#London Theatres

[blogmillymills]

The Way Old Friends Do. Criterion Theatre London.

Written by Ian Hallard and directed by Mark Gatiss In 1988, two school friends tentatively come out to one another: one as gay, the other – more shockingly – as an ABBA fan. A comedy about devotion, desire and dancing queens. Loved it. And a new stance on Abba.

[aydracz]

Went to London to see Nye and to meet my favourite Welshman.

Told him I was a bit anxious to talk to him because I had a dream about meeting him a few days before, in which it all went horribly wrong. Because in that dream, when I asked him if he could sign my Good Omens book, he got angry, said 'I don't do that' and walked away.

The real Michael Sheen was quite amused by this and promised me not to do anything of that sort. And he didn't!

I am very happy to report that Michael Sheen really does sign Good Omens books and will not walk away if you ask him!

[hasthecityrearranged]

Flowers fade, the fruits of summer fade,

Lucy St Louis as Christine Daae, West End 2023: @callmelasagna’s master

[littleeliza-lotte]

Hadestown London Trailer (x)

[ncuts]

More Pics of Ncuti in the Importance of Being Ernest!

[asexualenjolras]

I can't believe there are people out there that go and watch Les Misérables and don't cry over the silly drunk cynic that's in love with their ambitious, god-like leader.

[nomilkinmyteaplease]

First look at the Other Place with Emma d'Arcy and Tobias Menzies at the National Theatre

[faithfullarchives]

Marianne Faithfull as Irina in the play The Three Sisters at the Royal Court Theatre in London, England. April 1967.

[fuckyeahcourtneylove]

“Sinéad O'Connor was a sweet, wonderful woman. She came up and said hello to me. We sat in the sun, drank Pepsi-Cola, and told each other secrets. We talked a lot about her childhood and Kurt's childhood and all sorts of childhoods. She takes in the world with huge luminous eyes, the type you rarely see, utterly lunar, laser beams to Ork.

Sinead and I would stay up all night in the bus watching really depressing movies. We watched Ryan's Daughter and two different adaptations of Wuthering Heights. She told me about Heathcliff and Catherine Earnshaw being sexually abused. When we were in Chicago she bought me a beautiful book that I really needed, and then she went down to her room, and when she was all alone she ran away to the airport.

She was pregnant, it was quite hot, and she was depressed. In her note that she left she said, "They can sue me. I don't care. I'II find another line of work," which I thought had a lot of integrity to it, to be honest.

I missed Sinéad.”

Courtney on touring with Sinead in July 1995. Written in 1995. Sinead told festival founder Perry Farrell that the reason she joined Lollapalooza was because of Hole and Courtney. Rest in power you beautiful human.

[splep]

Joey pointing out my costume at the evening show !!!

this was WILD since this was a last minute closet cosplay and i only stood up because the people i was with were basically pushing me out my seat /pos

this was an incredible moment that genuinely healed 14 year old me who had eyes on prize on loop for days :))

[ereyies]

"One day more 'til revolution, we will nip it in the bud. We'll be ready for these school boys, they will wet themselves with blood!"

stewart clarke javert stewart clarke javert stewart clarke javert stewart cla

without effects + reference image

[catilinas]

Hello! I apologize if im bothering, and wish you all the best in upcoming year! I wanted to ask, do you perhaps have some suggestions for modern plays ( written in last 20 or so years) inspired by greek tragedies (either serving as motifs or beibg retellings), particularly Oresteia? I am asking because I see lots and lits of literary retellings, but with few exceptions, rarely dramas. Thank you anyway, sorry for bothering, and have great holidays!

hi!!! i can think of a few but but because i'm more of a roman epic person the list is mostly plays i've actually seen. i think literary retellings are probably easier to find people talking about online because like. they aren't performed and so there's not the access barrier of needing to Go And See The Performance. and then also there are plays where you then can't get hold of the script! i'm also assuming you're interested in plays that aren't just translations / close adaptations of tragedies, because those are a lot easier to find and also like. more common?

here are some plays that i have either read or seen that fit your criteria and also fuck immensely:

the burial at thebes: a version of sophocles' antigone - seamus heaney

antigone the musical - marina mccready (does cool things w genre; version of antigone that has made me feel the most genuine sympathy for creon)

the cure at troy: a version of sophocles' philoctetes - seamus heaney (this isn't quite within the last 20 years but you may be interested anyway!)

phaedra's love - sarah kane (also a bit older but it's sooo good. although it is maybe more senecan tragedy than greek tragedy?)

phaedra - simon stone (based on euripides' hippolytus but also the plays by seneca and racine. but also it isn't any of them. but also it IS)

oresteia - robert icke (maybe my favourite play of all time ever) (robert icke has also done a version of oedipus but it was in dutch and i don't think it's possible to get the script?)

girl on an altar - marina carr (inspired by the oresteia but. not. also very cool in that it incorporates a Lot of iphigenia at aulis and yet iphigenia never appears. and then the whole play is about her)

also! if you aren't aware of the archive of performances of greek and roman drama productions database you might also want to rummage around in there! like i am Aware of things like a recent musical version of medea / iphigenia in splott but they are almost certainly in that extremely filterable database :D

also also clutuals pspspspsps if you have any particularly cool additions to this list. hi. hello.

[thesnappiestoperator]

I am what you want me to be And I'm your worst fear, you'll find it in me

Next To Normal - Donmar Warehouse - September, 2023

Taper: @lasagnatrades

Jack Wolfe is one of the best Gabe's I've ever seen and one of the most adorable

Stars: Caissie Levy, Jamie Parker, Jack Wolfe, Eleanor Worthington-Cox, Jack Ofrecio, Trevor Dion Nicholas

[the-gilded-chronicles]

Inside His Majesty’s Theatre in West End, London

The home of The Phantom of the Opera Musical since 1986

June 2024

[earlbrainrot]

Lara Vina Uzcatia in “Starlight Express”

@callmelasagna's master.

it’s greaseball! it's greaseball! it's greaseball the diesel! she’s the champion, she’s number one! back off, girls! she's mine!

Part 2 of Lara Greaseball gifs.. one more set left!

Do not use without credit and do not upload on any other platforms.

[greeneyed-thestral]

I MET MICHAEL SHEEN. 16/03/24, National Theatre

So, if you've read my post about booking tickets to see Michael, you know all about my what-ifs. But the day was finally here.

I arrived at the National Theatre, followed all the Nye signs and here's the Olivier Theatre. I made my sister buy me the show's programme, hoping I would be able to get it signed.

I find my seat, I'm not in the centre but the stage still feels very close and you can see everything (amphitheatres are always the best).

Lights out. The audience is in religious silence. Can't believe I'm actually here, this is happening.

[skip this part in smaller font, if you want to avoid spoilers] In the words of Staged, he really loses himself in his roles. First of all, it's great to hear him speak in a Welsh accent.

But then we also see him turning back into a child, and you can totally believe he's young and innocent again. His stutter feels so real, his struggle and sadness too. The entire ensamble is great during the classroom scene, where they all help Nye against their bullying teacher (using those big canes to make him look scary really works). Hearing young Nye confessing that at times he thinks he 'shouldn't exist' because of who he is was a gut punch; Michael's delivery of that whole part is incredible, in that moment he really becomes a little boy that allows himself to feel vulnerable and says something dark to a friend. The way he jumps while saying "I can visualise and enunciate!" made me wanna jump too, he was ready to give up and then he found the solution through books, it's the joy and relief you feel when you realise that there is another way and your life is not over.

Now, I've watched musicals all my life and let me tell you that man is meant to be in one. He opened his mouth and all I could see was someone that had been waiting a long time for the occasion to show his talent, truly showstopping. He was so free and happy and confident, singing and dancing spectacularly. I couldn't stop smiling and giggling, we all clapped.

It's clear he means every word he says, and when he points and shouts his political arguments at the audience, those who feel called out must be shaking; I thought 'This is how people in Ancient Greece must have felt everytime they went to the theatre'. His Nye is inspiring, passionate, someone you'd want to follow, he stands up for what he believes in and lets nothing get in his way.

We get to watch him flirt, on all fours, waggling his 'tail'; everytime we think we've seen all he's capable of, he does something like this and surprises us.

But most of all, we see him being scared, first of having to do something, and then of not being able to do enough for all of us. At one point everyone has requests for Nye and I was expecting him to shout "Heal yourselves!" like Jesus in JCS, it totally conveyed what it must have been like to be in his role at the time, overwhelmed with daunting responsibilities.

In general, I appreciated the fact that it wasn't a linear biography, they chose life moments that have universal situations everyone can relate too, like they do in bio-musicals. I loved the staging. The colour palette is so recognisable; the curtains and the beds are used in many different ways so everything is explored at its full potential.

He is on stage basically all the time for more than two hours (sometimes twice a day, can you imagine?). Also barefoot and in his pajamas from start to finish, he looks like a teddy bear you just want to hug and protect.

He bows, looks at Nye's achievements, then leaves the stage.

Standing ovation, applause. I go back to the theatre lobby, I was supposed to wait for my sister, but she's late. Meanwhile, a fan asks me how to get to the Stage Door. I start too fear that I'm going to miss my chance if I keep waiting inside, so I decide to go on my own. After no more than 5 minutes, he's outside with us. Forget Nye, I am living my fever dream. He has just finished his second show of the day and yet he's smiling and listening to each and every one, signing and taking pictures. I know many have said this, but he really is an angel.

My sister arrives, and as soon as I'm sure she has the camera ready, I make my way to him. The two girls next to me who were speaking to him needed a pen and I lent them my sharpie, so I got my chance to look generous in front of him.

And suddently it was my turn. This is as much as my scrambled mind allows me to remember: I tell him I'm Francesca and I'm from Italy, he asks me how long I am going to stay, I confess that I had arrived that morning and just to see him, that I would be leaving already the following morning. I can't even focus while he's signing my programme, I just want to find the right words. I manage to say how I enjoyed seeing his passion, all these different sides of him and how watching him sing and dance has been the highlight of my evening. We take a picture together, I feel his hand on my shoulder and I realise my arm is around the waist of this person I love. I had to thank him again, telling him that he only deserves good things and that we are so lucky to have him. He wishes me a safe trip home, and I melt. I leave and I can't stop trembling. On my way back to the hotel I hold on tight to my signed programme and the sharpie that was in his hands just moments earlier. Only later I will realise that he's also written 'Ciao!', 'love' and 'X', without me asking for it or anything! Seeing him act live was a big gift already, but what followed outside was beyond my dreams. I can't look at the photos without blushing, the way he looks at me in the video and then also strokes my arm for a moment, I mean pinch me now.

The more I think about it, the more I can't believe it happened.

I want to thank everyone that under my first post pushed me and encouraged me to see the pros of doing this, I share this beautiful moment of my life with all of you. <3