#MAGGIE VAZQUEZ

[cristinabcn]

Deja que te cuente un cuento; Annita rompe piedras...¡Imparable!

Let me tell you a story; Annita breaks stones…Unstoppable! MARGARITA VAZQUEZ. LUZ VIOLETA, Escritora, COLUMNISTA Desde muy pequeña mostró ser diferente, era muy alineadita, coqueta, tesonera como ninguna y amigable, con gran capacidad para relacionarse con cualquiera y para hacer muchas cosas bien hechas para ayudar a los demás. Como era muy imperativa, ¡todo lo quería hacer! Sus padres, con…

[burningtacozombie]

‘Hotel Cocaine’ First Look: Danny Pino Runs Miami’s Infamous Mutiny Hotel in MGM+ Crime Thriller (PHOTOS) The story of Miami’s most notorious hotel comes to life in Hotel Cocaine, an eight-episode drama premiering this summer on MGM+. Mayans M.C. star Danny Pino leads the series as Roman Compte, the man behind the Mutiny Hotel, with co-stars Yul Vazquez, Michael Chiklis, Mark Feuerstein, and Laura Gordon. TV Insider has the exclusive first look into the series in the photos below. Hotel Cocaine comes from Godfather of Harlem and Narcos visionary Chris Brancato. It tells the story of Roman Compte, a Cuban exile and general manager of the Mutiny Hotel, the glamorous epicenter of the Miami cocaine scene of the late ‘70s and early ‘80s. The Mutiny Hotel was Casablanca on cocaine; a glitzy nightclub, restaurant, and hotel frequented by Florida businessmen and politicians, international narcos, CIA and FBI agents, models, sports stars, and musicians. At the center of it all was Compte, who was doing his best to keep it all going and fulfill his own American Dream. Mrs. Dunn Plays Matchmaker for Embarrassed Emily & James in 'Belgravia' Sneak Peek Related Mrs. Dunn Plays Matchmaker for Embarrassed Emily & James in 'Belgravia' Sneak Peek Vazquez plays Nestor Cabal, Chiklis is Agent Zulio, Feuerstein is Burton Greenberg, and Gordon is Janice Nichols in the crime thriller. Additional stars include Tania Watson and Corina Bradley, with recurring stars Mayra Hermosillo, Juan Pablo Raba, Erniel Baez, Nick Barkla, Cale Ambrozic, Camila Valero, and Maggie Lacey. Guest stars include John Ventimiglia as prolific writer Hunter Thompson and Larry Powell as singer Rick James. Brancanto created the series and serves as executive producer and showrunner. Guillermo Navarro executive produces the series and directed the pilot episode. Michael Panes and Alfredo Barrios Jr. also serve as executive producers. The series is created by MGM+ Studios, in partnership with MGM Television, and filmed in the Dominican Republic. Hotel Cocaine, Series Premiere, Summer 2024, MGM+ Get an exclusive first look at Hotel Cocaine in the gallery.

[mangora]

I’m thinking about Disventure Camp again here are my Headcanons (last names, sexuality, etc; lmk if any of these are wrong, canon things will be asterisked)

Aiden: Aiden Cadena, Colombian/Mexican, he/they, trans man*, demiromantic gay man*, autistic

James: James Castillo-Dominguez, Afro-Brazilian*, he/him, cis man but he hasn’t put much thought into it, pansexual*, has ADHD

Yul: Yul Chou, Korean*, he/him, cis man (closeted genderqueer), gay (closeted), has NPD

Rosa Maria: Rosa María Vazquez-Echevarria, Mexican*, she/they, AFAB* demigirl, pansexual

Lake: Lake Müller*, German*, she/bun, AFAB demigirl, asexual lesbian*, has OCD and autism

Riya: Riya Varma*, Indian*, she/her, trans woman, bisexual

Connor: Connor Martinez, Western European/Spanish, he/him, cis man, bisexual

Oliver: Oliver Burgess, African Canadian/Western European, he/him, trans man, straight asexual, autistic

Tess: Teressa Haku, Japanese/British, they/she, afab fem-presenting agender, poly arospec bisexual*, has MDD

Hunter: Hunter Murphy, Scottish, he/they, amab masc-nonbinary (closeted), poly pansexual*, autistic and has ADHD

Ally: Alice Olsen, Western European, she/they, trans woman, poly bisexual*, has ADHD

Karol: Karol Ortiz-Aguilar, Mexican/Peruvian, she/her, cis woman, aroace-spec lesbian*, autistic

Maggy: Margaret* O’Connor, Irish, she/her, AFAB demigirl, panromantic asexual, autistic and has SAD

Kai: Kai Tanjung, Indonesian, all pronouns, AMAB pangender, pansexual, has depersonalization disorder and chronic pain

Edit: Edited Rosa Maria and James’ ethnicities since I just found out they have canon ones!

[mizzdestiny]

Stuff I'd like to see in The Walking Dead: Dead City

Look, this show is barely my fandom. In fact it's more that I like watching the actual fans react to the show than actually like watching the show. Still, I have feelings about Maggie & Negan. So...

No forgiveness. Don't do it Maggie. I don't want it.

If it does happen, it's gotta happen as they are both going out in a blaze of glory - like Vazquez and Lt Gorman in Aliens (they blow themselves up with a grenade to take out a bunch of xenomorphs). This is the only acceptable way.

Maggie & Negan need to have a episode in a building that's trying to kill them. Think The Towering Inferno or something. They're in New York City for crying out loud. Do a close quarters, building collapsing on them.

Dredd would also be acceptable - gangs trying to kill them as they make their way through the building. Again, see NYC.

Central Park. Idk if I want it to be an absolute overgrown jungle or turned into a farm. I just think it needs to be used.

[the-intellectual-journal]

ROUNDTABLE LINK

Maggie Bradley

Lily DeConcini

Mike Di

https://mikedi6.wixsite.com/mike-dis-journal.

Kinley Gomez

Jentrie Gordy

Home | My Site 1 (jgordy1.wixsite.com)

Luke Hawkins

Yoojin Heo

Yoojin Heo

Braulio Hernandez

Blog.BraulioHernandez.com

Serafina Jacobson-Walsh

Home | My Site 1 (serafinajw.wixsite.com)

Callie Lau

HOME | Callie Lau (callielau13102.wixsite.com)

Jedediah Levinson

Sarina Sharma-Welsh

Home | My Site 1 (sharmawe.wixsite.com)

Vlad Shtrikman https://shtrikma.wixsite.com/weekly-thoughts

Joanna Song

Home | Joannas Talk Of The (joannasong030105.wixsite.com)

Celeste Vazquez

Owen Wendell-Braly

Home | My Site (owenwbraly.wixsite.com)

Fiona Yang

[july-magic-rainbow]

[darlingashifer]

Saray being a little shit, part 5

[ part 1 ]

[zulemazahirx]

Mi niña bonita💓

[speci-society]

the people have spoken heres the list (alphabetically)

In use

42.35479, -101.48729

AloneSnail71 "Snail"

Another's Arms

Iteration: Antares (1)

Apollo

Aria Celeste

Arvin Fenwick

Artemis

Dr. Arthur Alice Addington

Austin Wallace

Azrael "Pixie" Castillo

Dr. Barnesi Carukia

Bill Dillard

Cadence

Captain Callisto

Friend-Entity Ceres

Charlie "Charlie Circuit" "Charlie Warthruster" Howard

Cheez-It

Cherry Smallhurt

Chip

Chronoraiel

Cici Caspian

Clementine Cooper

Colzos Ludasnath

The Crouste Family

Cyrus Reid

Dakota Sanguine

Damien Immel

Danman Omega

David Abernathy

DAWN EYRE and STEREO MIKE

Dean B. Crewe

Delta "Zip" Marshall

DJ Deathwish

Dynamite and Flashbang

Dr. Edward Crow Boccaccio

Eileen Rose

Elliott Way

Emily Lévêque

Erebid Astaret

Euphoria

Researcher Europa

EXIDY-0110

The Extended Universe

Ezekiel Riorin

Voyager Ganymede

Fig

"Dr." Fink Stoma

Fortitude

Habrix

Harmony Flores

Hell's Kitchen

Holy Vapor

I LOVE YOU/Love Bug

Io the Undaunted

Iron Dynamo

Isaac Abernathy

Izzy Vazquez

Java

Jenny "Cam Flash" Dunn Millard

Jude King

Jude's Dead Boyfriend

Jude's Missing Girlfriend

Junipere Zameia

Justice

Kaphon Lorciar Heskan

Kass

Kotone Doremi

Lappy

Legacy

Lelane Bonk Bighurt

Levimine Noell Tobias Way

Listening Thing

Lorelai Edie Howard

Lyra "Raven" Adgolor

Mac

Maid Knight

Maria Abernathy

Marina Neoma

Mattie Rose

Maxwell

Mike "Stereo Mike" Martin

Monica Tempest

Milo G.T. Midnight

Misty

Mystery The Horse

Nada

Nescoria Kruldrenaal

Nico

Nikolas Crouste

Novalord/Mortalord

Null

Orbital Strike

Order Lord

Paperdoll

Paragons of Acceptance

Pepper Immel-Boccaccio

Pickles

Piper Sterling

Plague Doctor

Polo

Python

Ronny

DJ Red

River

Rory Morales/RORYKATZXP

Ruby "Waveform" Chip

Scott

Sigma

Smolder

Spark

Spilo Astaret

Star and Eclipse

Sun Lord

Sylphine Wynra

Tallulah

Tam Hyatt

Terra Baylock

Ticking Timebombs

Trevor C.

Tutorial Subject

Unnamed June mother

Unnamed Levi mother

Valentina Sangria Crouste

Verthus Kruldrenaal

Vexx Valentine Rexxwood

Dr. Vineon Astaret

Viola Loretta

Vivian Angelivio

VOLT

Xavier

Wendell Lestat

Wyatt the Guide

Yorzire Kruldrenaal

Zach Simon

Zinnia Perthyra

Dr. Zylovar Elren

Not in use (not alphabetical)

Unsure if i wanna use them or not they're kind of in oc limbo

Guy Manderson

Society for Otherworldly Experimentation

Gabriel

Lock

Riddle

Chenri

Ms. Marybeth

Kennedy Lansky

Atticus Gardner

Ari Oyama

Rowan

Other Jude

Giovanni

Gregory

Lilac

Venus

Finn

Cecilia

Mercury

Vicky Karmino

Dante Karmino

Maurice Fletcher

Theatris

Mark Barista Boy

Carlo Barista Boy

Dylan

Suzie

The girl Dylan met in the lab whose name escapes me but she had red hair

Wyatt

Kyoto

Other Sigma/Oliver

Other Atticus

Dako

Vox

Arcturus

Capella

Brooklyn

Lori

Asenneth Lucia

Harendra Lucia

Kaela Lucia

Tarell Lucia

Maggie Dreemurr

Steve

Herobrine

Eva

Other guide whose name i dont rember who was scared of heights

Adam the Enderman

I'm about to list out each and every endercat. brace yourself

Crystallite/Amber

Percilla

Selena

Eliza

Sagin

Jade

Whilma

Laura

Sara

Midnight

Angel

Pandora

Gania

The snow one

Ignis

Nivva

Susan

Herobrine Again

Those 4 angel characters i dont remember the name of except Lydia

Luke

Zach

Tahli

Laura

Tori

Other Susan

Anabelle

Mary

Carrie, Mary’s twin

Max

Millie

Grimm

Herobrine yet again

I literally almost forgot abt ATOTD. Fuck me

Terry

Queen Aquarius

King Taurus

Another Dylan. the more important Dylan

Alt. Dylan

I do NOT remember if it was me or a friend of mine who made Dr. Beatrice and Oni. Will take this entry off if i am incorrect

Chaos Kitty

Kem

Am I including Hairy and Claude and the robot from 3rd grade? Yes, yes i am

Love

Care

Naivete

Watch

Spirit

Pa'yme Alvalok

Iscienth Sarrus

Avarus Alvalok

Beth Grant

Kageleth Avalok

Bernadette

Town of Clover

Sonar

Yea does anyone want my full unedited list of relevant ocs and possibly past ocs i dont use anymore but i have a record of their name somewhere. 217 of them roughly

[cristinabcn]

Deja que te Cuente un Cuento: La cajita de los Dinosaurios

Let me tell you a story: The Dinosaur Box MARGARITA VAZQUEZ. Luz Violeta, Escritora.Columnista La abuela Ali estaba muy feliz. Sabía que muy pronto su nieto Daniel llegaría a jugar con ella. Por fin, Ali, aunque no tuvo niñez, disfrutaba mucho al pensar que, aun siendo mayor, el alma de niña quería conservar. Grandma Ali was very happy. She knew that very soon her grandson Daniel would come to…

[thescorpionblues]

Rizos: what’s typically something that comes and goes?

Saray: Maca

Saray: because she’s a whore

Rizos:

Rizos: I’m trying to solve a crossword puzzle

[sandraoledan]

An Opinion Piece on Vis A Vis: A Bittersweet Goodbye

The start of a new decade marked the end of our beloved series, Vis A Vis. I can feel the 'post-series depression' already; in other words, that empty feeling at the pit of your stomach once a show has ended. In fact, I feel as if it has tripled for this series specifically, because of the three different time periods explored in the five seasons and the consequently different reactions I had to each period. Let me expound.

Seasons 1-2: What won me over initially

What really won my heart over with this show was Macarena's evolution during her time in prison. Initially, she was innocent, naïve, and defenseless, often finding herself at the mercy of Cruz del Sur's many villains; such as drug-trafficking Anabel, closeted pedophile Sandoval, and of course, the ever-scheming Zulema. A common theme was her constant need to be saved or protected; this was evident in almost all of her relationships - with her parents, her brother, and love interests Rizos & Fabio. We later find out that one of the reasons why she decided to be with Rizos was because she felt alone and afraid. Her feeble attempts at survival were frustrating; you wanted her to be stronger; you wanted her to push back against her bullies and win. You wanted to see a protagonist with confidence.

Because it took her the entirety of the first season to do this, her eventual dominion of Cruz del Sur in Season 2 was intensely satisfying. She became a better survivor: through boxing, she found a cathartic outlet and used her newfound physical prowess to overcome Annabel's thugs when they came to permanently deafen her with a wire in the bathroom. She became secure - or at least, so we thought - in her evolving identity, embracing her bisexuality as she fell more in love with Rizos. She bought Bambi from Anabel to put an end to the latter's remorseless abuse, and offered love and affection to Rizos upon discovering her rape by Valbuena; for the first time, we see Macarena as the protector instead of the protected. But this show wouldn't be emotionally complex if her character's development was so perfectly absolute: she was still reliant on Fabio, confusing her desperation to escape prison with feelings for him. Her shock at his deception, however in good faith, coupled with the news of her mother's death, witnessing the cold-blooded murder of her father, and becoming a murderer herself, triggered a spiral into darkness. It was a beautifully tragic display of the destruction of her initially strong moral compass. She turned to drugs, ended her relationship with Rizos in the most heartbreaking way, and isolated herself from the other inmates. This change in Maca was something I was excited to see play out in seasons 3 and 4; I wanted to see her redemption arc. However, due to conflicts in schedule, the actress that players her, Maggie Civantos, was only able to play Maca for a mere five episodes across the two new seasons. While the actress cannot be blamed for this, her departure led to a string of creative decisions that, in my opinion, slightly compromised the quality of Seasons 3-4.

Season 3: A decline in quality...

The first criticism stems from the time jump from Cruz del Sur to Cruz del North; there were many cliffhangers left unaddressed. Specifically, they were reactions we didn't get to see, such as Sole finding out her husband, Fernando, was murdered; the inmates finding out that Saray got pregnant, and of course, more importantly, the change in Maca after she decides (at the end of Season 2) to go back to prison instead of running away as a fugitive. The absence of these scenes automatically undermined our emotional investment in the show and created a misalignment between the reaction of the viewers and the non-reaction of the characters actually living out the story. Additionally, many key characters were so dependent on the development of Maca's story, that Civantos' departure from the show necessitated an abrupt end to their storylines (i.e. her brother Roman & prison guard and love interest Fabio), which felt contrived. Even more forced was the relationship between Rizos & Inspector Nerea: similar to Roman & Fabio, Rizos' character was so dependent on Maca that it seems like the writers felt pressured to "recreate" their romance with someone new. Not only did this spectacularly fail, as her short-lived relationship with Nerea felt rushed, disingenuous and random, but it also cheapened Rizos in the sense that she became one-dimensional, only capable of pursuing relationships recklessly and nothing more. This was confirmed implicitly by the writers, as throughout the two seasons, they struggled to give Rizos anything meaningful to do and gave her the most dissatisfactory ending of all the inmates in the finale. I found this extremely disappointing because I enjoyed her character's story arc in the first two seasons. In the same vein, enter Mercedes, who replaced Maca as one of the protagonists in Season 3. Her story and eventual demise was fruitless: she was not charismatic and did not form relationships with any of the inmates, the latter point I think being a crucial mistake on the part of the writers. So while they believed they upped the ante by giving her a brutal death, honestly, I don't think anyone cared much. We simply wanted Maca back.

Season 4: ...Redeemed by our favourite villains

While Season 3 was a far cry from the quality of the first two seasons, arguably Season 4 managed to redeem them. First and foremost, was the character development of our favourite villains, Saray and Zulema. While Zulema was the perfect villain in the first two seasons, I worried that her relentless need to escape prison made her predictable. By introducing her secret daughter, Fatima, and her estranged mother, this changed Zulema's dynamic entirely: whereas we once saw a cold and calculating criminal who would do anything and kill anyone to break free, we now saw a woman jaded by the injustices and traumas of her past. We could relate to her that much more. Watching Zulema fall to her knees, begging Sandoval to stop the rape of her daughter, was one of the most powerful scenes of the entire series, because a compromising Zulema seemed so unfathomable before. The chilling murder of Fatima was matched by an inflamed Zulema, and her passion as a mother finally eclipsing her need to escape was a well-developed, well-executed arc. We have a similar situation with Saray; with the birth of her daughter, instead of her sporadic episodes of violence, she channeled her passions into her newborn. The scene where she had to say goodbye to Estrella, as well as that scene where she showed her to Zulema as a way to make amends, were so tender, and beautifully contrasted with her previous tendencies to rage at the smallest things. This was of course helped by the gentle refrain of the soundtrack playing whenever Saray and Estrella were on screen together (as a side note, the scoring of this series was consistently excellent;  the melancholic melodies foreshadowed the inevitable tragedies of the characters onscreen. Other standout examples include the melodies played during Maca and Rizos' intimate scenes, and Fatima's theme.) Additionally, the fact that it was Saray who had the courage and heart to mercy kill Sole, just emphasized the growth of her empathy and the change in her character.

One cannot mention Season 4 without bringing up the tear-jerking reunion between Rizos and Maca. Watching them stare at each other in disbelief after not seeing each other for eight months was an incredibly emotional scene. Even Civantos admitted during an interview that that scene was "the most beautiful scene in her entire career". Seeing their chemistry made me lament even more the absence of Civantos throughout the two seasons, as I would have loved to see that familiar push and pull in their relationship playing out under the different circumstances of Season 4, and particularly, a more hardened and jaded Maca. Nevertheless, this reunion scene was arguably the best that the writers could've given us as closure between the two, so I applaud them for this.

Ultimately, there were a number of dissatisfactory decisions made in Seasons 3-4, but they were still very entertaining seasons. It is important to note that the episodes were more or less twenty minutes shorter than the episodes from the first two seasons, so I can understand the limitations that placed creatively on the writers and directors on top of having to work around Civantos' departure.

Vis A Vis: El Oasis - A grave injustice

So what made Vis A Vis successful? The evolutions and relationships of the characters, both protagonist and secondary. How every character existed purposefully, with a backstory we could empathize with. The constant battle between morality and survival. El Oasis, unfortunately, failed to capitalize on its predecessor's strengths, bringing nothing new to the lives of our favourite characters. The storytelling was convoluted and often times confusing; at best, the episodes evoked feelings of dissatisfaction within the viewers. Ultimately, most fans will dismiss this spin-off as a consequence of being exposed to the deserts of El Oasis for too long: a mere hallucination.

My first criticism concerns how little actually happened over the course of the eight episodes. My reaction after every episode was the same: I'd process the story unfolding, then get shocked when the (approximately) 45 minutes would already be over. So much time would pass, and yet there was so little exposition. Each episode would leave the previous episode's questions mostly unanswered, and gave rise to even more questions. I realized quickly this was due to the unnecessary increase in supporting characters, with close to no development of backstory. For instance: how did Zulema know Ama? Ama's confrontation with Maca was so brief, and she ended up killing herself. As one of the villains, it made the build-up of her character pointless. What was the point of Flaca? She spent most of her screen time bleeding out only to be killed. You could argue it was to show that high-stakes heists inevitably have risks and collateral damage. Well, sure, but I don't think people cared much for her character because they gave us nothing to care about. Who was she to Maca but someone who occasionally chimed in on Maca's contributions to their therapy sessions? What was the point of the school bus full of kids visiting El Oasis if they were all just going to be let go so easily by Ramala's henchmen? You could argue it was to reveal Goya's past with bullying, when she intervened and beat up Eric's bullies; or it could be because Vivi needed to meet someone that felt isolated like her, to give her character more dimension. Either way, both reasons feel contrived. If something cannot be justified naturally, then it feels forced. Cepo, Goya and Triana were all interesting supporting characters, so it felt like such a waste that their characters weren't given anything interesting to do.

What also elicited questions was the very disjointed narrative: there was a constant jumping of timelines mixed in with flashbacks, so nobody ever really knew when anything was happening. Doing that without properly developing the events actually occuring at that present time had the dual effect of leaving the audience confused and made us feel emotionally detached from the plot and the characters. Most significantly: how did Maca and Zulema go from taking cute polaroids together and Zulema calling Maca her home, to them wanting to turn on each other? Instead of expounding on important plot points like these, the audience was given fillers with non-essential characters. What is the point of making a spin-off dedicated to the relationship between Zulema and Maca if their story was going to remain underdeveloped? Additionally, a fan online calculated that they only got 30 minutes out of over 360 potential minutes screen time together; that is only 8%. It is no surprise the fans were extremely disappointed.

Moreover, underdevelopment came in the form of stasis, or a state of inactivity. A majority of the season saw the protagonists waiting around the hotel, which was honestly boring. For instance, we saw a number of episodes where Goya and Triana were essentially just watchdogs over Kati, and nothing more. This was worsened by the use of dialogue. In earlier seasons of Vis A Vis, dialogue was one of the main drivers of the plot; in El Oasis, not unlike the supporting character fillers, not much what said, and when things were said, they didn't add much to the story (save for a few exceptions). It made the actors' acting seem flat, which is unfair to the actors as we saw their moments of brilliance in the earlier seasons. Additionally, a stylistic choice that pervaded El Oasis was the drawn out moments of every scene; for instance, when Zulema looked over Ama's dead body in the desert - that was given a whole five minutes of screentime. All these points hammer home the idea that while things were happening, they were 1) things that did not do much to drive a compelling plot and 2) were things the audience did not care about. It is clear the writers were trying to be different from the original series, and also tried to do too much. As the saying goes, "If it ain't broke, don't fix it." Arguably, they failed on both accounts.

Finally, the finale itself warrants its own paragraph of criticism. The most glaring flaw was the way Zulema's death was executed. In the promotional videos leading up to this finale, we hear Zulema say to Maca: "igual en la vida, igual en la muerte" i.e. equal in life, and equal in death. This was an idea initially introduced by Altagracia in Season 3. Thus, Zulema dying while Maca got to live was not consistent with what they were teasing in their marketing materials. Still, one could argue that Zulema had to die because she had terminal cancer anyway, and this would be her epic redemption arc. To which I would I concede that yes, this finale could have been satisfactory and logical even with Zulema's death. However, the manner of her death was inconsistent with her character. Throughout the series, we are made to associate Zulema with a scorpion; as a "bad bug that never dies." Zulema had an intrinsic need to survive, no matter the cost. So even if she ended up dying, there was no way that Zulema wouldn't have plotted to at least attempt to survive, whether that be a scheme involving a fake death or even in her actual death scene itself where we saw her putting her guns down in submission to Ramala's henchmen. In the same vein, it did not make sense that, upon realizing Zulema was sacrificing herself for Maca and her unborn baby, that Maca replied with a simple "Gracias" and ran away. There should have been one of two options: a scuffle with Zulema, wherein she refuses to leave her there alone to die. Or two, a scene where she is speaking to her son about Zulema's legacy. The absence of these key scenes disrespects and almost overtly disregards the very complicated and rich relationship the two had together, as if all they had been through meant nothing.

Overall, the spin-off unfortunately did not do justice to the story, the characters (both lead and supporting), the actors and the fans, the latter insisting on alternate endings to get closure on a story we have been following for five years. It is true that when many shows end, it is not possible to please everyone. However, I believe that the majority of the negative reviews of this spin-off could have been avoided.

In conclusion...

Ultimately, the hollowness in my chest is bittersweet: on one hand, it is telling of how emotionally invested I became in the show and its moments of brilliance, and on the other, it speaks to the disappointment I felt with the spin-off, because I had such high expectations. Regardless of the ending, however, this show will stay with me forever. I have loved experiencing romances, struggles and adversities with these characters. I have enjoyed watching the evolution of our protagonists, whether it be through redemption or a gradual descent into darkness. This is a show I will recommend to anyone, over and over. #MareaAmarilla

[rememberitall2well]

najwa nimri + vis a vis cast headers

• like it if you’ve saved;

• follow us in twitter: @najwabrasil

[twivis]

like if you save or use;;;

[mundodeseriess]

twitter: @mundodeseriess

like/reblog this post if you save.

[pondmelody]

they’re the  u n i v e r s e.       (insp.)