#Leslie Malton

[bookola-de]

Rezension: Leslie Malton spricht Matt Haig – Die Unmöglichkeit des Lebens

Leslie Malton spricht Die Unmöglichkeit des Lebens von Matt Haig Rezension © 2024 by Ute Spangenmacher für BookOla.de Die Unmöglichkeit des Lebens 2024 Argon Hörbuch Autor: Matt Haig Übersetzung: Bernhard Kleinschmidt, Sabine Hübner, Thomas Mohr Interpretin: Leslie Malton Spielzeit: 10 Stunden 3 Minuten ISBN: ‎ 978-3-7324-7636-7 bei Amazon bestellen Continue reading Rezension: Leslie Malton…

[agendaculturaldelima]

    #ProyeccionDeVida

🎬 “LA POSESION” [Possession]

🔎 Género: Terror / Drama Psicológico / Surrealismo / Sobrenatural / Gore / Body Horror / Película de Culto

 ⌛️ Duración: 127 minutos

✍️ Guión: Andrzej Zulawski y Frederic Tuten

🎼 Música: Andrzej Korzynski

📷 Fotografía: Bruno Nuytten

🗯 Argumento: Berlín, antes de la caída del muro. Cuando Marc regresa de un viaje encuentra a su esposa Anna cambiada, muy nerviosa y perturbada. Por fin, le confiesa que tiene una aventura y lo abandona. Marc cae en una terrible depresión que lo lleva casi al borde de la locura. Poco después Marc se entera de que su mujer también ha abandonado a su amante, y la verdad sobre la aventura secreta de Anna se revela de forma monstruosa.

👥 Reparto: Isabelle Adjani (Anna, Helen), Sam Neill (Mark), Michael Hogben (Bob), Johanna Hofer (madre de Heinrich), Kerstin Wohlfahrt, Heinz Bennent (Heinrich), Margit Carstensen (Margit Gluckmeister), Carl Duering (Detective), Ilse Bahrs, Leslie Malton (Sara, mujer con zapato equivocado), Maximilian Rüthlein (Hombre con calcetines rojos), Shaun Lawton (Zimmermann), Thomas Frey (Acólito de calcetín rosa), Harry Riebauer (Hombre en la Conferencia) y Bata Kameni (Taxista).

📢 Dirección: Andrzej Zulawski

© Productoras: Gaumont, Oliane Productions, Marianne Productions & Soma Film Produktion

🌎 Países: Francia-Alemania del Oeste (RFA)

📅 Año: 1981

📽 PROYECCIÓN:

📆 Sábado 26 de Octubre

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[movienized-com]

Wochenendrebellen

Wochenendrebellen (2023) #MarcRothemund #FlorianDavidFitz #CecilioAndresen #AylinTezel #JoachimKrol #MilenaDreissig Mehr auf:

Weekend Rebels Jahr: 2023 (September) Genre: Comedy / Drama / Sport Regie: Marc Rothemund Hauptrollen: Florian David Fitz, Cecilio Andresen, Aylin Tezel, Joachim Król, Milena Dreißig, Ilknur Boyraz, Leslie Malton, Sabine Barth, Christo Klahr, Fritz Scheuermann, Nela Bartsch, Michaela Wiebusch, Markus Hoffmann, Otis Whigham, Charlotte Hübner … Filmbeschreibung: Mirco (Florian David Fitz) ist…

[whozwho]

TOBIAS OERTEL, ANNA MARIA MÜHE, PETER JORDAN & LESLIE MALTON sind die Primetime Stars @zdfmediathek in SOLO FÜR WEISS - TODESENGEL @tobias_oertel @steinfeld_pr #hoestermann @annamariamuehe @fitz_skoglund #peterjordan @brittaimdahl #lesliemalton @klostermann_thamm_agentur Foto #olafkroenke Creative Director #kunhildhaberkern für WHOZWHO MAG #whozwho #whomag.eu #photography #portrait #starswienirgendwosonst #makethedifference https://www.instagram.com/p/CkYjG2cMQTB/?igshid=NGJjMDIxMWI=

[buttercup-bard]

Das letzte Mal, dass ich einen Freund hatte, der es seinen Eltern noch nicht gesagt hat, war in der zehnten Klasse.

André Kaczmarczyk als Bernd in Wildwechsel (2017)

[celebsazz]

Leslie Malton & unknown brunette - Süßer Rausch (1), D 2022. After spending a night together...  age difference, lesbian.

[ozu-teapot]

Possession | Andrzej Zulawski | 1981

Sam Neill, Leslie Malton

[beautifulactres]

Leslie Malton (n.1958)

[johnnymundano]

Possession (1981)

Directed by Andrzej Żuławski

Written by Frederic Tuten, Andrzej Żuławski

Music by Andrzej Korzyński

Country: France, West Germany

Language: English

Running Time: 124 minutes

CAST

Isabelle Adjani as Anna/Helen

Sam Neill as Mark

Margit Carstensen as Margit Gluckmeister

Heinz Bennent as Heinrich

Johanna Hofer as Heinrich's mother

Carl Duering as Detective

Shaun Lawton as Zimmermann

Michael Hogben as Bob

Maximilian Rüthlein as Man with pink socks

Thomas Frey as Pink socks' acolyte

Leslie Malton as Sara, woman with club foot

Gerd Neubert as Subway drunk

It’s just a hunch but I reckon Andrzej Żuławski was having a tough time on the marital front when he made this deliriously nuts arthouse splatter classic. Just a hunch, mind. Certainly Anna (Adjani) and Mark (Neill) are putting each other through the relationship wringer. Mark returns home to ‘80s Berlin after a long absence doing some shadily vague spycraft, only to find Anna’s been finding solace elsewhere. Like many couples in movies Mark and Anna shriek and bellow at each other while a child (Michael Hogben) looks tearily on, but the sense that the stakes are raised higher than Kramer vs Kramer (1979) is cemented when they meet in a café and Mark starts smashing things like smashing things is going out of fashion. It’s all very entertaining stuff, full of “deep” conversations delivered in a stagey way, but the bits where Mark loses his shit are best. Which is good, because during Possession Mark loses his shit a lot; he might even have surreptitiously stocked up on shit beforehand so much shit does he lose. Anna looks like a much better bet for any sense, but it turns out that she too is losing her shit, and her shit losing will reach truly operatic proportions before the credits roll and the viewer is left wondering just what the holy hell they just watched.

Things would be bad if Anna was just messing about with her ballet tutor, Heinrich (a thrillingly unhinged performance by Heinz Bennent, which doesn’t so much challenge the viewer but rather the entire concept of performance itself, and possibly singlehandedly redefines cinematic camp for the next hundred years). Unfortunately it’s even worse, she’s messing about on Heinrich as well with…well, uh, spoiler? There’s a reason the credits include Carlo Rambaldi, the renowned creature creator. I’ve never really been a Rambaldi fan, preferring instead Rick Baker, Screaming Mad George or even Rob Bottin, but Andrzej Żuławski keeps Rambaldi’s work off screen or splashed with gore, so any deficiencies are lost in the very effective shock the visual carries. 

Possession’s greatest special effect is the city of Berlin itself; it is set in Berlin when the Wall was up, see. It seems like some kind of early John Carpenter riff now in 2018, but, yes, the city of Berlin was in fact, post WW2, separated East and West, by a big wall with barbed wire, machine guns and sallow men in warm hats peering through binoculars. A divided city, a divided couple, yeah, all that stuff is in Possession. As is doubling, every clever director’s device of choice. And of course the title has more than one meaning. Sure, you could get all chalk and elbow patches about Possession but that’s on your own time. It’s the crazy shit I warm to and…hoo boy! Because as everything around him becomes ever more unhinged, some semblance of sanity finally possesses (ho!) Mark and he sets a detective on Anna’s trail, and when that works out badly he sets Heinrich on the case. Things look like they are trundling to a possibly merely slightly nuts conclusion when Żuławski goes “Ha!” and sets course for the heart of insanity with a final act that becomes apocalyptically demented and then carries right on through.

Possession’s an overwrought wail of a movie but it’s not lacking in discipline, don’t think that for one hot second. The tell is how the characters’ apparent lack of control in front of the camera is balanced by the total control behind it. Characters stomp around, spin on a pin and hurriedly flail off again, in rooms, down stairs, out of doors up and down, in and out, round and round but the camera stays right with them, it never misses a single step. No mean feat in the ‘80s when cameras were as big as suitcases. Żuławski’s hysteria is (ta-da!) rehearsed hysteria but the seeming spontaneity is uncannily convincing. The director’s control clearly extends to the performances; given everyone is so simpatico in their oddness Żuławski’s plainly had a word in every actor’s shell-like. Everyone is good, but Neill, Adjani and Bennent are volcanoes of thespian awesomeness. 

Adjani in particular is a revelation. She definitely has the hardest (because it is the most ambiguous) part, but she tears into it like a dog with a bag of hot chips. Actresses are eternally undervalued, largely because their roles are frequently underwritten, but here Adjani gets a chance to thesp until something snaps and she grabs it with both clawed hands. The bit where she has a breakdown (miscarriage?) in a pedestrian tunnel and ends up slouched in her own secretions of (apparently) milk, blood and fairy liquid is the kind of frenzied brilliance you’ll die happy you witnessed. Andrzej Korzyński’s earworm of a soundtrack certainly doesn’t hurt either. For a movie so apparently overheated and unrestrained  Possession turns out to be a thing of artistic precision and icy control.

Back in 1981 Possession was an unremittingly bleak spew in the face of optimism and yet…in 2018 the wall has gone, Berlin is united, Germany has healed and is doing just fine; so hope has snuck in retroactively. “This too shall pass” turns out to be the secret message of hope at the heart of Possession. A message secret even from the movie itself; a message equally applicable to divided cities and divided marriages; a message the movie wasn’t built to carry but then history always does the heavy lifting. I first saw this movie reviewed in “Starburst” (a British genre movie magazine, 1977 to present) in its year of release and made a pre-pubescent mental note to keep an eye out for it. Nearly four decades later I can rip that mental post-it note up. Possession was worth the wait.

[docrotten]

POSSESSION (1981) – Episode 190 – Decades of Horror 1980s

"I can't exist by myself because I'm afraid of myself, ...because I'm the maker of my own evil." This quote is a pretty good metaphor for the theme of this movie… maybe? Join your faithful Grue-Crew - Crystal Cleveland, Chad Hunt, Bill Mulligan, and Jeff Mohr -  as they relish Metrograph’s brand new 4K restoration of Possession (1981), Andrzej Zulawski’s brilliant and demented film.

Decades of Horror 1980s Episode 190 – Possession (1981)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.

IMDb

  Director: Andrzej Zulawski

Writer: Andrzej Zulawski (original screenplay); Frederic Tuten (adaptation)

CInematographer: Bruno Nuytten

Special Effects: Carlo Rambaldi (the creature)

Selected Cast

Isabelle Adjani as Anna / Helen

Sam Neill as Mark

Margit Carstensen as Margit Gluckmeister

Heinz Bennent as Heinrich

Johanna Hofer as Heinrich's mother

Carl Duering as Detective

Shaun Lawton as Zimmermann

Michael Hogben as Bob

Maximilian Rüthlein as Man with pink socks (as Maximilian Ruethlein)

Thomas Frey as Pink socks' acolyte

Leslie Malton as Sara, woman with club foot

Gerd Neubert as Subway drunk

Chad first saw this film at a drive-in theater when he was a teen and thought it was incredibly boring. This time around, he found the relationship split brought to life to be incredibly intense with the camera work adding to the claustrophobic feel. Crystal loved it as well, calling Possession brilliance wrapped in a madness spiral with an amazing monster. Generally, Bill is not a fan of “artsy-fartsy European” movies, but he agrees with Crystal that Possession is a masterpiece even though he is not sure if he understands it or if he is supposed to understand it. He calls Isabelle Adjani’s performance in this strange, well-directed, beautiful film to be one of the bravest he has seen. Jeff loves this film and is extremely excited to have the chance to cover it. He is delighted with the new 4K restoration from Metrograph which is far superior to the Blu-ray release in his collection.

If you’re interested in checking out this incredible 4K restoration of Possession, and you should be, it opens theatrically and digitally exclusively at the Metrograph October 1-14 and in theaters nationwide on October 15.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Chad, and will be Rawhead Rex  (1986).  Really! They’re not kidding this time. You won’t want to miss that one!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans:  leave them a message or leave a comment on the gruesome Magazine Youtube channel, on the website or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com

NOTE: The images below are from prior releases and not from the new 4K restoration.

Check out this episode!

[olafkroenke]

LESLIE MALTON & THOMAS HEINZE sind die Primetime Stars @zdfmediathek #zdf in MARIE BRAND #lesliemalton #spr @theheinze #agenturvogel Foto @olafkroenke CD @kunhildhaberkern für WHOZWHO MAG @whomag.eu @thegrandberlin @claerchens_ballhaus https://www.instagram.com/p/B0bmfYNoIaF/?igshid=1f4a7ceroloaw

[bookola-de]

Grace denkt eigentlich nicht daran, sich länger auf Ibiza aufzuhalten. Doch der Tod der Freundin ist irgendwie merkwürdig, und so beginnt sie intensiv zu recherchieren und gerät dabei in sehr merkwürdige Situationen.

[universallycrownpirate]

Felix von Manteuffel (* 6. Mai 1945 in Bayrischzell, eigentlich Friedrich Karl Baron von Manteuffel-Szoege) ist ein deutscher Schauspieler.

Er besuchte von 1967 bis 1970 die Otto-Falckenberg-Schule in München. Noch während der Ausbildung gab er 1969 an den Münchner Kammerspielen sein Debüt als zweiter Kuli in Bertolt Brechts Die Ausnahme und die Regel. Von 1970 bis 1972 folgte ein Engagement am Theater Ulm. Zu seinen Rollen zählten dort der Ferdinand in Kabale und Liebe sowie die Titelfigur in Dantons Tod.

Von 1972 bis 1984 gehörte er dem Ensemble der Münchner Kammerspiele an. Hier war er ein vielbeschäftigter Darsteller, der in der Regel weiche, verzärtelte Figuren verkörperte. Zu seinen Rollen gehörten Spitta in Die Ratten (1972), Moritz Stiefel in Frühlings Erwachen (1976), Baron in Nachtasyl (1976), Walter Schwarz in Lulu(1977/78), Trepljow in Die Möwe (1978), Wetter vom Strahl in Das Käthchen von Heilbronn (1979/80), Camille in Dantons Tod (1980), Pylades in Iphigenie auf Tauris(1981), Leonhard in Maria Magdalena (1981), Touchstone in Wie es euch gefällt (1982) und die Titelrolle in Carl Sternheims Der Snob (1983).

Außerdem wirkte er in mehreren Hörspielen mit, u. a. 1981/82 in der deutschen Fassung von Per Anhalter durch die Galaxis.

Von 1984 bis 2004 arbeitete von Manteuffel freischaffend. Zu seinen Gastrollen gehörten Philipp der Gute in Die Jungfrau von Orléans (1985 am Schauspiel Köln), Tellheim in Minna von Barnhelm (1984/85 am Deutschen Schauspielhaus in Hamburg), Malthus in Tankred Dorsts Die Schattenlinie (1995 am Bayerischen Staatsschauspiel) und Diderot in Éric-Emmanuel Schmitts Freigeist (1997).

Zugleich intensivierte er seine Arbeit für Film und Fernsehen und trat unter anderem in mehreren Episoden der Krimiserie Tatort auf. In dem Zweiteiler Im Schatten der Macht verkörperte er Walter Scheel.

1976 erhielt er den Adolf-Grimme-Preis mit Silber für Reden und reden lassen (zusammen mit Wolfgang Glück, Michail Füting und Lida Winiewicz).

Von 2004 an war Felix von Manteuffel am Schauspiel Frankfurt engagiert. 2015 steht er in Berlin im Theater am Kurfürstendamm für Eine Familie – August: Osage County, dem Original gleichnamigen Bühnenwerk von Tracy Letts, auf der Bühne.

Seit 1995 ist er mit der Schauspielerin Leslie Malton verheiratet.

[whozwho]

STEFANIE STAPPENBECK & LESLIE MALTON sind die Primetime Stars #zdf @zdfmediathek in EIN STARKES TEAM-STERBEN AUF PROBE @stefaniestappenbeck_official #stefaniestappenbeck @steinfeld_pr @agenturplayers #lesliemalton #klostermannundthamm Foto #olafkroenke Creative Director #kunhildhaberkern für WHOZWHO MAG #whozwho #whomag.eu Shot on location @luxeleven_berlinmitte @thegrandberlin https://www.instagram.com/p/CUhGBgjsQKN/?utm_medium=tumblr

[igamezonenet]

OFFROAD -Filmclip 6

http://ift.tt/2mBWQ9k

Paramount Pictures präsentiert euch die rasante Komödie OFFROAD mit Nora Tschirner und Elyas M’Barek!

OFFROAD erzählt die Geschichte einer spannenden Suche nach dem Sinn oder Unsinn des Lebens und einer unerwarteten Liebe. Eine gefühlvolle und rasante Komödie mit schrägen Typen und vielen absurden Momenten, in der Nora Tschirner nach Ohren- und Küken-Millionenerfolgen erneut ihre authentische Spielfreude unter Beweis stellen kann. Neben Elyas M’Barek (TÜRKISCH FÜR ANFÄNGER), Max von Pufendorf (BUDDENBROOKS), Tonio Arango (EIN STARKES TEAM) und Nele Kiper (JERRY COTTON) sind u.a. Dominic Raacke, Leslie Malton und Axel Milberg mit von der Partie. source

Der Beitrag OFFROAD -Filmclip 6 erschien zuerst auf iGamezone.

from iGamezone http://ift.tt/2nUBW6e

[florian-david-fitz]