#Literally we just wrote

[moonscape]

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[sceebybeeby]

⚠️the book of bill spoils, blood⚠️

"Hey, brother, it's Sixer."

[youreastargirl]

Okay okay hold on.

You’re telling me that Derek Hale is living in Beacon Hills owning an auto shop and consulting for the sheriff and having a rebellious teenage son who loves the jeep and in the first twenty seconds of being on screen Derek says to the sheriff “Maybe you should call your son?” Like I literally paused it.

Seriously considering keeping it paused and just writing a fanfic to finish it out because this is a beautiful premise that right now is canon. I accept the first 20 minutes of this movie. The rest we can toss.

[rookflower]

nightheart's unique problem.

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[crossthread]

No jokes here. The Navy’s best pilot and the Navy’s best admiral. Between them, eight air-to-air combat kills and five stars. These were men who commanded respect with or without your approval. This was the picture of ruthless competence.

Debriefing (& Other Stories) • part 2 of Easier Done Than Said by @compacflt

[drawnfamiliarfaces]

i... wrote a smol fic (っ´▽`*)っ

also!!!!! If you haven't seen it - shoutout to first ever published fic in Ninja Showdown/My Immortal Soul tags - Lustrous Red by @missadmyre !!!

[girlfailurefelix]

thinking about how while we all make the “doomed by the narrative” jokes about tony, it’s so much worse than that. the narrative tries so so hard to save him multiple times throughout the novella and yet his tunnel vision with the ggy mystery always leads him to doom himself

[thefabelmans2022]

i've been thinking about this all day so here's my thoughts on @sillylotrpolls 's "which member of the fellowship fucks":

frodo: too busy Brooding and perhaps even Yearning. maybe once or twice in his youth but to me just doesn't seem like the type of person to have casual sex.

sam: also too busy Yearning, but also just doesn't seem the type. he has a job, he's busy, he's in love with his boss AND the girl at the pub, it's a whole thing.

pippin: for all intents and purposes is like. 17. so again maybe once or twice but in very awkward, fumbling ways that made everyone involved think "wait, did that count?"

merry: fucks severely. confident, kind, intelligent, always there to lend a helping hand (😏). of course he pulls hobbits of all genders constantly. the only potential wrench in the works is the fact that he at the very least is already acquainted with his future wife, so maybe they've got something going on in which case he is probably not out romancing other hobbits.

gandalf: be so serious. who is he fucking? hobbits? saruman? shame those big naturals are going to waste but he does not fuck.

boromir: next after merry, imo. has been around, fighting battles and in taverns and such, and is prone to temptation so has definitely fucked at some point, probably multiple times. however he does hate himself for it.

aragorn: lives in the woods singing about his one true elven love. no way.

legolas: is not married, and therefore has not had sex. elf marriage is the one time tolkien wrote about sex and you're all ignoring it.

gimli: sure. why not? gimli fucks. good for him.

[the-punforgiven]

Do y'all ever get nightmares that just like, aren't scary?

Like you can tell your brain is trying to make this scary, but you just feel nothing?

[bougiebutchbinch]

:taps the sign that says 'There is no wrong or right way to write or portray transmasc rep. Every transmasc person is going to have different desires and preferences and that is okay. Some sorts of rep (i.e. dommy transmasc tops and stone tops) might be severely lacking in fandom spaces, and I personally wish there was more of it and would love to see more of it. It's okay to be bothered by the general overarching & erroneous fandom consensus that 'possessing a vagina = must enjoy being penetrated'. But that doesn't mean you can go pick fights with people who have written transmen bottoming/getting impregnated/with a breeding kink. All transmasc rep is awesome! Create what you want forever!':

[fromtheseventhhell]

Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "

[mrpenguinpants]

Hypothetical question but are we still into windbreaker (nii satoru)? Y'all cool if I put my hyper fixation on center stage?

[squuote]

comparing dialogue once again as you do. anyway. this cut dialogue from the other games ending vs the the 2011/ultra deluxe final game dialogue is interesting. frying my mind a bit.

no deeper meaning to this post i just think it is. intriguing. i love dialogue comparisons sorry </3

[natasha-in-space]

So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:

Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.

Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.

And that's... God, that's terrifying to me. I love that about her.

Rika Kim, they could never make me hate you