#Leo dicaprio cannes
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vvalliu · 2 years ago
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sequenceofmind · 8 months ago
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carey mulligan looking absolutely ethereal
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starboymuse · 2 years ago
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leo dicaprio smoking a vape in cannes at his big age
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nazmulbd00m-blog · 15 days ago
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notafunkiller · 3 months ago
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If only Seb didn't care about the Oscars. I'll give you a better example. Leonardo DiCaprio no matter how he is in personal life, he won Oscar for Revenant. Honestly he has done much better movies that were nominated for Oscars and deserved to be won. But finally they had to give it to him. Another example is Cillian Murphy. He has been robbed for so many awards for Peaky Blinders, but got all the awards for Oppenheimer.
Agreed about both Leo and Cillian.
Leo's filmography is absolutely amazing and diverse and he deserved an oscar 3738 times till then, so it lost its value for him and his fans. And he did not even care about it that night, especially bc, as you said, they felt like they had to give it to him.
(He also talked about the lobby).
Cillian is an amazing actor who got the Oscar for a role that is not, in my opinion, his best or the most representative for his career, but it was a big film (and ofc his performance was amazing, but yk what I mean)
Oscars are political and they do not value art that much. I know many Americans think they are the most prestigious film awards (and ao do many actors), but in my opinion, film festivals like Venice or Cannes and other international awards value the art so much more.
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lamilanomagazine · 2 years ago
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Killers of the Flower Moon: per Di Caprio l’ultimo film di Scorsese è “un capolavoro”
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Killers of the Flower Moon: per Di Caprio l’ultimo film di Scorsese è “un capolavoro”. Si avvicina sempre di più il momento in cui potremo bearci dell’attesissimo Killers of the Flower Moon. Dalle prime voci si direbbe un capolavoro annunciato; un’opera incredibile, stando a ciò che avrebbe affermato il feticcio di Scorsese, Leonardo DiCaprio. A riportare le parole dell’attore è stata la costumista del film Jacqueline West, che durante una masterclass in Qatar, ha svelato cosa le avrebbe detto Di Caprio dopo la visione dell’anteprima di Killers of the Flower Moon: “Ne stavo parlando con Leo. Abbiamo pranzato prima che venissi qui e mi ha detto di credere di aver lavorato ad un vero e proprio capolavoro”. Il nuovo film di Scorsese ha richiesto un budget di 200 milioni di dollari; le riprese si sono concluse nell’ottobre 2021. Sembra che il cineasta stia continuando a mettere mano alla sua ultima opera, con ritocchi e rielaborazioni, e questo è confermato dal fatto che il teaser, atteso per lo scorso agosto, è stato rimandato, probabilmente, al prossimo autunno. Un lavoro di durata complessiva di circa 3 ore e 20 minuti, e che potrebbe essere presentato come film d’apertura del Festival di Cannes 2023.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article
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tinseltine · 2 years ago
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#6- ELVIS | Warner Bros | Director Bazz Luhrmann| Co-written by Sam Bromell, Jeremy Doner, and Craig Pearce - Growing up if something was really white and kinda corny you can best believe I was into it. So I fell in love with the girl crazy, but clean-cut Elvis of the movies like Fun in Acapulco, Blue Hawaii, King Creole and Viva Las Vegas which is on my Letterboxd List of Movies I Can Watch Again and Again, but I didn’t realize this was all part of America’s censoring and taming of the young, rebel, hip swinging, black eyeliner wearing Elvis. The Elvis who grew up in an all-black neighborhood, revered gospel music, was good friends with the likes of B.B. King (Kelvin Harrison Jr.) and other early Jazz/Blues musicians. I always assumed he heard their records and appropriated the sound, but it would seem he came by it naturally, due to his upbringing. 
I didn’t even know that he had two choices – go to jail for indecency or join the military.  Why is America called “The Land of the Free” yet sh*% like this happened all the time, and still can happen if we’re not very vigilant.In terms of Baz Luhrmann films, I’ve only seen Moulin Rouge and The Great Gatsby. I wrote a comparison between the 1974 version starring Robert Redford and Luhrmann’s Leo DiCaprio version that became my most viewed posts for 5 years running.  I was in favor of the original; yet, I don’t hold that Baz Luhrmann’s just too much bias that most critics seem to have.  In fact, I’d like to praise him when it comes to his latest film Elvis, for giving the iconic crooner the razzle dazzle he and his life story deserves. And I’m not alone as it was given a 12 min standing O at the 75th Cannes Film Festival!
The film gets going with a bang of diamond-encrusted logos and spinning kaleidoscopic of Elvis and Vegas in frames with loud music and just a sense of the excitement that surrounded Elvis Presley in his heyday.  I like being brought into a movie of this nature this way, it prepares you for being taken on an entertaining ride and that’s what we get.  And yet, there are many scenes played out emotionally and fully. In NO WAY is the movie choppy or overly edited or too glitzy. It’s just the right touch of bling. And for the most part, after the opening scenes, it’s a linear story starting with Colonel Tom Parker (Tom Hanks) on the touring circuit with a good o’l boy singer Hank Snow (David Wenham). It’s Hank’s son, Jimmie Rodgers Snow (Kodi Smit-McPhee) that starts playing a record newly popular with the kids in town. They first tell him to shut it off, assuming the singer’s black, but when Jimmie apprises them of the fact that Elvis is white, you’d swear they CGI’d dollar signs in the Colonel’s eyes and off he goes to capture lightening in a bottle.This is how Luhrmann and his team of writers decided to frame this story of Elvis Aaron Presley, through the eyes of his avuncular, manipulative, greedy, “snow-man” of a manager, Colonel Parker, who nobody ever really knew. 
He speaks with an accent that seems like a mix of Dutch and German behind a practiced southern drawl.  He admits to being akin to a carnival barker and a spin doctor, yet Elvis trusts him with his life and livelihood practically his whole career.  Hanks is not right for this part, prosthetics, fat suit, accent, none of it is enough to convince you he ever should have been cast.  Thankfully, there is no better person suited to play Elvis than Austin Butler. It’s his movie to carry. The young actor does more than just nail Presley’s singing voice and stage presence; he goes far beyond an impersonator to a place of kinship.  Rami Malki was very good as Freddy Mercury, Taron Egerton did a fantastic job in Rocketman, Jennifer Hudson tried her best as Aretha Franklin, but Austin Butler puts them all to shame!
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internetbt · 3 years ago
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yslpost · 3 years ago
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carey mulligan & leonardo dicaprio at the 66th cannes film festival in 2013
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vvalliu · 2 years ago
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randommemories · 5 years ago
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lorddicaprio · 6 years ago
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Leonardo DiCaprio at the premiere for Once Upon A Time in Hollywood (dir. Quentin Tarantino) at the Cannes Film Festival- May 21st, 2019
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leonardc-dicaprio · 6 years ago
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Leonardo DiCaprio, Brad Pitt, Margot Robbie, and Quentin Tarantino today in Cannes to present Once Upon A Time In Hollywood.
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ogcosmicfragment · 6 years ago
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Leonardo Dicaprio met Lina Wertmüller and Giancarlo Giannini in Cannes, yesterday, May 22nd 2019.
Lina Vertmüller was the first woman ever nominated for an Academy Award in the Best Director’s category in 1977 for the movie Seven Beauties - nominated also for Best Original Screenplay and Best Foreign Language Movie - starring the very same Giancarlo Giannini.
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submersivemedia · 6 years ago
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No context necessary. 
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