#Lines of Salt

[williammarksommer]

Salt Route

Lines of Salt series

Hasselblad 500c/m

Kodak Tmax 400iso

[maxyvert]

👻Ghost Lady process👻

The footage waited years for me, and finally it could become a lil video. >Finished illustration here<

[softichill]

OH MYGOD

THE WHOLE TIME. THE WHOLE FUCKING TIME

[zoe-oneesama]

Since you’re on that hating Wish train (I’m there with you), I think you might be interested in checking out Jonah Who Two on YouTube bc he’s re-written some of the songs (his “This is the Thanks I Get?!” is really good and way more villainy)

Jokes on you, I ALREADY HAVE!!! >:D

[that-ineffable-devil]

Listen, I love the Night Nurse as a character. I love Ruth Connell, period.

But when she stands there in Charles' memories and watches him get beaten with a belt and then takes the words he cried at his father to beat him down further "No, you can't make it better. You never made it better, then you died."

I have yet to forgive her for that. It is, without a doubt, one of the cruellest lines I've ever heard in film or television.

[paper-lilypie]

Your Ball Pit is is one of my new favorite things. I especially love your Mike. He's so dad shaped even in his teens.

pov your teenager dad from the 80s loves giving you shit

[echo-nt]

I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.

Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance. 

Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.” 

However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it. 

Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar? 

And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan. 

Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his “condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away. 

Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits. 

Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?

Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.

But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.

And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways. 

Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work. 

They’ve only briefly met when the Connections were in a hurry to transport Eveline.

Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.

Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan. 

TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.

[fidgetspringer]

Thank you for five years of service to our faithful purple line harness. Our most used harness, and the only harness we've owned I have absolutely zero complaints about in any way.

Hopefully your successor can live up to the standard you've set!

[simplepotatofarmer]

for the record, i genuinely believe that most of the inconsistencies in c!dream's motivation and the things he's said can be explained by the fact that at heart he's a silly guy who is deeply committed to the bit.

[mettywiththenotes]

Love how Izuku saw some vague shapes in the distance as he used OFA to break out of Shinsou's mind control and was like "oh yeah thats totally ghosts"

He's so casual about it too. Just says "hey I saw like multiple shadows in the distance and one of them had your hairstyle. any chance these are the souls of OFA?" and All Might is like "What are you TALKING ABOUT my boy 😨"

Personally I headcanon Izuku as a sort of horror/paranormal movie fan, so that's why he's unaffected and serious about it. He has watched way too many movies about stuff like this. He knows the drill

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[williammarksommer]

Keep Right, Flooded for Miles

Lines of Salt series

Hasselblad 500c/m

Kodak Tmax 400iso

[charbies]

process vid for fun & bc I don't use AI :+)

[longing-for-rain]

regarding aang becoming offended bc of his portrayal as a woman in ember island players, i think his anger was justified on that specific occassion? I mean, the fire nation was mocking his gentle nature and pacifism by portraying him as a blithering naive idiot who never took things seriously and the belittling of his culture and beliefs. This is one of the worst episodes for him, dont get me wrong, but in this case, femininity was utilized as a source of derision and weakness imo. I dont say this with bad intentions, just thought i would write this bc i also condemned aang for the same thing before

If that was what Aang was upset about I might be inclined to agree, but everything he says and does throughout that episode points to the contrary. Aang doesn’t say anything about the incorrect portrayal of his culture and personal values. Here is what he does say:

[Note: the above expression is before the actress hardly says anything so he’s clearly just mad about the fact that she’s female]

Aang: [angrily] Is that a woman playing me?

Aang: I don't do that! That's not what I'm like! And I'm not a woman!

[Note: the official script includes the emphasis; again, it’s very obvious that he’s most bothered by being played by a woman]

Then this exchange:

Toph: I don't know, you are more in touch with your feminine side than most guys.

Aang: [Standing up, angrily] Argh!

Katara: Relax, Aang. They're not accurate portrayals. It's not like I'm a preachy crybaby who can't resist giving overemotional speeches about hope all the time. [Everyone looks at her] What?

Aang: [Turns around and sits down. Sarcastically.] Yeah, that's not you at all.

You know what I love about this conversation is that is proves two things at once. Firstly, yet again, it’s clear that being portrayed by a woman is what is most upsetting to Aang. Secondly, his reaction (and, honestly, insult) to Katara’s values here shows that he’s not thinking that deeply about this. It has nothing to do with values. Aang is offended at the idea that he is being portrayed by a woman and with more “feminine” qualities, which honestly plays well with his creepy, possessive behavior with Katara later this same episode.

And I actually do like the fact that you brought up femininity being used as “a source of derision and weakness” because guess what! That’s the definition of femininity itself. Femininity doesn’t mean simply being a woman; femininity is the social behaviors and roles that women are expected to fulfill. Which is why I don’t have any sympathy for a man who is offended by being called feminine or compared to a woman because it’s reflective of a deeply misogynistic attitude on his part. If Aang thinks femininity is so degrading and weak, what does that say about the fact he expects his crush to behave that way? I mean, this is what he thinks of Katara, through his own perspective:

So yeah, that’s my question. If being compared to a woman is so insulting and humiliating to Aang, what does that say about how he intuitively views actual women? Why does he think he’s above that treatment but women aren’t? People act like I’m crazy for saying that he exhibits toxic masculinity this episode but this only furthers that point.

Oh and before someone jumps in here and acts like this goes both ways, let me point you to this:

Toph’s reaction to finding out she’s being played by a big, buff, stereotypically-masculine man. She’s thrilled! Why? Because we are products of a misogynistic society and therefore intuitively view being compared to a man as a compliment and a woman as an insult. The respective roles assigned to each are not equal. Masculinity and femininity were never equal and the system was deliberately created that way. You can see this idea ingrained in the writing of this episode because it’s a bias we all hold to some degree, including the writing and creative team here.

So I’m sorry, but considering the bias clearly present within the writing team and the way the characters behave this episode, it’s clear to me that Aang’s reaction has nothing to do with his culture and everything to do with his misogyny.

[alwaysbewoke]

Did you know that the famous line "And what the hell is that smell?" from 'Independence Day' was improvised by Will Smith? While filming the scene on the salt flat near the Great Salt Lake in Utah, nobody warned him about the strong odor caused by billions of decomposing brine shrimp in the lake.⁠

x

[firelxdykatara]

I actually really don't want to hear anything about how 'overcoming misogyny' is a major theme in Avatar: the Last Airbender when "The Fortuneteller" exists and the ultimate thesis of that episode, in the context of the show as a whole, is that if a girl is in unrequited love, it's cringe and kinda pathetic and she should move on cause the boy will never want her; but if a boy is in unrequited love, he just needs to be patient and wait for the girl he wants to come around cause he's a hero and how could she not?

Its secondary thesis is that you need to make your own destiny and not rely on someone else's words to tell you what your life has in store...if you're a BOY; if you're a girl then what the fake psychic told you will actually determine your ENTIRE life even if you are only fourteen years old.

Meng's existence really would have been the final nail in the coffin for Kataang even if the arc of the ship in Book 3 weren't so abhorrent to me personally (sorry but I have higher standards for romantic relationships than 'the girl is completely oblivious to the boy's advances for the entire show, is actively distressed when those advances become more pronounced, and then her feelings are resolved completely off screen between episodes so that the boy can get his prize in the end')--because her relationship with Aang is deliberately paralleled to Aang's relationship with Katara, and yet Meng, the one-off character, learns a lesson which Aang is quite literally told he must learn in the Book 2 finale... but he never ever does.

Aang has an entire season to internalize that lesson and come to terms with it--that maybe she doesn't have feelings for me and that's ok because I still love and care about her and that's enough--but he never even comes close. His possessive attachment to her gets worse, culminates in the EIP kiss, and Katara just capitulates because we're meant to believe that she went through the entire development of her romantic feelings for the love of her life off-screen between the penultimate episode and the four-part finale.

This was misogynistic even in 2008, and the idea that the show truly had anything meaningful to say about sexism/misogyny when uncritical and unchecked misogyny was baked into its very DNA (assuming we're meant to agree with Brychael that Kataang is 'in the DNA of the show) is just laughable to me. When it comes to 'overcoming misogyny' the show doesn't actually say anything more profound than 'girls can fight too!!!!!'

And that wasn't good enough for me then, it certainly isn't good enough for me today.