#Lower east side apartment views

[thesuffolk]

Lower East Side Apartment Views : The Ultimate Guide to Lower East Side Living

Welcome to the Lower East Side, the trendy Manhattan neighborhood that boasts some of the best apartment views in the city. If you are looking to move to this bustling area or are already a resident, we have put together the ultimate guide to Lower East Side living.

Explore the Neighborhood

The Lower East Side is known for its diverse culture and historic landmarks. Start your exploration at the Tenement Museum, a preserved tenement building that tells the story of immigrants who lived in the area in the 19th and 20th centuries. For a taste of the vibrant street art scene, check out the murals and installations at the First Street Green Art Park. For a more laid-back vibe, head to East River Park, a 57-acre waterfront park with stunning views of the Manhattan and Brooklyn Bridges.

Dine Out

One of the best things about living on the Lower East Side is the incredible food scene. Whether you're in the mood for traditional Jewish deli fare or trendy fusion dishes, there's something for everyone. For a classic brunch experience, head to Russ & Daughters Cafe, a beloved institution that has been serving smoked fish and bagels for over a century. For a more upscale dinner, check out Contra, a Michelin-starred restaurant that serves inventive tasting menus.

Shop Local

The Lower East Side is home to a variety of independent shops and boutiques. For unique home decor and gifts, check out Coming Soon, a quirky shop that sells everything from ceramic vases to funky light fixtures. For stylish women's clothing, head to Assembly New York, a boutique that features avant-garde designers and contemporary brands. And for vintage finds, don't miss the Manhattan outpost of Beacon's Closet, a popular consignment shop.

Experience the Nightlife

If you're looking for a fun night out, the Lower East Side has plenty of options. For live music, check out the Bowery Ballroom, a historic venue that has hosted everyone from the Beastie Boys to Adele. For craft cocktails and speakeasy vibes, head to Attaboy, a hidden bar with no menu where the bartenders create custom drinks based on your preferences. And for a raucous dance party, don't miss the rooftop at the Hotel Chantelle, a lively spot with views of the Manhattan skyline.

Find Your Dream Apartment

Of course, the main draw of the Lower East Side apartment views . Whether you're looking for a cozy studio or a spacious three-bedroom, there's a home for every lifestyle. Check out buildings like the Ludlow, a luxury high-rise with panoramic views of the city, or the Blue, a boutique rental building with stylish finishes and a rooftop deck.

Conclusion

From the vibrant culture to the stunning apartment views, the Lower East Side is truly a special neighborhood. We hope this guide has given you a taste of what it's like to live in this dynamic area. Whether you're a longtime resident or a first-time visitor, there's always something new to discover in the Lower East Side.

[bossymarmalade]

The parlor, or living room, of the Rogarshevsky family, who immigrated to New York from Russia in 1901

The kitchen of the Gumpertzes, a German-American family that came to New York in the 1870s

Harris and Jennie Levine ran a garment shop in their tenement apartment at the height of the Jewish Lower East Side.

The Levine family’s kitchen

A view of the 97 Orchard staircase

Founded in 1988 by historian Ruth Abram and social activist Anita Jacobson, the Lower East Side Tenement Museum explores the uniquely American story of immigration and the rich, diverse landscape it continues to create. The Museum took root when Abram and Jacobson discovered 97 Orchard Street — a dilapidated tenement building that had been shuttered for more than 50 years.

[blood-grove]

tws; blood, death, body horror , injuries, gore + bones, canniblism, unhealthy coping mechanisms??, no use of y/n, soap focused, this is like so much more horror ish that the first i think pls be safe

a/n: another thing for shapeshifter reader but child :3 had this scenario in my head this is completely different sort of scenario than from the first shapeshifter

Shapeshifter!Reader but everything that went down that first night went even worse two corpses lay on the floor you didn't mean for it to happen it was the Monster to young to comprehend what you'd fully just done wiping the blood off you as you clawed at your mouth trying to get rid the disgusting taste of iron in your mouth.

But it's been a year since then, A year since you've taste the flesh of another person, A year since you sunk your yellowed teeth into someone's face ripping apart any semblance of identity, And a year since you've been in containment you were found quiet easily after the Police were called to your home that faithful night you were sent a rehabilitation facility then to another one and another.

Switched from place to place because they could tell something was wrong with you but finding out what was hard since every test came back human you had no pointed ears, fangs, or tail.

Another year past and the facility had long shut down a month or two now but you still lived stuck in this room Shapeshifters can be killed of course at a age of what 10? 11? You didn't have many forms and you were still so confused to how your powers exactly worked you never shifted at all despite the itch that had been boiling over.

You had roommates of course in the room to keep yourself social.

They were also stuck when the facility went into lockdown mode abandoning its lower value patients.

You were the only one left in the room now.

The room smelt horrible.

You were horrible.

You didn't want to be.

Licking the flesh from there bones kept off starvation.

The illusion of there still breathing body as you ate at them chewing and crunching till there flesh was no more alone but apart of you.

They had kept you alive when there heart was still beating you couldn't remember what they were.

You forced yourself to forget the taste of your flesh fearing you'd dig in for more.

But you did.

Your a parasite.

"Someone's going to get us.."

"I'm sure."

You shifted as you caressed there skull gently idly picking at the last few remaining strands of hair.

You woke to noises the next day everything still all the same the opening of doors and footsteps a new sense of hope running threw you.

A tail unknowingly sprouted out wagging quickly as you clutched the skull tightly as you got us on shaky legs stepping over rotted pieces of the body you couldn't eat and over to the door stepping up on the tip of your toes to try and see out of the window in the door.

Flinching back one a large shadow over casted the door blocking your view.

Your tail wagging in excitement as you walked back from the door to the spot in the middle of the room you'd become accustom too silently wondering if you should move there bones into there spot next to you but the doors code was unlocked before you could.

A man now stared down at you seemingly shocked at either your appearance, the fact your alive, and or the skull in your hands.

Or all of the above.

Fucking hell.

Fucking hell.

This retcon mission was not at all what he expected.

Sure he expected the usually gathering intel, looking for not trashed files or papers, And or looking for new leads.

It always gave Soap the creeps when they went on missions like these in only a couple of months this facility looked like a shit hole.

Cracked tile, Bugs, old rusting equipment.

The mere thought of people being kept here before the places decay still disgusted him.

So it caught him off guard when he picked up scent unfamiliar but he chose to trust his nose radioing in he'd be moving to the east side.

He reached the holding cells even with the locked doors along the hallway he could smell the decay nearly overwhelming his senses.

With one of the keycards he opened a few of the doors at the rare chance of life.

He was foolish to think this of course, How could anything still be alive after been trapped for months.

Yet here he is staring down a very scraggly, dirty, bloodied kid.

Holding a skull.

A Skull?

He quickly pulled himself out of his thoughts as he shifting in place sliding his weapon back into his holster crouching down.

"Hey there—"

He fully expected you to be timid, nervous, and or scared about the random man unlocking your room that was eventually going to be your grave.

He didn't expected for you to barrel into him skull still in hand hugging his arm.

Now he was downright confused.

"It's uh..It's okay- Hey.."

"I-I know they didn't forget us!-"

You started on rambling about something Soap couldn't comprehend fast enough.

"Hey hey-"

You looked up at him with tired eyes still full of life.

"..I'm gonna get you outta here alright..? Me and my friends didn't expect to find anyone..Are you hurt?"

He gave you a look over lucky he had decent enough vision in the dark no serious wounds maybe just a few cuts that had luckily scabbed over already.

"Are you taking me home..?"

"..I don't know yet..But we'll get you warm and nice and clean how about that..?"

"I don't like baths.."

"Well ya' need one- Its gonna help you feel better.."

You huffed stomping your foot which amused him but you really did need a bath he could barely make out your skin color under all the grime, blood , and dirt.

"Mm..Can ye' walk?"

You nodded as you went back into the room for a moment starting to picking up bones off a corpse he failed to noticed was there.

"Wait wait- Don't touch those."

"Why?"

"Because you'll get sick touching..stuff like that."

"But how else are they supposed to come!"

He grimaced for a bit shifting on his feet as his tail flicked.

"I..Look that was your friend yeah?"

"Mhm!"

"How about..You leave them there..And I'll send some more of my friends to come get them.."

You mulled over the choice for a while looking down to the skull in your hands tracing over a crack before deciding to leave rest of the body tucking it in like a doll before heading back over to the man still holding onto the skull how else re they supposed to see the outside?.

"Whats your name?"

"John..But my friends call me Soap."

"That's a silly name!"

"Hmph..Alright what's your name?"

"[Name]"

"Now that's a silly name-"

"Nuh uh!"

He chuckled as you huffed.

But he quickly regained his composure, He radioed in his little discovery afterwards gently ask you if he could pick you up which you allowed you were scarily light for your age.

He sighed his tail slowly swaying quietly listening as you rambled on about something.

You eventually went still after a few telling yawns, He guessed you must be horrible sleep deprived being next to a corpse couldn't have gave you good rest.

So he just kept quiet as he could still saying vigilant as he updated his position every so often as you slept.

a/n; honestly im feeling so bad at so sorry it started to downgrade at the end i couldn't think clear it starts to fall off so bad cuz head empty </3 might post some old thoughts abt how my ver of shapeshifters work....

[b7ngt4n]

The Last Remaining | Part 03

-> South Korea was left abandoned after a 'zombie' virus sweeps the nation. Left to save themselves, Y/N and a group of seven men, who she's found safety in, rely on each other to stay alive as they travel to the south side of the country on the hunt for a rumoured 'z-free' haven. But nothing is ever easy. Especially when they find it's not only just zombies they need to watch their backs for.

-> A female reader x BTS zombie apocalypse AU

-> Genre: Post-apocalyptic, action

-> Warnings for Part 3: swearing, violence

-> Word count: 2,276 words

-> Interactions are greatly appreciated xoxo 💖

Part 03: Mokpo 🧟

"Jeon Jungkook," he added with a shy smile that showed off his front teeth, "that's Jimin," he gestured to the slim man behind him.

"Hey," Jimin smiled, bowing at you and giving a small wave. You noticed his eyes disappeared as he smiled with his top teeth. He had such a pretty and gentle kind of smile. You smiled and bowed back in respect.

"Hey!" another male's voice yelled, followed by the sound of footsteps against gravel. You raised your knife to the source of the sound but you heard Jungkook whisper, “It’s alright,” as he lowered your arm down. You glanced at him, he giggled at the perplexed look on your face.

A tall man with broad shoulders soon came into your view. He’s dressed similarly to Jimin and Jungkook: cargo pants, combat boots. Except he wore a plain sweatshirt, while the other two wore plain long sleeves. He scanned the scene with wide eyes, visibly shocked by the men lying on the ground and your unfamiliar face.

"Jimin, what the hell happened?" he scolded Jimin, who was clearly apologetic towards him as he explained what happened. Broad shoulders sighed deeply while shaking his head, "I leave you both alone for two minutes and this is what you two get up to?"

"Ai, hyung~" Jungkook whined, his eyebrows pinching together, "They kept her hostage, what were we supposed to do?" He nodded to you when he said 'her.' Broad shoulders glanced at you. You noticed the immediate change in his expression: from hot-headed anger to understanding the situation and standing by their decision to help you.

He sighed once again, "well, we need to get moving, okay? Z’s are moving in from the east. We're waiting in the cars," he told the two boys before turning to Jimin with his back to you.

"Do whatever you need to do, but sort this out fast," He murmured to Jimin, who nodded and reassured his hyung by patting him on the shoulder. He didn't know you could hear him.

"Y/N," Jungkook's voice drew your attention back to him. You didn't realise how close he was to you. You could every facial detail of his: his big eyes, a silver ring on the side of his lip, long black hair, multiple ear piercings, his round cheeks. It was amazing how he looked so maintained for a month into the apocalypse. You could only imagine how scruffy you looked. You just knew your hair was all over the place. “Where are you going?"

Where were you going? Well, shit. You never thought about that. You never thought you would ever make it beyond the convenience store. But you weren't even in Seoul anymore. There was no way you could make it back to your apartment alive right?

"I don't know," you answered honestly, "I live in Seoul but I can only imagine how difficult it would be to get back."

Jungkook sighed, agreeing with you, "We live in Seoul too. But it's gotten worse with zombies. They're everywhere now. It's impossible to leave, let alone get in."

You sighed, dipping your head into your hands just for a moment to think. You were homeless. You had nowhere to go. And in the middle of an apocalypse? You wouldn't last a night by yourself.

"We're heading to Mokpo," Jungkook shared with you. You lifted your head back up to look at him. He noticed your glossy eyes and for some reason it pained him to see you upset, "we’ve heard there’s an evacuation camp set up there and the survivors are evacuating to Jeju Island.”

You nodded, taking in the sudden information. But it seemed like you didn’t get Jungkook’s point so quickly, “you can come with us,” he added.

You blankly stared at him, glancing between him and Jimin. Jimin only smiled at you, Jungkook eagerly looked at you, awaiting an answer. Well, what the heck. Where else could you possibly go?

“Okay then,” a weak but joyful smile appeared on your face.

Jungkook’s smile widened, “okay? Okay! Perfect! Okay, well we have to get going now,” he stood up, helping you up shortly after, “you alright to walk?”

You nodded, “yes I just need my bag from their car,” you nodded to Kang and Gihoon still unconscious. Jimin took it upon himself to go retrieve it, saying he’ll meet you both in the car.

“Sweetheart,” you heard a groggy moan coming from behind you. You turned to see Kang still sprawled on the floor but trying to lift his head up to look at you. All that hatred and fury rose back up inside you hearing that stupid nickname that you had picked up a large rock and were already walking towards Kang without thinking.

“It’s Y/N you bastard!” you yelled at him, raising the rock and smashing it onto his head in a fit of rage. You knocked him out of consciousness. You made sure he was still breathing though, not having the intention of killing him but simply serving your revenge.

Jungkook found himself smiling at you. Usually, he doesn’t condone violence, but your actions didn’t anger him. Matter of fact, he felt a sense of justice had been achieved. He was proud of you.

When you agreed to join Jungkook in his group's journey to Mokpo, you didn't expect to meet four more strangers who made up their group of seven. You were overwhelmed enough simply meeting Jungkook and Jimin in the most random way.

You hadn't been around a lot of people in a while that it was daunting to you. Especially when they were all men. Yes, you were the only girl out of the seven men. Now you and men didn't really have a good connection, you tend to not trust nor get along with them. Especially with your most recent encounter with Kang and Gihoon. The compatibility bar was at a whopping 1%.

You started to have second doubts about joining Jungkook and his crew. Maybe you could run away while they're asleep. Take some of their supplies, food, weapons, and maybe you're good to go solo. But you decided to sleep on running away for now. After all, Jimin and Jungkook did kind of just save you. You owed them. But you continued to keep your guard up, just in case.

You found yourself in a public parking lot only a minutes walk away. The lot was dusted clean, only a small Suzuki rested in the corner. There were two cars opened and occupied, obviously belonging to Jungkook's friends. One was a Jeep Wrangler while the other was a Hyundai Palisade. It was intimidating to feel six pairs of eyes on you all at once. But you put on a brave face nevertheless.

"Guys, this is Y/N," Jungkook announced to them. They all appeared youthful looking, somewhere in their 20s, all likely around the same age group as you. There was an uncomfortable silence as they shared looks between themselves, "she's coming with us to Mokpo."

You awkwardly smiled as they all stared at you at once, shifting on your two feet as you gave a little wave, "hi guys."

One of them decided to make the first introduction, hopping out the car to extend his hand to you. The first thing you noticed was that he was a whole head taller than you. He had broad shoulders and big biceps - a combination of broad shoulders from earlier and Jungkook's own muscular biceps, which you happened to accidentally notice about Jungkook. He had short black hair up to his eyebrows and skinny almond-shaped eyes that stood out among the rest.

"Hi, my name’s Namjoon, it's nice to meet you Y/N," he greeted you. You shook his hand as he continued, "Jimin’s already informed us on what happened earlier. I’m so sorry that happened to you.”

You managed to give him a weak smile, unsure how to feel about the sudden sympathy and that these strangers all know your business, “thank you.”

Namjoon gestured towards the Hyundai, “you must be hungry, we have lots of water and snacks in the car.”

You nodded but he noticed your hesitation as you stared at the strangers in the car, “don’t worry, we’re all friendly. You’ve already met Jimin. He’s very kind, he will take good care of you,” he pointed at Jimin sitting in the passenger seat, “that’s Yoongi. He‘s the type that’s hard on the outside but soft on the inside so don’t be alarmed if he appears distant,” he pointed to the man sitting in the drivers seat, who's zoned out into the distance, “and in the back there is Taehyung. Just a warning, he doesn’t know what boundaries are so please don’t mind him,” he pointed at the man resting on his arms against the open window. He eagerly waved at you with a big smile on his face when he noticed you staring. You waved back, chuckling at how pure he seemed.

"And over in the Jeep is Jin," he pointed to the man with broad shoulders from earlier sitting in the drivers seat, "and Hoseok in the back," he referred to the man with prominent cheekbones standing watch through the sun roof.

“Thanks Namjoon,” you thanked him for the brief introductions before walking to the car. You spotted Jungkook putting a helmet on his head and the question came out your mouth before you could even think.

“Are you not coming?” you asked clearly confused, a slight frown adorning your face. Jungkook chuckled, moving to reveal a motorcycle behind him.

“I’m coming, don’t you worry now Y/N,” he assured you, a hint of teasing in his voice, as he swung a leg over it, settling in the drivers seat.

“Oh okay,” you muttered, embarrassed you came off more worried than you intended, “be safe.”

Jungkook smiled at your awkwardness, saluting you with two fingers, “always.”

“Zombies! Let’s make a move!” you heard Namjoon’s voice yell from the Jeep.

In the distance a herd of zombies had gathered down the street. They started stumbling in your direction after hearing the roar of three engines at once. You jumped in the car to find your backpack already waiting for you and an eager seatmate by the name of Taehyung, pulling you into a very welcoming and rather tight hug. This you should've seen coming, considering Namjoon's warning. You weren’t really a physical touch kind of person. But you never knew that was the kind of healing you needed most.

In the short time you've spent in the car with Taehyung, Jimin, and Yoongi, you learned three things:

One:

Taehyung LOVES to talk (not that you're complaining. You enjoy hearing him blab on about the most random things, or oversharing embarrassing stories about Jimin)

Two:

Jimin is the most considerate person you've ever met (he asks if you're hungry, thirsty, too cold, too hot, feeling sick, feeling tired, the list can go on)

Three:

Namjoon was right about Yoongi (he seemed uninterested in you but then again asked you many questions about yourself, your hobbies, and your life pre-z)

You must've gained at least three kilograms from stuffing your face full of snacks. They had rice crackers, canned soup, water bottles, and most importantly, Doritos your favourite flavour 'Sweet Thai Chilli'. Taehyung kept you company throughout the drive, informing you all about his plan for when the apocalypse is over.

"I'm going to open up a dog cafe where you can eat with dogs surrounding you," he told you (and the entire car too), "and I'll let dog owners bring their dogs too. Oh! And I'll also serve dog food for free because the dogs deserve to eat as well."

You laughed. It was a pretty solid plan he had. You liked his enthusiasm and that he dreamt big for the future. You admired his hope. It bought you your own sense of hope. That there's some kind of normality that comes after all of this. But just as you opened your mouth to say something, Yoongi muttered, "Why're they slowing down?"

You sat up to look out the windscreen as everyone's attention diverted to the cars in front. You could hear the roar of Jungkook's motorcycle die down as he came to a stop. The Jeep in front of you too came to a halt as well. You could see Jungkook frantically pointing to the floor as Namjoon got out the car to see what he was talking about. Based off the panic you could see on Jungkook's face and the seriousness of Namjoon's, you could tell that whatever stopped them wasn't a good thing. As soon as Yoongi stopped the car, they all got out to join the others. You followed behind them shortly, slinging your backpack on in a hurry.

"What's going on?" Yoongi asked Namjoon. Everyone had crowded around Namjoon. He was staring down at the floor, everyone else followed. You were driven by curiosity, legs moving closer to see what he was looking at.

Lined horizontally along the road was a skinny row of spike strips. They blended so well into the asphalt concrete that they were nearly invisible. It would have been impossible to have seen that while driving. And it would have been too late to do anything about it once all your tyres are flat.

"Who leaves spike strips in the middle of a tunnel like that?" Jin complained as Namjoon bent down to inspect further. It only took you a couple seconds to realise how much danger you were in until it was too late.

"Hands in the air or we'll shoot your brains out!"

a/n: it's pretty hypocritical that i HATE when k-pop fanfics include random korean romanized words in their writing but i literally did exactly that 😭😭 don't attack me ok 😔 i just thought it fit better rather than putting jin's name because i can literally hear jungkook complaining like that BAHAHAHA 🤣 you can't tell me u don't hear it too ✋

anyways thanks for reading my pookie bums xoxo i hope u enjoyed this part, i love u all mwah mwah 😙😙

[justforbooks]

Paul Morrissey

Film director whose close collaboration with Andy Warhol included the trilogy Flesh, Trash and Heat

Andy Warhol’s films, which tested the endurance of audiences and made icons out of the marginalised and dissolute, altered profoundly the nature of cinema. Much of the work which bore his name from the late 1960s onwards, however, was made by the writer-director Paul Morrissey, who has died aged 86. “Warhol is a trade term,” said Morrissey. “Like Disney.”

About his famous friend and collaborator he could be comically scathing. “He didn’t have many points of view,” he said in 1996. “He didn’t have many ideas at all, actually. Maybe three. If he made a choice, it was almost always the worst possible choice in the world.”

Stephen Koch, the author of Stargazer: The Life, World and Films of Andy Warhol (1991), called the two men “mutually incompatible talents … Morrissey utterly blind to the refined complexity of Warhol’s experience of the world; Warhol wholly incompetent to assemble the often beguiling commercial product Morrissey sells under Warhol’s name.”

The first decade or so of Morrissey’s career was given over to orchestrating and managing projects under the Warhol name: not just the films but the stewardship of the avant garde rock pioneers the Velvet Underground (whom he had brought to Warhol’s attention) as well as the launch in 1969 of the influential magazine Interview, which Morrissey co-founded. It sometimes seemed as though the rest of his life was spent fighting to have his contribution recognised.

Morrissey was also Warhol’s personal manager from 1965 to 1974. Asked what this entailed, he said: “I had to think of things that he might do, I had to do them, and then I had to pretend that he was involved.” The two men met in the early 60s when they were both showing their work in New York. After Morrissey had assisted on, and co-directed, Warhol’s films for several years, a turning point arrived in 1968 in the shape of the camp western Lonesome Cowboys.

“Before that, I had been helping Andy make the kind of movies he wanted to make, which was the kind of movie which looked like nobody had made it,” Morrissey said in 1978. “Lonesome Cowboys was the first time we were making an effort.” The characters, including gay gunslingers, were still bickering and flirting and talking about their hairdos, as they had always done, only now they were doing it outdoors in Arizona, wearing costumes and riding horses, rather than lounging around in ratty Lower East Side apartments. This combination of tones and styles (timeless genre conventions side by side with a modern, spaced-out looseness) introduced a new piquancy.

Morrissey achieved his most striking results with the acute, funny and freewheeling trilogy of Flesh (1968), Trash (1970) and Heat (1972). Each showcased the sullen, swaggering beauty of Morrissey’s discovery Joe Dallesandro (immortalised as “Little Joe” in Lou Reed’s song Walk on the Wild Side), alongside “Warhol superstars” such as Viva and Jackie Curtis, and the transgender actors Candy Darling and Holly Woodlawn.

The pictures presented a compassionate portrait of outsiders struggling to make and maintain emotional connections. The great director George Cukor declared himself “lost in admiration” and even instigated a campaign, ultimately unsuccessful, to land an Oscar nomination for Woodlawn for her performance in Trash.

The plots of these movies were threadbare – Flesh, shot over the course of five Saturday afternoons, follows a hustler trying to drum up the money for a friend’s abortion – and sometimes second-hand. Heat, for instance, partially recycles Sunset Boulevard. But it was the attitude that counted, as well as the ambiguity over whether the films constituted art or reality. Though the performances could be affectless to the point of mundanity, Morrissey was adamant about the dividing line between cinema and life. “If a person is in front of a camera, they’re acting,” he said. “It’s not possible to live in front of a camera. What I always believed in was the truthfulness of artificiality.”

Born into an Irish Catholic family in New York, Paul was the son of Joseph, a lawyer, and his wife, Eleanor, and he remained a devout Catholic all his life. He was educated at Fordham preparatory school and Fordham University, where he began making 16mm films.

His first short depicted a priest saying mass on the edge of a cliff before throwing the altar boy to his death. Another, Civilization and Its Discontents, featured “a hood in a pea jacket strangling a fat albino” while Like Sleep showed two drug addicts nodding off. These brought him to Warhol’s attention and led to his involvement on films including My Hustler (1965) and Bike Boy (1967). His first feature-directing credit, shared with Warhol, was on the three-and-a-half hour, split-screen Chelsea Girls (1966). It was precisely the formalist experimentation of that film which some Warhol loyalists accused Morrissey of betraying when he manoeuvred the artist’s brand toward the ordered narratives of Hollywood melodrama.

While Warhol was recovering after being shot by Valerie Solanas, founder and sole member of the Society for Cutting Up Men (SCUM), Morrissey assumed full creative control over the films – or, rather, his creative control over them was finally made explicit. After Flesh, Trash, Heat, and Women in Revolt (1971), which included a send-up of SCUM in the shape of PIGs (Politically Involved Girls), Morrissey moved in a different direction. Taking Dallesandro with him, he made a pair of kitsch, gory but technically accomplished horror films in Italy: Flesh for Frankenstein (1973) – released in the US as Andy Warhol’s Frankenstein – and Blood for Dracula (1974). “I’m always a little afraid of getting stuck doing one thing,” he admitted.

No one could accuse him of that. Flesh for Frankenstein was shown initially in 3D, so that a man whose hand is sliced off seemed to bleed all over the stalls, his guts wobbling in the audience’s faces on the end of a sharpened pole.

Morrissey’s next film, The Hound of the Baskervilles (1978), was even more unlikely: a madcap take on Sherlock Holmes starring much of the British comedy establishment, including Peter Cook, Dudley Moore and Kenneth Williams, as well as the theatrical giant Joan Greenwood, who remarked of Morrissey: “He’s a dear, really, but the first few days one didn’t know where one was. One got used to him. He’s jolly clever.” Critics were less impressed: Time Out magazine remarked that “a first-year film student would be ashamed”.

He continued making films, including Forty Deuce (1982), starring Kevin Bacon as a hustler, and Mixed Blood (1984, aka Cocaine), about Hispanic drug dealers in Manhattan, and spent most of the rest of his life talking about, and clarifying his part in, the Warhol story.

He remained throughout his career proudly rightwing, outspokenly moralistic and wholly indignant, railing against everything from drugs – “There’s no difference between a person using drugs and a piece of refuse” – to method acting: “When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you’re seeing the phoniest kind of bad acting. You may as well have a ‘men at work’ sign. It’s not acting if you can see it.”

Despite the marginal nature of much of his work, he was at heart a populist. “I’m very traditional about everything,” he said. “I like action, comedy, pretty colours, pretty people. Art is a formula any idiot can manage. Competing in the marketplace is the only challenge left.”

He is survived by his brother, Kenneth.

🔔 Paul Morrissey, writer and film director, born 23 February 1938; died 28 October 2024

Daily inspiration. Discover more photos at Just for Books…?

[angrylovelyheart]

Jack Kerouac, 1953

In Allen Ginsberg's handwriting: "Jack Kerouac, railroad brakeman's rule-book in pocket, couch pillows airing on fire-escape overlooking backyard clotheslines south view three flights up, my apartment 206 East 7th Street between Ave B and Ave C Lower East Side, Manhattan. He'd completed On the Road, Visions of Cody, Dr. Sax, &'d begun Book of Dreams and Pic, was in midst of subterraneous affair with 'Mardou Fox,' that novel completed same year along with his romance Maggie Cassady."

[kg-clark-inthedark]

So my fic is corvosider and all that but today I’ve been rereading it to help with writers block and was reminded again just how infatuated I am with the city of Karnaca. Dumping some examples of my love-letter-ass descriptions of that sweet sweet Jewel of the South below the cut because why not:

Corvo returning to Karnaca by ship (ch 13):

Karnaca emerges dreamlike from the morning haze when the shoreline comes into view days later. Where my attention would normally be drawn by the sprawling metropolis, its edges touched softly by the summer sunrise, I instead watch the mountain overhead. Shindaerey Peak slices a sharp, bleeding edge through the mist. Pale, pink streaks of light from the east lie, refracted through the early fog, upon the side of the mountain that faces the city. But that curious crevice that splits the mountain in two is cast completely in shadow. A dark, mysterious wound carved into such seemingly unyielding stone. It appears to me an omen of the Void that lies within.

The Outsider looking down on Karnaca from up on Shindaerey Peak (ch 12):

The view of all that is below flourishes before my eyes. The beautiful spectacle that is the Jewel of the South is distant and sprawling, showing how far up we’ve come. A low fog has settled into the valley, streaming down from the mountains and dissolving away at the ocean’s edges. The city persists through the mist with its brilliantly colored rooftops and emerald umberwood canopies, unable to be rendered pale by the gray, unsaturated filter through which the sun radiates. I can make out the northern Campo Seta District from here and dare to wonder if I can spot my old apartment building…

The Outsider briefly stopping in Karnaca for supplies before embarking on a dangerous journey (ch 12):

I follow him down the bustling street and familiar smells of Karnaca fill my nose - the spices of a street vendor cooking meat, raw seafood hanging from the stall nextdoor, the summer humidity bringing earthy, leafy aromas with every breeze that flows down from the wind corridor to mingle with the salt-tinged air of the bay. The comfort of it all is intoxicating.

I end up hurrying past him. If we dawdle here too long, I’ll never want to leave.

Corvo and the Outsider leaving Karnaca together (ch 7):

The ship begins moving now and we quiet down. The two of us watch as the city we both love fades further and further away. As the minutes pass, its details begin to blend together in the windy seaside haze. Individual buildings become whole city blocks, masses of beige plaster and painted concrete shining in the late morning sun. The towering wind turbines appear as thin as dandelion wisps at this distance. Now from this vantage point, the mountains look like great hands, cradling the city and lowering it to drink at the water’s edge.

[i-am-the-entertainer]

Tick, Tick... Boom! Filming Locations

Some people have too much time on their hands. I am one of those people.

One of the things I love about Tick, Tick... Boom is the obvious affection the filmmakers have for the NYC theater scene, an affection shared with the film's subject Jonathan Larson. To that end, I recently decided to try to identify some of the filming locations in the film.

One thing that was extremely helpful in this process was the "special thanks" list in the film's credits, which names a lot of the orgs that were used in location shooting and from which I was able to make some really good guesswork.

Note that this is mainly for location shoots. Things like the recreated Moondance Diner, which was done on a set, are not included in this.

508 Greenwich Street - Jonathan's apartment

(from MWhiteShelley on Twitter/X) This is probably the most obvious location: Jonathan Larson's actual address. While interiors of the apartment itself were filmed on a set in a soundstage, it is obvious on viewing the film that there was some location shooting at the building, most prominently in "No More" when Jonathan and Michael enter and climb the stairs.

The Underground Theater at Abrons Arts Center - The musical theater workshop scene

(from their website) You'll probably recognize this brutalist theater from the Stephen Sondheim workshop scene (which, according to this video, was one of the last scenes shot) – it also briefly appears a few shots earlier in the scene where Ira Weitzman is observing Jonathan rehearsing. The Abrons Arts Center is located in the Lower East Side and is part of the Henry Street Settlement.

The Strand Bookstore - "30/90" and Sextet

(From an article by The Guardian, photo by Bruce yuanye Bi/Alamy) The Strand is instantly recognizable to New Yorkers, maybe less-so for others unless you've visited as a tourist. It's a giant independent bookstore located two blocks from Union Square. Prominently featured in "30/90" and visited by Jonathan during the "Sextet Montage" where he tries to sell some of his records.

Teatro LATEA at the Clemente - Susan's dance recital

(from their Instagram) This one was a little harder, because obviously it's just a black box theater and how many of those are there in NYC? What clued me in was 1) the Clemente Soto Velez Cultural and Educational Center, where Teatro LATEA is located, is thanked in the credits and 2) those chairs (a little bit more obvious in this photo). I've seen and worked a fair number of shows in that theater, and as soon as I noticed the very distinctive chairs for Susan's dance recital I was able to look more closely at the scene and immediately could map out the layout of Teatro Latea.

The Delacorte Theater - "Why"

Another easily recognizable location for locals, the Delacorte is the amphitheater where Jonathan sneaks in and sings "Why". It doesn't get named in the film but it does in the stage version.

Hunter College's Thomas Hunter Hall Sixth Floor North Dance Studio - The Superbia workshop

(from Facebook) This was, without question, the hardest location to find. In the film it's identified as being in the Theater District, specifically at Playwrights Horizons (an Untapped Cities article about filming locations even claims this, and uh, basically gets everything wrong). However, if you've ever been to the modern Playwrights Horizons, it looks very different, both on the inside and the outside, and while they do have rehearsal spaces in a slightly less-remodeled building on Lafayette Street, none of the spaces there look like that. The reference to Hunter College in the credits narrowed it down, and then it was just a matter of finding photos of the studios (this gallery of recent restoration work shows the different angles that you will recognize from the movie), discovering an architectural plan of some planned renovations in the building, and then looking out the windows of the building and comparing it to Google Maps street view to figure out which side of the building it was on.

...I have waaaaay too much time on my hands.

I do want to point out, Thomas Hunter Hall is actually located on Lexington Avenue between 68th and 69th, quite a few blocks northeast from the Theater District depicted in the film.

New York Theatre Workshop - The framing scenes

(from a New York Theatre Guide article) The real Jonathan Larson's artistic home, where he performed both Rent and the original version of tick, tick... BOOM! thirty years ago. Both the theater's exterior (at the start of "Louder Than Words") and interior (the tick, tick... BOOM! performance scenes) feature prominently in the movie.

Fun fact: when they were shooting the film in March, they originally planned to film the NYTW scenes inside a recreated set because there was a show playing at the theater at the time (though not referenced in the linked video, I happen to know that the show was Endlings by Celine Song, the writer/director of the recent Oscar contender Past Lives) but when filming restarted the theater was available again because of the shutdown.

Any other locations you recognized that I didn't include? Let me know! Currently trying to figure out where Michael's apartment building (Victory Towers) was located – the scene in the car leading to the arrival at teh building makes me think it's somewhere near Central Park, but that footage could also have been filmed separately.

[nik991]

Is it good to Buy a House on the Top Floor?

When considering a property purchase, one of the significant decisions is selecting the floor level of your new home. Top-floor apartments have become increasingly popular among homebuyers, offering a unique blend of privacy, views, and potential investment value. But is buying a house on the top floor the right choice for you? In this blog, we’ll delve into the advantages and considerations of choosing a top-floor unit, especially in the bustling real estate market of Delhi and NCR.

The Allure of Top-Floor Living

Stunning Views and Natural Light

One of the most appealing aspects of top-floor apartments is the breathtaking views they offer. Whether it’s a skyline, cityscape, or lush greenery, top-floor residents often enjoy a panoramic perspective that lower floors simply can’t match. Additionally, top floors receive abundant natural light, creating a bright and airy living space that can enhance your mood and reduce energy costs during the day.

2. Enhanced Privacy and Quietness

Living on the top floor generally means fewer disturbances from neighbors above you. This increased privacy can contribute to a quieter living environment, making it an excellent choice for individuals seeking tranquility. Many people appreciate the peace and seclusion that comes with being removed from the hustle and bustle of street-level activity.

3. Reduced Risk of Pests

Top-floor apartments are typically less susceptible to pest invasions. Being situated higher up can help you avoid common nuisances such as insects and rodents that are more likely to be found at ground level. This aspect makes top-floor living appealing to many homeowners who prioritize cleanliness and comfort.

4. Greater Security

With only one point of entry, top-floor apartments can offer enhanced security compared to lower levels. They are generally harder to access for potential intruders, providing peace of mind for homeowners. This added security is especially important in urban areas like East Delhi, where safety is a top concern for many residents.

Considerations When Buying a Top Floor Apartment

Heat and Temperature Control

One of the main drawbacks of top-floor apartments is their exposure to heat. They can become significantly warmer during the summer months, leading to higher cooling costs. If you opt for a top-floor unit, it’s essential to consider energy-efficient features, such as good insulation and air conditioning systems, to keep your living space comfortable.

2. Accessibility Concerns

While elevators are commonly found in multi-story buildings, waiting times can sometimes be inconvenient, especially during peak hours. If you have mobility issues or frequently carry heavy items, accessibility may be a concern. Make sure to evaluate the building’s elevator service and consider your daily needs.

3. Maintenance Responsibilities

Top-floor apartments may require additional maintenance, particularly regarding roof upkeep. If the building experiences leaks or issues related to the roof, top-floor residents may bear more responsibility for repairs. It’s important to assess the building’s management and maintenance policies before making a purchase.

How Makhijas Group Can Assist You

When navigating the real estate market in Delhi, having an expert by your side can make all the difference. Makhijas Group is a trusted name among builders in Delhi and a reputable builder consultancy in NCR, offering valuable insights and guidance for prospective buyers. Here’s how they can help you:

Comprehensive Market Knowledge: Makhijas Group provides an in-depth analysis of the real estate market, helping you understand the benefits and drawbacks of top-floor living in various neighborhoods, including East Delhi.

Access to Quality Properties: As leading builders in East Delhi, Makhijas Group connects buyers with top-notch properties that meet their criteria, ensuring a smooth and successful purchasing experience.

Personalized Guidance: Makhijas Group understands that each buyer’s needs are unique. They offer tailored recommendations based on your lifestyle, preferences, and investment goals, ensuring you find the perfect home.

Final Thoughts: Is the Top Floor Right for You?

Buying a house on the top floor can be a rewarding decision, offering stunning views, enhanced privacy, and improved security. However, it’s essential to weigh the pros and cons, considering factors like heat exposure, accessibility, and maintenance responsibilities.

If you’re contemplating a top-floor purchase in Delhi or NCR, Makhijas Group can be your reliable partner in navigating the real estate landscape. With their expertise as a leading builder consultancy in Delhi, they will help you make an informed choice that aligns with your needs and investment strategy. Take the next step toward your dream home with confidence, knowing that Makhijas Group is here to support you every step of the way.

[servillanomadobestagentsclub5656]

Real Estate Agent Review Toronto: Durham House for Sale by Servillano Mado - Century 21 Green Realty

In Toronto's competitive real estate market, choosing the right agent can make all the difference in buying or selling your home. With numerous options available, buyers and sellers need to work with a realtor who not only has a deep understanding of the market but also provides personalized service. Real estate agent review Toronto One such realtor is Servillano Mado, an experienced agent with Century 21 Green Realty Inc. Brokerage, specializing in homes for sale in Durham and the Greater Toronto Area (GTA).

Why Choose a Realtor for Your Durham Home Sale:-

The Durham House for sale Region, located just east of Toronto, offers a variety of appealing properties for buyers. Known for its affordable housing, family-friendly neighborhoods, and proximity to major urban centers, Durham is becoming a hotspot for those looking to escape the high property prices in Toronto while maintaining easy access to the city. Whether you’re seeking a suburban home or looking to sell, having an expert like Servillano Mado by your side can be invaluable.

Servillano Mado’s Approach to Real Estate:-

Servillano Mado is a well-respected realtor within the Century 21 Green Realty Inc. network. His extensive experience in Durham and the broader Toronto market equips him to handle a range of properties, from family homes to luxury estates. What sets Servillano apart is his personalized approach. He takes the time to understand his clients’ specific needs, whether they are first-time homebuyers, families upgrading to a larger space, or investors seeking profitable opportunities in the Durham region.

For sellers, Servillano’s keen market insights and Century 21’s marketing tools ensure that properties receive maximum exposure. This includes professional photography, online listings, and social media marketing to reach potential buyers effectively. For buyers, he offers expert advice on neighborhoods, pricing trends, and the local amenities that suit their lifestyle preferences.

Durham Houses for Sale:-

The Durham Region is highly attractive to buyers due to its range of housing options and community-oriented atmosphere. Towns like Oshawa, Ajax, and Pickering offer everything from spacious family homes to modern townhouses, often at prices much lower than what one would find in downtown Toronto. With new developments constantly underway, the real estate market in Durham continues to grow, providing buyers with numerous opportunities to find their dream home.

When working with Servillano Mado, buyers can expect comprehensive guidance throughout the entire buying process. From arranging viewings to negotiating the best price, Servillano ensures a seamless experience. His strong network in the Durham region gives him early access to listings and market insights that benefit his clients, ensuring they find homes that match both their budget and lifestyle.

Why Choose Servillano Mado from Century 21 Green Realty Inc:-

Century 21 is one of the most trusted names in real estate, and Servillano Mado upholds the company’s standards of professionalism and excellence. His expertise in the Durham real estate market, coupled with Century 21 Green Realty Inc.’s powerful resources, makes him a top choice for both buyers and sellers. Servillano prides himself on building long-term relationships with clients, guiding them through every step of their real estate journey with transparency and dedication.

Conclusion:-

If you’re looking to buy or sell a house in Durham, working with Servillano Mado from Century 21 Green Realty Inc. Brokerage is a smart choice. His in-depth knowledge of the local market, combined with a client-focused approach, ensures a smooth and successful real estate transaction. With a proven track record and a commitment to excellence, Servillano Mado is well-positioned to help you achieve your real estate goals.

[braidedgraphite]

John Updike's 9/11 report:

Suddenly summoned to witness something great and horrendous, we keep fighting not to reduce it to our own smallness. From the viewpoint of a tenth-floor apartment in Brooklyn Heights, where I happened to be visiting some kin, the destruction of the World Trade Center twin towers had the false intimacy of television, on a day of perfect reception. A four-year-old girl and her babysitter called from the library, and pointed out through the window the smoking top of the north tower, not a mile away. It seemed, at that first glance, more curious than horrendous: smoke speckled with bits of paper curled into the cloudless sky, and strange inky rivulets ran down the giant structure’s vertically corrugated surface. The W.T.C. had formed a pale background to our Brooklyn view of lower Manhattan, not beloved, like the stony, spired midtown thirties skyscrapers it had displaced as the city’s tallest, but, with its pre-postmodern combination of unignorable immensity and architectural reticence, in some lights beautiful. As we watched the second tower burst into ballooning flame (an intervening building had hidden the approach of the second airplane), there persisted the notion that, as on television, this was not quite real; it could be fixed; the technocracy the towers symbolized would find a way to put out the fire and reverse the damage.

And then, within an hour, as my wife and I watched from the Brooklyn building’s roof, the south tower dropped from the screen of our viewing; it fell straight down like an elevator, with a tinkling shiver and a groan of concussion distinct across the mile of air. We knew we had just witnessed thousands of deaths; we clung to each other as if we ourselves were falling. Amid the glittering impassivity of the many buildings across the East River, an empty spot had appeared, as if by electronic command, beneath the sky that, but for the sulfurous cloud streaming south toward the ocean, was pure blue, rendered uncannily pristine by the absence of jet trails. A swiftly expanding burst of smoke and dust hid the rest of lower Manhattan; we saw the collapse of the second tower only on television, where the footage of hellbent airplane, exploding jet fuel, and imploding tower was played and replayed, much rehearsed moments from a nightmare ballet.

The nightmare is still on. The bodies are beneath the rubble, the last-minute cell-phone calls—remarkably calm and loving, many of them—are still being reported, the sound of an airplane overhead still bears an unfamiliar menace, the thought of boarding an airplane with our old blasé blitheness keeps receding into the past. Determined men who have transposed their own lives to a martyr’s afterlife can still inflict an amount of destruction that defies belief. War is conducted with a fury that requires abstraction—that turns a planeful of peaceful passengers, children included, into a missile the faceless enemy deserves. The other side has the abstractions; we have only the mundane duties of survivors—to pick up the pieces, to bury the dead, to take more precautions, to go on living.

American freedom of motion, one of our prides, has taken a hit. Can we afford the openness that lets future kamikaze pilots, say, enroll in Florida flying schools? A Florida neighbor of one of the suspects remembers him saying he didn’t like the United States: “He said it was too lax. He said, ‘I can go anywhere I want to, and they can’t stop me.’ ” It is a weird complaint, a begging perhaps to be stopped. Weird, too, the silence of the heavens these days, as flying has ceased across America. But fly again we must; risk is a price of freedom, and walking around Brooklyn Heights that afternoon, as ash drifted in the air and cars were few and open-air lunches continued as usual on Montague Street, renewed the impression that, with all its failings, this is a country worth fighting for. Freedom, reflected in the street’s diversity and daily ease, felt palpable. It is mankind’s elixir, even if a few turn it to poison.

The next morning, I went back to the open vantage from which we had watched the tower so dreadfully slip from sight. The fresh sun shone on the eastward façades, a few boats tentatively moved in the river, the ruins were still sending out smoke, but New York looked glorious.

[tintprosnyc]

NY Window Tinting: Enhancing City Living with Style

Window tinting has emerged as an essential element in enhancing city living in New York, offering a blend of style and functionality that resonates with the urban lifestyle. In this exploration of NY window tinting, we delve into its role in elevating city living with style, examining how it enhances aesthetics, improves comfort, and contributes to the overall quality of life in the bustling metropolis.

Enhancing Aesthetics: The Intersection of Style and Function

In a city renowned for its architectural diversity and design innovation, NY window tinting serves as a catalyst for enhancing the aesthetic appeal of buildings and vehicles alike. From sleek skyscrapers to historic brownstones, tinted windows seamlessly integrate into the urban landscape, adding a touch of modernity and sophistication to the city's iconic skyline.

One of the key aspects of NY window tinting is its ability to complement a wide range of architectural styles and design motifs. Whether it's a classic pre-war building in the Upper East Side or a contemporary high-rise in Midtown Manhattan, tinted windows enhance the visual impact of facades while maintaining a cohesive design aesthetic.

Moreover, the customization options available with tinted windows allow for endless possibilities in architectural expression. Neutral tones such as charcoal and bronze offer a timeless elegance that blends seamlessly with any design palette, while specialty films allow for creative experimentation with patterns, textures, and colors.

Improving Comfort: A Sanctuary Amidst the Urban Jungle

In the hustle and bustle of city living, finding a moment of tranquility can be a challenge. NY window tinting offers a solution by providing a sanctuary from the chaos of the urban jungle, allowing residents and businesses to create comfortable, inviting spaces that foster relaxation and well-being.

One of the primary benefits of window tinting is its ability to regulate indoor temperatures and reduce glare, creating a more comfortable environment for occupants. By blocking out excessive heat and UV rays, tinted windows help maintain a consistent temperature throughout the day, reducing the need for excessive heating or cooling.

Moreover, tinted windows offer privacy without sacrificing natural light or views, allowing individuals to enjoy the benefits of outdoor living while still maintaining a sense of seclusion. Whether it's a luxury penthouse overlooking Central Park or a cozy apartment in a bustling neighborhood, tinted windows create a cocoon of comfort where residents can retreat and recharge amidst the chaos of city life.

Contributing to Quality of Life: Sustainable Solutions for Urban Living

In addition to enhancing aesthetics and improving comfort, NY window tinting contributes to the overall quality of life in the city by promoting sustainability and environmental stewardship. By reducing energy consumption and carbon emissions, tinted windows help create a more eco-friendly and sustainable urban environment for current and future generations.

One of the key advantages of window tinting is its ability to enhance energy efficiency by reducing the need for artificial cooling and heating. By blocking out excessive heat and UV rays, tinted windows help maintain a consistent indoor temperature, reducing reliance on air conditioning systems and lowering energy bills.

Moreover, tinted windows contribute to the overall sustainability of buildings and vehicles by prolonging the lifespan of interior furnishings and reducing the need for maintenance and repairs. By protecting against sun damage and fading, tinted windows help preserve the integrity and value of assets, ensuring a higher quality of life for residents and businesses alike.

Conclusion

In conclusion, NY window tinting plays a vital role in enhancing city living with style, offering a perfect blend of aesthetics, comfort, and sustainability that resonates with the urban lifestyle. From its ability to enhance the visual appeal of buildings to its role in creating comfortable, inviting spaces for residents and businesses, window tinting contributes to the overall quality of life in the bustling metropolis of New York.

As the city continues to evolve and grow, window tinting will undoubtedly remain a staple feature of its architectural and cultural landscape, reflecting the dynamic spirit and diversity of its residents. Whether it's the sleek facades of skyscrapers or the cozy interiors of brownstones, tinted windows add a touch of elegance and sophistication to city living, making it a more vibrant, stylish, and sustainable place to call home.

[doctorguilty]

WAIT I SAW IT I think i managed to catch the tail end of it, the best viewing for the montreal area said 11pm-2am and it's approaching 2 so I came back inside but! turns out all night I was looking towards the west thinking it was north, from the back of the apartment, and you can't see the front of the apartment from the balcony, when I went outside earlier though across the street there was a huge blanket of clouds over the north side of the sky so I wouldn't even have known anyway ... but I gave it one last shot and went out around 1ish, walked across the street starting at google maps being like "am I SURE this is north.......wait no because if my dot is moving in this direction, that means I'm going east... which means that's west, which means north is... [turns around]!!!" the clouds were 100% gone so the sky was clear, and it wasn't the most spectacular view, nothing near as cool as the pictures I saw online, and I think there's just way too much light pollution where I am and nowhere to really escape it walking distance, but I could definitely see these faint waves of light, it looks like when sun rays are shining down through holes in cloud blankets, except just out of the dark, it was shocking even if it was hardly anything impressive b/c I've never seen anything even like that. and I saw them slowly move over my head and everything heading south and like dissipating. right before I went outside I saw a post recommending that if you can't see it well, take pictures with your phone b/c the exposure is longer, so I tried that the best I could, my phone camera is definitely not great either BUT I did pick up like patches of slightly green light so I am confident I wasn't just imagining seeing it. I gotta go through and pick out ones to share that are like.............decent enough I guess, I do wish I got to see it as colorfully as everyone else posting about it, maybe it WAS stronger earlier but I literally couldn't see it anyway b/c of the clouds, who knows, but hey about a half hour ago the lights moved south of me away from lower Quebec so Vermont/Buffalo NY area look outside maybe you'll see the same ones :)

[avrahamglattman]

Brooklyns Waterfront Renaissance: Real Estate Developments along the East River

Brooklyn’s Waterfront Renaissance: Real Estate Developments along the East River http://avrahamglattmannewyork.com/brooklyns-waterfront-renaissance-real-estate-developments-along-the-east-river/?utm_source=rss&utm_medium=rss&utm_campaign=brooklyns-waterfront-renaissance-real-estate-developments-along-the-east-river Brooklyn, the iconic borough across the East River from Manhattan, has undergone a remarkable transformation in recent years. With its gritty charm, the once-industrial waterfront is now at the forefront of a real estate renaissance. As developers reimagine and revitalize the East River shoreline, a new era dawns for Brooklyn’s waterfront, blending modern luxury with the borough’s historic roots. The Williamsburg Edge: Pioneering the Waterfront Revival Williamsburg, long a haven for artists and creatives, is now a key player in the Brooklyn waterfront renaissance. The Williamsburg Edge, a stunning complex of waterfront towers, set the tone for this transformation. This development introduced luxury living to the neighborhood and seamlessly integrated sustainability into its design, featuring one of the city’s largest residential rooftop solar arrays. With breathtaking views of the Manhattan skyline, the Williamsburg Edge symbolizes the new Brooklyn. This vibrant, forward-thinking community celebrates the borough’s diverse culture while embracing modern living. Domino Park: A Public Oasis on the East River Brooklyn’s waterfront is not only about high-rises and luxury apartments but also about creating spaces for the community to thrive. Domino Park, a transformative public space developed as part of the Domino Sugar Factory redevelopment project in Williamsburg, is a testament to this vision. Nestled along the East River, Domino Park repurposes industrial remnants into a recreational haven. The park boasts a stunning waterfront esplanade, playgrounds, beach volleyball courts, and a taco stand in a repurposed shipping container. It has quickly become a gathering place for locals, providing a scenic escape from the urban hustle while preserving the area’s industrial heritage. DUMBO: Where Creativity Meets Luxury Down Under the Manhattan Bridge Overpass (DUMBO) is another waterfront neighborhood that has undergone a profound transformation. Once an industrial hub, DUMBO now houses a mix of creative spaces, tech offices, and luxury residences. The conversion of former warehouses into sleek, upscale apartments has attracted a diverse mix of residents, from young professionals to families seeking a dynamic urban lifestyle. The cobblestone streets, historic architecture, and proximity to both the Brooklyn and Manhattan Bridges make DUMBO a unique blend of old-world charm and contemporary living. One Manhattan Square: Sky-High Luxury on the Lower East Side Moving south along the East River, the Lower East Side has seen its share of waterfront developments, with One Manhattan Square leading. Soaring over 800 feet above the city, this residential tower offers unparalleled views of the river, bridges, and the iconic Manhattan skyline. One Manhattan Square provides residents with lavish amenities, including a private garden, fitness center, and spa, and contributes to the neighborhood’s cultural landscape. The project includes expanding nearby public spaces and enhancing the overall quality of life for residents and the community. Brooklyn’s waterfront renaissance along the East River is not just about changing skylines; it’s a dynamic blend of preserving history, fostering community, and embracing modern living. From Williamsburg’s sustainable luxury to DUMBO’s creative resurgence and the Lower East Side’s sky-high opulence, these real estate developments reflect the evolving identity of Brooklyn. As the borough redefines itself, the waterfront symbolizes progress, innovation, and a harmonious balance between the past and the future. The post Brooklyn’s Waterfront Renaissance: Real Estate Developments along the East River first appeared on Ray Glattman Real Estate.

[weathernerdmando]

Hi! I live in GA. I actually know a good few people who go to UGA, despite not attending there. My mom graduated there (and I refused to apply because my mom was a shit person and I didn't like the idea of going somewhere she did well at. Now I know others and it was just my mother, in that regard, but still. Also, yes, she could often be racist.) And yep, that school even with affirmative action has Major issues with racism, even now. The whole area it's on still has them. It's 55.6% white, 24.6% black (higher than who attended UGA at the time!!! Even locals aren't getting in at the same population rate), 11.2% Hispanic or Latino, 3.9% Asian, and 15.4% total other races, either one or more. There's very clearly a huge divide over housing in the area and where tax money goes and tax money doesn't, even to a white person. Like, you go from nicer roads and houses to apartment complexes falling apart. The road different is also insane. The shift especially from the west side of the city to the east side... Yeah.

Anecdotally but also not, I had a black coworker at one time who got t-boned by a red light runner. She was turning left on a protected left (green left arrow) and got hit. Car was totaled, and it was a really cute car too. The other driver was a white UGA girl and from what I heard, cried a bit and claimed my coworker was a fault. Cops didn't care about my coworker's experience. They said my coworker ran a non protected left or some shit that was blatantly untrue. Didn't matter. There was a white UGA student involved. My coworker usually didn't really say anything about feeling discrimination and not like cops, she said she tried not to, but that incident I think hurt her more than just the wreck. Either way, she shouldn't have been at fault for that and I'm still pissed the cops let it happen.

Once I also got a ride to my car in the upper lot with her and she'd just gotten a new car after said accident. She'd forgotten the lights hasn't been set to automatic and the lot was big enough to not notice yet. We passed a cop car going the opposite direction and in the rear view, saw him pull a u-turn. He proceeded to pull us over, and told my coworker that her lights were off, basically. I'm not sure if he saw me in the car at first, but regardless, I was very glad I was there at the time. He proceeded to follow us to the lot my car was in and sit there until she and I left. I watched her leave just in case bc why the fuck had he followed us?

We had clearly just left work, too. He could have flashed his lights for the same affect, and we were also still on private property, not a main road to the best of my knowledge. And once she got to the upper lot or out she would have realized. I'm fairly sure I've forgotten to have mine on in that area before as well and it's well lit enough to make it easy to notice.

The area it is in is clearly redlined. There's definitely bias and people who are openly bigoted (a fuckton of trump shit, to start, even though I see a decent mix of other) and again, you can tell where tax money goes and doesn't.

Also, all of my white, private school classmates in high school (it was a cheaper one and I still ended up getting financial aid to finish my senior year with the divorce, but still. Private school, and I'm so glad I had a basis of public school that I had come from) who applied got in, even the ones with lower gpas etc than I expected for them to be accepted with. I don't think I heard of a single denial. It was less than 20 people probably, but a lot of people apply for it bc it was close to them and there's a cult following of the football team, and I suppose their academic program isn't bad.

Regardless, I didn't even apply because I knew I'd most likely get in, especially being technically legacy. (My parents were still in divorce proceedings senior year, but I could absolutely have leveraged that if I'd wanted). The people who did end up going were definitely people who unfortunately held to the past trend, for the most part.

Affirmative action means that people in the area it's located get a chance to cut the tape that's been placed in their way for no reason (racism) for their entire lives. Elementary through high school, there's a clear divide and it's not to minorities benefits here.

[world-traveller]

7 Must-See Attractions in New York

Think about the world's most famous modern metropolitan cities, and without a doubt New York City pops into your mind. The ‘Big Apple’ of the world and the most frontier city of the USA has over the years garnered many nicknames. But most people will helm it as the City of the American Dream as that’s what New York portrays to the world. Apart from being a melting pot of cultures and the busiest city in the USA, New York is also one of the most prominent places to visit to get an insight into American culture, art and natural splendours. For all who wish to visit this city, make sure you jot down these tourist attractions in New York that are not to be missed on a New York City tour.

Central Park

First on the list is the beautiful, verdant Central Park. This expansive green space is the lungs of New York City. Right in the middle of the bustling city, you can escape its urban chaos and into the serenity of green shade and fresh air of Central Park. Sandwiched between the Upper East Side and Upper West Side of Manhattan, Central Park offers visitors more than 800 acres of peaceful green haven to explore which are dotted with statues, reservoirs, playgrounds, woodlands, fascinating architectural bridges and arches, myriads of statues and even a zoo and a Victorian Gothic Castle! This oldest park is one of the must-see places in New York.

Washington Square Park

Wish to see cherry blossoms on your New York visit? Make sure you plan your visit during the month of April and include Washington Square Park in your New York City itinerary. This 9.75-acre park in Greenwich Village of Lower Manhattan puts up an incredible display of blush pink blossoms during April. Apart from cherry blossoms, the scenery is adorned with floral vibes of Magnolia blooms, daffodils, and Iris flowers. Washington Square Park in full bloom season is a sight to behold! The park is also home to the famous Washington Square Arch - a colossal marble arch inspired by Roman architecture as an honour to the First President of the USA, George Washington. The arch and the park are popular, picturesque spots that have been showcased in many movies and American sitcoms.

The High Line

If you want to enjoy the beauty of nature and spacious places to walk while taking in the splendours of New York City, head to the High Line - a 1.5 metre-long elevated greenway which is entirely created on an abandoned section along the Central Railroad's West Side Line. It has a new-age vibe to it and visitors here can enjoy the view of the city as well as relax in the green shade while marvelling at art installation and water features. Since its opening in 2009, it has become a laid-back hangout zone for locals here.

Times Square

One of the most famous intersections in the world, Times Square is a super bright and busy place and is perhaps the most photographed Square in the world. Famous for its giant screens, digital billboards and flashy neon signs, this is one spot where you will find people from every country. It is one of the most popular tourist attractions in New York and a must-visit if you are on your first time visit to the city.

Museum Mile

Visiting New York City's heritage and historical scenes as a tourist is one of the best things to do in New York. Set foot at the Fifth Avenue. Here you find a stretch between 82nd and 105th Street lined with some of the most incredible museums in the USA. The museums here offer the best insight into this aspect. On this stretch, you can visit six popular New York Museums namely the Museum of the City of New York, The Jewish Museum, the National Design Museum, The Metropolitan Museum of Art, Solomon R. Guggenheim Museum and Cooper Hewitt.

The Statue of Liberty

Ride the subway to Battery Park for the local experience, then head to the ferry point to take a boat ride from Battery Park to Liberty Island where the grand statue stands dominating the scenery. The boat ride itself is an amazing experience to enjoy on a New York City visit. Pre-book your ticket to the Statue of Liberty in advance and plan your visit on a clear sunny day. It is essential that you visit the attraction during the best time to visit New York for a pleasant experience.

Rockefeller Center

Rockefeller Centre is an absolute must-visit in New York. Despite being a cluster of high-rise buildings, Rockefeller Centre remains one of the most captivating destinations to immerse oneself in the vibrant spirit of New York City. Embedded within this complex are charming attractions such as the famous Ice Rink of New York City and the brand new Radio Park - a rooftop venue. Head to the top of Rockefeller Plaza where from the top level you can enjoy an unrivalled view of New York City. There are plenty of shopping and dining venues here for you to check out and is an amazing place that entertains kids of all ages as well. If you happen to visit in December, the entire complex will dazzle you with illuminations, fairy lights and the city's grandest Christmas tree creating a magical, joyous holiday atmosphere.

Conclusion

New York has a certain allure and uniqueness. It is a multi-cultural hub with a blend of top-notch theatres, museums, and landmarks that have come to signify the grandeur of the city and the spirit of America. The city will never cease to amaze and inspire you. The people, the attractions, and the zeal will shape your experience in the city. If you are a wanderer, visiting New York should definitely be at the top of your list of places to see, and you should be eager to get there as soon as possible!