborate ploy to reel you in, just to shout “gotcha” when you finally let your walls come down?

“Are they poisoned or something?” you quip, crossing your arms over your chest. “Did you spike them with Ex-Lax?”

Eddie’s lips part in surprise before he collects himself. “Guess I deserve that,” he mumbles. “But, no. They’re not. I swear on James Hetfield’s life.” He drags his fingernail over his heart in an X-formation. 

You take the bag, inspecting it for any sign of tampering, but you come up short. The edges are sealed, and there are no pinpricks as far as your eyes can see. “Dipped into Harris’s stash for me?”

“Hey, these bad boys are technically mine for the taking until he figures out that he can eat them without dying.” Eddie chuckles lightly, peering at you through impossibly long lashes. “But, yeah, I was hoping you’d accept these as part of my apology. Or apologies, I guess. For, uh, for not calling when I said I would, and all of the awful shi—awful things I said to you.” His voice is barely above a whisper as he steps closer and says, “I am so fucking sorry.”

You make a small tear in the bag, tapping it against your palm until an M&M falls out. Popping the blue candy in your mouth, you allow the shell to start dissolving on your tongue before crunching on the peanut, hoping you can process what he’s said by the time you’re finished chewing. 

This is what you’ve been waiting for—an actual heartfelt apology. His brown eyes reflect nothing but shame and remorse, and you can tell by the way that he’s fidgeting with his rings that he’s anxiously awaiting your reply. 

His vulnerability softens you slightly, and considering you haven’t keeled over after ingesting the candy, you throw him a bone. 

“This fun size bag covers the ‘not calling’ part, but I’m gonna need a lot more candy if you want me to forgive you for what you said at the music store.” You keep your tone light; teasing, even, but there’s a layer of truth to it. He can’t merely waltz into your classroom with a gift and expect you to forget his hurtful words. 

Eddie nods, his frizzy curls brushing the tops of his denim-clas shoulders. “I know. I’ve said some pretty terrible things in my life, but that might’ve been the worst. And, um,” he fumbles his words, desperately searching for the right ones. Semantics has never been his forte. “You didn’t deserve that. It’s not true; your grandma didn’t want to forget you. And…neither do I.” When you raise your eyebrows, he starts to backtrack. “Because you’re so great with Harris; like, you understand him and stuff. He’s always talking about you.”

Daddy, do you think Ms. Sweetheart is pretty? The question replays like a song he can’t shake from his head, its melody familiar but the notes still keeping him on edge. Pretty like a princess, only instead of saving her, I’m the one who needs to be rescued. So much for Prince Charming, huh?

The M&M melts in your mouth while you formulate a response to his candid admission. Sweetness seeps into your taste buds as you try to straddle the line between careful consideration and overthinking. Speak too quickly and you might say something you’ll regret. Take too long and you’ll make this even more awkward.

“W-Well, I’m glad to hear that.” Short, simple, to the point. Your words are slightly slurred by the candy obstruction, but what else is there to say? You could add that you forgive him, but you’re truthfully not sure that you do. His words scarred, had taken your already mangled self-worth and snapped it into pieces, and so did his reasoning for hurting you. Despite the love and kindness you’d shown his son, Eddie had fully believed that you were responsible for spreading personal information that would wound him. It was exactly as Jeff had said: Eddie struck below the belt at the first sign of conflict, so determined to protect himself that he didn’t even realize that he was attacking the people on his side.

The sound of books clattering to the floor snatches your attention from him, and you whip your head to your little classroom library to see two kids standing over a pile of fallen books, guilty looks stamped on their faces. “I’ve gotta go,” you blurt out, dashing off to assess the damage. You’ve never been so grateful for your students causing mischief.

The hour hand crawls to the number two; at one point, you swore the clock was moving backwards. The chaos of the morning was only a preview of the rest of the day’s fiascos, but you and Will had navigated as best as you could.

“Jesus,” he murmurs once the kids have all been dismissed, gingerly rubbing his temples, “that was brutal. I can handle the day after Halloween; I can handle Fridays, but when they coincide? Nope, never again.” He slumps into a chair dramatically, letting his arms drape over the sides.

“Gonna have a glass of wine when you get home?” you joke, wiping Play-Doh residue from a tabletop.

Will nods. “Or a whole bottle.” His focus shifts to your desk, and he nods his chin in that direction. “I see you have something to look forward to tonight, too.”

You follow his gaze, widening your eyes when you see the object he’s referring to. A bag of peanut M&Ms–much bigger than the one you’d inhaled this morning–sits on top of your desk calendar; resting next to it is a cassette. You walk over, curiosity getting the better of you. The cassette is Guns N’ Roses’ Appetite for Destruction; you recognize the iconic cover as soon as it comes into view. It’s not your usual music choice, but you’ll listen to almost anything.

There’s a piece of paper taped to the giant yellow M&M bag, folded in equal triads. Messily scrawled across the front in black ink is Ms. Sweetheart. You gently pull the adhesive loose and open the letter, nervously running your forefinger across the irregular edge where it was obviously torn from a composition notebook.

Fun size mistake=fun size bag of candy

Family size mistake=family size bag of candy

I’m really good at fucking things up, but really bad at fixing them. I wish I could say that I didn’t mean to hurt you, but we both know that I did. 

You don’t have to forgive me, but I need you to know how sorry I am. 

-Eddie

P.S. Not sure if hard rock is your thing, but I saw this at work and it reminded me of the kindness you showed our favorite little Axl Rose yesterday.

“Who’s it from?” Will asks, breaking into your thoughts. “A secret admirer?” He brings his clasped hands to his cheek in mock dreaminess.

You manage a laugh as you fold the note back up and tuck it under the calendar. “If it is, he’s really bad at it, because he signed his name.” When did he even sneak in here to do this? Kind of scary that someone could walk in and you didn’t even notice.

“Aha! So it is a guy!” Will pumps his fist triumphantly, though you’re not quite sure what he thinks he’s won.

“Just Eddie Munson, thanking us for letting Harris draw here yesterday.” 

It’s not a total lie, but Will sees right through it. “Uh-huh. Thanking us? So that note is also for me? Can I read it?” He starts towards your desk, outstretched hand reaching towards where you’d tried to hide it, but you playfully swat them away.

You glance at the clock and frown. “If you leave a little early, I won’t tell anyone.”

Will flips you off; over the last two months, you two had developed a sibling-esque relationship that came out more once the kids had left for the day. He grabs his backpack from the supply closet and slings it over his shoulders. “You’re lucky I’m exhausted, or I’d stick around and keep bothering you.”

“Yeah, yeah.” You roll your eyes, knowing full well that he’s itching to leave regardless. “Gotta save up your energy for when Marshall visits.”

Will blushes at the mention of his long-distance boyfriend’s name. He still wasn’t out to many people, but when you’d casually mentioned the date Jess had with a girl named Robin, he’d felt comfortable opening up to you. “I can’t wait!” His grin is so wide you swear it’ll stretch right off of his face. “Thanks again; you’re the best.”

That leaves you alone with your gigantic bag of candy, a Guns N’ Roses cassette, and an apology that you have no idea what to do with.

Once again, Eddie Munson has given you more questions than answers.

--

taglist:

@kelsiegrin @lma1986 @munsonology @stuckontheceiling @avobabe87 @eddapwinchester @peachysink @browneyes8288 @jeremyspoke-inclasstoday

@breezybeesposts @wednesdaymunson @feltonswifesworld87 @take-everything-you-can @bebe07011 @krahk @81rain @dylanmunson @oscarisaacwhore @eddiesguitarskills @everheart12 @etherealglimmer @hollster88 @wh0re4life @siriuslysmoking

@bibieddiesgf @theactualf0ck @winchester-angel @starlitlakes @avalon-wolf @hazydespair @josephquinncore @daydreaminglisa @sidthedollface2 @eddiebaemunson @mandyjo8719 @daydreaming-mood @aol19 @corkadymu @starcourtnights @eggo-segual @rockstarmunsons @metalhead-succubus @boinkybarness @oohworldofpisces @costellation-hunter @toobsessedsstuff @meadow20 @theweasleyskettle @lost-in-the-stars03 @elizabethmidnight2017 @aysheashea

@chamomileh0ney @dream-a-little-nightmare @emma77645 @kurdtbean @sheneedsrocknroll92 @tlclick73 @luceneraium @lolly-in-a-strange-land @dylanmunson @bakugouswh0r3

@strangerthingsstories5255 @imaginexred @haylaansmi @adaydreamaway08 @itsalltaken @harmfulb1tch @mimischaos @averagemisfit03 @steddiegarbage @vigilanteshit @ellendemeyer152 @sierrahhh @stevesmunson @hiscrimsonangel @ffrvtvt @mrsjellymunson @idkatee @quentinswife

[victusinveritas]

Photos and words taken from various Facebook posts:

Appalachia was never prepared for this.

I’m sharing in hopes to raise more awareness and also to encourage any type of support that can be provided to Appalachians.

Entire towns have essentially just been washed away. So many people have lost everything they had, some even losing loved ones.

Below are some organizations I have been seeing locals share to help with the recovery efforts:

-RISE Erwin https://gofund.me/bad8e5ab

-American Red Cross https://www.redcross.org/donate/dr/hurricane-helene.html

-Unicoi County Animal Shelter https://www.paypal.com/donate/?hosted_button_id=QRXK7CAJK2GCE

-Report Missing Persons 1-800-824-3463

-United Way of East TN Highlands https://unitedwayetnh.org/help/

There is a lot more to the NC Mountains than Asheville.

Boone, Blowing Rock, Banner Elk, Vilas, Sugar Grove, Elk Park, West Jefferson, Black Mountain, Swannanoa, Sylva, Cullowhee, Brevard, Bryson City, Hendersonville, Cherokee, Waynesville, Burnsville, Candler, Canton, Spruce Pine, Chimney Rock, Lake Lure, Linville, Marshall, Maggie Valley, Newland, Grandfather, Beech Mountain, Sugar Mountain, Old Fort, Morganton, Marion are just a few of the cities and towns that have been flooded and/or destroyed. The counties of Yancey, Mitchell, Avery, Ashe, Watauga, Transylvania, Burke, Caldwell, Alleghany, Madison, Buncombe, McDowell, Rutherford, Polk, Henderson, Haywood, Jackson, Macon, Clay, Cherokee, and Swain are devastated and in need of the same help, some even more.

Other counties that fall under various definitions of Western North Carolina include: Alexander County, Catawba County, Cleveland County, Surry County and Yadkin County. When these counties are added, they form a total regional area of roughly 11,750 square miles (30,400 km2). This makes the region roughly the size of Massachusetts. Western North Carolina holds 11% of the state's population.

There are millions of people up there with no electricity, no communication, no water, and no way to get out or let rescue teams even know where they are. I am not taking anything away from Asheville and the utter destruction there or any other areas in NC that have damage. The level of destruction is unimaginable. But it's not one or two cities or towns that are in need of help.

This does not include the destroyed areas in the Tennessee mountains, Western Virginia, Georgia, or South Carolina.

[phrynefishersfrocks]

The first ensemble of "Murder and Mozzarella" (Season 3, Episode 3) features Phryne's classic car coat on top of her printed silk chiffon blouse and classic navy wide-leg pants.

Miss Fisher's usual travel outfit, she wears a flattering red and white silk chiffon blouse patterned with outlines of stacked gingko leaves. Cut in the same style as many of her other shirts, it has a v-shaped neckline and a long tie that loops around the neck and either fastens together or hangs loose at the front. Underneath is a white square-neck camisole with decorative scallop edging along the top.

She pairs this with her navy wide-leg pants and dark heels, as well as her linen hat and matching travel coat. Known as the "ode to detectives" by Marion Boyce, the costume designer, the linen coat is both practical and dramatic, suitable for weathering the elements while traveling or exploring. It has a line of brown and cream horn buttons to fasten the coat, and a wide collar with rounded points. This coat is the most reused item of clothing in the series, with twenty separate appearances across all three seasons (twice in 1x02, 1x03, 1x04, 1x06, 1x08, 1x09, twice in 1x13, 2x01, 2x04, 2x06, 2x07, 2x10, 2x12, here in 3x03, twice in 3x04 and twice in 3x08).

Phryne accessorizes with her linen bucket hat, often seen accompanying her coat (twice in 1x02, 1x04, 1x06, 1x08, 1x09, 1x13, 2x02, 2x03, 2x04, 2x06, 2x07, 2x10, 2x12, and here in 3x03 as well), and a pair of frosted white earrings with silver caps (bottom left of the costume exhibition photo). As suitable for an adventurous lady of the '20s, she also wears linen crocheted driving gloves with leather accents, and a large cream handbag.

Season 3, Episode 3 - "Murder and Mozzarella"

Screencaps from here, promotional photos from here and here, costume exhibition photo and hat photo from the official Pinterest.

[ariadne-mouse]

Nathaniel, facing his core worst memory of not saving someone he loved in the past and teleporting to prevent it from happening again in the present. Marion ripping a rift in spacetime to reach into the past to give himself his own lifelong formative wound. Aunty Bee, driven by love for family and friends, squaring off with her nephew and stabbing him in the neck to stop him. Sean, fallen into the monstrous worst of himself and going out with a vicious bang, and yet still driven at his deepest heart by that same love, as terrible as its expression has become. Dr. Jean Basar, getting out her metaphysical needle and thread to stitch up the universe AGAIN, healing and healing and healing where her father failed.

WHO is doing it like the Circle of Needle and Thread

[nitrateglow]

Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

[wardensantoineandevka]

The cast is finally making their London appearance, and the Nein are back! It's... actually really wild. I don't have the space here to be wistful because we have a LOT to get to here on bingo this week.

You can grab your own card at this BingoBaker link. The call list is 48 items long, all of which are listed below the cut—there's information about potentially adding more and when I will lock this call list below, but first, some notes:

"other item taken from Trent" is for any update on who has the Ring of Warding, the Rod of Absorption, or the Mantle of Spell Resistance. Naming these items explicitly did not fit well into a square. The Ring of Telepathy does NOT count, since we already know Caleb took that.

Appearances over Scrying or a vision do count. Sending is not working, but Sending also would have counted.

If a character is listed as just a mention but they appear, the square is legal.

"other multiclass" is if any member of the Nein who is not Fjord or Veth has multiclassed.

In the event that the Nein is at least level 19, "new feat used" is legal only if we absolutely know what the feat IS. Deducing they have one by their stats does not count.

"Counterspell against Counterspell" does not need to succeed.

Unless otherwise stated, a listed spell or ability does not need to succeed, i.e. the only square that needs a success to be legal is "successful Counterspell".

"Fjord short-range teleport" is under his own power. Him being taken along with someone else's short-range teleport, i.e. Dimension Door, does not count. His Arcane Gate does count.

There is a chance I will add things before the live show starts. The call list will be locked at 6:30pm BST / 1:30pm ET / 10:30am PT. If I add anything, I will make a post about it. If you wish to play with any added squares, you can refresh your bingo card if you're playing digitally (though, remember phone etiquette!); if you are playing with a printed sheet, don't worry about it. (Also, to answer in advance because this is queued for 5am ET, if you want to print these as handouts, I don't mind. Just don't litter.)

I cannot answer questions about what is legal until the broadcast on Thursday evening. I also ask that you NOT send me spoilers; I am happy to see your bingos and almost bingos, but please wait until the broadcast finishes. I CAN clarify what a square means though.

I will be reposting this on Thursday afternoon exactly as it is here, altered only to include any squares I hypothetically added, but otherwise it will be identical to this one.

Good luck, have fun, and I'm so jealous.

new magic item

Fjord's ship named

Yasha Sending

Beau and Caleb random teleport drop

Ludinus simulacrum

Desirat

sealing unsealed danger

Assembly politics

Sprinkle status

PC couple married or engaged

Rexxentrum

somewhere in the Coast

somewhere in the Greying Wildlands

elsewhere in Wildemount

animated opening change

Jester's paints

Cape of the Mountebank

other item taken from Trent

Artagan appearance

Astrid appearance

Essek appearance

Oliver Schreiber appearance

Luc or Yeza mention

Marion mention

Yussa mention

Ryn mention

level 20

less than level 20

Fjord: warlock 13

Fjord: paladin 7

Fjord: over warlock 13

Fjord: less than paladin 7

Veth: over wizard 1

other multiclass

new feat used

new spell

dunamancy spell

Commune

Counterspell against Counterspell

successful Counterspell

Polymorph or Shapechange

Sending attempt

Fjord short-range teleport

Divine Intervention

Divine Smite

Fjord Channel Divinity

Stunning Strike

Zealous Presence

[blacksailspolls]

🏴‍☠️🦜🔱 BLACK SAILS EPISODE BRACKET : FINALE

🦜 THIS IS IT! THANK YOU TO EVERYONE WHO PARTICIPATED <3 SUMMARIES UNDER THE CUT:

[LEFT] XXVIII. (3.10) — As Flint buries the treasure, he is questioned by Silver about his true reasons for the war against the British and the tactics for the upcoming battle on the island. On the day of the attack, the British and Hornigold manage to take the beach with superior firepower, forcing Flint and his men to retreat. Meanwhile, Rackham and Anne unite with Blackbeard's fleet, who seeks revenge for the death of Charles Vane. In Nassau, Eleanor is confronted by an anonymous message, which demands the remains of Charles Vane as well as the gibbet be removed from the market square. Rogers recovers and reassures Eleanor of his support in overcoming her enemies. Silver sends Dobbs to the beach to kill Hornigold. In a later battle, Hornigold shoots Dobbs. Hornigold is eventually killed by Flint. In Nassau, a pardoned pirate captain is murdered by Billy, as there was no reaction to the message with the black spot. With the help of Anne and Rackham, Blackbeard's fleet manages to force the British fleet to retreat. In Nassau, Billy uses the name "Long John Silver" to create a claim of responsibility for the murder.

[RIGHT] XXXVIII. (4.10) — Jack and his crew arrive at Skeleton Island and attempt to rescue any survivors in the aftermath of Rogers' ambush of Flint and Silver's crew. Jack, Flint, and Silver sail behind Rogers and the Eurydice to engage them in one final battle. The Eurydice has been seized and Flint and Silver go back to Skeleton Island to retrieve the treasure. Jack returns to Philadelphia to talk to Marion Guthrie about her buying out Rogers' debts. Flint chooses to go to Savannah. Order, at least on the surface, is restored in Nassau.

[thebrickinbrick]

Preliminary Gayeties, Part 2

"Besides, Laigle de Meaux, that bald-head, offends my sight. It humiliates me to think that I am of the same age as that baldy. However, I criticise, but I do not insult. The universe is what it is. I speak here without evil intent and to ease my conscience. Receive, Eternal Father, the assurance of my distinguished consideration. Ah! by all the saints of Olympus and by all the gods of paradise, I was not intended to be a Parisian, that is to say, to rebound forever, like a shuttlecock between two battledores, from the group of the loungers to the group of the roysterers. I was made to be a Turk, watching oriental houris all day long, executing those exquisite Egyptian dances, as sensuous as the dream of a chaste man, or a Beauceron peasant, or a Venetian gentleman surrounded by gentlewoman, or a petty German prince, furnishing the half of a foot-soldier to the Germanic confederation, and occupying his leisure with drying his breeches on his hedge, that is to say, his frontier. Those are the positions for which I was born! Yes, I have said a Turk, and I will not retract. I do not understand how people can habitually take Turks in bad part; Mohammed had his good points; respect for the inventor of seraglios with houris and paradises with odalisques! Let us not insult Mohammedanism, the only religion which is ornamented with a hen-roost! Now, I insist on a drink. The earth is a great piece of stupidity. And it appears that they are going to fight, all those imbeciles, and to break each other’s profiles and to massacre each other in the heart of summer, in the month of June, when they might go off with a creature on their arm, to breathe the immense heaps of new-mown hay in the meadows! Really, people do commit altogether too many follies. An old broken lantern which I have just seen at a bric-à-brac merchant’s suggests a reflection to my mind; it is time to enlighten the human race. Yes, behold me sad again. That’s what comes of swallowing an oyster and a revolution the wrong way! I am growing melancholy once more. Oh! frightful old world. People strive, turn each other out, prostitute themselves, kill each other, and get used to it!”

And Grantaire, after this fit of eloquence, had a fit of coughing, which was well earned.

“À propos of revolution,” said Joly, “it is decidedly abberent that Barius is in lub.”

“Does any one know with whom?” demanded Laigle.

“Do.”

“No?”

“Do! I tell you.”

“Marius’ love affairs!” exclaimed Grantaire. “I can imagine it. Marius is a fog, and he must have found a vapor. Marius is of the race of poets. He who says poet, says fool, madman, Tymbræus Apollo. Marius and his Marie, or his Marion, or his Maria, or his Mariette. They must make a queer pair of lovers. I know just what it is like. Ecstasies in which they forget to kiss. Pure on earth, but joined in heaven. They are souls possessed of senses. They lie among the stars.”

Grantaire was attacking his second bottle and, possibly, his second harangue, when a new personage emerged from the square aperture of the stairs. It was a boy less than ten years of age, ragged, very small, yellow, with an odd phiz, a vivacious eye, an enormous amount of hair drenched with rain, and wearing a contented air.

The child unhesitatingly making his choice among the three, addressed himself to Laigle de Meaux.

“Are you Monsieur Bossuet?”

“That is my nickname,” replied Laigle. “What do you want with me?”

“This. A tall blonde fellow on the boulevard said to me: ‘Do you know Mother Hucheloup?’ I said: ‘Yes, Rue Chanvrerie, the old man’s widow;’ he said to me: ‘Go there. There you will find M. Bossuet. Tell him from me: “A B C”.’ It’s a joke that they’re playing on you, isn’t it. He gave me ten sous.”

“Joly, lend me ten sous,” said Laigle; and, turning to Grantaire: “Grantaire, lend me ten sous.”

This made twenty sous, which Laigle handed to the lad.

“Thank you, sir,” said the urchin.

“What is your name?” inquired Laigle.

“Navet, Gavroche’s friend.”

“Stay with us,” said Laigle.

“Breakfast with us,” said Grantaire.

The child replied:—

“I can’t, I belong in the procession, I’m the one to shout ‘Down with Polignac!’”

And executing a prolonged scrape of his foot behind him, which is the most respectful of all possible salutes, he took his departure.

[bebemoon]

look for the name: MARION

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{beauty/hair/jewelry} eva hardwick in "cool hour" for marie claire u.s., hair by bradwyn jones and makeup by ashleigh carpenter

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