#Like start going into character specific stuff

[ceilidho]

Do you have any advice for a novice writer who can’t for the life of them figure out how to begin a story and/or scene? I’ve been slowly working on a novel in my free time for the last couple of years, and I feel like I have a decently solid plot and outline, but every time I go to start the actual process of putting words on paper I always get stuck. I’ve gone back and read the first few pages/chapters of other fantasy books to see how published authors do it, but I can never seem to find the right words or starting point that feels authentic and fitting to my own work. It always feels so clunky and out of place, and although I try to follow the ‘rule’ of starting the story in the middle of the action/a moment of change so that it doesn’t feel boring, nothing I come up with seems to help things flow into the beginning of the plot :/

ugh that's hard because actually forcing yourself to write is truly the hardest part. a lot of it is just nerves. like genuinely you're just experiencing stage fright.

that's why i love using tumblr as a micro-writing platform. when i make stupid little posts here, it feels low effort and i don't attach any anxiety to it, and actually that helps a lot when later on i take bits and pieces of stuff i've written here and add it to larger works (if you were following me when I was actively writing "landscape with honey" or "superstore" you'll remember i took a lot of asks that i'd already answered and just shoved them into the fic).

i highly recommend making a word cloud or vocabulary list for yourself if you're trying to cultivate a specific atmosphere as well. i have one on my phone for random words that i want to use.

then i think it might be helpful for you to try and break it down piece by piece. like if you have a scene where a character is packing a suitcase in order to catch a train, just focus on the first part where they're packing their belongings. there isn't a 'right' way to start a story or write something, so don't beat yourself up because the paragraph/sentence doesn't match perfectly what's in your head. the first draft is always going to be rough as well.

try to think of it like when an artist starts a piece. usually they start with simple shapes that they slowly add on to. you can think of your first draft kind of like this:

(image source)

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[glisten-inthedark]

I did most of this with voice to text because I’m rushing to get ready lol so sorry if there are any errors 

I’d love for Ted to become aware of all the upside down stuff and have a much harder time processing it than Karen, but ultimately choose to stay behind for his family (maybe a parallel to season one nearly running away before returning to help fight, though I don’t see Ted doing as much damage as Steve does lol)

But specifically, I want there to be some sort of scene where, the entire season Ted has been on the outskirts of some Byler interactions, like any Byler interactions that involve it occurring in front of or partially in front of the rest of the party, but the audience just assumes that Ted being Ted hasn’t noticed or hasn’t picked up on the subtlety of each interaction 

But then after Byler has gotten together, but they haven revealed this to either Karen or Ted yet, there’s a scene where after a battle—maybe protecting the Wheeler house from monsters in which Will was in protecting people/the house/maybe weed gun or some other weapon and protected not just but also maybeor Ted himself but either way was badass and essential to victory— we see Will spending some time with Holly and Karen and maybe the other party members and he’s comforting or making her laugh or drawing with her or something that is showing his caring and comforting and supportive side,

And Mike is watching fondly from the other room when Ted walks up beside him and quietly says, “I see why you love him so much” or “I see why he is so important to you” and even if it’s the latter with a more subtle implication behind his words, Mike still freezes and stares at his father in panic and fear and a tiny little bit of hope, and Ted turns to look at his son and gives a smile that almost looks like a grimace, but it’s Ted so he kind of looks like he hasn’t smiled in a long time and is still getting used to how it feels so it’s not that he’s actually grimacing, it’s just that it takes practice. And he rests a firm hand on Mike’s shoulder and doesn’t say anything else, but Mike starts to smile and nod and then gives his dad a hug which surprises Ted but Ted ultimately returns it with some awkward pets but their firm pets, it just means that he’s out of practice not that he doesn’t care

And now I have to run out the door lol hope this is coherent!

Hello! First of all the sheer dedication to send me this, I could never lmao so don't worry about any typos!

You see, I absolutely love this! Because yes, I also desperately want Ted to become aware of the UD and to know everything his children have been through.

Like, I do feel like the biggest problem of his character is how he's not there for his children or his wife, him learning about all of it and choosing to stay behind would make for an amazing character growth.

I genuinely believe he's going through major changes we just aren't privy to yet, it'd be pretty awesome to Mike to know he can count on his parents especially after everything.

I need this family actually sitting down and talking ngl lmai

[smallishzine]

very important official zine stuff for real this time guys please spread this around

we realized we haven’t asked you what you want this zine to be, so here is poll with some different options for things we could do, but this still won’t set things in stone cause we’re aware that we’re working with a relatively small albeit amazing awesome and extremely appreciated audience, but it’ll give us a good idea for what direction you want the zine to go in.

some examples of what we mean for added coherence, please read before voting unless you wanna be like that guy in the Simpsons movie:

an eras tour zine (yes this is a Taylor swift joke shut up if you’re judging us you’re wrong) would be like different pieces dedicated to each, for lack of a better word, “thing” that Joel has done. @/inthelittlezine is a great example of this concept, except the mod has far better organizational skills than we ever could hope to

tourism brochure would be like we pick a specific thing Joel, such as esmp 1 or 2, or x life, or one of his hardcore/survival worlds (I haven’t listed Hermitcraft season 10 cause that’s still in progress but if you guys really really wanna, that too), and make an in universe guide to it expanding upon the lore and characters and builds and stuff. @/scarland-artbook is an amazing example of this, though of course we would be a much smaller scale of a project.

do you wanna tell a story? Or ride our bikes around the halls? We can’t help with the second one, we’re not very sporty people, but this option is both the most difficult and dangerous to the success of the zine, and the one that intrigues me specifically the most. Like, guys, I know I’m polling this, but I’m secretly hoping that this one wins. Like all the hoping. Ever. But I’m not gonna just say yeah let’s do this because if like only three people also wanna this zine will never get made and I will be really, really sad. This option is basically do we wanna take something Joel has done and work together to create an original universe/story based off of it, each contributing a small part of the story in comic or writing form. Unless you’ve been living under a rock and/or this post broke containment sorry if it did I assure I’m usually mostly sane, you probably know where I’m shamelessly stealing taking inspiration from. We heart you @/hotguycomiczine. If we went with this we would obviously create our own universe and storyline, and we’d try to base it off of one of Joel’s characters if possible. Also, if we went with this, we’d start the mod and application process and stuff and once we knew everyone who was going to be in the zine then we’d all get together and start working on the story, and this is the part I’m worried about because if we’re all stumped then I guess the zine is out of luck and I’d be sad. Also even if we did do this, like preemptively temper your expectations I am no where near as good as the legends at hotguycomiczine at organization and promotion and story writing and all that good stuff. However, if you have an idea for a story and want to share, send us an ask cause we might just end up using it.

I think the last two are mostly self explanatory.

please reblog for reach.

[assortedvillainvault]

Omg hi! I saw you write for Disney villains, and while i didn't see him on the list, i'm taking my shot and asking anyways hehe hope that's okay, can i perhaps ask for some headcanons or a oneshot with the headless horseman and a female S/O who's a really big horror nerd?? Like collecting books and movies and figurines and so on (cause that's what i do lol haha) Like just imagine his suprise to the S/O collecting different versions/editions of his own story hehe :3

I'll leave the idea of what kinda horror stuff up to you since i love basically anything X3

Hope you have a awesome day/night! :3

Hi there! I’ve decided to add HH to my character list, so huzzah! I’m not the biggest fan of horror so forgive me if this seems a bit sparse.

I’m also taking inspiration from @seaslugfanclub and framing this as HH from the disney parks, because I’m on a huge brainrot for their holo concept right now and I HIGHLY recommend you check out their blog. This is more of an introdcution/meet cute, but I couldn’t get the thought of being stalked across the park by in irate dullahan out of my head.

Headless Horseman x HorrorNerd!Reader

It was the vast collection of pins, stickers and charms featuring him and others clanking around on your bag that caught his attention from afar.

Most of them seemed to feature body horror, blood and murder - a startling change from the plethora of sparkling PG collectors pins he’s used to seeing visitors bedazzled in. A refreshing change.

He freezes when he catches notice of a flaming pumpkin head pin, and his own striking silhouette on a well loved charm dangling from one zip.

His chest swells up heartily. He’s flattered of course! He’s not as well known as some other horror icons, or even the other Disney Villains of the park, so he’s delighted you’ve taken such an interest in him specifically. Why, he can’t even see a single other DV pin on your person – THAT is dedication!

But...Why collect copies when you can witness the almost real thing?

Despite being mounted on Alpatraum, he struggles to reach you. Oh he can spot you a mile off, don’t need a head for that – but the crowds -

Tourists jam in so tightly that making way for the giant demon horse and headless rider is next to impossible to do at any speed faster than a crawl, and how he loathes that he can’t charge through swinging for heads as he goes. By the time he’s halfway to you the crowds have whisked you away.

Again.

Multiple times he has even caught sight of you looking at him, wide eyed and face flushed (the heat? Or something else..?) before getting jostled and losing you to the rush of squealing, sweaty bodies. He’s ready to start stomping children under Alpatraum’s hooves by the time he yanks on the reins and finally calls it quits.

Fuck it. He’ll stalk you on foot.

~ le time skip five hours ~

He’s going to kill someone.

Five hours. FIVE HOURS in torrid, sticky, unrelenting heat and not a fucking sign –

He needs a drink poured down what’s left of his trachea, a gallop and to behead the next person he sees. He schleps back to where he left Alpatraum tied against a fencepost - and freezes.

To your credit, you do too.

Less to your credit - Alpatraum snorts and pushes you for more sugar cubes, which drop from your startled fingers.

Well.

This works, he supposes. As you shyly wave at him and introduce yourself, he graciously decides you can probably keep your pretty head too.

[wings-of-ink]

Hi Lunan, I was wondering about the player stats if you have time. I keep getting reckless as a go to response for things despite trying to play a more shy and timid MC and it made me curious. How do you determine what choices actions constitute which stat? I understand that the game is still in development and it may not be set in stone or other aspects of the game might be more of a priority, but I was mostly interested in picking your brain, in a general sense, if that's OK. I'm sure you're very busy so there's no rush to answer this ask, or answer it at all.

Hello, Anon!

Let's see, player stats are definitely something that will get fine-tuned as we go. And, funny that you ask, I have literally been dwelling specifically on the reckless stat this weekend.

I'll just explain how I have worked this out below. I apologize that I went a little long...I genuinely enjoy chatting about this stuff, and I gotta bit...lost in the sauce here, lol. ^_^

For the MC's personality and actions/reactions and some of their speech patterns, I have 4 main stats. These are on a scale with their opposing characteristics, so 8 total. There's a 5th stat that tracks how your MC flirts.

Reserved vs Outgoing

Gentle vs Assertive

Serious vs Playful

Reckless vs Cautious

Bold Flirting vs Shy Flirting

The MC starts with scores directly in the middle for all of these (50 on a scale of 100); however, I decided not to code for much in the way of "middle ground" behavior. This saves me tons of coding and tons of agonizing about what a middle-of-the-road response would be. So, if your MC's score is above "49" they default to the characteristic listed first, but lower than that, they default to the one listed second.

The only score that is treated differently is the one for flirting. To default to bold, the score needs to be below 40, so the character must show a fairly direct preference for boldness in this area. I did this since shyness is a fairly "safe" bet for this type of characteristic.

Number 4 does not come into play very often - yet. As things heat up, some actions that the player does not get to choose will be determined by their score in this stat. Currently, there are only a few options to choose what influences this score. It is possible to barely have any score for this stat one way or another. I'm going to be increasing the influence of this and probably adding some new ways to get points for this as I do some editing.

As for how I determine if something raises or lowers a stat in general, I try to use my best judgment to determine motivation when I design the choices that influence stats. To me, being reckless or cautious could be either intentional or not. I think the first time this stat comes into play is in Chapter 1 when MC decides if they are going to try to steal the honeycakes at the beginning. Trying to snatch one gives an increase to recklessness since it could be a naughty or impulsive decision.

I also wanted 1, 4, and 5 to be independent of one another since someone could be more outgoing but very timid when they flirt and cautious when they act. Outgoing/Reserved is another that needs some adjusting as well and will be tweaked in the future.

The others are more straightforward. If an action or speech choice is more kind/soft/mild/considerate, I label it "gentle." If it is more direct or even a bit aggressive, I label it "assertive." I kinda just have to use my own interpretation as best I can, and I know that to other people some of my options will feel flipped (occupational hazard, lol).

I have liked this system for the most part. It took a lot of working out when I got started. I was just learning so it was easily a solid week of me just hammering out what I understood and what worked. I have learned so much since then. I knew I wanted to keep things paired down to ease my own burden. Lots of stats can be so much fun in a game, but I just do not want to get too lost in it, so I keep my focus narrow.

Hope that helps, Nony! If you have follow-up questions, please feel free to let me know! ^_^

A side note, while we are on the subject...

For my next IF, I may play with a different way to set the MC personality. I may just have players pick at the beginning from either specific stats or like 4 or 5 MC archetypes. The wheels are still turning on this though, nothing is set!

[molqr]

YIPPEE YAY!! hi guy. beauty that is The Tagging Games <3

favourite colour: green!! used to be mainly that super eye-strainy yellow-green radioactive colour but all shades of green are sooo gorgeous to me i cant pick favourites. well theres one i like the most which is 'green leafs on trees when the sun shines through them' its very specific but its my favourite colour of all time forever...

last song: i had to go through ten pages of tf2 fight songs on last.fm for this. its such a funny bit but by god. anyway it was kuso breaking nou breaking lily by maximum the hormone. listened to that album for the first time a while back and this song is like my all time favourite from it, used to loop it constantly a few weeks/months ago pff

currently reading: cuckoo by gretchen felker-martin! ive yet to finish it but its really good i like it a lot... ive gotta hurry the fuck up i have to take it back to the library in like 3 days lmfao. really want to take a shot at drawning the main cast and the body horror.

currently watching: metalocalypse babyyyyyyyy. honestly wanted to just rewatch aotd again but wanted to finish rewatching the show first. supposed to be rewatching all of jjba but i hate part 2 i dont want to look at it.. also need to finish the golden girls lmao.

currently craving: b&j's cookie dough... i dont even like the cookie dough that much the vanilla ice cream is just so fucking delicious... havent had it in forever though because the price is absolutely fucking ridiculous lmao

coffee or tea: i love iced coffee and i love tea... fuck... i have to go with coffee simply because i like my iced coffees too much. tea is delicious though where would i be without it during winter.

hobby to try: all of them must be done i need to start my projects... drawing, writing, reading more, and uh, squints, making character edits that counts right. i need to learn how to use shotcut lol. been meaning to get into clay stuff or to learn to knit but i always forget to get on it lmao.

current au: cant think of any for the life of me tbh. OH SHIT YEAH my psychonauts metalocalypse au i forgot completely about that. i think dethklok being psychics would be so fucking funny they'd be so terrible. i can imagine revealing their horrors using their mental worlds so easy. i grin sinisterly. psychonauts aus are just so good always. also theyre so fun to design!! besides that all the current others are co-owned so if i was gonna mention them i'd want to make a big thing about it. like a really shitty gender reveal. (they're all really shitty, but you get what i mean right) congratulations, it's a freak!

tagging: friends and mutuals yippee yay! im shy tagging my mutuals so if you dont want to do this per some random internet fellow giving the say-so, then no pressure LOL @brookiesandcream @its-me-im-bumblebee @the-archivists-plus-one @classic-heavy @ruthytwoshakes @maplemaplemaplemaplemaple + anybody else who feels up to it, get silly w/ it!!

Get to Know Me (tagged by @slingbees)

-------------------------------------------------

rules: tag 9 people you want to get to know better and catch up with

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Favorite Color(s): ORANGE!!!!! but also yellow!

Last Song:

Currently Reading: them Guardians of Ga'hoole books because when I was in the hospital I read one of them.

Currently Watching: I'm going through Red Vs Blue with some friends.

Currently Craving: this peach monster right beside me. don't tempt me.

Coffee or Tea: I haven't been drinking much of either recently, but coffee.

Hobby to Try: Start animating at home.

Current AU: I guess I've been thinking about that Simpsons comic where Smithers gets cloned, fucking hilarious they just start killing each other. Other than that, I don't know.

TAGGING:@sleepypuddding @funkyjunkyfangz @beeframennoodles100 @danklemckspankle @potatoqueensays @notevenhodgepodge @butchbarneygumble @lorogy662 @calpalsworld anyone else too!

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[sysig]

Requestober 2024 Sketches

The playlist is...well, it will be posting very soon! Keep an eye out for your req(s) every Wednesday and/or Friday after the 6th (I think?), pretty sure I got ‘em all >:3c

Doing the full season this time around! The entire mixed bag o’ candy haha

Day 1 had my beautiful boys!! ♥ I’m so happy that Yanderapy took the lead this year ah! It’s too bad I’m so out of practice with them haha, unconfident lines, but the idea was solidly in place from the word go - this was really the only image that came to mind for them, their weird dynamic hehe <3 Made for each other! I am glad their expressions came together so well in the final version, though I didn’t get to show Micchan kneeling! That’s alright tho ♪ Cute enough here hehe

Day 2 got a lot of notes! Kabu’s clothing design is So complex lol, just toss him behind Larry who’s like second nature to draw, suits are so so simple in comparison haha ♪ Still only ended up hiding bits of him! He did end up with his shoe on the outside of Larry’s, boxing him in that little bit <3 And look! His smirk!! As well as the “hiragana” on his sleeves while I was still under the impression that it was text and not Flame Texture lol

And yes, as you can see, I ended up going with the alt doodle, they got more! I was quite tempted by Larry holding Kabu since he’s so tiny lol, but that would’ve required drawing his details! No! Hide him!! The pose is fun and silly and cute tho haha, very plush-coded ♪ And then also a little smech for funsies <3 Just to follow up their staring-at-each-other-in-a-gay-way they ended up with ♥ Rather a fan of Kabu’s hands pulling Larry in :)

Day 3′s was such a pose change!!! Mostly for Edgar, though he’s still kneeling here, inexplicably haha - the angle changed for the final version, and both of their head angles and just, ah, nothing more than a general outline of what I was going for. I’m pleased with both tho! I think the final is much more clear and readable, but there’s always a bit of fun with Edgar looking down/Scriabin looking up haha. I suppose it’s more appropriate than an angel would be looking down on a devil, isn’t it? Haha

Day 4 was another easy one at least, the pose immediately came to mind to show off Nny’s clothes on an even ganglier, thinner frame haha. Like I said, I really tried for more fullbodies this year, so I had to give the tiny version a proper swing on-page! Ran out of room for the larger one, but I really wanted to draw him holding his shoe with his hand haha. You can see the goopmonster on his shirt here too! :D I think his annoyed face is quite cute hehe <3

Day 5 was practically a freebie, and I took absolute full advantage hehehe ♪ If I get the prompt of “soft” of course I’m going to opt for plushies! I’m back in my Webkinz era, and Tala is big big big on Webkinz as well :) And her being a plushie has something of an impact there too lol, but it was really fun to look over all my little guys! I ended up having an extra handful of thoughts about all of them so they’ll be getting their own post(s) :D Good too, since I didn’t talk much about Embroidery’s closet cosplay haha

Day 6 was actually a bit of a question mark for me at first! :0 Not as though I don’t love when Edgar has to clean up Scriabin’s self-inflicted problems haha, I just wasn’t sure what it should be! Making it seasonal helped a bit there - lots of sticker burrs around here when we go walking haha. The bonus ended up being a digital-only, but it was a good motivator to finish these, and then the full poses came to mind - I’m not sure why I was more excited to work on full body poses, but I really was! Maybe the success of meeting my self-imposed challenge haha

I ended up scrapping the alt since it reminded me a little too much of one of the ‘22 reqs - trying to keep things fairly fresh! It was also a little too cartoony haha, where would Edgar suddenly pull such strength from! This doesn’t look like a dream! At least it wouldn’t have been a nightmare of Scriabin being hurt :’) Rescue!

Day 7 was another insta-idea! Really going back and forth on those lol, it sprouted into my head fully formed! This was actually one of a couple I wrote down as I was away from my notebook while brainstorming, so it came back as a mini script; one of more dialogue-heavy ones! Chicken or egg, I wonder, hmm. I always draw Smoker with her sleeves up even though she usually wears them down haha, I dunno. Had a heck of a time with Angie’s hair! I tend to make hair super super fluffy but hers is long and straight and presumably weighs itself down! Doesn’t floof! You’d think having heavy hair myself would incline me towards knowing anything about it but nope lol

Little bouncy concepts haha, and poor Mousey so jealous in the middle, surrounded with them having the most fun!

Day 8 was fairly simple with such a focused ask of them eating Specific Food - can do! Chibis just felt right for such a cute food haha. Would Edgar have a crepe pan, I wonder... I suppose a lot of it comes down to the batter, I haven’t made crepes in such a long time so I wouldn’t know anymore haha

Day 9 featured the slouchy throne! You can see I like the little leggies haha, I did make it a touch more proportional in the final version but who can resist the sillies! Had to draw it and Mettaton separately so I could easily see their silhouettes, I think it all came together in the end fairly well :) Had one heck of a time getting the bottom of his shoes to play nice, but I’m proud of how it turned out!!

Day 10′s, who can resist skelehugs ♥ No I! Not me!! The original had them a lot more upright, I’m glad I went with my note of leaning them back a bit more. Also had Papyrus’ legs on either side of Sans, protective <3 I do like both, but I think they look a bit more reasonably comfortable in the final version, figuring out contact points with one of Papyrus’ legs all the way to one side was too much haha. No boots on the couch! I think they look a bit younger in the final version too, maybe from their eyebrow expressions? Interesting how such small changes can make a big difference ♪

Day 11 was originally going to feature a bunch more Pokemon!! Several of my pink-and-purple faves all gathered around MewTwo <3 Flaafy and Musharna and Sableye my beloved 💜 And of course Whismur!! Can’t but Whismur all the time haha, but in the end I opted to go for the simpler(?) option of just the two ‘mons interacting

Whismur is so spooked by you, even lying down!! Even tho I drew it so I can see it right in front of me, I just can’t imagine MewTwo lying down to investigate haha. More posing changes! Lot of ‘em this year. Pls to quiet, cats have very sensitive hearing, you don’t need to shout

Day 12 started off with probably the Correct Amount of confusion lol, considering even @cutiebetutie​ didn’t expect this to be the matchup lolol, still deeply hilarious to me. But hey, what was I going to do, question a crackship?? Do I look like the kind of person who would say no to exploring some possibilities? Of course I had to give them a scope lol

Haha, “Alt” in quotes as I knew this would actually be the full version, the handholding is cute but where’s the dynamic! There is something there after all! I think so anyway, some tiny tiny sliver that they could start from, and what more foot in the door do you really need? If Nny’s on his charm that drew Devi in, I don’t see why someone a little more airheaded like Jake couldn’t be beguiled haha, if he lasts long enough for that ♪ It’s very tense! I wish him well, I wonder if he could protect himself... Just cut and run, Jake!! Makes for an interesting suspense, that’s for sure haha

Day 13‘s kigurumis!!! Yay!!!! Smol and I successfully wore ours for Halloween this year, we’re them fr fr haha, definitely one of my favourites from this season <3 <3 They’re so cute! Biggest change from here to there is probably where the legs start/end haha, kigurumi have funny little legs hehe. And also Papyrus’ gloves! Sans ended up without any, I can’t resist a hand plate here or there ♪ Also him closing his one good eye to pun about was an accident until it wasn’t haha, just another excuse to do a touch of rereading :3

Day 14‘s turned out so good for how cramped the sketch was!!! Gaster’s hardly there at all! Which is appropriate in its own way haha, filling in the rest of his details was pretty fun tho :) Papyrus looks a lot more desperate in this version which I do like, but him openly enjoying himself is very sweet, who could deny him that <3 Quite pleased with how his arm and hand posing came together in the end as well, fairly minor changes but I think it all flows together much nicer :D

Day 15′s word bubbles turned out way cleaner in the sketch than the final version?? Calls for more practice I suppose; it is asymmetrical, but it does look nice! Maybe needed more colour swatches haha, more and more rows! Edgar’s unimpressed look in the final version is quite good I think but there’s almost a kind of urgency with no eyes behind blank glasses hmm, they both have their merits! I applaud everyone who caught Scriabin holding the bi flag as his swatches! :D Good eye!

Day 16 began The Sleepies lol, I was a bit tired while doodling the first go and it uhm. Well. I mean. You can see lol. S’a bit goofy haha

The alt was much much better! I did end up leaving out the grass which I’m a Little disappointed about - feels too manicured, too sterile in the final version! But I really couldn’t figure a way of adding a bit of visual noise that wouldn’t look flat as well! Minecraft, eh, lol. I am quite pleased with how round Moomin turned out tho :D He looks like a marshmallow in the final version! Yay!

I actually doodled Day 17′s concept before 16 since it came to me so strongly - I do kind of like how much more upright Mob is here, him being as hunched over as he is in the final version adds to the moodiness of the piece I feel. He really is such a good boy! I don’t wish him dark and upsettings!

Day 18‘s didn’t get a paper sketch as I was verrryyyyy tired and had no energy to scan, so skipped the step that would make scanning necessary haha. For all that, I do rather like the digital sketch tho! I think Snufkin’s left leg is a bit better proportioned, and his expression is maybe a bit cheekier? Moomin’s perfect, no notes haha. I also ended up really liking their tail expressions, how Snuf’s is kind of straight and flat while Moomin’s is very roundy hehe <3

I know I said Day 20 doesn’t count but I mean, it’s on the same page! It got the “Day 20″ label! Sketch can go here why not haha. Happy belated Ace Week! I thought it was fun to put a bunch of pink lovehearts around the big central ace heart for me specifically hehe 💜💗

I mentioned in the tags that Day 26‘s original concept was too big to try to do all at once and ahhhh I wish I’d been able to swing it!! I wish I’d been able to do the whole thing!!!! I love scenes like this the most!! Little isometric rooms with little isometric characters all chatting and interacting and being cute and silly and tiny!! I love that! Alas, it had to stay a sketch, but here it is!! Can you recognize everyone here? The main three got the center, but who could the rest be :3c And what of their costumes! Hehe ♪

Still fighting back the sleepies for what ended up being the final version so the dialogue was left much more vague than the caption haha, the aliens don’t even have feet here! I suppose they are meant to be in fish costumes lol, it tracks that only the fully-human Captain’s legs would end there, but definitely not intentionally done so lol. I like ZEX’s expression here so muuuuch ahh I wish I’d been able to capture it a bit better in the digital version! Always something for next time haha

I actually ended up drawing Day 30′s sketch very very last, so this was the last doodle of the season! Me, projecting my tiredness onto the Vargases? Nooo <3 Another one that ended up very very different from the final version, I just needed Something down to paper and out of my head to work with really - I knew even while drawing this that I was going to end up with something very different haha. Sometimes hand just does whatever it wants pft. The dialogue was the star of the show here! And you can see what Scriabin was up to, obscured by the couch haha

Day 31, penultimate sketches for the final day! I really do love Scriabin hiding behind Edgar - wants to be included but not That close, very much with Edgar in the way of anything bad happening to him haha. More pose changes! I like both versions, Todd holding Shmee for comfort or him spilling out of his lap as he focuses all his attention on Joel <3 Both cute in different ways!

Cats are still not one of my strong-suits, but I have been drawing them a bit more recently! Admittedly of the cartoon variety, but even that has had some effect I think! Like their little triangle noses, and the way their ears scoop inwards, and whiskers - little things! I like it! I had fun with these little concept poses, Joel kind of curiously huddling on Edgar’s chest, looking at the world from a safe vantage spot haha. Hold him gently! He deserves it!

All the sketches from this year! I ended up having a lot of fun this season even if it was a little lighter than previous years haha, thank you again to everyone who joined!! ♥

[lilietsblog]

dang, i truly reached outside of my circle. LARP = live action roleplaying, where a bunch of people gather and play a game. I've never been, but generally it involves a fictional scenario with a conflict of some kind with two or more sides. People pick a side or are assigned it by the Game Master(s), the person/people organizing the whole thing, and everyone plays a character, be it one from history or fictional source material, or one they made up. Then everyone goes out into the space prepared for the game - typically in a forest, but some games can take place in someone's house or something - and the scenario plays out from the defined starting point to wherever the players take it in the allotted time. Usually involves a range of costumes from lovingly recreated historical, with involvement of blacksmiths, to "my t-shirt says elf on it". Usually involves some sort of combat with weapons carefully rendered safe from accidents, like sticks wrapped in foam, and rules where if you're hit with one you're supposed to play out the injury you would have received if it were real - or a simplified system, featuring for example Hit Points - after you've been hit this many times you're out, considered dead, and go hang out with the other 'dead' players in the zone assigned to this. Number of players can range from like five to, reportedly, hundreds - however many the Game Master(s) want to / manage to recruit.

DnD is very different. It's a tabletop game, meaning several people - like 3 to 10, with the usual hovering around 5-6 - gather around a table with some multi-sided dice, printed out materials, and optionally other stuff like miniatures. One person is the Game Master (Dungeon Master) again, and others are players. The medium of play is narrating out loud - the players narrate their characters' actions, generally 1 char per player, and the GM (DM) narrates the results of these actions and the rest of the world. The written materials, miniatures etc are to help keep track of what's going on (miniatures are placed on maps and moved around), and DnD itself is the system of rules that governs success of actions - like, yoy say that your character grabs a rope and tries to swing across a chasm - do they succeed? It depends on their skill, a dice roll, whether they're exhausted, etc. There are lots of tabletop game systems out there - like different board games, but more freeform, - and DnD in particular is the most famous and mostly combat focused. The name decipers as "Dungeons and Dragons", with the idea that the typical scenario involves players going into a dungeon (a cave system usually) where monsters live - such as, for example, dragons - and treasure can be found.

Both are sort of like video games. Specifically, the genre of video games called "roleplaying games" or RPGs. Those also involve one or a group of characters, player-controlled, going through scenarios in the game world, making decisions and trying to achieve objectives. They're usually also heavily combat focused.

Making decisions is generally what differetiates roleplaying games from other kinds of games. For example, LARP vs american football - both involve players running around in a defined arena, dressed specially for the game, with rules for keeping score. But where in football your objectives and actions you're supposed to take are strictly defined by the rules, in LARP they're not. In football you can't decide that actually what you want to do this game is betray your team and change sides, or that you're going to try to win by seducing the opposing goalie (and the goalie conversely can't decide that getting play-seduced sounds fun and that's how they'll be playing this). In a roleplaying game you're free to.

(In a computer based roleplaying game you're usually limited to what's programmed into the game as possible, but the game will still include multiple paths you can take with different outcomes)

No seriously, why is it minors dni and not the age of consent? Wdym that I’m allowed to go out and actually engage in sexual stuff but then not allowed to READ about it?

—

(Sorry, english isn’t my first language, so this might not make sense..)

[brittlebutch]

actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[hanzajesthanza]

this looks like a long time but initially it said 1 MONTH 15 days