#Leslie Moran

[fabiansteinhauer]

[kwebtv]

From the Golden Age of Television

Season 1 Episode 8

My Hero - Model of Blossom (aka The Lady Editor) - NBC - December 27, 1952

Sitcom

Running Time: 30 minutes

Written by Robert Cummings, Jack Elinson and Norman Paul

Produced by Edmund Beloin, Robert Cummings and Mort Greene

Directed by Leslie Goodwins and Oscar Rudolph

Stars:

Bob Cummings as Robert Beanblossom

John Litel as Willis Thackery

Julie Bishop as Julie Marshall

Dolores Moran as Rosalind Turner

Jerome Cowan as Mr. Norman

Fritz Feld as Maitre d'

[ulkaralakbarova]

Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession. Credits: TheMovieDb. Film Cast: Hunter Conrad: Haley Bennett Richie Conrad: Austin Stowell Katherine Conrad: Elizabeth Marvel Michael Conrad: David Rasche Erwin William: Denis O’Hare Lucy: Luna Lauren Velez Alice: Zabryna Guevara Luay: Laith Nakli Aaron: Babak Tafti Bev: Nicole Kang Nurse: Myra Lucretia Taylor Dr. Santos: Maya Days Jill: Alyssa Bresnahan Nim: Olivia Perez Lillian: Kristi Kirk Dr. Reyes: Elise Santora Film Crew: Director: Carlo Mirabella-Davis Editor: Joe Murphy Director of Photography: Katelin Arizmendi Assistant Location Manager: Lauren Andrade Associate Producer: Gregory Horoupian Producer: Mynette Louie Producer: Frédéric Fiore Co-Executive Producer: Katy Drake Bettner Associate Producer: Adam Kersh Background Casting Director: Olivia Crist Producer: Mollye Asher Producer: Carole Baraton Assistant Editor: Henry Butash Original Music Composer: Nathan Halpern Colorist: Sam Daley Visual Effects Supervisor: Alex Noble Foley Artist: Leslie Bloome Foley Mixer: Ryan Collison Foley Artist: Joanna Fang Sound Re-Recording Mixer: Michael Kurihara First Assistant Director: Jake Martin Makeup Department Head: Kai Stamps Hair Department Head: Meagan Coyle Costume Design: Liene Dobrāja Production Design: Erin Magill Executive Producer: Haley Bennett Executive Producer: Joe Wright Executive Producer: Constantin Briest Executive Producer: Yohann Comte Executive Producer: Pierre Mazars Executive Producer: Eric Tavitian Executive Producer: Sam Bisbee Co-Executive Producer: David Boies III Co-Executive Producer: David Stone Co-Executive Producer: Julie Parker Benello Casting: Allison Twardziak Music Supervisor: Joe Rudge Line Producer: Javier Gonzalez Second Assistant Director: Brian Johanson Still Photographer: Anna Kooris Gaffer: Lorenzo Pace Leadman: Jake Harms Set Decoration: Frank Baran Property Master: Luke Carr Script Supervisor: Jodi Domanic Special Effects Supervisor: Pete Gerner First Assistant Camera: Vincent Weiler Second Assistant Camera: Emma Penrose Digital Imaging Technician: Jake Westphal Production Sound Mixer: Dan Bricker Boom Operator: Finn Pfeffer Additional Production Sound Mixer: Viktor Weiszhaupt Assistant Costume Designer: Celeste Montalvo Best Boy Electric: Anna Cocuzzo Key Grip: Alexander Prokos Best Boy Grip: Nick Neary Hairstylist: Kristin Nawrocki Location Manager: Lauren B. Taylor Casting Associate: Juliet Axon Production Manager: Maggie Ambrose Production Accountant: Jay Britton Production Accountant: Margret P. Dunlap Assistant Editor: Susannah Kalb ADR Recordist: Chris White Foley Editor: Nick Seaman Foley Editor: Laura Heinzinger Music Coordinator: Blake Jessee Additional Music Supervisor: Laura Katz Compositing Artist: Dulany Foster IV Set Dresser: Linnea Crabtree Art Department Assistant: Tommy Mitchell Art Department Assistant: Dan Normile Art Department Assistant: Bruno Vernaschi-Berman Art Department Assistant: Michael Allegro Script Supervisor: Abe Kemmis Costumer: Kelsey Sasportas Makeup Artist: Rosie Sklar Makeup Artist: Tracey Hussey Makeup & Hair: Lia Parks Second Second Assistant Director: Mike Moran Craft Service: Zola Zimmerman Craft Service: Mauricio Villalobos Craft Service: Joe Facey Post Production Supervisor: Javian Ashton Le Additional Music: Chris Ruggiero Thanks: Stewart Thorndike Movie Reviews: liena: I sadly missed the chance to watch Swallow on the theatre when it hit a film festival in İstanbul while I was there, but I’ve been keeping an eye on this movie since it wrapped and I talked non-stop about how much I wanted to be able to see it. Now that I finally saw it on VOD, I heard there is a possibility for it to re-run in cinemas in Turkey soon and I will certainly go see it again. This film made me sick, I hated every scene while it rolled but at the same time I fell in love with it. So well acted, extremely pretty to...

[wahwealth]

🎬Arthur Wontner, Lyn Harding | The Triumph Of Sherlock Homes (1935) | Fu...

The Triumph of Sherlock Holmes is a 1935 British mystery film, which was directed by Leslie S. Hiscott. The movie stars Arthur Wontneras Holmes. It was based on the 1915 Sherlock Holmes novel The Valley of Fear by Arthur Conan Doyle.  It is the fourth film in the 1931–1937 Sherlock Holmes film series by Flamingo Productions starring Wontner as Sherlock Holmes. Cast Arthur Wontner as Sherlock Holmes Lyn Harding as Professor Moriarty Leslie Perrins as John Douglas Jane Carr as Ettie Douglas Ian Fleming as Dr. Watson Charles Mortimer as Inspector Lestrade Minnie Rayner as Mrs. Hudson Michael Shepley as Cecil Barker Ben Welden as Ted Balding Roy Emerton as Boss McGinty Conway Dixon as Ames Wilfrid Caithness as Col. Sebastian Moran Edmund D'Alby as Capt. Marvin Ernest Lynds as Jacob Shafter Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

[90secondnewbery]

Holes by Louis Sachar

1999 Newbery Medal Winner

Adapted by 3rd and 4th grade: Huxley Duvall, Aalya Fakih, Suniai Fernandez, Vivian Kominski, Charlotte Leslie, Jack McGuire, Orrin Melonas, Amelie Milling, Samuel Mozen-Platz, Astrid Newell, Oliver Poulton, Emma Reese, Django Wallace, Sailor Gaines, Fawn Griffith, Alexandra Hall, Maxine Hoogenakker, Beatrice Hufford, Victoria Brooklyn Hunter, Yele Mozen-Platz, Finn Moran, Lila Peniston, and Ryleigh Potter-Bowers, with teachers Barbi Brittain and Liz Mason Moore of Odyssey Community School (2022)

From Asheville, NC

Judges' Remarks: THIS WAS AMAZING! It was a brilliant idea to tell the story of the book by rewriting the lyrics of Taylor Swift's "Shake It Off." But this was more than a great idea—it was fantastic execution, too! The lyrics succinctly and entertainingly summed up the plot (culminating in the "hey hey hey" spoken word part, which handled the climax and denouement really smoothly), and the singing performances were clear, strong, and full of spirit. There were no half-measures in this movie! (It was also a smart idea to subtitle all the lyrics.) The inventive cinematography and editing made this shine—I liked the clever way the movie made it look like the kids were "climbing God's thumb,” and the choreographed dancing of many orange-shirted prisoners was impressive . . . culminating with the shovels rhythmically banging on the ground at the end of the song’s bridge! I appreciated the attention to detail: Mr. Sir eating the sunflower seeds, the prison-looking tent looming in the background, and the visual storytelling (boiling a boot on the stovetop, Stanley teaching Zero how to read, Madame Zeroni in a great costume while Stanley's grandfather holds a comical stuffed pig . . . this movie has it all! This was an incredible movie, and it's exactly in the spirit of the 90-Second Newbery. Bravo!

[ct-trans-toolkit]

mental health / counseling / psychiatry

Please note - these practitioners were collected from recommendations, internet searches, messaging boards, and membership at WPATH (World Professional Association for Transgender Health). This list is not exhaustive. Not all may be accepting patients and quality of services provided is unknown. Please comment with your experiences with any of these practitioners!!

✨Rainbow Recovery (Hamden)

Counseling

✨Adrienne Benjamin, LCSW (Newington)

Counseling, WPATH member

✨Christina Borel, LCSW, LICSW, MSW (Litchfield)

Behavioral Health, Counseling, Hospital/Practice Administration, LGBTQ Therapy, Other Social Science (Anthropology/Education/Political Science/Sociology, Pediatrics: Psychology, Social Work), WPATH member

✨Jillian Celentano, LMSW (West Haven)

Counseling, Education, Graduate Student, Social Work, WPATH member

✨Sara Cyr, LCSW (Old Saybrook)

Behavioral Health, LGBTQ Therapy, Social Work, WPATH member

✨Rebecca Degnan, LPC (Killingworth)

Behavioral Health, Counseling, Education, Professional Counselor, WPATH member

✨Derek Fenwick, PsyD (Hartford)

Behavioral Health, LGBTQ Therapy, Psychology, WPATH member

✨Sarah Larkin, APRN (Prospect)

Behavioral Health, Education, Graduate Student, Nurse Practitioner, Pediatrics: Psychiatry, Psychiatry, WPATH member

✨Kristin Marchesani, LMFT (Rockville)

Counseling, Education, LGBTQ Therapy, Marriage and Family Therapy, Professional Counselor, WPATH member

✨Michael Miarecki, LCSW, MSW (Middletown)

Behavioral Health, Counseling, LGBTQ Therapy, Social Work, WPATH member

✨Edward Moran, LCSW (Norwalk)

Counseling, LGBTQ Therapy, Marriage and Family Therapy, Social Work, WPATH member

✨Matthew Phillips, LCSW (Stamford)

Graduate Student, LGBTQ Therapy, Sexology/Sex Therapy/Sex Research, Social Work, WPATH member

✨​​Amanda Poling-Tierney, PsyD (Weston)

Psychology, WPATH member

✨leslie pollack, MSW (Hamden)

Behavioral Health, Counseling, Social Work, WPATH member

✨Dr. Kayti Protos, LCSW (Avon)

Behavioral Health, Counseling, LGBTQ Therapy, Social Work, WPATH member

✨Whit Ryan, PsyD (Glastonbury)

Behavioral Health, Fellow, LGBTQ Therapy, Other Health or Physical Science, WPATH member

✨Ashley Sanchez Ramos, MD (Hartford)

Psychiatry, WPATH member

✨Laura Saunders, PsyD (Wethersfield)

LGBTQ Therapy, Psychology, WPATH member

✨Richard Stillson, PhD (Hartford)

Behavioral Health, Counseling, Education, HIV/AIDS, LGBTQ Therapy, Psychology, WPATH member

✨Nathalie Szilagyi, MD (Meriden)

Psychiatry, WPATH member

[sonyclasica]

BANDA SONORA

FUNNY GIRL

Los productores Sonia Friedman, Scott Landis y David Babani, junto con Gemini Theatrical, Accidental Jacket y Sony Masterworks Broadway, se complacen en anunciar el lanzamiento en CD de FUNNY GIRL - New Broadway Cast Recording, el viernes 20 de enero de 2023. Ya disponible en formato digital.

Consíguelo en digital AQUÍ

Consigue el CD AQUÍ

Mira el vídeo presentación AQUÍ

Los productores Sonia Friedman, Scott Landis y David Babani, junto con Gemini Theatrical, Accidental Jacket y Sony Masterworks Broadway, se complacen en anunciar el lanzamiento digital de FUNNY GIRL - New Broadway Cast Recording, que saldrá a la venta mañana, viernes 18 de noviembre de 2022, a las 12:01 AM ET. Producido por David Caddick y David Lai y que incluye la partitura clásica de Jule Styne (música) y Bob Merrill (letra), el CD físico saldrá a la venta el viernes 20 de enero de 2023. Además, el álbum ha sido producido por Evan McGill y coproducido por Brian Gillet, Huck Walton, Sean Keller, Marc Levine, Michael Mayer, Sonia Friedman, Scott Landis y David Babani.

FUNNY GIRL está protagonizada por la nominada a los premios Emmy Lea Michele como Fanny Brice, el nominado a los premios Tony y Olivier Ramin Karimloo como Nick Arnstein, el nominado a los premios Tony y Drama Desk 2022 y ganador del premio Chita Rivera Jared Grimes como Eddie Ryan, y la cuatro veces nominada a los premios Tony Tovah Feldshuh como Mrs. Rosie Brice en el August Wilson Theatre (245 West 52nd Street). Les acompañan Peter Francis James como Florenz Ziegfeld, Ephie Aardema como Emma/Sra. Nadler, Debra Cardona como Mrs. Meeker, Toni DiBuono como Mrs. Strakosh, Martin Moran como Tom Keeney, y una compañía de actores que incluye a Miriam Ali, Amber Ardolino, Daniel Beeman, Colin Bradbury, Kurt Csolak, John Michael Fiumara, Leslie Donna Flesner, Afra Hines, Masumi Iwai, Aliah James, Jeremiah James, Danielle Kelsey, Stephen Mark Lukas, Alicia Lundgren, John Manzari, Liz McCartney, Connor McRory Katie Mitchell, Justin Prescott, Mariah Reives, Barbara Tirrell, Leslie Blake Walker y la suplente de "Fanny Brice" Julie Benko, que interpreta el papel todos los jueves.

El ganador del premio Tony, Michael Mayer, dirige esta nueva versión de FUNNY GIRL, con la clásica partitura de la ganadora de los premios Tony, Grammy y de la Academia, Jule Styne, y letras del nominado al premio Tony y ganador del Grammy, Bob Merrill, (con canciones adicionales de Styne y Merrill). El libro original de Isobel Lennart, a partir de una historia original de Lennart, está revisado por el ganador del premio Tony Harvey Fierstein.

FUNNY GIRL cuenta con la coreografía de Ellenore Scott, la coreografía de claqué de Ayodele Casel, el diseño escénico del ganador del premio Tony David Zinn, el diseño de vestuario de la ganadora del premio Tony Susan Hilferty, el diseño de iluminación del ganador del premio Tony Kevin Adams, el diseño de sonido del ganador del premio Tony Brian Ronan, el diseño de peluquería de Campbell Young Associates, la dirección musical y la supervisión del ganador del premio Emmy Michael Rafter, el reparto de Jim Carnahan, CSA y Jason Thinger, CSA, la orquestación de Chris Walker, los arreglos de danza, vocales y de música incidental de Alan Williams, y los arreglos adicionales de David Dabbon y Carmel Dean.

Esta comedia agridulce es la historia de la indomable Fanny Brice, una chica del Lower East Side que soñaba con una vida sobre el escenario. Todo el mundo le dijo que nunca sería una estrella, pero entonces ocurrió algo curioso: se convirtió en una de las intérpretes más queridas de la historia, brillando más que las luces más brillantes de Broadway. Con algunas de las canciones más emblemáticas de la historia del teatro, como "Don't Rain On My Parade", "I'm the Greatest Star" y "People", la nueva y audaz producción de Michael Mayer es la primera vez que FUNNY GIRL vuelve a Broadway desde su debut hace 58 años.

Las entradas para FUNNY GIRL están ya a la venta hasta el domingo 28 de mayo de 2023 en https://seatgeek.com/funny-girl-tickets. Los precios son a partir de 69,00 dólares.

El día de la función, si se agotan las entradas de pie, habrá un número limitado de ellas en la taquilla. Las entradas de pie son por orden de llegada.

FUNNY GIRL está producida por Sonia Friedman Productions, Scott Landis, David Babani, Roy Furman, No Guarantees, Adam Blanshay Productions, Daryl Roth, Stephanie P. McClelland, Lang Entertainment Group, Playing Field, Gavin Kalin, Charles & Nicolas Talar, Fakston Productions, Sanford Robertson, Craig Balsam, Cue to Cue Productions, LenoffFedermanWolofsky Productions, Judith Ann Abrams / Peter May, Hunter Arnold, Creative Partners Productions, Elizabeth Armstrong, Jane Bergère, Jean Doumanian, Larry Magid, Rosalind Productions, Iris Smith, Kevin & Trudy Sullivan, Julie Boardman / Kate Cannova, Heni Koenigsberg / Michelle Riley, Mira Road Productions / Seaview, In Fine Company, Elie Landau, Brian Moreland, Henry R. Muñoz III & Kyle Ferari Muñoz,  MaggioAbrams / Brian & Dayna Lee.

Los productores asociados de FUNNY GIRL – New Broadway Cast Recording son Joanna Drowos, Abby Green y Pickelstar.

SONY MUSIC MASTERWORKS es una compañía global de entretenimiento especializada en música grabada y experiencias en directo. Entre nuestras producciones teatrales y álbumes de reparto se encuentran  Almost Famous, KPOP, Lempicka, Macbeth (Daniel Craig), Back to the Future, Sing Street, SpongeBob, Harry Potter, Flying Over Sunset, Hello, Dolly! (Bette Midler), Kinky Boots y Once. Para actualizaciones por email y más información, visita www.sonymusicmasterworks.com/.

ACCIDENTAL JACKET ENTERTAINMENT es una productora creativa que combina el cine, el teatro y la música. Hacemos anuncios, películas, vídeos musicales, producciones en directo y álbumes, todo ello con el impulso de contar historias convincentes. Nuestro álbum más reciente fue The Music Man, protagonizado por Hugh Jackman y Sutton Foster.

Sigue a FUNNY GIRL en Facebook, Twitter & Instagram @FunnyGirlBway. www.FunnyGirlOnBroadway.com

Sigue a SONY MUSIC MASTERWORKS en Facebook, Twitter, Instagram & YouTube. www.masterworksbroadway.com

Sigue a ACCIDENTAL JACKET ENTERTAINMENT en Facebook, Instagram & YouTube. www.accidentaljacket.com

Gracias a Lucky Seat, habrá un número limitado de entradas disponibles para cada función de FUNNY GIRL por 47,50 $ la entrada. Las loterías digitales comenzarán cada lunes a las 10 AM ET y se cerrarán el día anterior a la actuación a las 10:30 AM ET. Los ganadores serán notificados aproximadamente a las 11 de la mañana, hora del este, del día anterior a la actuación, por correo electrónico y por SMS. Una vez informados, los ganadores tendrán un tiempo limitado para reclamar y pagar su(s) billete(s). Los participantes en la lotería deben ser mayores de 18 años. Los billetes son intransferibles. Todas las ventas son definitivas. No hay cambios ni devoluciones. Los límites y precios de las entradas son a discreción del espectáculo y están sujetos a cambios. Para ver las reglas adicionales e información sobre cómo participar, visita: https://www.luckyseat.com/shows/funnygirl-newyork.

FUNNY GIRL – NEW BROADWAY CAST RECORDING (TRACKLIST):

1. Overture

Nuevo reparto de Funny Girl en Broadway

2. Who Are You Now?

Lea Michele

3. If a Girl Isn't Pretty

Tovah Feldshuh y Toni DiBuono

4. I'm the Greatest Star

Lea Michele

5. Eddie's Tap

Jared Grimes

6. Cornet Man

Lea Michele, Kurt Csolak, Justin Prescott

7. His Love Makes Me Beautiful

Lea Michele, Daniel Beeman y la compañía

8. I Want to Be Seen with You

Lea Michele y Ramin Karimloo

9. Henry Street

Tovah Feldshuh, Toni DiBuono, Debra Cardona, Jared Grimes, Martin Moran, Lea Michele y la compañía

10. People

Lea Michele

11. You Are Woman, I Am Man

Lea Michele y Ramin Karimloo

12. Don't Rain on My Parade

Lea Michele

13. Sadie, Sadie

Lea Michele y Ramin Karimloo

14. Who Taught Her Everything She Knows?

Tovah Feldshuh y Jared Grimes

15. Temporary Arrangement

Ramin Karimloo, Daniel Beeman, Kurt Csolak, John Manzari y Justin Prescott

16. Rat-Tat-Tat-Tat

Lea Michele y la compañía

17. Who Are You Now? (Repetición)

Lea Michele y Ramin Karimloo

18. You're a Funny Girl / Beekman Call

Ramin Karimloo

19. What Do Happy People Do?

Nuevo reparto de Funny Girl en Broadway

20. The Music That Makes Me Dance

Lea Michele

21. Dream Ballet

Nuevo reparto de Funny Girl en Broadway

22. Finale Act 2

Lea Michele

[livelovecaliforniadreams]

[nonsensical-pendulum]

💡 and 🦺 for the ask game!! - @magic-is-something-we-create

@magic-is-something-we-create ty for the ask!!

💡 What inspired your WIP? Does it have the same “vibes” as it originally did? If not, how do you think of it now, compared to before?

oh god... early days petrichor was, and i am entirely serious, initially inspired by ya sci-fi dystopia stuff. because i started the very first versions of it in fifth and sixth grade. and also i vaguely recall something about there being like. magic gems and spells? i only watched steven universe like. a few moths ago. so i think the whole gems thing was because i had friends who were into it at the time so i got vaguely inspired by it by proxy. the spells came from harry potter (:////////). now, both those aspects of the worldbuilding are Entirely Gone :)

as you might imagine the vibes are uh. very, very different. we have gone from """""gritty""""" ya sci-fi dystopia (but with magic??) to "i have an obsession with film noir can you tell" + character focus. also it's historical fantasy now so there's that

🦺 What is a plot hole that popped up in your WIP, and how did you fix it? (Alternatively, what is something you added to your story to make it more believable/coherent?)

oh boy. as of The Current Draft Of Petrichor I'm Attempting... there are no plot holes because i'm. fifteen pages in and i don't outline :)

as far as coherency, i'm constantly tinkering with the worldbuilding and lore of petrichor's world to make things make sense. you may remember a month or so ago my timeline issues with regards to rory darling, his song about lupa, and america's borders closing--but i think the most recent major change to make the worldbuilding make more sense (and also less Very Potentially A Thing I Should Not Write) was the change in how, exactly wwii (as we know it) didn't happen--initially, the nazis were still A Thing, but had allied with the commars. now, obviously the nazi party still exists in petrichor, and hitler was likely elected due to the Everything in our history, but the commars were already in a larger sort of control, having gotten a foothold in the chaos following wwi, making the german government one of their puppet governments (i am still working on the details of this but. that's the gist!)

the other Coherency Thing of petrichor i'm currently hashing out is lupa/lycaon/leslie moran/maylum--i.e. who knows him as what alias, why, how that affects things, how his magic affects things, etc., what aspects of his leslie moran persona are attributed to lycaon, and all that jazz

[lesbiancolumbo]

hello !! do you have any recommendations for 20s/30s movies?? I've been watching a lot of 40s and 50s ones lately but I'm not sure where to start with earlier stuff ❤

sure! i’m actually gonna go back even farther to the 1910s because if you’re going back that far you might as well go all the way back :) (also there was a movie i want to recommend but it’s from 1916 lol)

this is going to be long - i’ve highlighted the films i think you should start with, though i’d recommend any of these. i also just want to say that because this is my list and it’s my taste, when editing this down (yes, it was longer) i took out as many of the most “popular” films as i could because i want some underseen gems to get more love! that’s all - happy watching! 💛

shoes (1916, lois weber) scandal (1915, lois weber) falling leaves (1912, alice guy blache) mabel’s strange predicament (1914, mabel normand) bread (1918, ida may park) the dream lady (1918, elise jane wilson) the cheat (1915, cecil b. demille) the curse of quon gwon (1917, marion e. wong) la cigarette (1919, germaine dulac)

safety last! (1923, fred c. newmeyer and sam taylor) the grub stake (1923, nell shipman) the smiling madame beudet (1923, germaine dulac) sherlock jr. (1924, buster keaton) strike (1925, sergei eisenstein) the adventures of prince achmed (1926, lotte reininger) flesh and the devil (1926, clarence brown) metropolis (1927, fritz lang) sunrise: a song of two humans (1927, fw murnau) the passion of joan of arc (1928, carl th. dreyer) celles qui s’en font (1928, germaine dulac) show people (1928, king vidor) a woman of affairs (1928, clarence brown) ethnographic films (1929, zora neal hurston) the letter (1929, jean de limur) the wild party (1929, dorothy arzner)

the divorcee (1930, robert z. leonard) m (1931, fritz lang) private lives (1931, sidney franklin) merrily we go to hell (1932, dorothy arzner) back street (1932, john m. dahl) one way passage (1932, tay garnett) i am a fugitive from a chain gang! (1932, mervyn leroy) frisco jenny (1932, william a. wellman) the eagle and the hawk (1933, stuart walker) the story of temple drake (1933, stephen roberts) baby face (1933, alfred e. green) dinner at eight (1933, george cukor) design for living (1933, ernst lubitsch) night flight (1933, clarence brown) the sin of nora moran (1933, phil goldstone) journal of a crime (1934, william keighley) magnificent obsession (1935, john m. dahl) hands across the table (1935, mitchell leisen) the petrified forest (1936, archie mayo) dodsworth (1936, william wyler) born to dance (1936, roy del ruth) the last of mrs. cheyney (1937, dorothy arzner and richard boleslawski) stage door (1937, gregory la cava) the bride wore red (1937, dorothy arzner) it’s love i’m after (1937, archie mayo) the divorce of lady x (1938, tim whelen) holiday (1938, george cukor) pygmalion (1938, anthony asquith and leslie howard) the mad miss manton (1938, leigh jason) tail spin (1939, roy del ruth) love affair (1939, leo mccarey) only angels have wings (1939, howard hawks) the rules of the game (1939, jean renoir) bachelor mother (1939, garson kanin)

[outoftowninac]

HER CARDBOARD LOVER

1926

Her Cardboard Lover is a three-act play by Valerie Wyngate and P.G. Wodehouse, adapted from the French play Dans sa candeur naïve by Jacques Deval. It was originally produced by Charles Frohman Inc. and A.H. Woods. It was staged by Gilbert Miller. 

The Story: To make her handsome and popular lover Tony jealous, Simone enlists Andre to pretend to be her new love interest. She doesn’t count on the complications brought on by her doting cardboard lover.

The French play opened in Paris on January 13, 1926. The English translation  premiered on Long Island NY on September 23, 1926, then on to Stamford CT on the 24th and 25th. 

It arrived at at Nixon’s Apollo Theatre in Atlantic City on September 27, 1926 starring Laurette Taylor as Simone and Leslie Howard as Andre. Plans were for an October 7th arrival on the Great White Way. But instead, October 4th found the troupe in Washington DC. Then a full week in Baltimore MD. 

A funny thing happened on the way to the Rialto. 

The show was shut down after Baltimore, before Broadway, giving the opportunity to makes some changes to the script.

Brady wanted to recast Taylor to suit the revised script, but the star had a ‘run of play’ contract and there was an impasse about her withdrawal. 

The matter was then referred to Equity and a lawsuit was initiated. 

With Taylor out, who would play Simone? 

Brady considered Katherine Cornell. Cornell considered it, but eventually passed on the project. 

Brady finally settled on Jeanne Eagels, who gave up her role in a little play named Chicago to take the role. 

In advance of its Broadway premiere, the new script tried out in Newark NJ where a critic noticed that the relationship between the characters had changed since Atlantic City. 

The leading character was previously described as a mistress, but now called a divorcee. 

The play finally opened on Broadway at the Empire Theatre (1430 Broadway) on March 21, 1927 where it ran for 152 performances. 

A 1928 London tour of the play starred Tallulah Bankhead, with Leslie Howard reprising the role, running for 173 performances. Five minutes of the play was released in UK cinemas as a silent short. After the West End, she toured the play in the UK for much of 1929. 

In 1941, the play enjoyed a US tour of regional theatres starring Bankhead reprising her role. One of the theatres was located in Maplewood NJ. It also played Ogunquit ME, White Plains NY, and other summer stock venues. 

As soon as the play closed in New York City, Marion Davies bought the screen rights for herself. The silent film adaptation played in Atlantic City at the Capitol Theatre on Atlantic Avenue in September 1928. The title had been slightly changed to THE Cardboard Lover. 

A second film version (totally rewritten) opened in Atlantic City at the Strand Theatre on Valentine’s Day 1932. The title was much more different, choosing instead The Passionate Plumber. It starred Polly Moran and Jimmy Durante. The film was also released in French, perhaps as a tribute to the play’s Parisian origins. 

The final film version returned to its original title: Her Cardboard Lover. It opened at the Apollo Theatre in June 1942, the same theatre that had hosted the play starring Laurette Taylor in 1926. Considered a bomb, it was the final film of Norma Shearer. 

[edsonlnoe]

MG Awards 2020 Efectos Visuales / Especiales 1917 Greg Butler, Guillaume Rocheron, Dominic Tuohy Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Mark Hawker, Brendan Seals, Thrain Shadbolt, Greg Steele The Invisible Man Aevar Bjarnason, Marcus Bolton, Jonathan Dearing, Matt Ebb The Midnight Sky Matthew Kasmir, Christopher Lawrence, Max Solomon, David Watkins Project Power Yves De Bono, Leslie Hough, Ivan Moran, Joao Sita, Matthew Twyford Tenet Scott R. Fisher, Andrew Jackson, David Lee, Andrew Lockley Película Animada The Croods: A New Age Onward Over the Moon Scoob! A Shaun the Sheep Movie: Farmageddon Soul Off-Screen Performance Cathy Ang Over the Moon Angela Bassett Soul Jamie Foxx Soul Tom Holland Onward Rachel House Soul Ben Schwartz Sonic the Hedgehog Diseño de Créditos Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Shine The invisible Man Greenhaus GFX Mulan Luke Colson, Ej Kang Project Power Teddy Blanks Underwater Filmograph Waves Caspar Newbolt

[ultimatecryptid]

woo! thanks for the tag this looks like fun!

Tagged by: @ellierenae

Last Song: i was working on a character playlist last night so it was Bottom of the River by Delta Rae (it made it on the playlist)

Last TV Show: idk if it super counts but in counting it so it was No Laugh Newsroom via dropout

Currently Watching: nothing rn

Currently Reading: ahhhhh here we go. The Mercies by Kiran Millwood Hargrave, Stone Butch Blues by Leslie Feinburg, Star Wars Knights of the Old Republic Vol. 2, La ruta del hielo y la sal by José Luis Zárate, The Mists of Avalon by Marion Zimmer Bradley, Introduction to Phenomenalogy by Dermot Moran

tagging @sweatermuppet @starsprung @lend-your-lungs-to-me @crippleking @carrionkid with no pressure

[quilloftheclouds]

hello i bring you lupa content because i have brainrot for one of his aliases-leslie moran, who is one of the funniest and most on-brand characters i have ever created. he is initially a broadway star. except he's in one (1) show as the star and then he Vanishes and becomes a cryptid and then he shows up in england as lycaon's second in command but nobody's sure if it's the same leslie moran. it doesn't help that nobody was ever sure if moran was british or just has a strong transatlantic accent

I assume you meant allies rather than aliases? Honestly though, Lupa has the COOLEST of allies. I'm still over here pining after Mx. X. Help.

Oh, oh Leslie. Oh dear. WHY? Why give up a broadway career for crime??? And to just simply disappear to reappear elsewhere with everyone questioning if it's actually him! WHAT A MYSTERY. Makes for an intriguing one, though~ :P

Because of her immortality, Dione has had to fake her own death upon multiple occasions. For those unaware of just how she ages, many think her more modern appearances are actually the descendants of the original green-eyed witch--that's if they met her when they were very young, or perhaps their own grandparents met her or something. Dione's been around!

It's just especially funny to me because Dione thinks the concept of her having children is frankly disgusting. XD So she has to very awkwardly nod (very unconvincingly) when anyone asks.

[tiger-moran]

Let’s have a little look at a small selection of some of the Conan Doyle Estate’s bullshit shall we, with even more reaction images.

“The Conan Doyle Estate is the only authentic network of experts who provide specialist knowledge of Arthur Conan Doyle’s life, adventures and his many fictional characters.”

Yeah about as authentic as a nine pound note. Their ‘experts’ are lawyers and PR people, their website is obsessed with the “brand” and “licensing” and “trademarks and copyright” ahead of anything else and most of their ‘facts’ are completely wrong and many are clearly taken directly from Sherlock not from the canon. Also remember how Leslie S Klinger had to challenge them in court over their bullshit? That’s what actual Holmes and Conan Doyle experts think of them.

“The Conan Doyle Estate is formed from the family of Sir Arthur Conan Doyle.”

“Most of the family are relations of Sir Arthur, by marriage or blood.”

Yet very strangely they only provide any information about very distant connections between 3 of those “family” and one of those is a step great grandson not even a blood relation. That is their idea of “most” apparently, 3 out of 8 people. None of Arthur Conan Doyle’s children had children; he has no direct descendents and even if they were more closely linked to him through blood, that still wouldn’t make them “experts” as they seem to like to imply they are. Being related to someone even through blood does not make you an expert or make your motives in trying to claim ownership of that person’s works any less mercenary. Plus I’m sure there are thousands of people in the world who can also claim to have an equally tenuous connection to Arthur Conan Doyle, they’re not special in any way.

“The Conan Doyle Estate Ltd owns the last remaining protected story and character copyrights in the USA”

Funny how they ignore that all of the stories are out of copyright in the UK though and have been for 20 years, and the “last remaining protected story in the USA” is just one of 56 stories.

“Holmes and Watson initially admire Moran for his many stories of iron nerve … until they become the game he is hunting at Moriarty’s behest.”

That... never happened in the canon. Moran doesn’t hunt Watson. He doesn’t hunt Holmes “at Moriarty’s behest” like that and Moran’s “stories of iron nerve” are only brought up after he’s caught. All of this is just factually wrong.

Also why the fuck would you give ‘Sebastian’ from Without A Clue - a character who has so little character development he isn’t even given a surname in the film and is shown as little more than a rather dim thug - as an example of a portrayal of Moran but totally leave out someone like Patrick Allen?

Moriarty is “Sherlock’s number one nemesis and obsessive fan.”

Yeah, that obsessive fan who appeared 1 (one) time in the canon in Holmes’s rooms totally pissed off at Holmes for foiling his other schemes, such a fan, so much obsession there.

Also reducing Moriarty to an “obsessive fan” of Holmes anyway. What the fuck. Don’t fucking insult my boy like that.

“Moriarty appears in only two tales directly, "The Final Problem" and "The Valley of Fear" but he is alluded to in five others.

No he doesn’t and no he isn’t. He doesn’t actually even appear directly in any story. He’s directly relevant to the plot and referred to by other characters besides Watson in The Final Problem, The Empty House and The Valley of Fear; all of his scenes are however second hand accounts described by other characters to Watson, not direct appearances which Watson witnessed and is able to directly recount except for one or two fleeting glimpses of someone who may have been Moriarty or may have been someone else entirely. And that is 3 stories, not 2.

He is then also mentioned very briefly in a context which has nothing to do with the plot and are literally just fleeting mentions in 4 other stories (The Norwood Builder, The Missing Three-Quarter, The Illustrious Client and His Last Bow). Anything about him in any other story or criminal scheme within them is pure speculation/fanon, not canon, or a reference to some non-canonical source. Those 4 are literally just a few words long mentions of him, not him being “alluded” to in any meaningful way as they’re trying to imply he is. There is nothing in the canon about him being involved in any other crimes or plots; he’s given no further character development in those other stories. And that is 4 not 5.

And here’s one of their most glaring and yet easily checked up on errors I found before my soul entirely departed my body and I had to stop looking at their garbage:

“Mycroft is one of three children. He is the older brother to both Sherlock and Eurus.”

Eurus is an original character from Sherlock and has absolutely nothing to do with the canon and in fact there isn’t any evidence of them having a younger sister or even any other sibling at all. (What are they gonna do next, try to sue the BBC for stealing Eurus from them?) The sheer ignorance of this supposed “family” of “experts” is just unbelievable.

[joshduhamelsource]

Josh Duhamel & Leslie Bibb As James O’Connor & Libby Moran In New Released Stills From “The Lost Husband” (2020).