#Man vs Self
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sinceyousawvienna · 2 years ago
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dreaming of myself
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hyba · 16 days ago
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I'm struggling against myself lately because I've got the Shiny New Object thing happening where I just found Adventure Game Studio and I've also just agreed to help someone script their visual novel and I'm just. I need to not overstretch myself. But at the same time all of these things are so intriguing and fun for me so I want to work on them. But also I have other things I want to complete. So I shall keep struggling against them. :)
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gildedbearediting · 5 months ago
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A Look At: The Bully
Written in first person past tense by James Reaney. The story is set in the small town of Partridge. The main character lives there with his sisters Noreen and Kate, his father, and aunt Coraline in a small farmhouse. His mother died of TB, and he describes his father as an ‘afternoon farmer’ that sleeps in the kitchen. Jargon and Flowers Clapboard are the thin, flat pieces of horizontally…
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pitch-and-moan · 1 year ago
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Manatee Against Self
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rotruff · 9 months ago
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wising you a very sleeping on your f/os chest so you can hear their hearbeat or vice versa. wishing you a very instinctively moving towards one another and pulling eachother close and holding on tighter in sleep. wishing you a very one quietly talking to the other who's spouting off sleeptalk-nonsense in loose responses. wishing you a very ignoring blankets in favor of eachothers warmth. wishing you a very kisses to the crown of the forehead and the cheek and the collarbone and the shoulder and the crook of the jaw right where it meets the neck. ok?
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notsofrozt · 4 months ago
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Save me God Shang Qinghua. Oh, save me System!SQH...
TY @anachronismstellar for the idea
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lesbianfakir · 7 months ago
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HE FELL IN LOVE WITH HER AFTER LEARNING SHE WAS JUST A BIRD
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The whole show. The whole show. We have this long running character beat of Duck beloved she, as she truly is, is unloveable and once people see her to her very core they will abandon her. But simultaneously!!!!! We have this subtle plot building of fakir, fully aware the girl has feathers, falling in love with her! And it’s so slow it doesn’t come to the forefront until the very end and AAAAAAAAA the amount of times Duck laments how no one would care about her as a bird meanwhile fakir looks at her with the most adoring eyes shut up!! Shut up literally shut up!!!! People will love you for the things you hate about yourself and you’ll have no goddamn idea because you’re so wrapped up in how YOU see yourself!!!!! HE LOVED THAT LITTLE BIRD MORE THAN SHE HATED HERSELF
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knightmareaceblue · 1 year ago
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The chaotic father-child duo, guest starring my terrible experiments with applying faces to sticks.
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andi-o-geyser · 1 year ago
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all my favourite characters are just me seeing them and going "damn you sure do clean up well but I'd much rather see you grinning with blood between your teeth"
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windcarvedlyre · 1 month ago
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I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.
In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.
But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.
The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:
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The actual perpetrator.
We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.
And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.
Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.
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For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.
It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:
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But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.
He died afraid.
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If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.
Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.
The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.
#danganronpa#dr analysis#komaedology#komaeda#.txt#sorry @ non komaedaheads for making it about komaeda again LMAO#that was not the intention initially he's just... a really good exploration of this#and i think about his expressions in that comic vs his corpse and what we retroactively knew he was dealing with a lot#btw don't send spoilers to falter please!! i'm @ing to credit them- this was a discussion not solely my ideas- but they are not done yet#and aren't reading this post until they're caught up for obvious reasons#this came from discussing ch2 since the incomplete picture people voted with nearly killed them#(btw don't @ me about komaeda's description in the second-last paragraph being an oversimplification; i know :p )#(he has nuance- especially outside of the killing game- but i'm just focusing on the thematically relevant broad strokes here)#(eg. i feel like he demonstrates empathy sometimes but kodaka has said that lack of ability to empathise/be empathised with#is a theme for him- and the ways he's been proactive in the killing game consistently lacked regard for others' feelings/individuality#reducing them to interchangeable Ultimates(TM) instead. it's partly why he self-destructed while everyone else#was able to forgive themself and keep moving forwards imo. your worth being defined rigidly by objective contributions to society#does not mesh well with the idea of rehabilitating people who've destroyed the world before they could even start to improve it#and even if he did give them a chance at surviving he still succumbed to his own ideology in the end#killed himself for 'hope' and to be 'important' like he 'wanted' but died terrified and in pain and alone instead of fulfilled#man i wish 2.5's ending/postnwp canon in general dug into that ;-; )#ANYWAY ty for reading all that. i feel like i rambled a lot in this one. i have a headache now ghdkjsfgdsf
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artflameball · 7 months ago
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HAPPY ANNIVERSARY TO MICHAEL AFTON DRAGGING HIS FATHER TO HELL TO TORTURE HIM FOR ETERNITY 🎉🎉🎉🎉HERE'S A BUNCH OF VENGEFUL SPIRIT MICHAEL ART IN CELEBRATION + WILLY BOY GENERALLY GETTING TORTURED
[Commissions for Palestine are open! Check my pinned for details!]
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unraveling-plot · 3 months ago
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Been thinking a lot about how I love Seven x Thirteen yet they're basically a two-for-one combo of two tropes I hate ("incompetent man x competent woman" and "competent woman x even more competent man who upstages her")
And I think part of it is that it is both of those at the same time so it PEMDASes, but I think it's also that it's like
Thirteen: this man's very existence is challenging my worldview. He was a brutal killer but still he has friends who love him and he chooses simple joy. I must kill him or I'll fail my master and I have no one other than my master. But this guy keeps trying to help and protect me and keeps forgiving me. Not having the resolve to kill him is breaking apart my sense of self. I've only ever killed to survive but he makes me want to fight to protect. Could I be valued beyond my usefulness?
Seven: whoa pretty lady :D sick sword moves. Wanna go to the beach?
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greenlaut · 10 months ago
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i hope you suffer.
my take on pre-war abm michael (the michael lucifer fell in love with) angels before man written by @nicosraf
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jade-len · 11 months ago
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shen qingqiu from svsss 🤝 protagonist from 'a man who defies the world of BL' with...
- realizing you're in a (sorta crappy) book/specific genre
- doing thorough research about the world and actively avoiding as many stupid plot points as you can
- running away from problems and constantly lying to save you and your poor ass from raging homosexuals
- low-key being the only "sane", "normal", and "straight" one there
- just trying to live life peacefully as an unimportant character to hopefully be forgotten about
- somehow, someway, despite all of your efforts, have a mentally ill queer teenager fall utterly and hopelessly in love with you. just because you helped 'em once by giving them a small amount of basic human decency and *insert lonely backstory and an older man thing*
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nicorobinphd · 19 days ago
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stg, being an enjoyer of jane twdg is like being forced into an expert-level course on the way misogyny manifests in video game spaces.
god forbid a woman be complex or difficult or provably mischaracterized (see tags) at the end of her arc to service the culmination of a man’s storyline.
#“kenny was harrowed by loss in his family” so was jane. that is part of them literally being foils.#“kenny teaches clem more!” literally untrue a lot of clem’s combat style is rooted in what jane taught her (targeting the knees & basically#everything clem knows about knife combat- jane is also mirrored with lee in this sense as like was previously stated knife combat later goe#on to become a major element of how clem fights only outweighed by her use of firearms)#she teaches clem the gut trick & we see the innovative thinking that comes with being more independent & proactive influence the way clem#handles sticky situations & deals with feeling disempowered. like this is going to sound odd but the fact that her behaviour mirrors jane#at her best (even though her relationship with aj is more maternal the way she approaches him much more as an equal & capable of holding#agency over his own life is much more reminiscent of the way she was treated by jane & luke positively + the rest of the adults negatively#than how kenny or even lee treated clem [though lee did start to view her this way after the train] + her people reading skill.) & at her#worst (isolating herself + becoming cold + the fact she is [based on player choice] willing to leave aj behind for both their survival +#struggling with her need for community vs her sense of distrust in their lasting stability + her tendency to be unfeelingly pragmatic to a#fault except when it comes to aj + the fact that clem- at her worst is self-serving & somewhat uncaring in comparison to kenny’s possessive#hot-headedness etc) indicates that on some level- regardless of a player’s second season ending- clem considered jane to be a better#behavioural role model- this isn’t to say kenny was unimpactful but rather that his impact was different- where behaviourally we see elemen#of lee luke jane & even carver in clem’s later behaviour kenny’s impact is more so that of a cautionary tale- somebody clem cared for who#she witnessed lose himself entirely to his worst character flaws due to an inability to cope with the world she now lives in- something he#even admits to her in multiple endings iirc. kenny becomes the fate clem must strive against at all costs.#similar can be said of the ending where you go with jane regarding how it analogies clem’s fears & low self worth as a result of being#unable to maintain what she had with aj (in a manner that mirrors jane’s story in that she’s choosing to leave behind a living relative due#to no longer being able to be what they need- again depending on player choice*)#*my exact memory of the third season is hazier tbh. iirc it is dependent on player choice whether she is complacent with the decision to#make her leave the new frontier.#like the way the ending was handled was sloppy & jane was mischaracterized as a result of being shoved into a conflict that we know for#certain was not intended to go to her. calm down & just enjoy your man without being weird & misogynistic dear god.)#(also if you like clem & jane you will like holly robinson & selina kyle dc)#twdg jane#jane twdg#twdg
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p1ctur3 · 6 months ago
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Can't believe it has been a full year since I starting posting AvA/M fanart
so I redrew my first piece of fanart :]
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