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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

#original essays #original post #nimona #nimona movie #nimona 2023 #nimona film

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doyoulikethissong-poll · 24 days

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Daddy Yankee - Gasolina 2004

"Gasolina" was released as the lead single from Puerto Rican rapper Daddy Yankee's 2004 album Barrio Fino in the US in October 2004. By November 6, WSKQ-FM in New York City reported "Gasolina" in their top 10 rotation, and WRTO-FM in Florida said the song was their number one most-played track. It entered the US Billboard Hot 100 chart a week later, rising to number 32 in January 2005. "Gasolina" was a hit in North America and the Caribbean, gaining Daddy Yankee popularity among Latino mainstream music fans. In July 2005, "Gasolina" was released as a single in the UK, eventually earning a Silver certification in March 2019. Australia saw the single enter their charts in late January 2006 during their summer season, rising to number 12. "Gasolina" was the first reggaeton song to be nominated for the Latin Grammy Award for Record of the Year. Puerto Rican reggaeton singer Glory sings the line "dame más gasolina", although she is not credited.

In 2015, the song was ranked number nine on the "50 Greatest Latin Songs of All Time" list according to Billboard. In 2018, it was ranked number 38 on Rolling Stone's 50 Greatest Latin Pop Songs. In 2017, it was included on Billboard's "12 Best Dancehall & Reggaeton Choruses of the 21st Century" at number eight. In 2021, it was ranked number 50 on Rolling Stone's "500 Greatest Songs of All Time", and a year later it was ranked at the first place on their 2022 "100 Greatest Reggaeton Songs of All Time" list. In 2023, "Gasolina" was selected by the Library of Congress for preservation in the United States National Recording Registry as being "culturally, historically, or aesthetically significant." The song was used in the 2023 movie Fast X / Fast & Furious 10.

"Gasolina" received a total of 77,4% yes votes!

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#finished #high yes #high reblog #high votes #00s #o1 #o1 sweep #o24 #o24 tie #popular #daddy yankee #spanish

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lavenderspence · 4 months

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To Lean On You | Spencer Reid

Pairing: Spencer Reid x fem!reader

Content Warning: post prison!Spencer, mentions of addiction, prison talk (typical for the prison arc), gun use, mentions of death, suggestive themes, idiots in love, angst, so much angst.

Word Count: 8.6K

Summary: You and Spencer wasted years, truths hidden, feelings uncertain, and a fear of the unrequited. It took ten weeks, isolated, silent, and broken, for the realization to strike. There was no life, if you didn’t have each other.

A/N: It’s finally here! Wow, writing this was a wild ride, honestly. Over a month of writing, blood, sweat, and tears poured over it (there were in fact some tears). This is also the first thing I’ve written in 3 years and I'm very happy to finally be out of my slump. It's probably the angstiest thing I've written ever, and at the same time, I feel like it's not the greatest, but deep down, I still love it, haha. Let me know if I've missed any warnings. And, enjoy and any feedback is appreciated. <3

Here are some of the songs I listened to while writing this if you want to get into the mood:

Hearts by Jessie Ware

The Smallest Man Who Ever Lived by Taylor Swift

Lost Without You by Freya Ridings

In This Shirt by The Irresponssibles

79 days, 3 hours, and 27 minutes - that’s how long it’s been since he got arrested in Mexico.

70 days, 6 hours, and 13 minutes since you saw him being pulled out of the courtroom after he was deemed a flight risk and denied bail. 70 days, 6 hours, and 13 minutes have passed since you last saw him.

65 days, 7 hours, and 11 minutes, since he was transferred to Millburn Correctional Facility, and this whole nightmare, had started.

Per Penelope’s carefully crafted schedule, every team member has made numerous trips to visit Spencer - every member except you. You’d only made one trip out, and that had been 3 days after he’d been transferred.

March 4th, 2017

It’s been 8 days since you saw him led in cuffs out of that courtroom, where Penelope had broken down in Luke’s arms, everyone too shocked to make a sound. He’d looked back, his eyes meeting yours briefly, and it had been as if you’d almost seen your reflection in the mirror, every emotion had run between you both in a matter of seconds.

Shock, you’d almost been sure they would grant bail, and you’d be able to take him home. Almost.

Fear, for his future and his well-being. Fear of the uncertain.

Desperation, the desire to run to him and take him into your arms, finally, and to not let go.

Except you’d held his gaze for as long as you could before you’d looked down and turned your head to save him from seeing you break down in tears. You’d made a hasty escape after that, not sparing any of your teammates a glance, and walked out of the courthouse, stopping by a tree outside. The urge to curl up into a ball and hide, pretending none of this had happened, was strong, and then a hand wrapped around your shoulder. You had turned around, only to see Rossi and one of his sad little smiles, the ones you rarely saw.

“It’s going to be okay,” he’d said, squeezing your shoulder. ”The kid is strong.”

You’d sniffled, trying to hide the tears in your voice. “Yeah, well, I’m not sure I am," you’d whispered in despair.

You were better than you had been 8 days ago, calmer. Although still heartbroken, you were looking forward to seeing him, seeing with your eyes that he was okay. Garcia had seen him, 2 days ago, before you’d been sent out on a case.

“He looks good. I mean, as good as that big genius brain of his can look in prison. His eyes were sad though, really, really sad.” She’d paused as if to assure herself it would be alright, “I’m sure he’s looking forward to seeing you, sweetness.” She’d squeezed your hand, but her statement hadn’t rung true.

Your hands were shaking, you weren’t sure what from. The anticipation you’d felt? The nerves? Or the words you had a hard time coming to terms with.

“I’m sorry, but your name isn’t on Spencer Reid’s approved visitor list,” the guard at the checkpoint had said after rechecking the list.

“There has to be a mistake, I made an appointment,” you insisted, feeling yourself unravel. It wasn’t possible, you knew for a fact you were on that list, Emily had made sure of that.

“Look, lady. There are only 10 names on that list, and yours is not one of them. Now, you need to move, because there are people here waiting to see their loved ones.” you’d hiccuped and turned around, walking to the lockers to unlock your gun, badge, and phone.

“I’m here to see a loved one.” You’d wanted to scream, but you knew it would have been futile. There wasn’t anything you could do at that moment.

You walked to your car, dialing Emily’s number, “This is Prentiss.”

For a second, only your breathing could be heard over the sound of the wind, and then a tiny sniffle. You wiped at your eyes and nose, and then spoke up, barely, “Why am I not on Spencer’s approved visitor list?”

“What do you mean? Every member of this team is on the list. So is his lawyer and Diana, even Derek,” you could hear the surprise in her voice, yet you couldn’t keep calm any longer.

"They refused to let me see him! I made the appointment, Emily, and I came, hoping I’d finally see him hear his voice, and ask him-” Your voice broke mid-sentence, and after taking a deep breath, you continued, “Ask him if he was okay, and I was denied because out of the 10 names on that list, it seems mine’s not one of them.” You finished defeated, barely above a whisper.

All was silent for the moment, save for what you could hear was Penelope’s voice on the other end of the line, quietly asking what was going on, “Let me call Fiona and the warden, and I’ll see what happened. Meanwhile, I need you back here, because we just got a case.” Her voice wasn’t leaving anything up for discussion. Still, you couldn’t go, not until you saw him.

“Emily-” she cut you off.

“It’s not a discussion. I’ll resolve this, but I need you here and your head in the game. Am I clear?” Her voice was stern, but maybe that’s exactly what you needed. Maybe.

“Yeah, clear. I’m on my way back.” You took a deep breath and started the car and the journey back to Quantico, but your mind stayed right there, on the bars that kept you away from the one thing you held dearest.

As it turns out, there was nothing the warden or Fiona could do. Even Emily Prentiss, Unit Chief of the BAU, couldn't “resolve” the situation. Days, weeks, and months passed, and for 70 days you couldn’t see him, isolated out, not even knowing why.

“-to be in the courthouse in one.” You snapped out of your thoughts, only catching the end of the sentence, digging the heels of your hands into your eyes. You were tired, and it had little to do with the fact that you had been up all night, going over all the evidence with the team and tracing Lindsey Vaughan’s steps to a T in an attempt to exonerate Spencer and finally bring him home.

You were exhausted, both physically and mentally. You’d been up for more than 24 hours now, but then you hadn’t been sleeping all that well to begin with. Every single night was spent wondering how Spencer was doing, and every time you closed your eyes, you saw him in that cell in Mexico.

His eyes were red, high out of his mind, barely coherent, dirty, and injured - a far cry from the person you were used to seeing every single day - energetic, passionate, and brilliant. After 12 years, if there was one image you wished to erase from your memory, it was this one. Not all the blood you’ve seen spilled, every victim, be it men, women, or even children, all the horrors of the job, but this. Maybe it made you a bad person, but there was nothing worse than seeing the one person you held dearest at their lowest and not being able to do anything to stop it.

Every waking hour that you weren’t on the job was spent wondering how he was doing and if he was okay. If he was healthy, unharmed, and safe, or as safe as an FBI agent could be in prison. But most of all, the one thing that had kept you up at night, slowly destroying your sanity and making you question everything, had been the one question you couldn’t seem to get an answer to.

“Why doesn’t he want to see me?”

You’d asked everyone and had waited with battered breath for an answer, a clarification on the matter, and it never came. As shocked as you had been at the notion that you wouldn’t be seeing Spencer for an indefinite amount of time, your team had been even more shocked. They knew the kind of relationship you and Spencer had, how close you’d become over the years, and how much you relied on each other.

You’d asked every team member, you’d asked yourself, you’d even asked Spencer in a few of the letters you wrote to him, and then there had come a point where you just stopped.

You were torturing yourself more than enough, day after day, and every single night, asking yourself a question you wouldn’t get an answer to. Not as long as he was locked up in that hellhole and you were out here, trying to keep together the pieces of something, that was on the verge of breaking.

You felt a hand taking hold of yours, and for a second, you tensed up. Pulled out of your thoughts, you looked up and were met with chocolate brown eyes, full of worry - Emily’s eyes.

You glanced around the room, only to realize it was empty, save for the two of you. You hadn’t felt when the others had left, that’s how deep in thought you had been.

“Where did you go? I’ve been calling your name for a while now,” she spoke gently, squeezing your hand. If you were honest, that’s the first time she asked you anything about the situation. You’d spent weeks suffering in silence and trying to pretend that you weren’t slowly dying on the inside.

You briefly thought about lying, it wouldn’t be the first lie you’d told since Spencer had been incarcerated, but you didn’t have it in you to hide anymore.

And so, for the first time since Spencer’s hearing, you told the truth.

“Nothing makes sense anymore, Em,” it left you in a whisper, “I’m barely holding it together. I feel like I’m drowning sometimes, and just when I breach the surface, I’m pulled back in. My mind, it’s...I question everything, all the time. My mornings start with thoughts about him, and my nights end with tears over him, over this entire…this nightmare. I keep waiting for my alarm to go off, to wake up and realize that this has been a plot of my imagination, some cruel joke my mind has conjured, designed to show me... "Your eyes welled with tears, prepared to admit something you should have long ago. Emily gave your hand another squeeze, prompting you to continue, and so you did, admitting it for the first time aloud.

“Designed to show me that I can’t live a life that doesn’t have Spencer in it.” You wiped at your eyes, willing your tears at bay. When you dared to look up, you were met with the eyes of the only other person besides Spencer who has been a constant rock in your life for the last 11 years. What you saw in her eyes then wasn’t surprise like you’d thought, but relief. It took you a moment to fully read her, but it was like a switch had gone off when you finally did.

“But you’re not surprised to hear this, are you?” you smiled sadly, a light laugh leaving you.

“I wouldn’t be a good friend if I didn’t have my suspicions, and I’d be an even worse profiler,” she smiled at you, “Plus, there are some feelings that you just can’t hide,” you blinked, and then you blinked again. You hadn’t come right out and said it, and yet she knew, she somehow knew.

“I didn’t mean it like that.” you tried to backtrack, but you knew it was a losing battle. Emily knew you well enough to smell your bullshit from miles.

“That’s exactly how you meant it, and don’t even try to deny it. I see it every damn day. It’s how you leave the room whenever you hear someone talk about visiting Spencer. You don’t want to hear how he’s doing because you wouldn’t believe it, not unless you see him with your own eyes. But you can’t, so you’ve resigned yourself to the torture of not knowing instead of giving yourself the smallest amount of peace by asking. You’ve been suffering in silence for almost three months, too stubborn to say anything, thinking you were doing yourself a favor. And what for? You’re crying yourself to sleep every night and coming to work the next morning, pretending everything is fine when clearly it’s not. You think you’re fooling everyone, but the only person you’re tricking is yourself. And how’s that working out for you?” she had a point, and it’s not like you weren’t aware of that fact. You knew what you were doing wasn’t okay or healthy. You had the most stable support system imaginable to get you through the hardest parts. It was hard, though, especially when the person who was suffering the most was the person who’d taken your heart with him.

“Way to call me out, boss.” you were just about ready to end the conversation, you couldn’t take any more of this. You’d promised each other long ago that you wouldn’t profile each other but you had a feeling that was exactly what Emily was doing right now. Maybe not on purpose, and with every good intention imaginable, but you didn’t want that. You didn’t want one of your best friends to try to understand you based on behavioral analysis right after you’d spilled your soul out to her.

“Just calling it the way I see it, someone has to,” she smiled, but then she shook her head a little before continuing. “What I want to know is why you didn’t say something earlier. You know I would have been there to listen, and so would have the team.” Damn, Emily Prentiss.

You didn’t have to think hard about it, you’ve been ruminating over everything for days. You were trying not to, but whenever your mind wasn’t focused on a case or the many drinking nights spent in Penelope’s purple adobe, that was where your mind would take you.

“Out of fear, I think,” you started, unsure for a second, still nervous to admit it. It wasn’t exactly what she was asking, but it was a start, “I was afraid, and I still am. I’ve been baiting myself into thinking it was just some sort of fondness, a little stronger than that which you feel towards a friend, and far lesser than what it actually is. I thought that if I didn’t say anything, I could go on lying to myself, and nothing would have to change, we wouldn’t have to change. Because words hold meaning, and an admission like that holds weight. What would I have done if it was just me who felt like this? I would have ruined the one thing we’ve both cherished for over a decade.” It felt good to finally say all of this out loud instead of holding it inward. But then again, Emily always knew when you'd had enough.

She’d told you time and time again the same thing Hotch had asked of her when she returned to duty after faking her death: “Let me know when you are having a bad day.”. Honestly, you’d held off long enough, and so had she. It was a whole miracle she hadn’t pressed you about your behavior earlier.

“That’s not what I was asking,” you said, shaking your head with a smile to let her know that you weren’t done speaking.

“Everyone was suffering as a result of what happened in Mexico, what I was feeling wasn’t any different, Emily.” You were flippant about it, you always have been. You preferred isolating yourself and hiding everything instead of seeking a shoulder to bear the weight of what you felt.

“Our sadness came from the fact that our friend was framed. And yours? That’s different.”

“It isn’t,” she scoffed, getting up. Now you really felt like you were about to get scolded like a child.

“Yes, it is. God, you and Spencer are the same. It’s like I’m looking at his doppelganger without the whole… IQ of 187. You share some of the worst qualities a person can have,” you laughed at that, “You are both changeophobes-” you cut her off

“Metathesiophobia, fear of change.” She only raised her hand at you, as if to say, “See, you even sound like him,” which made you laugh even more.

“You close yourselves off after a sad or traumatic experience, silently hoping you’d be able to get through the worst of it on your own. Most of the time, it’s evident that’s not the case. You only ask for help when you’ve reached rock bottom or have no other choice, but you’ve had a choice from the get-go. Your stubbornness even stems from the same anxieties, it’s infuriating,” she seemed to calm down then, in defeat maybe, or she hadn’t been mad, to begin with, she sat down again.

“My point is, it shouldn’t have taken you learning that he might be coming home today to tell me all of this. I’ve known for a long time that there was something far more than platonic friendship on your end. You shouldn’t have tortured yourself since his trial to try to put the puzzle pieces together. You aren’t late, you have all the time in the world to say what you feel and what you want, and rejection shouldn’t be a factor, believe me. You need to make peace with that fear because Spencer is coming home today. And whether you are ready or not, you both need to have a serious conversation.” You appreciated her determination about Spencer being released, but then again, you had more than circumstantial evidence to support the fact that he was innocent. But, as always, Emily was right. He was coming home today, and after months of not seeing each other, there were a lot of things you needed to say.

“I know. Thank you, Emily, for everything,” you whispered, squeezing her tight.

Spencer’s POV

The first breath of fresh air after being on the inside for months felt far more overwhelming than he thought it would be. Being in charge of your being and your responses and emotions felt almost unnatural like the feeling of it didn’t belong to him. The sound of the wind and the traffic, people’s voices, and even the simple act of getting comfortable in the leather seats of the jet overwhelmed any ability to concentrate and think straight.

In itself, it was strange. The prison was loud, the prison commissary at breakfast, lunch, and dinner was a cacophony of prisoners talking, cells being opened, and guards barking orders. The yard was loud too, although, in the middle of nowhere, nature could still be heard - the sounds of trees and the lone birds, if he had to guess a mix of Mourning Dove and Field Sparrow. Their songs were soothing most of the time, a welcome distraction from the usual noises around him.

Without the atmosphere he’d gotten used to and subjected to all of those sounds and people whose presence he found comforting before, he now felt almost out of place. He wanted to feel at peace, he wanted to feel free, and although he technically was, his mind was more trapped than he’d actually been in that 2 by 2 cell in cellblock C.

He kept replaying some of the hardest moments from his time in, every threat, every punch he’d gotten, and the phantom feel of the fists connecting. Luis’ blood on his hands, the smell of bleach incorporated with the drugs, the tip of the sharpened toothbrush embedding into his thigh. All he’d done to survive, harm, and more harm, only to make it out alive.

He barely recognized himself. He’d deliberately ignored looking at himself in the small plastic mirror in his cell, for fear of seeing what he’d had to become. Gone was the Spencer who’d use his brain to get out of situations, whose obliviousness more often than not helped to balance his intellect with the socially acceptable. Gone was the bubbly personality of a kid excited to share a plethora of facts with his friends.

In his place sat a man, tormented by the reality of the hatred felt towards him. The reality of being a pawn in a game whose complexity could have been his downfall. A man whose genius, as much of a blessing, could sometimes be a curse. A man who had felt too much and was made to experience far more loss than his quaint heart was able to take. In the end, he kept losing, be it his father, by no choice of his own. His mentor, at the hands of a killer’s insanity. His friends and loved ones, hoping for a better life or his freedom, made to rot in a place he didn’t deserve to be in.

Some would doubt that he had anything at all left to lose. All in all, how much more could the scrawny twelve-year-old child prodigy, left to survive in a public high school, take?

His mind had been plagued by that question for years. He’d thought about that more than he’d like to admit. After every loss, there’d been a split moment where he’d asked himself what was next. What would be the next thing life would take from him? And every time, he’d had to wonder if, next time, life wouldn’t reach for the one thing he couldn’t allow to be taken from him. The one thing that, were he to lose, he’d never recover. He had hoped, sometimes prayed, that after everything he’d seen, everything he’d lived through, this would be the one thing that’d be spared.

Locked in that cage, he’d tried even harder to ensure that there wouldn’t be another loss in his life - not anymore. Be it good or bad, he’d done everything. For 70 days, he’d had to assure himself he was doing what he thought was right, and what he wasn’t saying, he’d be forgiven for. He’d had to dodge questions and see the disappointment in his friend’s eyes, and when that wasn’t enough of a burden to bring all of his anxieties to the surface, he’d resigned himself to reading the words of the person he was doing all of this for - you.

He’d reread every letter to the point where the edges of the papers were worn out, even though he’d known the contents by heart on the first read. He tortured himself by looking at your handwriting, analyzing the slanting of the words and the pressure of the pen. The little stains on the paper, he didn’t have to be a genius to know, were your tears. It broke his heart, to know he was causing you this much pain. He didn’t need to be there to see it, he felt it through your words.

He often questioned if it was worth it, if he was protecting you, or himself, or maybe even what you were or weren’t.

Even now, the weight of your words sat heavily on his mind, and right by his heart, in the pocket of his jacket, he felt the weight of the 9 letters you wrote.

As he looked over from the little window of the jet, he couldn’t help but wonder if, in his desire to shield you from everything, he hadn’t gone too far. Ultimately, was he going to be forgiven, or be forced to pick up the pieces of the reality broken by his own doing?

“Don’t do that.” JJ’s gentle voice startled him from the overwhelming nature of his thoughts. She’d spent the last 30 minutes since they boarded silently observing him, waiting for him to pick up a conversation. But he’d decided to stay num.

In every twitch of his fingers, in his desire to get comfortable but being unable to, she could see that he was restless. If she had to guess, his mind was much the same.

“Do what?”

She gave him a look, one, had he not known her long enough, he might have been offended by. Clearly, she was offended herself, watching him play the clueless card.

“Spence, I don’t need to profile you to know that your mind’s running a thousand miles a minute, contemplating your decisions, and I don’t think you should. You did what you thought was right, and no one blames you for that, not for Mexico, and not for what you did after,” she spoke evenly, gathering even Penelope and Alvez’s attention from where they sat. He looked over, receiving a smile and a nod from both before focusing on JJ again.

Rationally, he knew she was right about everything. He didn’t need to run himself ragged with everything he could have done differently, or search for the perfect way to explain, or overall, the perfect outcome of his own decisions. He knew there wasn’t one, there was no perfect way to say what he needed to, no perfect words to pick so he could fix this and erase the pain he knew he’d caused.

Perfection wasn’t something you could strive to achieve, because there’s no such thing as perfection. The term was diverse, everyone had a different perspective on what that might look like. If for JJ, perfection was the family that waited for her at home every time she returned from a case, for Spencer, perfection was vastly different.

For him, perfection was the rich aroma of coffee that could cause someone’s insulin to spike because of the amount of sugar in it. The softness of a book page between his fingers, or the familiarity of a book he’d read before but needed to revisit.

Perfection was the sound of your laugh whenever he was the one to prompt the sound. The way your eyes lit up every time you listened to him babble on. Perfection was the time he got to spend with you every day, every hour, and every minute that he could remember with almost scary accuracy.

He could sit and wonder what the perfect way to go about this was, but there simply wasn’t one, there was only the truth. And as painful, hopeful, or even a little dumb as it was, that was the best he could give.

And maybe that’s what his mind should focus on instead, the truth, in its simplest form, at its core the truth he’d hidden for months, and then the truth he’d hidden for years.

He had wondered long enough if he’d made the right choice. He spent plenty of time focusing on the shame he’d felt, prompted by the disappointment he’d seen in his friends’ eyes whenever they brought up your name. How he’d sit, silent, or give an answer so short and angry, it’d add even more shame to the one he already felt.

Beyond his time in prison, where he spent most of his time questioning his decisions, he spent years before that questioning himself as a person. His place on the team, his intelligence, even his failings. His inability to form relationships where he’d be seen as more than Dr. Reid, or the skinny kid, pretty boy, or a genius. A relationship that’d make him feel like simply Spencer, without the added adjectives, that sometimes made him feel like a circus clown.

Only when he’d been locked up, had he started to realize that he’d finally built a relationship with someone with whom he could be himself. The most basic, boring, and peaceful version of himself, and slowly, all had started falling into place.

How content he felt whenever he was around you, the desire to tell you every good or bad news he received. How when you asked about his mother, it warmed his heart, or how worried he felt when you acted stupid in the field. How out of control he’d felt when you’d gone missing last year. Or even, at the time, the unexplained jealousy he’d felt seeing you talk with another man.

Morgan had asked, once, twice, a lot, if maybe he didn’t have a crush, but he’d denied it, every time. And every time he’d question himself, he'd dismiss the idea just as quickly.

Yet, upon being forced away from you, the pieces had started mending into one.

Every realization he’d had was like a new broken piece being glued to the overall mosaic. And every new piece added built everything he felt about you. And it was a lot, and it was overwhelming, and so, so right, it sometimes felt wrong. Because he was inside a prison of his own doing, and you were out there, made to wait for him, for an explanation, for the truth.

And he’d vowed to himself that the moment he was out, he’d put everything on the table, no matter how much he’d fucked up or how much he’d hurt you. He’d sit there, and he’d let it out, and if necessary, he’d even beg for your forgiveness.

Because there wasn’t a moment in this life, he wanted to live through, without you there with him.

Your POV

You pulled the trigger, your eyes focused, and your hands steady. Three consecutive shots were fired, each one hitting its intended target. Three more followed, and then as many as it took to empty the magazine.

You put down the gun and took a deep breath, steadying your heartbeat, trying to rid yourself of the deep-seated anxiety you felt. An odd sense of calm overtook you whenever you found yourself at the shooting range. Maybe it was the everpresent scent of gunpowder or the quiet only disturbed by the firing of a gun. Or even the possibility of escaping your rising thoughts, the desire to run or scream, sometimes both.

There was a sense of solitude there that almost made it easier to breathe. The repetitive motion and the weight of the gun in your hands felt like second nature.

Front sight, trigger press, follow through, just like Hotch had taught you all those years ago. As long as you held that gun, your mind was quiet, and you focused on something other than the worry you felt.

It made sense you found yourself there shortly after Emily had shared the long-awaited good news - Spencer was finally free, and JJ, Penelope, and Luke were on route back with him. For a short moment, you’d felt the weight being lifted from your chest, and then it dropped again, now tripled.

Suddenly, your earlier conversation with Emily had gotten as real as the target before you. Even with the sense of peace, you’d felt after, your thoughts on the matter clear, you still felt a sense of dread at the idea of seeing him.

As if he wasn’t your best friend, the man who’d long ago won your affection and captured your heart, but rather a stranger who held your future in his hands. And he might as well be, because whatever the truth to the questions you wanted answered was, one thing was for sure.

It’d either make or break you both.

You picked up a new magazine, and loaded the gun, aiming at the target before releasing the safety. Before you fired again, you released a breath, and with it, all the feelings within you - fear, uncertainty, yearning, and the sense of madness, which, although mild, was persistent.

You fired once, twice, your aim impeccable, and then, out of nowhere, you missed.

The hair at the back of your neck rose, your heart rate quickened, and the feeling of another’s presence in the room was unmistakable. It took you just a second to put the pieces together, the intrusion felt like anything but that.

Instead, for a brief moment, the person brought with them a familiar feeling of calm. In the next instance, though, reality came crashing like a tidal wave, and you knew you’d run out of time.

Your hands shook as you put down the gun. You could feel him watching you, probably standing next to the door, as if he couldn’t will himself to move closer. The anxiety was palpable in the air, although you couldn’t really say if it was yours or his, most likely, it was a mix of both.

You went to reach for your protection but hesitated. Once you took it off, there’d no longer be an excuse for you to ignore him, you’d finally have to meet the reality he’d so carefully crafted for you.

Even though you felt like you could barely breathe, the desire to finally lay your eyes on him won out.

Without missing another beat, you took off your earplugs and then your eye protection. You could faintly hear the sound of shoes squicking against the floor. He could never stay still when he was nervous.

You picked up on the sound of your own breathing too, the beating of your heart was almost erratic. You were waiting, what for, you weren’t sure.

He was waiting too, for you to turn around, to lay his eyes on you. Like a sadist, waiting to see the pain he’d caused, or a masochist, wishing for his own in turn.

70 days of slowly killing you both.

When you finally dared to turn around, it took you a moment to fully take him in. He looked like the Spencer you knew, yet there was something different about him too. Dressed in his usual suit and tie outfit, he didn’t look comfortable. His posture was rigid, almost defensive. It wasn’t a conscious decision, that much you were sure of.

His hair was longer, pushed back, curling at the ends, and he’d lost some weight. Not much, but enough to make an impression after all this time. He looked pensive, like the weight of the world sat on his shoulders, but maybe it was just the weight of the consequences he had to face.

Your eyes ran over every inch of him multiple times, intentionally avoiding his gaze for as long as possible. Seconds and minutes passed, and you weren’t really sure how much exactly.

Spencer knew, though, of course, he did. If his fear of meeting you eye to eye was as great as yours was, you knew he was counting until the torture of the act itself was over.

89 seconds he’d counted, although now with you there, they felt longer than the days without you did.

When you eventually met his gaze, you felt a part of your heart chip on the inside. What people said about the eyes being a portal to one's soul couldn’t have been more right in that moment. Spencer, a man who excelled at hiding his emotions when he really wanted to, had let them out as clear as day for you to see.

His eyes sparkled with so much sadness and guilt that it threatened to take you apart even before he had the chance to talk. Something softened within you at that moment, but in the next instance, it was like someone else took over.

One moment you wanted to cry for him or with him, and the next you felt like your whole being needed to be let out.

“Is that��is that all you can offer me right now? More of your silence? Don’t you think I’ve had enough of that?” The questions, a few of many to follow, had a bite to them.

His face fell a little, taken aback by your tone. He fidgeted with his fingers, unsure what to say, or where to start. How could he answer your question? He pictured a scenario where his words flew freely, where he gave you an explanation worthy of forgiveness and a confession, so earnest that it ended with you in his arms.

Try as he might, the words didn’t come to him, just a barely audible accusation.

“That’s not fair.”

You scoffed, as if in outrage. A madness, one born out of so much heartbreak, took over, it was blinding. If someone had asked you to explain yourself, you’d say that wasn’t you. You’d never be so forward, almost cruel, to him, but at that moment, being mad sounded so much better than being vulnerable. Like a shield, you weren’t ready to let go of yet.

“How exactly is this not fair, Spencer? It’s the truth!” you yelled, and you felt free, finally letting it all out. “You want to know what isn’t fair, though? The way you isolated me OUT of your life! For three months, I’ve had to stand on the sidelines and beg for scraps, just to know you were okay. Every pitiful look I’d get from the people I consider family felt like another stab to the heart. That’s what’s not fair!” You were screaming so loud. It was a good thing the range was soundproof, otherwise, the whole of the BAU would have been deep in your business by now.

If he looked surprised by the accusation, he didn’t really show it. His posture took a turn, though. The rigidity disappeared, and in turn, it opened, as if the need to comfort you overpowered the uncertainty or the mask he’d had to hold while imprisoned.

You didn’t want his comfort, not right now. Maybe later, when all was said and done, you’d get to have a normal conversation without the frustrations of the past. At that moment, you just wanted everything out of your system. You wanted the questions, the answers, and the truth.

His silence continued as he started closing the distance between you. You wanted to move, to create more distance, but there was nowhere to go. You were squeezed between the range, and him. Whatever else was left than to continue begging for clarity.

“It’s not fair being sent away the first time I came to see you. To learn you didn’t want to see me! Each time it was my turn to visit you, do you want to know where I was? I sat outside that fucking prison, wishing for a glimpse of the person who’s been my rock for 12 years! Holding back tears, thinking you didn’t…you didn’t care like I did. Is this what I really deserve after 12 years by your side?” You almost slipped, you almost told him, and maybe you should have, it might have prompted him to talk or to say something. But no, he stayed silent. Step after step, he limped, his cheek twitched, and his brows furrowed, but like a coward, he remained quiet.

He was meters away from you, three more steps, and he’d completely close the distance, and meet you face to face.

“Say something, Spencer, damn it!” Your throat burned from the strain, and he advanced even more. “Anything,” you finished in a whisper, and all of a sudden, all the fight left you, and your eyes watered and your vision went blurry.

He was just a step away then, and when you looked into his eyes, you couldn’t help but see how they shined.

He reached forward, one hand taking hold of your arm while the other went to hold your waist, but you shook your head. “No, Spencer, please,” you whispered. You didn’t want to find yourself in his arms, because that would be the last of your composure, gone. You’d surrender to the feel of him like you even had a choice not to.

He didn’t stop, not until you were snug into his arms, one of his hands at the back of your neck, holding your head tenderly, but the arm around your waist held onto you as if he was scared you’d slip away from him.

Once in his arms, you finally let go, breaking down into pieces, hoping he’d be able to hold them all from crumbling to the ground.

“Hey, shh, it’s okay. I’ve got you.” He kept repeating, his thumb rubbing soothing circles on your pulse point. All the while, you could only stand, your arms at your sides, as if paralyzed.

Being in his arms felt like being home somehow. It felt so right after having been deprived of the feeling for so long. It felt like there was nothing wrong, and nothing could go wrong at that moment.

Even though you hadn't initially wanted his comfort, somewhere deep inside, you craved his tender touch. You craved the feel of his body near and the faint scent that was so uniquely him - a mix of coffee, fall, and old paper, books. You realized then that you craved the sound of his voice too, another part of him you’d been deprived of.

The voice of the always rambling boy that never failed to bring a smile to your face, even when you couldn’t understand him sometimes.

And the more he whispered, his voice broken and shaky, the harder you cried. You’d thought nothing could match the heartbreak of his actions or the anger of his silence, but the reality of being held against him brought the realization that your suffering mirrored his own.

If you’d been dying on the inside for months, he’d been on the other side of the link holding you tethered to each other, dying just as much.

And you couldn’t hold yourself back any longer after that. You buried your head in the crook of his neck, and your arms finally circled his waist underneath his suit jacket, fisting the back of his shirt as if it were your one lifeline.

You felt him exhale when you finally returned his touch, most likely in relief, before he dropped a light kiss on your head.

You cried for the relief of having him back and close. For unspoken truths and time wasted, years of figuring out feelings clear as day. For all the anger, for all of his silence, for all you felt for him.

He cried for all the pain he’d caused you and for all the time he’d wasted being alone instead of being with you. He cried for himself, he cried for you, and he cried, overwhelmed by his feelings for you.

You clung to one another, crying, and minutes were passing and neither of you cared. Not when you had each other.

After a while, when both your tears dried out and your cries quieted, but you still felt the need to hold each other close, you dared to murmur a broken “Why?” hoping he’d hear, hoping he’d understand.

It didn’t take him long to mumble a reply, no longer silent.

“All the words in the world available, and I wish I could explain.” it came out just as quietly, both of you scared to break the little bubble you’d found yourselves in.

You pulled back from him, wanting to look into his eyes, red-rimmed and still sparkling when you felt yourself begging again.

“Then try, please, because I’d rather know, and not understand, than not know at all.” And it was the truth. He could speak in riddles if he wanted, but you needed to know why he’d made that choice.

You looked at him expectantly before he pushed a piece of hair back, and his hand once again settled at the back of your head, gently cupping it.

“I wanted you safe from a world you didn’t belong in,” he admitted on an exhale, like a lifelong secret he’d gotten tired of holding onto.

You looked at him in wonder, and it was on the tip of your tongue to tell him he didn’t belong in that world either, but just as you opened your mouth to speak, he shook his head.

“I was ashamed when I had you removed from the visitor’s list. I didn’t want you to see me like that, like a criminal,” he started, pulling you into his arms, not wanting to admit it to you eye to eye, out of fear of being right. Of course, he was wrong, but that didn’t stop him from wondering.

“The first time JJ visited me, they leered at her like they were being fed fresh meat, taking her in, committing her to memory. A cage full of animals. I knew then that I didn’t want that for you, and any guilt I had at keeping you away disappeared that day. It hurt me, knowing I was failing you and whatever trust you had in me,” he whispered, wishing to keep the reality of his thoughts and his feelings in a little bubble as if you only existed in it.

“I’m not the same person I was before, I couldn’t be him, even if it meant losing a part of myself in the process. I couldn’t really be a decent human being without bearing the consequences. Everything I saw, everything I did, and everything that was done to me, I don’t think I’d ever fully be the person I was before. And that too, I’m thankful I spared you from seeing.” It would explain his rigidity, a defense mechanism he’d had to get used to.

And while everything he’d said thus far was true the biggest truth, he’d had yet to say. He had yet to really explain why he’d done what he’d done in the first place. He was stalling, still afraid, but the longer he held you, the longer he felt your heart beating in time with his, the more sure he became.

To hell with the consequences, to hell with whatever happened after, he was right here in the now, alive, breathing, his arms around you, finally at peace.

He pulled back, took your face into his hands, and finally whispered.

“Most of all, though, I knew I loved you enough to risk us if it meant keeping you safe.” It left him in a rush, a confession waiting to be let out for months. A feeling he’d had for years, and a moment where he could finally be open about it.

“What…?” you licked your lips, shocked that you might not have heard him correctly. ”What does us mean?” This part of the conversation felt like you were daydreaming about it, it just didn’t feel real.

“It means whatever you want it to be. Whatever you want us to be.” All of a sudden, it was that simple.

“So, you love me?” You had a hard time taking it all in, yet your heart fluttered in pure happiness. “And you…you want us?”

Months of figuring out your feelings, years of hiding them, a conversation to finally prompt a confession out of you, and all this time it was reciprocated. You could have cried, happiness like no other coursing through you, pure bliss.

"Yes.” Even before you were done speaking, he was already answering. He was desperate to finally admit he was absolutely smitten by you.

You wanted back into his arms, you wanted to kiss him so badly that your blood was burning from the need to feel him like you'd never been able to before. And yet, you knew there was something else you needed to do before you could finally do it.

“Spence, you don’t push away the people you love, no matter the cost. You rely on their love to help aid you when you’re at your lowest.” You gave his sides a light squeeze before you looked back into his eyes, only to see them hopeful and uncertain at the same time.

He looked hopeful, for the possibility that you might actually love him back, but uncertain because it felt like you might be pushing him away this time.

“I can’t go through this again. Having to watch you wither away, in prison, at home, or by your own thoughts, I won’t be able to handle being pushed away again,” whispers, cries, pleas, memories full of heartbreak intertwined with present confessions full of joy.

His eyes watered then, his lips trembling. Any sign of hope was gone, and in its’ place stood the realization of a man who’d maybe gone a little too far. He’d pushed you away, and now, it was your time to be the one sticking and twisting the knife deep, breaking his heart in the process.

If someone were to ask him at that moment what his biggest regret was, he’d say this. This was his biggest regret, his own choices.

A tear escaped him, and you reached up, wiping it away gently before you spoke again.

“If..if this is going to go anywhere, you need to rely on me. You need to believe that I can handle anything and everything, just as long as you are by my side. All those years of being pushed away - your addiction, Maeve and Gideon’s deaths, your mom’s diagnosis, Cat Adams - you weren’t alone then, you aren’t alone now, and you won’t be alone in the future. You’ll always have me by your side, you’ll always have my support. Most of all, you’ll have my love, but when things get hard, I need you to lean on me, and trust that I can help you because together we can pull through everything, anything is possible as long as we are together.” You finished on an exhale, full-on crying now. You could barely see him, but from the little you could, you saw tears streaming down his face, and a smile that grew wide, happy.

Those words, he knew them word for word. For 13 days, he’d repeat them, no longer needing to see them written down, he had them engraved in his brain. Your letters he could recite, but your final one he’d remember as long as he lived.

“I promise to lean on you and trust that you’d help me because together we can pull through everything, anything is possible as long as we are together,” he whispered back, his eyes searching yours for just a moment before he pulled you in, and finally, his lips met yours.

He kissed you, tentative at first, testing the waters. He wanted to take his time, commit your lips to memory, gentle, and plump, exactly how he’d imagined they’d feel. The more he kissed you, the more he couldn’t stop. Passion, urgency, desire - his kisses turned desperate like he wanted to swallow you whole and never let you go.

He bit your lip gently, asking for access, before his tongue intertwined with yours and he pulled you flush against him, closing any gap left between you. Chest, hips, there wasn’t an inch where you weren’t touching.

It felt so familiar, even though you hadn’t kissed before. So right, like no one's kisses had felt before. As if your whole lives, kissing each other was the missing piece in a complicated puzzle, waiting to be put together. Coming together as one, it felt magnetic, a feeling of euphoria, pure ecstasy, no one else mattered, no other feeling mattered at that moment, other than your hands on each other and your lips locked together.

Time was passing by, and you didn’t care. Years of missed opportunities, hidden feelings, and long-awaited realizations all led to this moment. Starved for each other, a kiss full of fervor and even the taste of tears was present. Unimaginable, but very real.

When you finally pulled apart, he wiped your tears, and you wiped his in turn, before he gathered you back in the comfort of his arms, laying a kiss on the side of your head.

And between the four walls around you, nestled in each other’s arms, the place where no one could touch you, in a shared breath you both whispered.

“I love you.”

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batboyblog · 6 months

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Things Biden and the Democrats did, this week #10

March 15-22 2024

The EPA announced new emission standards with the goal of having more than half of new cars and light trucks sold in the US be low/zero emission by 2032. One of the most significant climate regulations in the nation’s history, it'll eliminate 7 billion tons of CO2 emissions over the next 30 years. It's part of President Biden's goal to cut greenhouse gas emissions in half by 2030 on the road to eliminating them totally by 2050.

President Biden canceled nearly 6 Billion dollars in student loan debt. 78,000 borrowers who work in public sector jobs, teachers, nurses, social workers, firefighters etc will have their debt totally forgiven. An additional 380,000 public service workers will be informed that they qualify to have their loans forgiven over the next 2 years. The Biden Administration has now forgiven $143.6 Billion in student loan debt for 4 million Americans since the Supreme Court struck down the original student loan forgiveness plan last year.

Under Pressure from the administration and Democrats in Congress Drugmaker AstraZeneca caps the price of its inhalers at $35. AstraZeneca joins rival Boehringer Ingelheim in capping the price of inhalers at $35, the price the Biden Admin capped the price of insulin for seniors. The move comes as the Federal Trade Commission challenges AstraZeneca’s patents, and Senator Bernie Sanders in his role as Democratic chair of the Senate Health Committee investigates drug pricing.

The Department of Justice sued Apple for being an illegal monopoly in smartphones. The DoJ is joined by 16 state attorneys general. The DoJ accuses Apple of illegally stifling competition with how its apps work and seeking to undermining technologies that compete with its own apps.

The EPA passed a rule banning the final type of asbestos still used in the United States. The banning of chrysotile asbestos (known as white asbestos) marks the first time since 1989 the EPA taken action on asbestos, when it passed a partial ban. 40,000 deaths a year in the US are linked to asbestos

President Biden announced $8.5 billion to help build advanced computer chips in America. Currently America only manufactures 10% of the world's chips and none of the most advanced next generation of chips. The deal with Intel will open 4 factories across 4 states (Arizona, Ohio, New Mexico, and Oregon) and create 30,000 new jobs. The Administration hopes that by 2030 America will make 20% of the world's leading-edge chips.

President Biden signed an Executive Order prioritizing research into women's health. The order will direct $200 million into women's health across the government including comprehensive studies of menopause health by the Department of Defense and new outreach by the Indian Health Service to better meet the needs of American Indian and Alaska Native Women. This comes on top of $100 million secured by First Lady Jill Biden from ARPA-H.

Democratic Senators Bob Casey, Tammy Baldwin, Sherrod Brown, and Jacky Rosen (all up for re-election) along with Elizabeth Warren, Cory Booker, and Sheldon Whitehouse, introduced the "Shrinkflation Prevention Act" The Bill seeks to stop the practice of companies charging the same amount for products that have been subtly shrunk so consumers pay more for less.

The Department of Transportation will invest $45 million in projects that improve Bicyclist and Pedestrian Connectivity and Safety

The EPA will spend $77 Million to put 180 electric school buses onto the streets of New York City This is part of New York's goal to transition its whole school bus fleet to electric by 2035.

The Senate confirmed President Biden's nomination of Nicole Berner to the Court of Appeals for the Fourth Circuit. Berner has served as the general counsel for America's largest union, SEIU, since 2017 and worked in their legal department since 2006. On behalf of SEIU she's worked on cases supporting the Affordable Care Act, DACA, and against the Defense of Marriage act and was part of the Fight for 15. Before working at SEIU she was a staff attorney at Planned Parenthood. Berner's name was listed by the liberal group Demand Justice as someone they'd like to see on the Supreme Court. Berner becomes one of just 5 LGBT federal appeals court judges, 3 appointed by Biden. The Senate also confirmed Edward Kiel and Eumi Lee to be district judges in New Jersey and Northern California respectively, bring the number of federal judges appointed by Biden to 188.

#Thanks Biden #Joe Biden #Democrats #politics #US politics #climate change #climate crisis #student loans #debt forgiveness #shrinkflation #women's health #drug prices

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jokeroutsubs · 4 months

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Joker Out Masterpost for new fans

New fan of Joker Out? Say no more!

Getting to know a new artist you’ve found can be intimidating if it’s all in another language, so we’ve compiled some of our favourite interviews, articles and lore here! You’ve arrived in a wonderful fanbase, welcome from all of us here at JokerOutSubs!

If you’d just like a short overview of the band and their history, you can watch this excellent Finnish summary of them that we’ve translated (14m 53s).

youtube

But if you want to dive into the details, then check out our timeline, full of videos and articles translated by JokerOutSubs!

Timeline graphic:

Timeline in details below the cut 👇

Timeline in details:

How did the band form?

Joker Out was formed from two bands, Apokalipsa and Buržuazija.

Apokalipsa included Bojan Cvjetićanin (vocals), Martin Jurkovič (bass) and Matic Kovačič (drums)

They gained some traction with young people around Slovenia, particularly with their song 'Mogoče' ('Maybe'), which you can watch on YouTube here.

They came to the attention of Kris Guštin, who was inspired to start learning guitar! He discusses the details in this video (at 9:40).

Kris then met Jan Peteh, another student of his guitar teacher, and at their teachers advice, they formed the band Buržuazija.

Bojan attended their second ever gig in 2016, and decided these two excellent guitarists were exactly what had been missing from Apokalipsa, as he wasn’t happy with their current guitarists. He asked them to join, and they accepted

The new lineup (Bojan, Jan, Kris, Martin and Matic) decided to rename themselves Joker Out. The name means nothing, but they thought it sounded good and was the ‘least horrible’ of all the ideas they could think of.

So, in 2016, Joker Out was officially formed!

November 2016, Kot srce ki kri poganja:

Joker Out’s first music video was for their song ‘Kot srce ki kri poganja’ ('Like a heart that pumps blood'), filmed in Jan’s hometown of Vrhnika! We eventually got this song on Spotify on their 2023 album Live from Arena Stožice!

Music video: Kot srce ki kri poganja

English Interview (from 3:37 to 6:05): Joker Out discusses filming the music video

June 2017, Špil Liga:

One of the earliest performances for Joker Out was at Špil Liga, a competition for young bands in Slovenia. They won, and recorded their winning song, Omamljeno telo (intoxicated body) in November as part of the prize.

Live (33m): Joker Out at Špil liga

Interview (5m): Reflections on Špil Liga in 2023

c.2017/18, Bojan’s attempt at going solo:

The band took a hiatus c.2017/18, and Bojan considered going solo at that time, even working with a few producers. He eventually realised that he belonged with the band! Hear him tell the story:

Reel (1m 23s): A1 Vajb - Bojan’s fail

2019, A change up for the band:

The band began working with their current producer, Žare Pak, and their videographer Mark Pirc, in 2019 - both of whom have been referred to as the sixth member of the band. This led to a change in their sound and production quality, which culminated in ‘Gola’ ('Naked'), the first of their songs to be a big hit!

Music video: Gola

Zlata piščal ('Golden Flute') - Best New Artist 2019:

Joker Out won their first Zlata piščal award in 2019, for best new artist (one of many they’d go on to win!) This is a kind of Slovenian Grammy! Covid interrupted the proceedings, but you can see their interview for it here (3m 59s)-

Interview: Joker Out wins a Zlata piščal ('Golden Flute') for Best New Artist 2019

Umazane misli, and a new member:

During the Covid times, the band began recording their first studio album, 'Umazane misli' ('Dirty thoughts'), which was originally going to be released in March 2020 but was repeatedly delayed until October 2021. The first half was recorded with drummer Matic Kovačič, but the band felt they needed something extra and brought in Jure Maček to help write the arrangements. They loved him so much, he never left!

Interview (from 10:40 to 11:36): Bojan talks briefly about Jure joining the band

COVID times, and Cvetličarna:

The band had arranged to do two concerts at Cvetličarna, a very important venue in Slovenia and a big break for them. This was delayed several times due to Covid, but eventually managed to go ahead in October 2021 for the release of their first album.

Video (1m 14s): Cvetličarna promotional video

Live (1h 28m): Joker Out at Cvetličarna

Interview (34m 55s): Bojan discusses Cvetličarna, its importance, and Covid

Umazane misli album launch:

'Umazane misli' was extremely well received! The band would go on to win two more Zlata piščal awards, Newcomers of the Year in 2020 and Artist of the Year in 2021.

Interview (37m 08s): Umazane misli album presentation

An acting career for Bojan?

Around the same time as 'Umazane misli' was released, Bojan began considering an acting career. He acted in two episodes of the series ‘Gospod Professor’ and in another series, which was eventually reworked as a film called ‘Kaj pa Ester’ and released in December 2023. He decided music was his passion though, and he wanted to fully focus on that.

Interview (from 10:04 to 11:30): Bojan discusses his acting career

Interview (2m 11s): Kaj pa Ester interview

Interview (2m 30s): Kaj pa Ester première

Article: Bojan on Kaj pa Ester

September 2022, Križanke:

The band got straight to work writing their second album, 'Demoni' ('Demons'), and decided to present it in September 2022 at Križanke, another hugely important venue in Slovenia. This whole concert wasn’t recorded, but we have an interesting advertisement they did for it, an interview and a clip of one song live from Križanke!

Video (5m 4s): Full Joker Out Hotline trailers

Interview (2m 16s): Joker Out with parachutes to Križanke?

Live (4m 7s): 'Novi val' ('New wave') live at Križanke

Interview (44m 35s): Demoni album presentation

Another new member!

After Križanke at the end of 2022, Martin Jurkovič, one of the founding members of the band, made the decision to leave to focus on his studies.

Video (2m 20s): Martin's departure

Thankfully, he was replaced by the wonderful Nace Jordan, who remains the bassist in the current lineup.

Article: Nace Jordan discusses joining the band

2023, Eurovision:

Joker Out were then internally selected to go to Eurovision 2023, and began recording their Eurovision song, 'Carpe Diem', in Hamburg in December 2022. To learn more, you can watch the Carpe Diem series, a documentary series which followed their entire journey.

The first episode, recording Carpe Diem, can be found with subtitles in multiple languages by JokerOutSubs!

Video (16m 41s): Carpe Diem Ep. 1 - Hamburg

The band performed their song for the first time live on Misija Liverpool, a televised debut, on the 4th February 2023.

Video (27m): Joker Out performing at Misija Liverpool

There are quite literally hundreds of interviews with Joker Out during the Eurovision era. Here's one from just before the final, that we have translated.

Interview: Joker Out before the final on the 13th May

And a few English interviews that became famous in the fanbase!

Interview (24m 29s): Eurovanja

Interview (8m 10s): Seize the Day situations

Interview (17m 18s): Tiktok Live

Interview (6m 30s): ‘Never have I ever’

Interview (14m 12s): Madrid Eurovision

Result

Joker Out came 21st at Eurovision, which they were satisfied with.

Interview (1m 36s): Bojan talks about their results

European tour and Sunny Side of London (22nd September)

Luckily, the best was still to come for Joker Out! The rest of 2023 was spent on an extremely successful European tour, and they also released their first English single, 'Sunny Side of London', in September.

We at JokerOutSubs were also thrilled to interview the band twice on their tour!

Original Interview (15m 25s): JokerOutSubs interview in Tampere

Original Interview (14m 37s): JokerOutSubs interview in Poznań

6th of October 2023, Stožice:

All of this, however, was building up to Stožice. This is the biggest closed venue in Slovenia and Joker Out managed to sell out their October show there - an extremely important milestone for Slovenian artists.

Interview (15m 4s): Stožice and their whirlwind post Eurovision career

Live: Full concert live-streamed part 1 and part 2

A lovely moment at Stožice was when former members Martin Jurkovič and Matic Kovačič joined the band onstage to perform 'Kot srce ki kri poganja'!

Interview (2m 4s): Martin and Matic discuss the experience

Interview (5m 9s): Joker Out post Stožice impressions

London era and Everybody’s Waiting:

Joker Out spent the beginning of 2024 in London, where they wrote new music, did live cooking shows on Instagram and met the incredibly talented photographer, Damon Baker, who did a beautiful series of photoshoots with them. They also released their next English single, 'Everybody’s Waiting', in February.

They sat down with us at JokerOutSubs to discuss all this on the 20th February!

Original Interview (59m 13s): JokerOutSubs interview in London

March and April 2024, ‘See you soon’ tour:

The boys then embarked on the ‘See you Soon’ tour, another very successful European tour. They played three new songs live during the tour, two of which we translated from the concert videos of our members!

Live: First performance of 'Bluza' ('Blouse')

Live: First performance of the hugely popular 'Šta bih ja' ('What would I')

We at JokerOutSubs also interviewed the band a fourth time in Padova!

Original Interview (22m 7s): JokerOutSubs interview in Padova

Now you know a little bit about Joker Out’s history, let’s look a little bit at the members of the band as individuals!

Who are the members?

Bojan Cvjetićanin - singer

Charming, charismatic and an all round green flag, deep down we’re all Bojan girlies! See him here on Cosmopolitan's Blind date, Portrait with Coffee and a lovely interview he did for Delo!

Interview (8m 49s): Cosmopolitan's Blind date

Interview (18m 3s): Portrait with Coffee

Article: “If we believed that we were “kings”, that wouldn’t be us”

Jan Peteh - guitarist

The mysterious mathematician of the band, Jan and his cat Igor have stolen the hearts of the fanbase. Here he is on Undercover Mathematician and on Metropolitan podcast with ex bassist Martin!

Interview (3m 26s): Undercover mathematician

Interview (43m 57s): Jan and Martin on Metropolitan podcast

Kris Guštin - guitarist

Known for his organisational expertise, 'slay pose' and 'cake baking skills,' Kris stays fabulous on and off stage!

Video (1m 5s): NGVOT backstory (Kris’ breakup) at Cvetličarna

Article: Interview with the entire Guštin family

Jure Maček - drummer

Described consistently by his band mates as ‘čaga’ (party), Jure brings a chaotic energy to Joker Out that we love to see!

Video (41s): Jure’s cheating (in school!) story

Interview (18m 3s): Sunday Chat on Radio 94

Nace Jordan - bassist

The oldest member of Joker Out, Nace is a genuine sweetheart who fit like a glove into Joker Out despite joining much later!

Article: "Enriched by a special [Eurovision] experience"

Interview (18m 24s): Interview with JokerOutSubs in Umag

Get to know the whole band!

They mostly do interviews together, so here are some of our favourites!

Interview (16m 52s): Vičstock Unplugged

Video (7m 3s): Joker Out pre-Križanke Instagram Q&A compilation

Interview (54m 42s): Multisciplinary panel at Bežigrad High School

Article: Joker Out for DELO

Article: Joker Out for Mladina magazine

Interview (6m 42s): Joker Out for RTV SLO

Interview (1h 1m): Joker Out for N1 podkast

We hope you’ve enjoyed learning a bit more about our favourite band!

If you’d like even MORE translated interviews, articles and Instagram stories, you can find us on Tumblr, X, Facebook, Instagram, TikTok, YouTube and Spotify under the name JokerOutSubs!