#List of Indiana Jones characters

[courseyoulovemeyoudontknowme]

Indiana Jones and the Dial of Destiny (2023, James Mangold)

20/02/2025

[spinfins]

Being in the Veilguard is dangerous, you guys.

These people are already courting death and injury with their regular everyday professions.

Davrin is a Grey Warden, ‘nuff said.

Bellara messes with dangerous artifacts in Indiana Jones style temples.

Neve is on the hit list of every thug in Docktown and can’t help but poke her nose into the business of everyone else.

Taash plays with dragons. For fun.

Harding is a do-gooder who has already cheated death for ten years and learned her self-preservation skills from the Inquisitor.

Rook, ‘nuff said.

Honestly, Lucanis is probably the safest one of them, and that’s because he deals death for a living, so he can see it coming better than the others.

It’s all okay though. Because Emmrich arrived at the Lighthouse, set up his skulls, took one look at their scarred, bruised, twitching faces and announced himself as their “de-facto physician.”

It’s a new experience to have someone readily available to stitch-up, or heal wounds with a wave of the hand and a thought. He notices when Bellara and Neve have gone more than two or three nights without sleep, and gently chides them. He listens patiently to Harding stress about dreams, and Lucanis complain about Spite’s nightly wanderings. He tries to pick at Taash’s shell and help them settle in the group until he realizes what’s really wrong (thanks to Rook), and then he moves forward with that knowledge until they are fast friends.

He tries to console Rook about Varric’s death and encourage them to open up about it. He has helped a lot of grieving people, but this particular incident seems to be one he can’t solve.

Altogether, it’s reassuring to have him there, a little bit older and a little bit wiser. Experience that tells them all everything really will be alright.

Until one day Emmrich gets hurt, carried limp through the eluvian in Taash’s arms with a bleary-eyed Rook running ahead of them covered in his blood. And Neve hasn’t done any healing magic since the Dragon attack in Minrathous. And Bellara knows more about dead elves than living bodies

And suddenly, maybe everything isn’t going to be alright. Because how are they supposed to fix the one who does the healing?

@knotyourdeer wrote an awesome continuation of this for anyone interested!

See below\/\/\/

[c-is-for-circinate]

It feels like there's this narrative that fandom keeps wanting to explore, with Steve Harrington, about this very specific type of martyrdom where self-sacrifice is an expression of a lack of self-worth. And, like, yes, write the narrative that's meaningful to you, and yes ok Steve does admittedly get beaten up a lot, but -- legitimately I do not think this narrative is actually Steve's story.

Like, without gendering things too much, there is something in the Steve fanon that I keep seeing that's so reflective of the specific kind of sacrifice and societal pressures exerted on girls, specifically -- this story of 'you make yourself worthy and worthwhile by carving pieces out of yourself', of believing that you must always give and never receive to justify the space you take up in the world. Yes, boys can experience this same pressure (and obviously trans and nb people of all genders run into it as well! sometimes a lot!), but especially in the mid-1980s cultural context where Stranger Things takes place, it's just...really not likely to be a dominant narrative for Steve to be operating under? It doesn't even really match the Steve we see on screen -- who is happy to make sacrifices for the sake of others, yeah, when needed, but who's not particularly kind or giving unless somebody asks first.

And Steve does get hurt a lot on other people's behalf! And this is a problem! It's just a completely different problem than the one fandom keeps writing.

Steve, and I'm going to say this forever, is a story about toxic masculinity, which the show may or may not even know it's writing. The archetypes influencing Steve's character as it shows up on the screen (and the stories and messages that Steve would actually be surrounded by in his actual life) are not deconstructions of suffering heroes who never should have had to fight in the first place and were destroyed by it. That's the Buffy the Vampire Slayer story. Steve's not Buffy. Steve's cultural context is Indiana Jones.

Steve is The Guy! And part of being The Guy is that you're expected to take the hits -- not because Steve is less important than the women-and-children he's supposed to protect, but because, the story says, he will get less hurt. Why should Steve get in between Billy and Lucas? Because Steve is an eighteen-year-old athlete and Lucas is in middle school, and of the two of them, Steve actually stands a chance. (And yes, Steve got badly hurt there, and Max had to save him -- but if Lucas, if Max had taken that beating they would not have been running through those tunnels later.) Was somebody else better-qualified to dive down to the uncertain bottom of a cold lake in the middle of the night? Steve doesn't list his credentials there as a way of justifying some ideal of martyrdom; he is literally the most likely person on the boat not to drown.

And make no mistake: when Steve's pulled into the Upside-Down, he survives the bats long enough for backup to get there. Realistic or not, he's apparently tough enough that he's physically capable of hiking barefoot through hell without much slowing down. Steve is the tank for the same reason as any tank: because he literally has been shown to have the most hit points in the group. You cannot honestly engage with Steve in this context without dealing with the fact that he's right.

AND THIS IS A PROBLEM! This is still a problem! But it's not the same problem that fandom seems to expect. It's not an expression of caretaking or the need for self-sacrifice; it's not an issue with Steve valuing himself less. It's an issue of toxic masculinity so ingrained that Steve doesn't even recognize he's suffering from it, because one of the tenets of toxic masculinity is that Big Strong Guys don't suffer. It's just a concussion, it's fine, he'll walk it off. It's not that Steve thinks he deserves to get hurt, or even that he's less deserving of safety than the others. It's that absolutely nothing in his cultural context allows him to admit that he can be hurt in a significant way.

There's still so much tension that can be gotten out of this situation, I swear. There's so much that can be explored in writing! Hell, the show itself is deconstructing some of this trope, believe it or not, by giving us a Steve who absolutely can take all the hits thrown his direction but still doesn't know what the fuck he's doing with his life. It turns out that doing his job as The Guy is only mildly helpful in horror movie situations (mostly by buying time for smarter, squishier people to do the damage from behind him), and somewhere a little worse than useless in everyday life.

But Steve does not go out of his way to self-sacrifice, he really doesn't. He just does his job. He's The Guy. Of course he's not going to let a kid or a girl or some scared skinny nerd who just learned about monsters yesterday take the hits. Of course Steve's got this.

[weaselandfriends]

Kill la Kill (anime)

So, twelve years on, did Trigger save anime?

Existing in the present will invariably inundate one with lifeless, disposable, trend-chasing pop media, no matter the medium. Not only do moneymen like to imitate whatever made money before, but artists like to imitate the art they enjoy. The current moment will always seem bloated by dreck, while the past, filtered via the sieve of time, will always seem to contain only gleamingly original works of greatness. Were the 1980s not a golden age of blockbuster cinema, with Aliens and Indiana Jones and Ghostbusters? Please ignore the 1,000 shoddy E.T. knockoffs, thank you, or the million formulaic action hero flicks aping the Schwarzenegger formula.

Anime in 2013, when Kill la Kill began airing, was no different. The past two years had seen Puella Magi Madoka Magica, Hunter x Hunter, Fate/Zero, Stein's;Gate, Kuroko no Basket, Nichijou, Nisemonogatari, Psycho-Pass, and Attack on Titan, all popular and well-regarded shows both when they released and today. So the memetic idea in the anime community that Trigger was "saving anime" with Kill la Kill is patently ridiculous. (If you don't believe how widespread this idea was, two of the three top reviews for the show on MyAnimeList, written the same day the show finished airing, allude to it.)

It's easy to see how the idea became so popular, though. Trigger was a brand new studio formed primarily by staff from debt-stricken Gainax, the legendary studio that in 1995 revolutionized anime with Neon Genesis Evangelion. Eva's main creative figure, auteur director Hideaki Anno, wasn't with Trigger, but many of the people behind Gainax's other popular shows like Gurren Lagann and Panty & Stocking were, so the studio had a new-look fresh-start feel while drawing on a proven lineage of success.

At the same time, Kill la Kill itself promotes its revolutionary nature. Its plot revolves around a lone rulebreaking badass taking on an entrenched system defined explicitly by its aesthetic uniformity. It's not a difficult leap to read this storyline metaphorically, Trigger battling the waves of copy-paste seasonal anime.

However, what is most striking, most obviously eye-catching and unique about Kill la Kill, what hits the viewer with the immediate sense that this show is something different, something new, something like nothing you have seen before, is that it looks like nothing you have seen before. Kill la Kill is brimming with unique and memorable images, from the gigantic red block text used to introduce every new character and concept, to the bizarre ship-like architecture of Honnouji Academy, to the blend of fluid sakuga with choppy PowerPoint animation for comedic effect, to smaller iconic moments like Satsuki clicking her heel. It's always in-your-face about it, too. The opening scene sets the tone when a dry history lecture gets interrupted by Gamagoori squeezing through a door like a behemoth, utterly ignoring any rules regarding on-model consistency.

It's this devotion to the unique image that sets Kill la Kill apart from most of the other 2011-2013 shows I listed previously, shows that, while they might have a consistent aesthetic sensibility (such as Stein's;Gate's washed-outness or Fate/Zero's glimmering post-processing effects), are often conforming at their core to ideas of what anime "should" look like in terms of character design, setting, and animation. (The two Shaft shows I listed are an exception, but by this point Shaft's Akiyuki Shinbo had been doing his idiosyncratic visual style for over a decade, and wasn't exactly a fresh face.) Trigger's staff previously created Panty & Stocking, a show imitating the look and feel of western cartoons; Kill la Kill advances that idea into a wholly unique fusion of western and Japanese animation traditions, allowing it to break free of the insular anime landscape and its expected visual signifiers.

Obviously the counterpoint lurking beneath this preamble is that, under the unique visuals and tone, Kill la Kill isn't all that innovative at all, even painfully standard at times. Battles are decided by the power of friendship or the power of staying true to oneself (Don't Lose Your Way!), the hero is mind controlled and her friends call out to her until she breaks free, the one-dimensionally evil villain has a big end-the-world plot that everyone teams up to defeat. Even within the parameters the story establishes for itself, Ryuko proceeds linearly, starting out by fighting small fry club captains, then the Elite Four student council, then Satsuki the student council president, and finally Satsuki's mother who owns the school, with only a few speed bumps along the way.

But Kill la Kill makes the argument that aesthetics are too intimately interwoven with content to be disentangled that way. It's the crux of the conceit of the show, which is founded on a series of puns. "Fascism" sounds like "fashion," so in the world of Kill la Kill those concepts are now entwined. "School uniform" ("seifuku") and "conquest" ("seifuku") are homophones, so uniforms are the method by which Satsuki exerts her intra-Japanese imperialism. (Early on, Satsuki delivers a monologue in which she remarks on how Japanese school uniforms are aesthetically modeled on military uniforms, making it natural for her to militarize her school.) The title is itself a tripartite pun, combining words for "kill," "cut," and "wear." (Notably, this is a pun that blends the English and Japanese languages, much like the blended animation style.) Despite the visual, slapstick nature of Kill la Kill's humor, puns abound throughout. Some are obvious even in translation, such as the "Naturals Election" used to choose the new student council, while others can be difficult to catch. Nui, for instance, apes Dio Brando's catchphrase of "muda, muda, muda" (useless, useless, useless); later, when her arms are cut off, she screams "ude, ude, ude" (arms, arms, arms).

The core idea of most of these puns is that superficial similarity indicates similarity of content. Sometimes, this is an insightful observation, such as with the pun between fashion and fascism. Fascism is notoriously difficult to define rigidly in relation to other forms of dictatorship, but what is easy to define about it is its aesthetics, to the point that films like Star Wars are able to use aesthetic signifiers of fascism to define the politics of its villains even when withholding any actual explanation of those politics. Star Wars never has to show what the day-to-day rule of the Empire is like, because its army looks like the Nazis, so the audience gets the idea. Fascism as a political ideology and fascism as an aesthetic are, effectively, the same thing.

And if aesthetics are equivalent to meaning, then doesn't that mean that Kill la Kill looking new in fact makes it new? That its plot, generic in dry summary, is elevated by the distinctive way it's depicted? One pun, delivered upon the revelation that parasitic alien clothes have influenced humanity's evolution for the purpose of harvesting them for food (a story beat itself derivative of Puella Magi Madoka Magica), is that "the clothes make the mankind." The common refrain of Satsuki and Ragyo that people are "pigs in human clothing" hammers the point home: Aesthetics are everything. There is no meaning without aesthetics, just as people without clothes are unevolved animals.

Ultimately, though, Kill la Kill rejects this statement. Clothes are the enemy, literally, and the heroic organization fighting against them is Nudist Beach, whose members fight naked. At the end of the show, all clothes are destroyed, and the final image before the credits is of the entire cast in a giant, naked, triumphant huddle, an assertion of the inherent value of humanity even without aesthetic adornment. Isn't that the point behind all those power-of-friendship, power-of-believing-in-yourself speeches that Ryuko, Mako, and Senketsu use to turn the tables and win the battle? An appeal to a hidden inner nature that one must remain true to (Don't Lose Your Way!!!), that can overpower superficial displays of strength? Ryuko's mind control arc depicts this idea most overtly. She is controlled by having clothes sewn to her skin -- having an aesthetic forced onto her -- but Mako manages to dive into Ryuko's inner world to bring her back to her "true self."

This kind of undermines Kill la Kill as a work, though. What does a "nudist" Kill la Kill look like, stripped of its unique visual language? Certainly not something that would stand out from the waves of high school battle shounen that have been a fixture in the anime landscape since time immemorial. Kill la Kill's thesis might assert that there's a reason these power-of-friendship cliches endure (a sort of, if you'll allow me to become a parody of myself for a moment, post-postmodern reclamation of a narrative mode tarnished by irony and cynicism), but it contradicts the unique visual style that Kill la Kill developed to convey that idea.

In some ways, Kill la Kill does strip down to a nude, or at least semi-nude, state by the end. Many of its earlier concepts, including the connection between fashion and fascism, vanish as the story progresses. Satsuki and her fascist system are revealed to have been a deception while she secretly worked to betray her mother (playing on Ragyo's mistaken belief that aesthetics mean everything by Satsuki looking compliant while not actually being so), and once the twist occurs, the entire fascism plotline goes out the window. It's never really mentioned again; even when Ryuko gets on Satsuki's case for her past misdeeds, she only calls her out for "Looking down on people from on high," a general and ideologically-agnostic call against elitism. The 1-episode OVA set after the series briefly touches on the fascist system Satsuki enforced, with the episode's villain accusing Satsuki and the Elite Four of generating real, actual terror and abuse despite their ultimately pure motives (an assertion, once more, that aesthetics mean everything, that looking fascist makes you fascist no matter your true beliefs), but Mako quickly dismisses the claim with another power-of-friendship speech. Satsuki and the Elite Four have grown as people, she says. They're no longer bad like they used to be!

Kill la Kill also gets stripped down tonally by its end. The show's opening scene depicts a disobedient student being whipped, seemingly to death; later, his nude corpse(?) is displayed over the school gates. Combined with the title "Kill la Kill," it sets a dark, violent tone that lends weight to the otherwise cartoonish animation style. By the end, though, this dark tone is revealed as a false aesthetic; there is remarkably little killing in Kill la Kill. Stripped of real narrative stakes, the climactic battles diminish to flashy lightshows, action figures bouncing against each other. Worst of all, the blend of "fluid sakuga with choppy PowerPoint animation" I mentioned earlier increasingly tilts toward the latter. This is largely due to the prominence of Nui as an antagonist, since her cartoonishness is part of her character, but given Gainax's track record of running out of money and/or time by the end of its shows and phoning in parts of them, I wonder whether the habit transferred over to Trigger.

In short, as Kill la Kill strips down, it becomes a weaker show. In doing so, it not only undermines its own theme, but undermines itself as a truly new and innovative work, exposing its reliance on superficial aesthetic. The notion that Trigger "saved anime" would depend not only on Kill la Kill's individual success, but on its influence; twelve years out, and the only other notable shows like Kill la Kill were also made by Trigger. Perhaps you can see some influence on Masaaki Yuasa, who also blends high-quality sakuga with deliberately cheaper animation for comedic or stylistic effect, but he had already established himself in 2010 with Tatami Galaxy. Another show with a distinctive "Trigger" feel, Flip Flappers, was a flop flopper that caused its studio to immediately pivot to generic seasonal stuff.

My friend Lurina, when I asked her whether Trigger really had any influence over the larger anime landscape, suggested that Trigger sparked a general desire for more high-quality animation, which can be seen today in shows like Chainsaw Man or Dandandan. I would counter that those shows, while well-made, lack the distinctive blend of high and low, east and west that defines Trigger; if anything, the notion of the high-quality seasonal shounen adaptation comes from My Hero Academia, where Bones eschewed the traditional 500-episode weekly low-effort adaptation style of Naruto, Bleach, and One Piece and set the blueprint for shows like Demon Slayer, Jujutsu Kaisen, and so on, which adapt their source material in 12-episode chunks with lavish production values.

At the same time, I question whether Trigger even saved itself. Kill la Kill would be the studio's peak, and much of its subsequent output is a pale shadow of the show. (Its only other megahit, Darling in the Franxx, had an even more disastrous ending.) This culminated in BNA, a show that takes Kill la Kill's themes and iconography but does them cheaply and lazily. Since then, Trigger has rebounded -- but not by being "Trigger." Cyberpunk Edgerunners and Dungeon Meshi were both popular and well-regarded shows, but they were adaptations where Trigger had minimal control over the storytelling or aesthetic; Dungeon Meshi, other than a few sparse sakuga moments, doesn't even look distinctively like a Trigger show. It feels like any competent studio could have turned Dungeon Meshi into a hit. Trigger still exists, and in its partnership with Netflix is possibly stronger than ever, but it is losing its unique identity, becoming more standard, more similar to the crowd. Another conformer. Maybe the upcoming Panty & Stocking sequel can turn it around, but who can say.

Either way, Kill la Kill's moment has passed, without the cataclysmic ripple on the anime industry fans at the time expected or craved. Honestly, though, despite how I opened this essay, I can't blame them for their desire to see anime "saved." After all, the biggest anime of 2012, the year before Kill la Kill aired, did cause a cataclysmic ripple, one undoubtedly felt to this day. Unlike Kill la Kill, the biggest anime of 2012 spawned countless imitators, an endless flood of imitators, imitators that have themselves spawned imitators and imitators of imitators. That anime of 2012 has even extended its reach past anime, coating the current webfic scene; one could say that the site RoyalRoad would not exist if not for it. In face of such an oppressive, daunting influence, perhaps those fans of 2013 were right to clamor for something, anything, that would reveal a new direction, a way out. In such a context, one might even see it as tragic that Kill la Kill failed to deliver, that at the last moment it came up short. If Kill la Kill was the fork in the road leading to sunnier pastures, this anime led the industry into a deep, dark forest.

The name of that anime?

Sword Art Online.

[youvebeenlivingfictional]

Can I just say that no one I've ever read writes the relationship between exes as well as you do (I'm still aflutter over Procedure).

So I was wondering what the exes relationships are like for other characters you write for? Are they semi-perminent in each others lives despite the split or are they 'and they never spoke again' people?

Were you looking for an answer that includes the dozens of men on my Wildly Inappropriate Chart? No, probably not.

Are you getting one? Absolutely. (Full list and breakout below the cut)

Will put you in a simulation to make you love him again

Frank (Don’t Worry Darling)

Will ignore you

Stewy Hosseini

Kendall Roy

Don Draper

Percival Graves

Sherlock Holmes (Enola Holmes verse)

Abel Morales

Orlando Oxford

Daniel Le Domas

Will secretly keep tabs on you

Javier Peña

James Bond

Tommy Shelby

Diego Jimenez

Gurney Halleck

Horacio Carrillo

Chris Argent

Marc Specter

Duncan Idaho

Eddie Brock

Frank Castle

Boba Fett

Will reappear to fuck up the vibe just after you've managed to move on

Raymond Smith

Don Eppes

Carmy Berzatto

Indiana Jones

Nathan Bateman

Duke Leto Atreides

Ray Merrimen

Santiago Garcia

Dean Winchester

Bruce Wayne

Angel Reyes

Oberyn Martell

Benny ‘Borracho’ Magalon

Patrick Zweig

Will be friendly to the best of his abilities but will struggle with the fact that he's still in love with you

Steve Rogers

Andy Barber

Jonathan Levy

George Russell

Harvey Specter

Jake Seresin

Eddie Munson

Josh Lyman

Rhett Abbott

Anthony Bridgerton

Will make you fall back in love with him with one smile, sweeping shoulder touch, and a soft but meaningful, “Long time, no see...How are you?”

Benny Miller

Bradley Rooster Bradshaw

Will Miller

Bucky Barnes

Rafael Barba

Christopher Pike

Frankie Morales

Marcus Pike

Matt Murdock

Poe Dameron

Art Donaldson

[angelseraphines]

˚₊· ͟͟͞͞➳❥ fandoms & characters I write for ੈ♡˳

the characters I'm currently writing for will be marked purple. my favorite characters to write for will be marked purple & bolded

if the character you're looking for isn't listed here, but still belongs to one of the fandoms here, I may still be open to writing for them, just ask!

╭┈─ ◌ೄ◌ྀ ˊˎ A SONG OF ICE AND FIRE ✧ ˚ · .

╰┈➤ aemond targaryen, aegon 'the elder' targaryen, daemon targaryen, jon snow, robb stark, edmure tully, jaime lannister, oberyn martell, stannis baratheon, daemon blackfyre, aegon 'the conqueror' targaryen, maegor targaryen, brynden 'bloodraven' rivers

╭┈─ ◌ೄ◌ྀ ˊˎ THE WALKING DEAD ✧ ˚ · .

╰┈➤ negan smith, rick grimes, daryl dixon, glenn rhee, shane walsh

╭┈─ ◌ೄ◌ྀ ˊˎ STAR WARS ✧ ˚ · .

╰┈➤ anakin skywalker, obi-wan kenobi, han solo, luke skywalker, din djarin, kylo ren, poe dameron, qui-gon jinn

╭┈─ ◌ೄ◌ྀ ˊˎ PEAKY BLINDERS ✧ ˚ · .

╰┈➤ thomas shelby, luca changretta, arthur shelby, john shelby, michael gray, alfie solomans

╭┈─ ◌ೄ◌ྀ ˊˎ SUPERNATURAL ✧ ˚ · .

╰┈➤ dean winchester, sam winchester, john winchester

╭┈─ ◌ೄ◌ྀ ˊˎ NARCOS ✧ ˚ · .

╰┈➤ javier peña, steve murphy

╭┈─ ◌ೄ◌ྀ ˊˎ HANNIBAL ✧ ˚ · .

╰┈➤ hannibal lecter, will graham

╭┈─ ��ೄ◌ྀ ˊˎ GLADIATOR ✧ ˚ · .

╰┈➤ marcus acacius, lucius, commodus, emperor geta, maximus

╭┈─ ◌ೄ◌ྀ ˊˎ JAMES BOND ✧ ˚ · .

╰┈➤ le chiffre, james bond, agent c, lyutsifer safin

╭┈─ ◌ೄ◌ྀ ˊˎ INDIANA JONES ✧ ˚ · .

╰┈➤ indiana jones, jürgen voller, réne belloq

╭┈─ ◌ೄ◌ྀ ˊˎ RED DEAD REDEMPTION 2 ✧ ˚ · .

╰┈➤ arthur morgan, dutch van der linde, john marston, hosea matthews, javier escuella, micah bell

╭┈─ ◌ೄ◌ྀ ˊˎ LOST ✧ ˚ · .

╰┈➤ james ford, jack shepard, sayid jarrah

╭┈─ ◌ೄ◌ྀ ˊˎ HARRY POTTER ✧ ˚ · .

╰┈➤ severus snape, sirius black, remus lupin, james potter, lucius malfoy

╭┈─ ◌ೄ◌ྀ ˊˎ SQUID GAME ✧ ˚ · .

╰┈➤ hwang in-ho, cho sang-woo, seong gi-hun, park gyeong-seok, hwang jun-ho, lee myung-gi, kang dae-ho, choi su-bong

╭┈─ ◌ೄ◌ྀ ˊˎ MONEY HEIST KOREA ✧ ˚ · .

╰┈➤ berlin, the professor, denver, rio, moscow

╭┈─ ◌ೄ◌ྀ ˊˎ ALICE IN BORDERLAND ✧ ˚ · .

╰┈➤ ryohei arisu, shuntaro chishiya, suguru niragi, chota segawa, daikichi karube, morizono aguni, keiichi kuzuryu, takeru danma

[myesc8petw0rld]

My Favourite Multiple Characters Preferences/Reactions

@okay-j-hannah

They Love You’re Curvy Merlin, Arthur Pendragon, Paul Atreides

They Give You Practice Kisses Bucky Barnes, Steven Grant, Marc Spector, Loki

You Give Them Neck Kisses Steven Grant, Theseus Scamander, Spencer Reid

You Give Them Neck Kisses Loki, Remus Lupin, Sirius Black

@darling-i-read-it

React to Having a Crush on a Very Flirt Girl Benoit Blanc, Ramsay Bolton, Erik Lehnsherr, Newt (MR) and Norman Bates

Reacting to You Sitting on Their Lap and Ask for a Kiss Adrian Chase, Jesper Fahey, Darkling and Billy Hargrove

Reacting To Neck Kisses and a Good Massage Matt Murdock and Bruce Wayne

Reacting to Neck Kisses Charles Lee Ray, Aaron Hotchner, Indiana Jones, Dorian Gray and The Dark

Getting Jealous and Confessing Their Feelings Loki, Dr. Strange, Homelander and the Darkling

If you know someone to put in my rec list, let me know

[doubledeadstudio]

Hello, happy holidaysヾ(＾∇＾) I apologize for this being a long question but I've been thinking for a long time and I really have to ask if you would ask the RH crew (Mars, Abel and Fleur too if that's okay) for book and/or movie recommendations, what would they give ? If it's not a spoiler, what media inspired their depiction, if any? I want to practice English so I find new things I like, and I hope my words make meaning when I use translation. Have a happy holiday (づ ᴗ _ᴗ)づ♡

Happy Holidays! This is so sweet. Good luck on your language journey.

Recommendations:

Crux Hertz - The Ritual (2017) or Bones and All (2022) (movie), Siddharta by Hermann Hesse or No Longer Human by Osamu Dazai (books)

Black Lumaban - Mad Max: Fury Road (movie), The Conquest of Bread by Peter Kropotkin (book)

Vincenzo Fontana - Possession (1981) (movie), The Picture of Dorian Gray by Oscar Wilde or Lolita by Vladimir Nabokov (book)

Florentin Blanchett - The Substance (2024) or Dead Ringers (1988) (movie), Stiff by Mary Roach (book)

Abel Valencia - American Psycho (2000) or Wolf of Wall Street (2013), no books because he's stupid but I will give a TV show... Desperate Housewives

Inspirations:

So, the thing about this is really complicated because I'm an avid art fan and I consume all sorts of media, from books to movies to tv shows and music. Generally, I get a concept then my brain starts piecing things together. (Crux is the hardest to explain because he originally started off as the child of two of me and my husband's oldest OCs... and he became a whole separate beast on his own.)

But I can give characters that really remind me of them!

Crux - Sans (Undertale), Gojo (JJK), Loki (Marvel), Shawn Spencer (Psych) (This is the worst list of all time), also Markus (Red Embrace:Hollywood), and Lee (Bones and All). Hozier and Will Wood remind me of his aesthetic.

Black - Guts (Berserk), Lio Fotia (Promare), Fenris (Dragon Age), Warren Peace (Sky High), Bigby (Wolf Among Us), Juri (Utena). For music, grandson has his vibes.

Vincenzo - Lestat (Interview with a Vampire), Orin (Baldur's Gate 3), Gilbert (Kaze to Ki no Uta), Mahito (JJK), Alois Trancy (Black Butler), Ryo Asuka (Devilman Crybaby). His storyline was largely inspired by HP Lovecraft's Dreams of Witch House. For music, near everything by Emilie Autumn and Mindless Self Indulgence.

Abel - Ashley (The Boys), Rhys (Tales from the Borderlands), Nathan (Life is Strange). (I won't lie, a huge part of him is directly inspired to parody Right Wing pundits lolol) For music, no lie, Laufey and Lana del Rey, LMAO.

Florentin - Griffith (Berserk), Viktor Frankenstein, Dr Herbert West (Re-Animator).

~~~

For Mars:

Hello, Clovis here, creator of Mars! Thank you for the interest! Mars likes classic films with lots of sexuality and violence. Kill Bill, Pulp Fiction, Chicago (he loves a good musical if it isn't too sugary-sweet). He'll go for the stereotypical Dad Movies too as long as he thinks they're suave enough, like James Bond and Indiana Jones. For books, he reads a lot more than you'd think and enjoys being well-read, but let's say A Song of Ice and Fire, because there's political drama and everyone's suffering. (Their misfortune and crushed innocence amuses him.)

Mars is inspired heavily from the Fullmetal Alchemist Brotherhood depiction of Greed. While not a direct inspiration (I've had the character for years), Sukuna from Jujutsu Kaisen is hilariously similar to him. Vintage mafia movies are where a lot of his aesthetic comes from. If you like crime thrillers, I would highly recommend the television show Fargo for bastard men that you love to hate, are scary as hell, and are darkly comedic. — Clovis @VileFable

[max--phillips]

Indiana just launched a “snitch line” for people to report schools for teaching about LGBTQ issues, Black history, and other topics.

On Monday, the AG, Todd Rokita, launched this “Eyes on Eduction” portal where students, parents, and teachers alike can report… “objectionable curricula, policies, or programs affecting children.” While they hide behind the suggestion that this is to stop “political ideology - either left or right” from being forced on kids, we all know that this is really a tip line for parents to complain that someone told their kid gay people exist or slavery was a real thing that happened to Black people.

I’m not going to lie, despite this being from the office of the attorney general, I don’t think this is much more than a wall of shame functionally. The AG’s office looks at submissions, takes the credible ones, and publishes them on the portal for anyone to see. The PDFs of the so-called evidence also include names of teachers.

Anyway, unsurprisingly, people have been flooding the portal with junk submissions, as pointed out by the wonderful Erin Reed (@/ErinInTheMorn on Twitter) in her article on the portal:

A report that Godzilla was witnessed with a trans flag

Indiana Jones slapping a Nazi

A report of a famous picture of Trump next to Rudy Giuliani in drag

Multiple reports citing the Bible for teenage pregnancy

A confession purporting to be from Breaking Bad character Walter White

The script for the Bee Movie (classic)

The script to Oppenheimer

The script for Eurotrip, with a note not to tell Scotty

Young Sheldon saying “Bazinga��

So ALL OF THAT IS TO SAY. Here's another link to the portal. Whatever you do, don't add to the list above and flood the portal, making it nearly impossible for the poor AG's office to sort through all the submissions and find credible submissions! That would be sooo uncalled for.

Anyway, side note for you: if you're thinking to yourself, "damn, Todd Rokita, that name sounds awfully familiar," you may be thinking of the time in 2022 he said he was going to investigate Dr. Caitlin Bernard for providing an abortion procedure to a 10 year old girl who had fled Ohio to receive care because Ohio's abortion ban did not provide an exception for minor children who became pregnant as a result of rape. Ultimately, Indiana state courts found him to have violated the law and engaged in attorney misconduct due to his public statements on the situation. Yet, he is still AG. This guy has sucked as long as I can remember. He was Secretary of State of Indiana from 2002-2010, then he was a member of the US House of Representatives from Indiana's 4th district (which my hometown is unfortunately a part of) from 2011-2019, and has now been AG since 2021. For perspective, I was born in 1997--the year he joined the Secretary of State's office as general counsel, then later became deputy secretary of state. He's been doing his damndest to ruin this state as long as I've been alive.

Also, his birthday is Friday (February 9th) according to his wikipedia page. Definitely don't give him any birthday presents by way of the submission portal, okay? Good talk

[gaymingwriter]

Halloween With the Egos

(Well, some of them)

This isn’t my entire list of characters I write, but they’re some of my favorites and I’m writing this on the 30th so I don’t have time to write all of them. This is a headcanon list like my Valentine’s Day thing was

I’m trying to get back into writing, so I hope y’all like it

Characters in Order: Darkiplier, Damien, Googleplier, Date Mark, Illinois, Eric Derekson, Yancy, Jameson Jackson

Warnings: One part of Illinois’s is slightly suggestive

Reader is intended to be gender neutral and these headcanons are romantic (with a pre-established relationship). I wrote part of this while sleepy

Darkiplier

- He refuses to dress up

- …he’ll wear little devil horns or something else small if it makes you happy, though

- He’d probably prefer to take you to a fancy Halloween party, but if you wouldn’t like that, he’ll respect it

- If you go to a party, he stays by your side all night

- If you stay home, he’ll either make dinner or order takeout and watch some Halloween movies with you

- He likes horror movies (partially because you hold onto him if you get scared, but he won’t admit it out loud)

- He doesn’t mind at all if you dress up for Halloween. You look dashing and/or lovely and/or cute in your costume, so he certainly isn’t complaining

- Both of you head to bed fairly late

- Overall, a lovely night regardless of what y’all do

Damien

- Similarly to Dark, he’d also prefer to take you to a party. But he’s happy regardless of if you stay home or go to a party

- He’d love to do a couples costume!

- He likes the idea of a sun and moon couples costume. Regardless of which of you is the sun or moon, he thinks it’s fitting

- If y’all do go to a party, he stays with you the whole time. He wants to make sure you’re comfortable

- If y’all stay home, he helps you hand out candy to trick-or-treaters and orders delivery for dinner

- After the trick-or-treaters are all gone, Damien suggests spending the rest of the night watching movies

- Y’all end up sleeping on the couch all cuddled up

Google

- Doesn’t quite understand Halloween at first, but he does get that you find it fun

- He is willing to wear a costume, as long as it isn’t too silly

- You could probably convince him to do a vampire couple’s costume (though he may buffer for a moment, you do look very handsome and/or beautiful in your vampire costume after all)

- He’s content with staying home and handing out candy to any trick-or-treaters with you

- Afterwards, you can watch movies together and order takeout

- You fall asleep with him holding you on the couch

- Google likes Halloween now

Date Mark

- He suggests a couples costume before you October even starts

- He finds the most cheesy and sappy costumes ever

- Wants to be peanut butter and jelly because “we go together perfectly, just like peanut butter and jelly! <3”. This man is just too adorable sometimes

- You agree, much to his delight

- He halfway wants to make it a date night, but you remind him that there’ll be trick-or-treaters showing up

- He settles for takeout and candles on the table

- When you do start giving out candy, he gets some fold-up chairs so you two can sit close together without being on the ground

- After that, you watch a movie (he found a Halloween romance movie, and really wanted to watch it with you)

- Y’all fall asleep holding each other

Illinois

- He practically begs you to do an Indiana Jones related couples costume

- You agree and find a character you like to dress up as

- Illinois would love it if you dressed as a love interest (a genderbent version is completely fine with him if you’d prefer that of course), but he really won’t complain either way

- He does joke that you could always wear less clothes, but he shuts up when you playfully pull his hat down over his eyes

- He makes you dinner before the trick-or-treaters start showing up

- You make some cookies for the both of you

- After an hour or so of handing out candy, y’all leave a bowl of candy out so you can go back inside and watch movies

- After you bring the bowl in, y’all head to bed

Eric

- He would absolutely love to do a couples costume with you, but he’s a little shy bringing it up

- He gets much less shy when you tell him that you’d like to do a couples costume with him

- The two of you pick angel and devil costumes (him being the angel, of course)

- Y’all both have a lot of fun planning the night

- Eric makes some Halloween cookies, and you make dinner

- Y’all pass out candy to trick-or-treaters for a couple hours, before retiring to the living room

- As cute as falling asleep together in the living room would be, both of you agree that your room is more comfortable

- Y’all fall asleep to a campy and fun Halloween movie in there

Yancy

- So, he’s out on parole. He hasn’t had a normal Halloween since he was a kid

- Jokingly, one of you suggested that you two dress as prisoners for Halloween

- …at some point, it stopped being a joke

- He took a couple of his old prison uniforms and let you try them on

- If they’re too big or the right size, you use it as your costume. If it’s too small, you find some very similar clothes to wear

- Regardless, Yancy thinks you look adorable and/or pretty and/or handsome in his clothes. He does understand if you’d prefer clothes in your own size if his isn’t right, though

- Tonight, his tattoos on his knuckles say “Bats” and “Dark”

- (They just change somehow, neither of you really question it. You assume there aren’t many four letter Halloween related words)

- You order delivery for dinner

- Yancy had a lot of fun handing out candy to trick-or-treaters for the first time

- Y’all spend the rest of the night watching Halloween movies together <3

Jameson

- Poor Jameson has a love/hate relationship with Halloween

- He loves the holiday itself, but his run-ins with Anti all those years ago has made him a bit cautious

- You reassure him that everything will be okay, and that the two of you don’t need to do anything big

- Y’all find some 1920s style costumes and modern clothes so the two of you can do an “outfit swap” of sorts

- (Hell, if your clothes are the right size, y’all might as well just swap actual clothes. You’ll both probably get flustered seeing each other in your clothes, though)

- He had also crocheted some little Halloween related plushies, teaching you a little if you don’t already crochet

- He carved a small pumpkin with you. He really does love carving pumpkins, but he’s been cautious since that Halloween that Anti took control of him

- You’re very proud of him <3

- Y’all spend that night handing out candy to trick-or-treaters and relaxing at home until you fall asleep

[courseyoulovemeyoudontknowme]

Indiana Jones and the Dial of Destiny (2023, James Mangold)

20/01/2025

[probadbatch]

Time for some more Phee love

I have to admit that I was not a Phee fan at first. Wanda Sykes is one of those people who just gets on my nerves for absolutely no reason so when I saw she was going to be in TBB, I was less than thrilled. And her first introduction didn't really have me changing my mind. But I enjoyed the Indiana Jones episode (Entombed? I think?) with her and started to like her just a bit more then. She was kinda fun.

And then I saw Pabu.

The way she melted into the squad like she had always been there was huge for me. She gets these guys. They like her. They work well together. And the way she cared about Omega? Wanting her to get normal childhood experiences like friends her own age who aren't related to her? She wasn't just trying to get a backup team from the boys. She genuinely cared about them.

And then she offered the squad her home. They needed a place to belong and she gave it to them without even hesitating. And when we get there, we learn that she's not just a pirate making a quick buck for herself. Oh sure, she'll do that too but she does have values and she cares about a lot more than what she can get for herself.

There is a depth to Phee that takes a few episodes to find but once you see it, it's clear that she is a good and decent person. She's brash and blunt and courageous and loyal. She's adventurous and fun and she's never met a challenge she wasn't up for. She's guarded and cautious with her heart and she is so open and loving and generous when she finds someone worth trusting.

For heck's sake, she bickers with her droid endlessly but how many times has she rebuilt Mel? More than once, we know for sure. Phee loves fiercely and wholly and she will go to the ends of the galaxy for those she cares about.

And oh goodness I do love that she's still there for the squad this season. It would have been so easy to walk away after losing her primary link to them but she stayed. She's there so fully and so unflinchingly that it's obvious she never even thought twice about it. Phee shows up when they need her most and they tell her they want to do something that is frankly suicidal and doesn't even blink - sounds like fun, sign her up, let's do it! They didn't even have to ask her to tag along. All they really asked for was a ride off Pabu. But there was never a question that she would be there with them, for them, with whatever they needed.

She's the kind of character that makes me like the actress who plays her, despite my previous opinions. I don't know about you guys but for me, that is a short list with scarce company.

Phee is one of the best.

[peacekeeperangel]

The CRK Pirate OC Challenge!

Hello everyone! So I've set up a little list of prompts for writing/drawing for all these Pirates I've been seeing wandering across my field as of late. But I'm going to make it a little more interesting.

If possible please either pick up four Six-Sided dice or use this dice generator and roll out a random number- that number will be your prompt! Cause pirates live on chance y'see?

If you take this challenge please do not read your options before you roll, but if you are uncomfortable with the result do go ahead and re-roll. Thank you and I hope you enjoy these prompts

1. Lunch! Your crew is having a meal in the ship’s mess. Do they behave themselves? What are they eating? BONUS: you show either the Cooking process or the cleanup

2. Dead End Race- your oc is sailing in competition with other oc pirate crews! (Bonus: What is the prize at the end?)

3. Your Crew have somehow made it to the Vanilla Kingdom! Costume swap for the win? (Note: If you don’t follow the CRK game/lore feel free to re-roll)

4. Soon May the Wellerman Come~ pick an appropriately sea-themed song for this prompt!

5. UNO REVERSO! Your OC has done a complete 180! What do they look/act like now?

6. Someone on the Crew has done a Naughty. How does your OC punish their sailor? 7. Sea Monster Attack! It’s up to your OC’s crew to save their ship. How does it go?

8. Your OC has gotten sick. Who looks after them and do they behave as a patient? BONUS: How’d they get sick anyway?

9. Your Crew have somehow made it to the Hollyberry Kingdom! Costume Swap for the win? (Note: if you don’t follow the CRK game/lore feel free to re-roll) 10. Someone needs to look after the Cannons. Does it go well or does it go poorly? 11. Bananas and Coconuts. No I will not explain further, your OC must deal with Bananas and Coconuts.

12. Your OC encounters a pool of water that turns everything it touches into solid gold. How did they discover it and how do they deal with it? 13. Your OC encounters a very snooty treacherous noble who has your OC dead to rights. How does your character Jack Sparrow their way out of this one?

14. Draw your OC as a human/meme. If you’re doing this as a writing challenge then you must write a story with as many dad jokes as possible!

15. Drinking Contest! Team up with a friend and have your OC’s in a drinking competition! Decide the winner by rolling a six-sided die, the winner will be whoever rolls higher! (Note: if you’re too nervous to ask anyone, please re-roll)

16. Your OC got into a bind and now must use their Charisma to escape. Are they successful or cringey?

17. Your Crew have somehow made it to the Dark Cacao Kingdom! Costume Change FTW? (Note: if you do not follow the CRK game/lore feel free to roll for a new prompt!)

18. Things are getting Lovecraftian around here. How does your OC cope with the squishy horribleness of it all?

19. A Captain must go down with their ship. Depict the last stand of your OC

20. Mutiny on board! What does your OC do? 21. Your Crew has Made it to the Golden Cheese Kingdom! Costume change for the win? (Note: if you don’t follow CRK game/lore feel free to re-roll)

22. GIANT BOULDER! AKA, your OC’s Indiana Jones moment. How do they handle it?

23. Depict your OC’s proudest moment.

24. Time for bed. Depict your OC sleeping (Bonus: Make it Wholesome/spicy as you see fit) EDIT BONUS: If you have Completed all 24 Prompts you must have the dreaded CABIN FEVER! Draw/write your OC concequences suffering Cabin Fever

[cas-fandoms]

!!CALLING ALL VOICE ACTORS AND MARKIPLIER EGO FANS!!

My name is Caysē/Cas and as some of you have seen I have posted a fanfiction by the name of The Real Last Goodbye which includes my and my friend’s personal ocs, and Mark egos that mare from Who Killed Markiplier, In Space With Markiplier and A Heist With Markiplier.

I’m making an audio series including these characters and the problems that led up to The Real Last Goodbye. The name is currently pending, so suggestions are appreciated.

!!This casting is solely based on volunteers. No one will be getting paid!!

Before you audition, it is imperative that you read The Real Last Goodbye which is located at the bottom of my page.

The voices of Terri and Chloe will be filled by me and my friend, while the others are for you to audition for! You may audition for two characters!

A brief description of the character will be included beside their name as well as an audition line. This line will be recorded as a voice recording (mp3 or WAV) and emailed to castiaub000@student.joshuaisd.org and caysedaelene@gmail.com. You may perform the line with any emotion and with whatever pacing you please.

Recording Ex.: “Hi, my name is F/L (preferred name if you will) and I am auditioning for the character[s] __. Proceed with line.”

Characters holding a major role will have ‘Ⓜ️’ before their name, so please be wary of their importance. Canon characters will be marked with a ‘🖊️’

Auditionable characters:

Dawn: An optimistic young woman with a kind voice that is high pitched but not annoyingly so. Her romantic interest is Illinois | “Well, that’s no way to handle a problem like that! Sometimes you’ve got to ask for help!”

Laury: A shy young woman who has a gentle voice but has some sort of “mommy” take to it. Her romantic interest is Noir(iplier) | “Oh, I see. Well in that case you’d be mistaken. I am not weak, I am shy. There’s a big difference.”

Ⓜ️ Georgia: A particularly bold woman with a British accent. Speaking mannerisms are that of Rarity from My Little Pony. Her romantic interest is Actor Mark and Wilford | “My stars! Don’t scare me like that! You never know how bad a little startle can end!”

🖊️ Yancy: A bold and kind young man with a Brooklyn accent. His romantic interest is Terri | “Hey, hey, let’s not talk to her like that, eh? I wouldn’t somethin’ unsavory to happin’ to youse.”

🖊️ Illinois: An adventurous, cunning and flirtatious take on Indiana Jones. His romantic interest is Dawn| “Now…I haven’t seen anything like you. Which is rare. I’ve seen a lot of things.”

Ⓜ️🖊️ Darkiplier: A quiet and protective man who usually speaks more in his chest (lowly). His romantic interest is Chloe. | “I’ve done lots of things that I regret. Though, my regrets stop at you.” (This actor will also get to play the role of Damien)

Noiriplier: A mysterious detective like man who tends to draw out his sentences. His romantic interest is Laury | “It’s not often that I find something so intriguing, so I’ll let you go. Just this once.”

Ⓜ️🖊️ Actor Mark: A flamboyant and gaudy man who very open mouthed when speaking, always flaunting. His romantic interest is Georgia and Celine | “Oh wow, that’s how you’ve decided to treat me after all the good I’ve done for you? Absolutely unbelievable.”

Ⓜ️🖊️ Wilford: A silly and wild man who exaggerates his words. Think of flailing your head around when speaking. His romantic interest is Georgia and Celine | “Now let’s turn that frown upside down why don’t we? Questions always need answers unless they’re those stupid universe questions. Then they wouldn’t have answers.”

Male presenting voice: Mainly for fill in’s of voices that we will not have.

Female presenting voice: Mainly for fill in’s of voices that we will not have.

—

Please have fun with this!!

Auditions start now! And End January 26th, so please get your recordings emailed! The cast list will be posted on February 2nd.

PLEASE DM OR EMAIL ME IF YOU HAVE ANY QUESTIONS ABOUT CHARACTERS OR THE OVERALL PRODUCTION. I WILL GET BACK TO YOU WITHIN 48 HOURS OF YOUR MESSAGE.

BLOW THIS UP Y’ALL!

[distinguisheddwarffriend]

Today on Hobbit-Headcanons:

What would the company of Thorin Oakenshield enjoy about the Modern World?

One of my WIP transports the company to our world shortly before they're supposed to reach Rivendell, and into the apartment of my OFC.

So here is a list of things I think each character would enjoy about the Modern World:

Thorin: Google Maps, Siri (will totally argue with her like she's real), Shows like The Crown, Game of Thrones, but also Bridgerton, Democracy (yes you read that correctly), Rock music

Fili: Birth Control (can finally fuck around without risking the royal lineage), Superhero Movies (has an huuuhe crush on Black Widow), Tinder, Martial Arts, Feminism, Henley shirts to show of his muscles, bars & clubs

Kili : TikTok (LOVES cat videos, Top Content Creator about Archery, 'deep thoughts'/rambling, 'prank my uncle/brother with me', does EVERY challenge, accidental thirsttraps & flustered by the comments), Parkour, Man Buns & (Hipster-) Fashion, LGBTQ+ - Community , karaoke bars, team sports, the zoo

Bofur: modern music (especially pop songs with dirty lyrics), Tumblr (is no. 1 shit-poster), music festivals, arts&crafts blogs, Christopher's Streets Day

Bifur: Google Translate, Modern Medicine, Pain Medication, ASL, RomComs (trust me), helps out in an animal shelter, country music

Bombur: Cooking Shows (has his own Online Show), Kindergarten (he had so many children, the reprieve would be SO appreciated), international foodstuff to try

Dwalin: Guns, MMF, store-bought cookies, sport shows (AGRESSIVE fan for whatever team he randomly picks), Barbecues

Balin: Twitter (the political possibilities!!!), mental healthcare (he's sending the whole line of Durin he had no time for their shit), Spa Days, public schools, classical music

Oin: Modern Medicine (Duh), hearing aids, physiotherapy

Gloin: bitcoins, the stock market, Facebook (posts daily about Gimli)

Dori: hair tutorials, fashion shows, tracking devices (has totally microchipped a drunk Nori at some point)

Nori: hacking, movies with the lovable rogue as the MC (Pirates of the Carribbean, Deadpool etc.), spy movies (duh), the mafia (yes, he becomes a boss within weeks)

Ori: Wikipedia, public libraries, tutorials for EVERYTHING (knitting, cutting your own hair, how to talk to royalty, fancy war cries, you name it), fantasy novels, public schools

Bilbo: Food blogs, the "ignore call"-button, Instagram, university (will mayor in at least three subjects), museums

Gandalf: the Internet as a whole, email/ instant messaging, yard sales, modern weed, museums (has a knack for finding cursed items), adventure movies (after watching Indiana Jones he seriously debated obtaining a whip)

[theconstitutionisgayculture]

Which male characters in movies and TV shows do you find attractive?

Pretty much any pre-Peaky Blinders Cillian Murphy character. Malcom Reynolds from Firefly. Farmboy Luke Skywalker. Indiana Jones (original trilogy, though older, late 90s Harrison Ford is daddy material). Young Indy (the River Phoenix version) Any Sean Bean character that has long hair (but especially Richard Sharpe, God those uniforms...). Original series era Captain Kirk. Tyler Durden. Alejandro from Sicario. Paul Atredies (either version). Dale Cooper. Fox Mulder (early seasons especially). Jack Bauer. Kurt Hummel. Season 1 Din Djarin (when he takes his helmet off and is all sweaty and hurt that's the most attractive Pedro Pascal has ever looked). Raylan Givens. Boyd Crowder. Jack Ryan (the Harrison Ford version and yeah maybe I just like Harrison Ford during a very specific set of years deal with it). Billy from Predator. Anakin Skywalker (ROTS version).

Huh. I'm actually surprised I was able to think up so many. I'm usually much more into anime or video game characters so I thought I'd struggle with this, but there's actually a lot more live action characters I find attractive than I thought. And that's not even a full list, just where I stopped.