#Marianne Turner
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randomestfandoms-ocs · 7 months ago
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Bridgerton OC Updates
New:
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Jonathan “Jon” Lockhart in Lovesick [ x Anthony Bridgerton & Florentia Seymour ] – he’s Anthony’s friend from Oxford, definitely some gay experimentation, another lord who is expected to find a suitable wife, but he’s already in love with Anthony
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Honora Danbury in That Thing Called Love [ x Anthony Bridgerton ] – Lady Danbury's granddaughter, raised by her grandmother and very close with Simon. She was engaged but her husband got her pregnant before the wedding and then left her
Recast / Changed:
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Euphemia Bridgerton in Lonely Nights – previously Emmeline Bridgerton, Eloise's twin
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Florentia Seymour in Lovesick [ x Anthony Bridgerton & Jonathan Lockwood ] – everyone expected her to be the diamond of the season but she recently became an orphan and is now raising her younger sister, no one can imagine any man wanting to marry a woman already raising a child
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Isabella Turner in Delicate [ x Benedict Bridgerton ] – recast. Made her debut the previous season, only to be caught up in scandal and is considered ruined, left before the end of the season. Just returned to the ton, and has caught Benedict's eye
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Marianne Templeton in A Million Little Times [ x Benedict Bridgerton ] – recast. Now in her third season. In her first season she received nearly two dozen proposals and rejected them all, received another dozen in her second season and rejected them all too. The only man she ever gives the time of day to is Benedict
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omg-hellgirl · 9 months ago
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I never imagined Mick would be fucking Anita.
I see Anita as very much a victim of all this, the vulnerable one who should have been looked after and protected. Her breakup with Brian over the previous year had been devastating. It was only natural that she would find Mick's incarnation of Turner irresistible.
Marianne Faithfull, Faithfull: An Autobiography.
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piracyandpumpturns · 6 months ago
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i need to scream with someone.
reblog so i know who you are 😭
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boricuacherry-blog · 1 year ago
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Ike and Tina Turner were on the same bill as the [Rolling] Stones, and in the hallway outside the Stones' dressing room Mick was getting lessons in the Sideways Pony from Tina Turner (much to the amusement of the Ikettes). Mick could dance, but compared to Tina he was, well, spastic. Tina would demonstrate a few steps and Mick would try to follow along. He was good humored about the whole thing, even as Tina rolled her eyeballs at Mick's flatfootedness.
-Marianne Faithfull
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nodynasty4us · 2 years ago
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plitnick · 1 year ago
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Cornel West Is a Great Presidential Candidate, But His "People's Party" Run Is a Big Mistake
Cornel West launched a presidential campaign this week. he is running as the candidate of the so-called People’s Party. There’s been a good deal of backlash at his decision to run. I would support him running a primary campaign against Joe Biden, but this third-party run is a mistake. I outline why and what a preferable alternative is in this piece at Medium.
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billboard-hotties-tourney · 5 months ago
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Okay, folks, the mini-tourney is inching closer to the finals, so I'm going to give a list of the competitors in the Miss Billboard Tourney in order to give everyone a chance to submit more propaganda. The nominees are:
Lale Andersen
Marian Anderson
Signe Toly Anderson
Julie Andrews
LaVerne Andrews
Maxene Andrews
Patty Andrews
Ann-Margret
Joan Armatrading
Dorothy Ashby
Joan Baez
Pearl Bailey
Belle Baker
Josephine Baker
LaVern Baker
Florence Ballard
Brigitte Bardot
Eileen Barton
Fontella Bass
Shirley Bassey
Maggie Bell
Lola Beltran
Ivy Benson
Gladys Bentley
Jane Birkin
Cilla Black
Ronee Blakley
Teresa Brewer
Anne Briggs
Ruth Brown
Joyce Bryant
Vashti Bunyan
Kate Bush
Montserrat Caballe
Maria Callas
Blanche Calloway
Wendy Carlos
Cathy Carr
Raffaella Carra
Diahann Carroll
Karen Carpenter
June Carter Cash
Charo
Cher
Meg Christian
Gigliola Cinquetti
Petula Clark
Merry Clayton
Patsy Cline
Rosemary Clooney
Natalie Cole
Judy Collins
Alice Coltrane
Betty Comden
Barbara Cook
Rita Coolidge
Gal Costa
Ida Cox
Karen Dalton
Marie-Louise Damien
Betty Davis
Jinx Dawson
Doris Day
Blossom Dearie
Kiki Dee
Lucienne Delyle
Sandy Denny
Jackie DeShannon
Gwen Dickey
Marlene Dietrich
Marie-France Dufour
Julie Driscoll
Yvonne Elliman
Cass Elliot
Maureen Evans
Agnetha Faeltskog
Marianne Faithfull
Mimi Farina
Max Feldman
Gracie Fields
Ella Fitzgerald
Roberta Flack
Lita Ford
Connie Francis
Aretha Franklin
France Gall
Judy Garland
Crystal Gayle
Gloria Gaynor
Bobbie Gentry
Astrud Gilberto
Donna Jean Godchaux
Lesley Gore
Eydie Gorme
Margo Guryan
Sheila Guyse
Nina Hagen
Francoise Hardy
Emmylou Harris
Debbie Harry
Annie Haslam
Billie Holiday
Mary Hopkin
Lena Horne
Helen Humes
Betty Hutton
Janis Ian
Mahalia Jackson
Wanda Jackson
Etta James
Joan Jett
Bessie Jones
Etta Jones
Gloria Jones
Grace Jones
Shirley Jones
Tamiko Jones
Janis Joplin
Barbara Keith
Carole King
Eartha Kitt
Chaka Khan
Hildegard Knef
Gladys Knight
Sonja Kristina
Patti Labelle
Cleo Laine
Nicolette Larson
Daliah Lavi
Vicky Leandros
Peggy Lee
Rita Lee
Alis Lesley
Barbara Lewis
Abbey Lincoln
Melba Liston
Julie London
Darlene Love
Lulu
Anni-Frid Lyngstad
Barbara Lynn
Loretta Lynn
Vera Lynn
Siw Malmkvist
Lata Mangeshkar
Linda McCartney
Kate McGarrigle
Christie McVie
Bette Midler
Jean Millington
June Millington
Liza Minnelli
Carmen Miranda
Joni Mitchell
Liz Mitchell
Marion Montgomery
Lee Morse
Nana Mouskouri
Anne Murray
Wenche Myhre
Holly Near
Olivia Newton-John
Stevie Nicks
Nico
Laura Nyro
Virginia O’Brien
Odetta
Yoko Ono
Shirley Owens
Patti Page
Dolly Parton
Freda Payne
Michelle Phillips
Edith Piaf
Ruth Pointer
Leontyne Price
Suzi Quatro
Gertrude Rainey
Bonnie Raitt
Carline Ray
Helen Reddy
Della Reese
Martha Reeves
June Richmond
Jeannie C. Riley
Minnie Riperton
Jean Ritchie
Chita Rivera
Clara Rockmore
Linda Ronstadt
Marianne Rosenberg
Diana Ross
Anna Russell
Melanie Safka
Buffy Sainte-Marie
Samantha Sang
Pattie Santos
Hazel Scott
Doreen Shaffer
Jackie Shane
Marlena Shaw
Sandie Shaw
Dinah Shore
Judee Sill
Carly Simon
Nina Simone
Nancy Sinatra
Siouxsie Sioux
Grace Slick
Bessie Smith
Mamie Smith
Patti Smith
Ethel Smyth
Mercedes Sosa
Ronnie Spector
Dusty Springfield
Mavis Staples
Candi Staton
Barbra Streisand
Poly Styrene
Maxine Sullivan
Donna Summer
Pat Suzuki
Norma Tanega
Tammi Terrell
Sister Rosetta Tharpe
Big Mama Thornton
Mary Travers
Moe Tucker
Tina Turner
Twiggy
Bonnie Tyler
Sylvia Tyson
Sarah Vaughan
Sylvie Vartan
Mariska Veres
Akiko Wada
Claire Waldoff
Jennifer Warnes
Dee Dee Warwick
Dionne Warwick
Dinah Washington
Ethel Waters
Elisabeth Welch
Kitty Wells
Mary Wells
Juliane Werding
Tina Weymouth
Cris Williamson
Ann Wilson
Mary Wilson
Nancy Wilson
Anna Mae Winburn
Syreeta Wright
Tammy Wynette
Nan Wynn
Those in italics have five or more pieces of usable visual, written, or audio propaganda already. If you have any visuals like photos or videos, or if you have something to say in words, submit it to this blog before round one begins on June 25th!
If you don't see a name you submitted here, it's because most or all of their career was as a child/they were too young for the cutoff, their career was almost entirely after 1979, or music was something they only dabbled in and are hardly known for. There are quite a few ladies on the list whose primary career wasn't "recording artist" or "live musician," but released several albums or were in musical theater, so they've been accepted.
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in-the-stacks · 5 months ago
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Presenting If I Could Keep You Little by Marianne Richmond. Reviewed by Kate's Page Turners for In the Stacks.
https://www.inthestacks.tv/2024/06/kates-page-turners-if-i-could-keep-you-little
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thelongstrangedrivehome2 · 9 months ago
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playlist for the fifteenth of february twenty twenty-four
Massive Attack - Unfinished Sympathy
Dimmer - Pacer
UB40 - Red Red Wine
David Bowie - Space Oddity
Marianne Faithful - Guilt
Leonard Cohen - So Long, Marianne
Buzzcocks - Something's Gone Wrong Again
Fleetwood Mac - Gypsy
Nico - Purple Lips
Lady Gaga - Black Jesus + Amen fashion
Belle & Sebastian - The State I Am In
David Bowie - Growing Up
Outkast - Spread
Brian Wilson - Good Vibrations
Stevie Nicks - Free Fallin'
Soundgarden - Blow Up The Outside World
Melissa Etheridge - Precious Pain
Bob Dylan - I'm Not There
R.E.M. - Final Straw
Tash Sultana - Synergy
Fiona Apple - Slow Like Honey
Radiohead - A Punch Up At A Wedding (No No No No No No No No)
The Velvet Underground - New Age
Tina Turner - Pick Me Tonight
A Tribe Called Quest - Footprints
Patti Smith - Elegie
The White Stripes - When I Hear My Name
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sbrown82 · 11 months ago
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The post about Pat and Mick was really interesting to find out about and look more into. I also felt really weird about the way that girl was pressured into doing things she wasn’t comfortable with, especially at such a young and vulnerable age and coming from a history of trauma and abuse.
The guys from the Rolling Stones are cool and we should give them kudos for the creative stuff they did but I think it’s also ok to acknowledge when they do bad things.
It feels a little like victim blaming to ask why a young woman with trauma didn’t just leave or not do something she didn’t want to - a lot of people who were in downright abusive relationships are asked those very same questions without regard for the different power dynamics and complexities at play. I just feel like the older person shouldn’t have seen that their partner was resisting or uncomfortable with something and had them do it to please them anyway. It sounds more like exploitation than her being given a chance to be free and explore her own sexuality; if that was the case her own interests would be included/catered to and her boundaries taken seriously.
There’s a issue of certain men knowing they can coerce black women because if we speak out no one believes us or fights for us the way they do others so we have to understand and stick up for other black women - especially the younger ones because they deserve to be treated right, like humans and not means to and ends. We don’t have to make excuses for the people that use or hurt when they do that because they’re white men, famous or did other stuff that we like/respect (and if we care for those people we need to hold them accountable so they grow and change for the better). Even if that kind of treatment was more normal back in the day and women were expected and conditioned to just go with it despite their feelings, we don’t have to tolerate it now.
Mick never pressured her to do anything, tho! He never “forced” her to have threesomes and group sex with other women. It just sort of happened because he was sleeping with both P.P. and Marianne at the same time. P.P., who Mick started dating when he was still with Chrissie Shrimpton, also didn’t tell him about what was really going on. He wasn’t aware of her trauma. In one chapter of her book, Mick asked her about Ike and Tina, and she told him Ike was violent, but she never actually told him that Ike raped her. She also didn’t tell Mick that her ex-husband used to beat her. He was always curious as to why she was keen on staying in London, but she never really explained why. She wanted to make records under his label so she wouldn’t have to go back home or with the Ikettes. People weren’t really open about abuse in those days. You just didn’t talk about it. But the Stones all kinda knew about Ike’s violence. Keith, Brian and Bill were also messing with Ikettes and they would tell them about what was going on behind the scenes. And on top of that, even though she was previously married and had children young, P.P. was a bit of a church girl. A lot of Black women and girls in those days didn't have the freedom to explore their sexuality without shame or judgement. White girls can get away with a lot of things that we can’t because we're Black and we’d get called “fast” for it. I think that's where a lot of the hesitation came from. But Mick didn't understand that he's white and from another country. In the book she claimed, "I was a good girl. As boring as that all sounds. Even when I came to England, everybody thinks I’m all hip and everything just because I’m an Afro-American girl. I wasn’t hip! I was boring as hell. And Mick Jagger will tell you that. He was always saying, ‘Why are black girls so uptight?’ Because we have morals. That’s why."
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weshallc · 9 months ago
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When is the Wedding?
Old Skool Turnadette.
Second of (which is now) three parts.
Thank you @fourteen-teacups and everyone who commented, reblogged or liked part one.
One O’clock
Shelagh returned to All Saints’ Church for the second time that day. Dr Turner had gone on his rounds and she had prepared lunch for Timothy and his grandmother. Marianne's mother had volunteered to keep the boy company while she and Patrick made their arrangements.
Granny Parker appeared to be as excited as her grandson about the forthcoming wedding. This had taken Shelagh by surprise at first, aware that her daughter had only passed away two years ago. But, the more she watched grandson and grandmother together, the more Shelagh began to realise that Timothy’s happiness was the older lady's main concern.
Mrs Parker had confided in her over Christmas that Shelagh believed to be a God send. She hadn't been convinced Patrick was coping as a single parent . Not wanting to come across as an interfering busty body, she had been summing up the courage to suggest to her son-in-law that Timothy go and live with her in Bexly Heath for a couple of years. Shelagh had been really shocked at this revelation and although she appreciated Mrs Parker’s concern and her willingness to help, she knew this would have hurt Patrick's feelings.
Shelagh had rarely seen him lose his temper, maybe occasionally with a negligent professional or an over officious board member. Only once on a personal level when the nursing staff refused Shelagh access to sit with Timothy because she was a day away from being his mother.
Mrs Parker was a warm and jovial woman, but she could see that Timothy didn’t just inherit his straightforwardness from his father's side. If Granny Parker misjudged her approach when raising her concerns and its solution, it could have damaged their relationship irrevocably.
These thoughts occupied Shelagh’s mind as she made her way through the transept and headed for the back of the church, retracing Patrick’s and her steps from earlier that day. She knocked on the large mahogany door of Reverend Raymond’s office.
The responding “Enter” brought a smile to Shelagh’s lips. How often had she heard that word from those lips over the last ten years? Although from behind a different door. She pushed the heavy barrier open.
“Shelagh, it’s so lovely to see you.” Sister Julienne was so impressed with herself for not throwing herself upon the young woman standing before her she released a rush of air which she disguised with a cough.
“Reverend Raymond said you’d be here this afternoon. I hope you will forgive my impromptu visit?” Shelagh rushed her greeting, alarmed that she hadn’t thought to telephone ahead.
The older woman was now by her side and had taken hold of her hand to reassure her friend.
“Reverend Raymond has been so generous in allowing me the use of his office, on an occasional basis, to complete Nonnatus paperwork and to store a lot of our documents in the crypt.”
Sister Julienne never changed, Shelagh thought, always thankful, always seeing God’s will in every hurdle that crossed her path.
“I also have full permission to make use of the kitchen. Would you like a cup of tea?” Shelagh’s protests of being a nuisance were soon silenced as her host explained she had been just about to allow herself a much desired break.
As a nun who had once wondered if she herself might one day be called on to run a convent, she admired the deftness of her mentor’s social skills and ability to put everyone around her at ease.
In the end, the church housekeeper had ushered the two women back into the office, perhaps not with the same social skills as Sister Julienne. She entered the office ten minutes later carrying a tray set with a fine bone china Royal Worcester Torquay tea set. A tea plate was full of raspberry jam tarts, which she informed her guests were the reverend’s favourites, but he could spare a couple.
As Sister Julienne played mother, sadness enveloped Shelagh; her own dramas had detached her slightly from the struggles her former colleagues were facing, as a result of being forced to abandon Nonnatus.
“I’m sorry to take up your time, Sister. I know this must be a difficult time for you, as us all, so many memories to be just ground into dust.”
“I can’t deny it has been a challenging time, but a building will be ground to dust. But, my memories and faith will remain very much intact. The order and our spirit are still very much alive.”
“Of course, Sister.” Shelagh took a sip of tea, wondering if it was the exact same teacup she had drank from that morning.
“But we mustn't dwell on the past. What of the future? May I enquire how did your first visit of the day to this office conclude?”
“Thank you for asking, Sister. Dr Turner and I are to be married the second week in February.”
“Splendid, the Lord dwells not in the old and decaying, but in the new and flourishing. One of many fresh starts I hope this year.”
As Shelagh helped herself to a tart, she wondered if they had been baked between visits or if the vicar actually didn’t like to share,
“So, when is the wedding?”
Forty minutes to two.
Talking to Sister Julienne always calmed her fears. Her steps were lighter, leaving the church and heading back to Timothy. She had been foolish to cut herself off from her friends, her family if she was truthful. She had been so thrilled to be forming a new family with Patrick and Timothy she had underestimated that change, even positive change, takes time and effort. She had found herself no longer a sister, yet not quite a Turner.
As traumatising Timothy’s illness and the consequences had been the blessing behind it had been the postponing of the wedding. It had given her and Patrick time to get to know each other a little better against the backdrop of tragedy rather than caught up in the nervous energy of a new romance.
It had also broadened her notions of what being a mother involved. In the sanatorium she had daydreamed of tucking the boy up in bed and helping him read. She’d wanted to draw with him and play the piano. She imagined sitting in the front row beside Patrick and applauding him in his school play.
That moment she was stranded behind the ward door looking helplessly on with the Matron’s words echoing around her head “You are not his mother” she’d known there and then that she wasn’t Timothy’s mother. The realisation had hit her that repeating her vows before God and wearing Patrick’s ring wouldn't miraculously make her fit for the role. It would be a title she would need to earn. She had a lot to learn.
A squeeze of her arm jolted Shelagh back to reality.
“Hello, you”
“Oh hello Trixie, how are you?” The young midwife was gingerly maintaining her balance on her bicycle, one foot planted on the pavement.
“Very cross with you. Chummy and I have been trying to arrange a time with you to design your wedding dress. If I didn't know better, I'd think you had been avoiding me.”
“My main concern these days is caring for young Timothy and encouraging him with his exercises, not on frivolous things such as gowns.” Shelagh knew she had overreacted. that her all too recent musings on motherhood had coloured her reply.
Trixie paused for a second, as if she was considering how to respond herself. As she studied Shelagh, she wondered what she saw; her confident colleague and superior or a neurotic woman, only slightly older than herself, but completely out of her depth.
The midwife hopped off her bike and leant it against the wall of the nearby Napoli. Taking hold of Shelagh’s arm once again, she pushed her through the Italian bistro’s door.
The warmth of the cafe complimented the welcome from behind the counter.
“Nurse Franklin. Lovely to see you again. Sit anywhere, you have avoided the rush.”
Shelagh sat opposite Trixie, filling a table for two next to an enormous mirror. It had been three months since Shelagh had looked at herself in the sanatorium mirror wearing her tired 1940s two piece, but the unexpected appearance of her reflection wrong footed her. She noticed Trixie gave her own image the briefest of glimpses and adjusted her hat in response.
A dark haired man in his twenties with a pristine white shirt and military ironed black trousers arrived at the table offering to take their coats. Trixie explained they would just be taking tea and a cannoli each. Shelagh wanted to protest that she could still taste the vicar’s Typhoo on her lips and had a raspberry seed wedged into one of her molars. The discomfort brought on by the mirror and the lack of familiarity in her surroundings somehow weakened her ability to protest.
The tea arrived swiftly in a large stainless steel teapot accompanied by two white pyrex turquoise band teacups and saucers. A matching tea plate with the Italian cream filled pastry followed.
Trixie ignored Shelagh’s raised hand towards the tea strainer she was flowing the hot amber liquid trough and filled her teacup to the rim.
“How long have we known each other?” Trixie had obviously come to a conclusion regarding the dilemma that appeared to have gripped her out doors. “You were the only one who saw through me almost ten years ago.” The bridge of Shelagh’s nose wrinkled in confusion. “You saw through my clipped, cut glass tones and my faultless sense of style and saw a nurse and a midwife and believed in me. I now can see through you, Sister Bernadette as was, you need to believe in yourself as a bride worthy of the man that adores you.”
Shelagh smiled affectionately at her friend and used the pastry fork to poke at her unprecedented third treat of the day.
“A little bird told me that you and Dr Turner had a very special appointment this morning.”
Shelagh decided it was only fair to relieve her animated companion's agitation.
“Yes, the wedding is booked for the second week in February.”
“That soon! Oh, we have so much work to do in such a short time.” Trixie dropped her fork and placed both hands on either side of her waist as if steadying herself.
“We do?” Exclaimed Shelagh.
Trixie frowned at the woman opposite, as if she was without reason.
“When is the wedding?”
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omg-hellgirl · 10 months ago
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Mick's personality was not dark enough or damaged enough to support a mythic character such as Turner. Turner was a sort of jaded Prince of Denmark Street, but Mick was no Prince Hamlet. There's nothing truly mythic or tragic about Mick. He's too normal, too sane for any truly bizarre fate to befall him.
Brian and Keith seemed, if not actually tragic figures, at least fated personalities, human beings with fatal flaws caught in the tow of deep undercurrents.
Marianne Faithfull, Faithfull: An Autobiography.
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my-chaos-radio-70s-list · 11 days ago
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New York Groove - Ace Frehley
Nice And Slow - Jesse Green
Night Fever - Bee Gees
Night Owl - Gerry Rafferty
Nights In White Satin - The Moody Blues
Nights On Broadway - Candi Staton
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On Me Oh My, Goodbye - Champagne
Oh Susie - Secret Service
One Step Beyond - Madness
Oxygene Pt. 4 - Jean-Michel Jarre
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Penny Lane - The Beatles
Pilot Of The Airwaves - Charlie Dore
Please Don't Go - KC & The Sunshine Band
Pop Muzik - M
Pretty Little Angel Eyes - Showaddywaddy
Promises - Eric Clapton
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Reunited - Peaches & Herb
Ring My Bell - Anita Ward
Rockin All Over The World - Status Quo
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Sacramento - Middle Of The Road
Seasons In The Sun - Terry Jacks
September - Earth, Wind & Fire
Shine A Little Love - Electric Light Orchestra
Sir Duke - Stevie Wonder
Sky High - Jigsaw
Soley Soley - Middle Of The Road
Solsbury Hill - Peter Gabriel
Some Girls - Racey 
Song For Guy - Elton John
Standing In The Rain - John Paul Young
Stayin' Alive - Bee Gees
Still The Same - Bob Seger & The Silver Bullet Band
Street Life - The Crusaders
Stumblin' in - Chris Norman, Suzi Quatro
Substitute - Clout
Sultans Of Swing - Dire Straits
Surfin' USA - Leif Garrett
Sunday Girl - Blondie
Sunny - Boney M.
Sweet Talkin' Woman - Electric Light Orchestra
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The Ballad Of Lucy Jordan - Marianne Faithfull
The Ballroom Blitz - Sweet
The Joker - Steve Miller Band
The Logical Song - Supertramp
The Man With The Child In His Eyes - Kate Bush
The Name Of The Game - ABBA
The Robots - Kraftwerk
The Same Old Song - Pussycat
The Things We Do For Love - 10cc
Them Heavy People - Kate Bush
Too Much Heaven - Bee Gees
Tragedy - Bee Gees
Trojan Horse - Luv'
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Up The Junction - Squeeze
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Venus - Shocking Blue
Video Killed The Radio Star - The Buggles
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We Are Family - Sister Sledge
We Don't Talk Anymore - Cliff Richard
We Will Rock You - Queen
We've Got Tonight - Bob Seger
Weekend - Earth & Fire
Werewolves Of London - Warren Zevon
What A Fool Believes - The Doobie Brothers
What Is Life - George Harrison
Whatever You Want - Status Quo
When - Showaddywaddy
When You're In Love With A Beautiful Woman - Dr. Hook
Windsurfin' - The Surfers
With A Little Love - Wings
Wonderful Christmastime - Paul McCartney (Xmas)
Wuthering Hights - Kate Bush
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Year Of The Cat - Al Stewart
You Ain't Seen Nothing Yet - Bachman Turner Overdrive
You Make Me Feel (Mighty Real) - Sylvester
You Set My Heart On Fire - Tina Charles
You To Me Are Everything - The Real Thing
Young Hearts Run Free - Candi Staton
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meggt230509 · 22 days ago
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⋆ ˚。⋆୨୧ :⋆𝔇𝔯𝔞𝔠𝔲𝔩𝔞 𝔗𝔢𝔢𝔱𝔥˚⋆.ೃ࿔*:・
𝔄𝔫 𝔦𝔫𝔱𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫 - The beginning of a series I'd like to start, feedback is appreciated, if you know me you do not.
- y/n -
background info:
y/n has just turned 19 and is struggling to adjust to becomming an adult as she finds herself clinging to the books which once consumed her childhood, despite the stifling loneliness and paraphernalia of adulthood she is still catching eyes of men in her village.
Her favourite books:
- Dracula (Bram Stoker)
- White Nights (Fyodor Dostoevsky)
- The Masque of The Red Death (E. A Poe)
- Metamorphosis (Franz Kafka)
Her favourite songs:
- You're so Dark (Arctic Monkeys)
- How did it end? (Taylor Swift)
- Bella Lugosi's Dead (Bauhaus)
- So Long, Marianne (Leonard Cohen)
- Alex Turner -
background info:
spending his life in constant solitude Turner often roams the halls of his chateau, whiskey in hand, mumbling incoherently to himself. he finds himself weak and hungry and spurs himself to finally leave one night searching for a victim lacking the usual front of a vampire and taking a more attractive form
His favourite pass times:
- drinking liquor out of crystal glasses
- standing at his balcony in solidarity
- lurking omnisciently in his vast hallways
- mumbling incoherently into the darkness
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duckapus · 10 months ago
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Meme Regulation Units
(5/11/24: edited because I was looking through stuff and realized at some point I'd forgotten to start from 0 when counting the MRUs)
MRU0 & MRU1
Statuses: Active
Anchor: Link
The first Meme Regulation Units to be created. While Hyrule currently lacks the technology necessary to even begin inventing the internet, Purah and Robbie managed to invent radio and rig the Skyview Towers into transmitters, with MRU1 hosting a podcast as part of the starting lineup. Meanwhile, the fact that the Internet Graveyard is part of the Sacred Realm has allowed MRU0 to quickly become proficient in Spirit Magic.
MRU2 & MRU3
Statuses: Active
Anchor: Doc
Haven't come up with anything for them yet.
MRU4 & MRU5
Statuses: Active
Anchor: Frida
5 and Frida got off to a rough start thanks to Frida's experiences with Faeries, but they get along fine now.
MRU6 & MRU7
Statuses: Active
Anchor: Timmy Turner
Currently the only MRUs to see their Supervisor as a parental figure.
MRU8 & MRU9/"Marianne Teegan"
Statuses: Active
Anchor: Rodney Teegan (Champion Form)
The Janitor of Heart universe runs on similar rules to the Tulip's Road Trip universe (superhero stuff aside) so to avoid complications 9's been enrolled at Mina's school with the cover story is that she's Rodney's grandniece "Marianne" who's staying with him For Reasons (most common theory for those not in the know is that her parents kicked her out for being gay and her great-uncle took her in). She wasn't sure about the name at first but it's been growing on her.
8 doesn't bother with a human name since she's usually in the IG. Most people who care about her name at all just assume she's trans (which adds more fuel to the "shitty parents" theory).
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bitter69uk · 1 year ago
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“During her absence the mood and attitude to music had completely altered. People did not want practiced perfection and the musical snobbery of old was all but gone. The audience wanted honesty; the true to life version of a performer, not the all-singing, all-dancing cardboard cut-out with an ironed-on smile. Marianne gave them what they wanted and more – she was the epitome of the spirit of punk. She could no longer sing without her voice shattering, and gripping the microphone stand was often the only way to stay upright. The band was loud, occasionally chaotic (but not incompetent, which many were) and the fans loved every minute. Punk was about crude art without intellectualism or pretension, and Marianne understood it completely and through it found an ingenuous way to abscond from her fatigued image … Ian Birch at Melody Maker was one of the first to discern the New Marianne. In her studded leather choker and Lana Turner-style wraparound, he dubbed her “the elegantly ravaged outsider” and remarked that she appeared to be moving in the Edith Piaf direction, a point that was to become reinforced later with tedious regularity. Marianne was set to become a euphemism to illustrate someone wasted, wrecked, tortured, experienced, soiled, obscure, unsung, ignored, misunderstood, and she believed in her new status as a purveyor of Art from Life; revelling in self-crucifixion, with drug abuse, dead friends, sexual infidelity, attempted suicide, and an uncanny talent providing the nails from which she could she could hang for the macabre to gawp.”
/ From the biography Marianne Faithfull (1991) by Mark Hodkinson /
Pictured: Marianne Faithfull performing at The Music Machine in Camden, 1978. Faithfull’s stark embittered post-punk masterpiece Broken English was released on this day (2 November 1979) forty-four years ago.
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