#Legal Reasons to Contest a Will
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dc-probate-attorney · 1 year ago
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Legal Bases for Challenging a Will
The Gormley Law Office is pleased to share this information on estate litigation and challenging a will. In this article, we’re talking about the reasons, or legal bases, for contesting a will. If you have specific questions about your situation or you suspect there is something not quite right going on with a family member’s estate, give us a call at (866) 375-8940 to discuss your individual…
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spacevixenmusic · 1 year ago
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I guess I'll accept this gif as a consolation prize for the show not including Knight Man, or any other Mega Man 6 reps
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object-fan-account · 2 years ago
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Ppl in the OSC esp who can never comprehend a character over 25 are boring bc hcing Paintbrush as being a tired 40-going on-50 y/o who has to deal w the most stuck up annoying 20 y/o Silver Spoon is 10x funnier actually
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mooph · 19 days ago
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in like a week anthpo is gonna release a video called "how i assassinated a ceo and got away with it"
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esoanem · 1 year ago
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Gay marriage became an especially important battleground in part because of AIDS as well. Rights around healthcare directives become extremely important when large portions of the community are suffering with a deadly disease that's being neglected by the establishment and vilified in the media
There were a bunch of assimilationist gay people who took gay marriage as the last word, but they're a small subset of the people who fought (and continue to fight) for marriage equality
this might be because I’m a family law lawyer and also an old crone who remembers when marriage equality wasn’t a thing (as in, marriage equality only became nation-wide two months before I went to law school), but I have Strong Feelings about the right to marry and all the legal benefits that come with it
like I’m all for living in sin until someone says they don’t want to get married because it’s ~too permanent~ and in the same breath start talking about having kids or buying a house with their significant other. then I turn into a 90-year-old passive-aggressive church grandma who keeps pointedly asking when the wedding is. “yes, a divorce is very sad and stressful, but so is BEING HOMELESS BECAUSE YOU’RE NOT ENTITLED TO EQUITABLE DISTRIBUTION OF MARITAL PROPERTY, CAROLINE!”
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anistarrose · 3 months ago
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Please don't tune out when you get to the non-partisan section of your ballot this November. First off, where state Supreme Court justices are elected, Republicans are trying their darndest to elect candidates who will destroy reproductive freedom, gut voting rights, and do everything in their power to give "contested" elections to Republicans. Contrast Wisconsin electing a justice in 2023 who helped rule two partisan gerrymanders unconstitutional, versus North Carolina electing a conservative majority in 2022, who upheld a racist voter ID law and a partisan gerrymander that liberal justices had previously struck down both of.
Second, local judicial offices will make infinitely more of an impact on your community than a divided state or federal legislature will. District and circuit courts, especially, are where criminalization of homelessness and poverty play out, and where electing a progressive judge with a commitment to criminal justice reform can make an immediate difference in people's lives.
It's a premier example of buying people time, and doing profound-short-term good, while we work to eventually change the system. You might not think there will be any such progressive justices running in your district, but you won't know unless you do your research. (More on "research" in a moment.)
The candidates you elect to your non-partisan city council will determine whether those laws criminalizing homelessness get passed, how many blank checks the police get to surveil and oppress, and whether lifesaving harm reduction programs, like needle exchanges and even fentanyl test strips, are legal in your municipality. Your non-partisan school board might need your vote to fend off Moms for Liberty candidates and their ilk, who want to ban every book with a queer person or acknowledgement of racism in it.
Of course, this begs the question — if these candidates are non-partisan, and often hyper-local, then how do I research them? There's so much less information and press about them, so how do I make an informed decision?
I'm not an expert, myself. But I do think/hope I have enough tips to consist of a useful conclusion to this post:
Plan ahead. If you vote in person, figure out what's on your ballot before you show up and get jumpscared by names you don't know. Find out what's on your ballot beforehand, and bring notes with you when you vote. Your city website should have a sample ballot, and if they drop the ball, go to Ballotpedia.
Ballotpedia in general, speaking of which. Candidates often answer Ballotpedia's interviews, and if you're lucky, you'll also get all the dirt on who's donating to their campaign.
Check endorsements. Usually candidates are very vocal about these on their websites. If local/state progressive leaders and a couple unions (not counting police unions lol) are endorsing a candidate, then that's not the end of my personal research process per se, but it usually speeds things up.
Check the back of the ballot. That's where non-partisan races usually bleed over to. This is the other reason why notes are helpful, because they can confirm you're not missing anything.
I've seen some misconceptions in the reblogs, so an addendum to my point about bringing notes on the candidates: I strongly suggest making those notes a physical list that you bring polling place with you. Many states do allow phones at the polling place, but several states explicitly don't — Nevada, Maryland, and Texas all ban phones, and that may not be an exhaustive list. There may also be states that allow individual city clerks to set policies.
You should also pause and think before you take a photo of your ballot, because even some states that don't ban phones still ban ballot photographs. But whether it's a photo, or just having your phone in general — in an environment as high-risk for voter suppression as the current one, you don't want even a little bit of ambiguity about your conduct. Physical notes are your friends.
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jackredfieldwasmyjacob · 1 year ago
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Tigrillo just did a talk about sexuality and gender expression in OT and it was so fucking good man ... the final conclusion of the talk was that gender should be erradicated and that labels would not exist in an ideal world which YEAH. i really really recommend it if you understand spanish, here's the video:
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mostlysignssomeportents · 6 months ago
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Copyright takedowns are a cautionary tale that few are heeding
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On July 14, I'm giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! On July 20, I'm appearing in CHICAGO at Exile in Bookville.
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We're living through one of those moments when millions of people become suddenly and overwhelmingly interested in fair use, one of the subtlest and worst-understood aspects of copyright law. It's not a subject you can master by skimming a Wikipedia article!
I've been talking about fair use with laypeople for more than 20 years. I've met so many people who possess the unshakable, serene confidence of the truly wrong, like the people who think fair use means you can take x words from a book, or y seconds from a song and it will always be fair, while anything more will never be.
Or the people who think that if you violate any of the four factors, your use can't be fair – or the people who think that if you fail all of the four factors, you must be infringing (people, the Supreme Court is calling and they want to tell you about the Betamax!).
You might think that you can never quote a song lyric in a book without infringing copyright, or that you must clear every musical sample. You might be rock solid certain that scraping the web to train an AI is infringing. If you hold those beliefs, you do not understand the "fact intensive" nature of fair use.
But you can learn! It's actually a really cool and interesting and gnarly subject, and it's a favorite of copyright scholars, who have really fascinating disagreements and discussions about the subject. These discussions often key off of the controversies of the moment, but inevitably they implicate earlier fights about everything from the piano roll to 2 Live Crew to antiracist retellings of Gone With the Wind.
One of the most interesting discussions of fair use you can ask for took place in 2019, when the NYU Engelberg Center on Innovation Law & Policy held a symposium called "Proving IP." One of the panels featured dueling musicologists debating the merits of the Blurred Lines case. That case marked a turning point in music copyright, with the Marvin Gaye estate successfully suing Robin Thicke and Pharrell Williams for copying the "vibe" of Gaye's "Got to Give it Up."
Naturally, this discussion featured clips from both songs as the experts – joined by some of America's top copyright scholars – delved into the legal reasoning and future consequences of the case. It would be literally impossible to discuss this case without those clips.
And that's where the problems start: as soon as the symposium was uploaded to Youtube, it was flagged and removed by Content ID, Google's $100,000,000 copyright enforcement system. This initial takedown was fully automated, which is how Content ID works: rightsholders upload audio to claim it, and then Content ID removes other videos where that audio appears (rightsholders can also specify that videos with matching clips be demonetized, or that the ad revenue from those videos be diverted to the rightsholders).
But Content ID has a safety valve: an uploader whose video has been incorrectly flagged can challenge the takedown. The case is then punted to the rightsholder, who has to manually renew or drop their claim. In the case of this symposium, the rightsholder was Universal Music Group, the largest record company in the world. UMG's personnel reviewed the video and did not drop the claim.
99.99% of the time, that's where the story would end, for many reasons. First of all, most people don't understand fair use well enough to contest the judgment of a cosmically vast, unimaginably rich monopolist who wants to censor their video. Just as importantly, though, is that Content ID is a Byzantine system that is nearly as complex as fair use, but it's an entirely private affair, created and adjudicated by another galactic-scale monopolist (Google).
Google's copyright enforcement system is a cod-legal regime with all the downsides of the law, and a few wrinkles of its own (for example, it's a system without lawyers – just corporate experts doing battle with laypeople). And a single mis-step can result in your video being deleted or your account being permanently deleted, along with every video you've ever posted. For people who make their living on audiovisual content, losing your Youtube account is an extinction-level event:
https://www.eff.org/wp/unfiltered-how-youtubes-content-id-discourages-fair-use-and-dictates-what-we-see-online
So for the average Youtuber, Content ID is a kind of Kafka-as-a-Service system that is always avoided and never investigated. But the Engelbert Center isn't your average Youtuber: they boast some of the country's top copyright experts, specializing in exactly the questions Youtube's Content ID is supposed to be adjudicating.
So naturally, they challenged the takedown – only to have UMG double down. This is par for the course with UMG: they are infamous for refusing to consider fair use in takedown requests. Their stance is so unreasonable that a court actually found them guilty of violating the DMCA's provision against fraudulent takedowns:
https://www.eff.org/cases/lenz-v-universal
But the DMCA's takedown system is part of the real law, while Content ID is a fake law, created and overseen by a tech monopolist, not a court. So the fate of the Blurred Lines discussion turned on the Engelberg Center's ability to navigate both the law and the n-dimensional topology of Content ID's takedown flowchart.
It took more than a year, but eventually, Engelberg prevailed.
Until they didn't.
If Content ID was a person, it would be baby, specifically, a baby under 18 months old – that is, before the development of "object permanence." Until our 18th month (or so), we lack the ability to reason about things we can't see – this the period when small babies find peek-a-boo amazing. Object permanence is the ability to understand things that aren't in your immediate field of vision.
Content ID has no object permanence. Despite the fact that the Engelberg Blurred Lines panel was the most involved fair use question the system was ever called upon to parse, it managed to repeatedly forget that it had decided that the panel could stay up. Over and over since that initial determination, Content ID has taken down the video of the panel, forcing Engelberg to go through the whole process again.
But that's just for starters, because Youtube isn't the only place where a copyright enforcement bot is making billions of unsupervised, unaccountable decisions about what audiovisual material you're allowed to access.
Spotify is yet another monopolist, with a justifiable reputation for being extremely hostile to artists' interests, thanks in large part to the role that UMG and the other major record labels played in designing its business rules:
https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing
Spotify has spent hundreds of millions of dollars trying to capture the podcasting market, in the hopes of converting one of the last truly open digital publishing systems into a product under its control:
https://pluralistic.net/2023/01/27/enshittification-resistance/#ummauerter-garten-nein
Thankfully, that campaign has failed – but millions of people have (unwisely) ditched their open podcatchers in favor of Spotify's pre-enshittified app, so everyone with a podcast now must target Spotify for distribution if they hope to reach those captive users.
Guess who has a podcast? The Engelberg Center.
Naturally, Engelberg's podcast includes the audio of that Blurred Lines panel, and that audio includes samples from both "Blurred Lines" and "Got To Give It Up."
So – naturally – UMG keeps taking down the podcast.
Spotify has its own answer to Content ID, and incredibly, it's even worse and harder to navigate than Google's pretend legal system. As Engelberg describes in its latest post, UMG and Spotify have colluded to ensure that this now-classic discussion of fair use will never be able to take advantage of fair use itself:
https://www.nyuengelberg.org/news/how-explaining-copyright-broke-the-spotify-copyright-system/
Remember, this is the best case scenario for arguing about fair use with a monopolist like UMG, Google, or Spotify. As Engelberg puts it:
The Engelberg Center had an extraordinarily high level of interest in pursuing this issue, and legal confidence in our position that would have cost an average podcaster tens of thousands of dollars to develop. That cannot be what is required to challenge the removal of a podcast episode.
Automated takedown systems are the tech industry's answer to the "notice-and-takedown" system that was invented to broker a peace between copyright law and the internet, starting with the US's 1998 Digital Millennium Copyright Act. The DMCA implements (and exceeds) a pair of 1996 UN treaties, the WIPO Copyright Treaty and the Performances and Phonograms Treaty, and most countries in the world have some version of notice-and-takedown.
Big corporate rightsholders claim that notice-and-takedown is a gift to the tech sector, one that allows tech companies to get away with copyright infringement. They want a "strict liability" regime, where any platform that allows a user to post something infringing is liable for that infringement, to the tune of $150,000 in statutory damages.
Of course, there's no way for a platform to know a priori whether something a user posts infringes on someone's copyright. There is no registry of everything that is copyrighted, and of course, fair use means that there are lots of ways to legally reproduce someone's work without their permission (or even when they object). Even if every person who ever has trained or ever will train as a copyright lawyer worked 24/7 for just one online platform to evaluate every tweet, video, audio clip and image for copyright infringement, they wouldn't be able to touch even 1% of what gets posted to that platform.
The "compromise" that the entertainment industry wants is automated takedown – a system like Content ID, where rightsholders register their copyrights and platforms block anything that matches the registry. This "filternet" proposal became law in the EU in 2019 with Article 17 of the Digital Single Market Directive:
https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back
This was the most controversial directive in EU history, and – as experts warned at the time – there is no way to implement it without violating the GDPR, Europe's privacy law, so now it's stuck in limbo:
https://www.eff.org/deeplinks/2022/05/eus-copyright-directive-still-about-filters-eus-top-court-limits-its-use
As critics pointed out during the EU debate, there are so many problems with filternets. For one thing, these copyright filters are very expensive: remember that Google has spent $100m on Content ID alone, and that only does a fraction of what filternet advocates demand. Building the filternet would cost so much that only the biggest tech monopolists could afford it, which is to say, filternets are a legal requirement to keep the tech monopolists in business and prevent smaller, better platforms from ever coming into existence.
Filternets are also incapable of telling the difference between similar files. This is especially problematic for classical musicians, who routinely find their work blocked or demonetized by Sony Music, which claims performances of all the most important classical music compositions:
https://pluralistic.net/2021/05/08/copyfraud/#beethoven-just-wrote-music
Content ID can't tell the difference between your performance of "The Goldberg Variations" and Glenn Gould's. For classical musicians, the best case scenario is to have their online wages stolen by Sony, who fraudulently claim copyright to their recordings. The worst case scenario is that their video is blocked, their channel deleted, and their names blacklisted from ever opening another account on one of the monopoly platforms.
But when it comes to free expression, the role that notice-and-takedown and filternets play in the creative industries is really a sideshow. In creating a system of no-evidence-required takedowns, with no real consequences for fraudulent takedowns, these systems are huge gift to the world's worst criminals. For example, "reputation management" companies help convicted rapists, murderers, and even war criminals purge the internet of true accounts of their crimes by claiming copyright over them:
https://pluralistic.net/2021/04/23/reputation-laundry/#dark-ops
Remember how during the covid lockdowns, scumbags marketed junk devices by claiming that they'd protect you from the virus? Their products remained online, while the detailed scientific articles warning people about the fraud were speedily removed through false copyright claims:
https://pluralistic.net/2021/10/18/labor-shortage-discourse-time/#copyfraud
Copyfraud – making false copyright claims – is an extremely safe crime to commit, and it's not just quack covid remedy peddlers and war criminals who avail themselves of it. Tech giants like Adobe do not hesitate to abuse the takedown system, even when that means exposing millions of people to spyware:
https://pluralistic.net/2021/10/13/theres-an-app-for-that/#gnash
Dirty cops play loud, copyrighted music during confrontations with the public, in the hopes that this will trigger copyright filters on services like Youtube and Instagram and block videos of their misbehavior:
https://pluralistic.net/2021/02/10/duke-sucks/#bhpd
But even if you solved all these problems with filternets and takedown, this system would still choke on fair use and other copyright exceptions. These are "fact intensive" questions that the world's top experts struggle with (as anyone who watches the Blurred Lines panel can see). There's no way we can get software to accurately determine when a use is or isn't fair.
That's a question that the entertainment industry itself is increasingly conflicted about. The Blurred Lines judgment opened the floodgates to a new kind of copyright troll – grifters who sued the record labels and their biggest stars for taking the "vibe" of songs that no one ever heard of. Musicians like Ed Sheeran have been sued for millions of dollars over these alleged infringements. These suits caused the record industry to (ahem) change its tune on fair use, insisting that fair use should be broadly interpreted to protect people who made things that were similar to existing works. The labels understood that if "vibe rights" became accepted law, they'd end up in the kind of hell that the rest of us enter when we try to post things online – where anything they produce can trigger takedowns, long legal battles, and millions in liability:
https://pluralistic.net/2022/04/08/oh-why/#two-notes-and-running
But the music industry remains deeply conflicted over fair use. Take the curious case of Katy Perry's song "Dark Horse," which attracted a multimillion-dollar suit from an obscure Christian rapper who claimed that a brief phrase in "Dark Horse" was impermissibly similar to his song "A Joyful Noise."
Perry and her publisher, Warner Chappell, lost the suit and were ordered to pay $2.8m. While they subsequently won an appeal, this definitely put the cold grue up Warner Chappell's back. They could see a long future of similar suits launched by treasure hunters hoping for a quick settlement.
But here's where it gets unbelievably weird and darkly funny. A Youtuber named Adam Neely made a wildly successful viral video about the suit, taking Perry's side and defending her song. As part of that video, Neely included a few seconds' worth of "A Joyful Noise," the song that Perry was accused of copying.
In court, Warner Chappell had argued that "A Joyful Noise" was not similar to Perry's "Dark Horse." But when Warner had Google remove Neely's video, they claimed that the sample from "Joyful Noise" was actually taken from "Dark Horse." Incredibly, they maintained this position through multiple appeals through the Content ID system:
https://pluralistic.net/2020/03/05/warner-chappell-copyfraud/#warnerchappell
In other words, they maintained that the song that they'd told the court was totally dissimilar to their own was so indistinguishable from their own song that they couldn't tell the difference!
Now, this question of vibes, similarity and fair use has only gotten more intense since the takedown of Neely's video. Just this week, the RIAA sued several AI companies, claiming that the songs the AI shits out are infringingly similar to tracks in their catalog:
https://www.rollingstone.com/music/music-news/record-labels-sue-music-generators-suno-and-udio-1235042056/
Even before "Blurred Lines," this was a difficult fair use question to answer, with lots of chewy nuances. Just ask George Harrison:
https://en.wikipedia.org/wiki/My_Sweet_Lord
But as the Engelberg panel's cohort of dueling musicologists and renowned copyright experts proved, this question only gets harder as time goes by. If you listen to that panel (if you can listen to that panel), you'll be hard pressed to come away with any certainty about the questions in this latest lawsuit.
The notice-and-takedown system is what's known as an "intermediary liability" rule. Platforms are "intermediaries" in that they connect end users with each other and with businesses. Ebay and Etsy and Amazon connect buyers and sellers; Facebook and Google and Tiktok connect performers, advertisers and publishers with audiences and so on.
For copyright, notice-and-takedown gives platforms a "safe harbor." A platform doesn't have to remove material after an allegation of infringement, but if they don't, they're jointly liable for any future judgment. In other words, Youtube isn't required to take down the Engelberg Blurred Lines panel, but if UMG sues Engelberg and wins a judgment, Google will also have to pay out.
During the adoption of the 1996 WIPO treaties and the 1998 US DMCA, this safe harbor rule was characterized as a balance between the rights of the public to publish online and the interest of rightsholders whose material might be infringed upon. The idea was that things that were likely to be infringing would be immediately removed once the platform received a notification, but that platforms would ignore spurious or obviously fraudulent takedowns.
That's not how it worked out. Whether it's Sony Music claiming to own your performance of "Fur Elise" or a war criminal claiming authorship over a newspaper story about his crimes, platforms nuke first and ask questions never. Why not? If they ignore a takedown and get it wrong, they suffer dire consequences ($150,000 per claim). But if they take action on a dodgy claim, there are no consequences. Of course they're just going to delete anything they're asked to delete.
This is how platforms always handle liability, and that's a lesson that we really should have internalized by now. After all, the DMCA is the second-most famous intermediary liability system for the internet – the most (in)famous is Section 230 of the Communications Decency Act.
This is a 27-word law that says that platforms are not liable for civil damages arising from their users' speech. Now, this is a US law, and in the US, there aren't many civil damages from speech to begin with. The First Amendment makes it very hard to get a libel judgment, and even when these judgments are secured, damages are typically limited to "actual damages" – generally a low sum. Most of the worst online speech is actually not illegal: hate speech, misinformation and disinformation are all covered by the First Amendment.
Notwithstanding the First Amendment, there are categories of speech that US law criminalizes: actual threats of violence, criminal harassment, and committing certain kinds of legal, medical, election or financial fraud. These are all exempted from Section 230, which only provides immunity for civil suits, not criminal acts.
What Section 230 really protects platforms from is being named to unwinnable nuisance suits by unscrupulous parties who are betting that the platforms would rather remove legal speech that they object to than go to court. A generation of copyfraudsters have proved that this is a very safe bet:
https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/
In other words, if you made a #MeToo accusation, or if you were a gig worker using an online forum to organize a union, or if you were blowing the whistle on your employer's toxic waste leaks, or if you were any other under-resourced person being bullied by a wealthy, powerful person or organization, that organization could shut you up by threatening to sue the platform that hosted your speech. The platform would immediately cave. But those same rich and powerful people would have access to the lawyers and back-channels that would prevent you from doing the same to them – that's why Sony can get your Brahms recital taken down, but you can't turn around and do the same to them.
This is true of every intermediary liability system, and it's been true since the earliest days of the internet, and it keeps getting proven to be true. Six years ago, Trump signed SESTA/FOSTA, a law that allowed platforms to be held civilly liable by survivors of sex trafficking. At the time, advocates claimed that this would only affect "sexual slavery" and would not impact consensual sex-work.
But from the start, and ever since, SESTA/FOSTA has primarily targeted consensual sex-work, to the immediate, lasting, and profound detriment of sex workers:
https://hackinghustling.org/what-is-sesta-fosta/
SESTA/FOSTA killed the "bad date" forums where sex workers circulated the details of violent and unstable clients, killed the online booking sites that allowed sex workers to screen their clients, and killed the payment processors that let sex workers avoid holding unsafe amounts of cash:
https://www.eff.org/deeplinks/2022/09/fight-overturn-fosta-unconstitutional-internet-censorship-law-continues
SESTA/FOSTA made voluntary sex work more dangerous – and also made life harder for law enforcement efforts to target sex trafficking:
https://hackinghustling.org/erased-the-impact-of-fosta-sesta-2020/
Despite half a decade of SESTA/FOSTA, despite 15 years of filternets, despite a quarter century of notice-and-takedown, people continue to insist that getting rid of safe harbors will punish Big Tech and make life better for everyday internet users.
As of now, it seems likely that Section 230 will be dead by then end of 2025, even if there is nothing in place to replace it:
https://energycommerce.house.gov/posts/bipartisan-energy-and-commerce-leaders-announce-legislative-hearing-on-sunsetting-section-230
This isn't the win that some people think it is. By making platforms responsible for screening the content their users post, we create a system that only the largest tech monopolies can survive, and only then by removing or blocking anything that threatens or displeases the wealthy and powerful.
Filternets are not precision-guided takedown machines; they're indiscriminate cluster-bombs that destroy anything in the vicinity of illegal speech – including (and especially) the best-informed, most informative discussions of how these systems go wrong, and how that blocks the complaints of the powerless, the marginalized, and the abused.
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Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/06/27/nuke-first/#ask-questions-never
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Image: EFF https://www.eff.org/files/banner_library/yt-fu-1b.png
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
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twopoppies · 2 months ago
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Sorry to go back to Bg but I'm convinced Louis team was intending to let it fade into irrelevance until nobody remembered it until B's sugar daddy exposed her and he/his team did what they always do and overreact instead of using it and backdating the whole thing they went in the opposite direction and pushed to try and cover up the fact he had nothing to do with the kid for years. ( just like with larry,, there was no reason to do all that it just made people more interested in them) all they've done with it is made a bigger mess that's going to be MORE sus and make MORE people look deeper into everything when it finally ends or more likely gets exposed (disclaimer: i dont want him to be exposed it's just the fact is the bigger the lie the harder it is to keep 🤷‍♀️)
Yeah, I agree that Boobgate seemed to be the turning point. I don't think it was entirely an overreaction because they could have course-corrected if so. They haven't yet and it's been two years at this point. I really think there's some kind of legal issue he's trying not to get caught in. There's no way Sony would take the fall if the truth came out. It would all fall on Louis.
I'm not an attorney, but from what I can understand, falsely claiming to be a parent on a birth certificate can lead to serious legal consequences. At the federal level, there is no specific law criminalizing falsely signing a birth certificate, but this type of fraud can have various legal repercussions based on state laws.
False Information as Fraud: In California, knowingly providing false information on a birth certificate is considered a form of fraud, and the state may impose both civil and criminal penalties. California law treats falsely establishing paternity as perjury if done knowingly, which can be a felony with significant fines and potential jail time.
Paternity Presumption: In California, when a man signs a voluntary declaration of paternity, the law presumes he is the legal father. If he later claims he is not the biological father, he may face legal complications, especially if he signed the declaration while knowing he was not the biological parent. Depending on the state, this can be classified as a misdemeanor or felony offense with penalties including fines, imprisonment, or both.
Federal Involvement in Fraud Cases: If the false claim is part of a larger fraud scheme involving benefits, such as falsely claiming dependency benefits, federal charges could apply. For instance, fraudulently claiming a dependent on tax filings (if connected to a fraudulent birth certificate) could lead to charges for tax fraud or other federal offenses. I doubt Briana is filing taxes claiming Freddie as a dependent, but Tammi and Brett may be. Or Louis might be required to do it but isn't. I have no idea, but it's something to think about.
Consequences Beyond Criminal Penalties: Falsely signing a birth certificate can also have serious civil repercussions, especially in cases where paternity or custody rights are contested later. Courts may impose penalties, order repayment of child support or benefits fraudulently obtained (ie: requesting government assistance), and adjust parental rights or responsibilities (would this affect who has the right to care for Freddie and make decisions concerning his well-being?). Additionally, Louis' ability to keep his US Visa (thus being able to visit/tour/work in the US) could be compromised if he were found tp have committed fraud.
(If there are actual Family Law attorneys out there, please correct me if I'm wrong)
This is not to say he is stuck forever. But I think he needs to establish that he THOUGHT he was Freddie's dad for a long enough time to then have a DNA test and prove that he's not, but he can't appear to have known the whole time.
This, IMO, is why fans are better off just shutting up about it right now because constantly pointing out the pregnancy discrepancies, or how much he didn't do in those first five years, probably makes things more difficult for him.
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verdantlights · 2 months ago
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CHAT LISTEN TO ME. LISTEN
IF TILL WAS SHOT FATALLY IN THE NECK. HED BE DEAD IN LESS THAN A FUCKING MINUTE. A FATAL SHOT TO THE NECK HAS YOU DEAD IN A MINUTE. IF HE WAS STILL ALIVE AFTER MIZI GOT ONTO THE sTAGE, FIXED TILLS POSITION, PROPPED HIM UP, AND TOOK THE TIME TO PUT PRESSURE ON HIS WOUND..... YOU THINK THATD TAKE LESS THAN A MINUTE?? HE WAS STILL ALIVE AND WE ALSO HAVE NO IDEA HOW LONG HE WAS SITTING THERE BEFORE "DYING"
ANOTHER THING. THE GUARDS THE TRACKER (either heartbeat or mood, i believe this was a mood tracker) TO MAKE SURE THE CONTESTANT IS DEAD.
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MF LOOOOKKKKK
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LOOOOOOOKKKKK (/ref)
THAT SHIT IS MOSTLY OUT OF HIS EAR, THEY CANT TELL IF HES DEAD OR NOT AND THEY CANT RISK SHOOTING HIM NOW BC OF MIZI. ESP SINCE MIZI IS ONE OF THEIR "SPECIAL GUESTS"
"oh but hes coughing up bl-" HE HAD A NOSE BLEED AND HES LAYING FACE UP. YOURE NOT SUPPOSED TO TILT YOUR HEAD THAT FAR BACK WHEN YOU HAVE A NOSE BLEED OR IT WILL FALL DOWN THE WRONG WAY AND INTO YOUR THROAT. HE COUGHED UP HIS NOSE BLOOD. ESPECIALLY CONSIDERING THE WAY ITS FLOWING DOWN HIS FACE. IF THAT HAD HAPPENED WHILE UPRIGHT, ITD BE LIKE HOW IVAN COUGHED UP BLOOD.
sure yes blood loss is another thing that could happen but listen to me. the way that he was shot, was not fatally. theres no way that this:
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(ignore the yt) this is not how a gunshot to the neck from the RIGHT would look. this would only make sense if the person shooting him came from far behind him and slightly to the right. the bullet went through the side of his neck enough to cause the blood to splatter this way.
when shot by a bullet, the blood doesnt splatter out the entry point, it splatters out the EXIT point. i would know, im american (SLASH JAY THAT IS SLASH JAY FOR LEGAL REASONS THAT IS A JOKE)
anyways chat be honest am i crazy and delusional yes or no
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@pwippy since we were going back and forth on the why/why not of all of this
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littlestuffstohide · 8 months ago
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AA Fic Rec
I've sunk on AA so bad. I have such a long list. Almost 100 on my bookmarks. Here is my attempt to organize my bookmark list. I know I created a list before But this is better. I'll start of with my general AA WrightWorth List fic recommendation I've bookmarked since I sunk into this rabbit hole. Buckle your seats because this post is going to be reaaaally loooong. I tried to clean it as much as possible. So if you guys are looking for some AA WrightWorth treasure trove, this is it. I'm sure there are some I've read and missed. I will update my list as much as possible. My summary is literally bare to none and just my spoilers and hints what I love about it so mmmuuuch!
all there is - by sunsmasher. Narumitsu oneshot - A mix of bad Krisnix and goodness Narumitsu.
Summary: Phoenix and Kristoph during the seven year gap, Phoenix and Miles after it.
love most definitely requited - by The_Eclectic_Bookworm
Summary: cute hananaki au that of course involves confession in an unexpected way.
Pressure - by ApprenticeofDoyle
Summary: A different view/ canondivergent AA with the Feys. My ALL-time favorite AA fic of all times. AA with dash fam on Feys/Wright. It also has some great wrightworth pinning. And you will love the flow of wrightworth. There are still a lot of feels on this. It would be a crime not to read this. There is, like 4 parts on this. This one is complete. Read it! Here's the link for Pressurverse series.
if i woke up (next to you) - by ApprenticeofDoyle
Summary: Post Engarde Trial based on Pressureverse post Engarde Trial if that make sense. An canon divergent on pressure fic.
miles edgeworth's terrible, no-good, very bad week - by ApprenticeofDoyle
Summary: AAI but with Phoenix. Everything with Phoenix on AAI. Like I love it for many reasons. The WrightWorth is there but this is juuuuust so good. I'm low-key hoping for part 2 to have Phoenix altho that's least likely to happen. I juuuuust want Phoenix interacting with uncle Ray yknow!
a lie like a litany, cold and reformed - by fictitiousregrets
Summary: Where Miles bluffs about being engaged, gets engaged, gets married, and realizes they're in love and married. One of my favorite rom coms of all times. Really Wrightworth insanity.
Happier Than I Deserve - by KrisseyCrystal (IceCreAMS)
Summary: Pride and Prejudice representing Miles and Phoenix. Need I say more? This is going to be one marathon of wrightworth. Binge yourself on this monster fic. And really worth it to read.
where the heart is - by chameleonwrites
Summary: How Phoenix's home charmed Miles? Spanning from childhood until they move together, Real cute. I love for any Miles POV.
Trust Issues - by chameleonwrites
Summary: Phoenix sees plane tickets. Cue the angst. Wrightworth trying to make you cry.
The Catch-up Game - by theacegrace
Summary: Post AA6 Phoenix character study. Real good fic that's utterly sweet. It had lovely moments to angst moments, great confession to some wright family antics. A sin not to read. Never fails to tear me from the confessions?
Childswap - by theacegrace
Summary: WrightWorth switching children for a day. Real cutiiie fic! This never fails to put smiles on my face.
reading between the lines - by The_Eclectic_Bookworm
Summary: Another tearjerker. It starts tearing you to pieces then sweetening you with the fluff. And the last chapter is worth all the angst! A roller coaster fic. Basically Miles spanning from the horror of Manfred to Phoenix to great Franzy and Miles sibling love and back to Phoenix! Spanning the first 3 games.
Legal Partners - by Miggy
Summary: Oh boy. Another monster fic that's just so worth it. Fluffy and ansty and fluffy. A betting game between Klavier and Miles on who can show their? defense attorney how much they appreciate them as a legal partner. Quoting Phoenix in this fic a pissing contest between the two of them. Has some Kpollo but really more of Wrightworth goodiness. Anyone who hasn't t read this is a crime.
It Would Feel So Good To Make You Mine - by hi_its_ellis and lowbatteryhealth
Summary: Love is War but WrightWorth style. Literally flirting contest, knowing all the rules without talking and just driving the entire LA crazy while they both wait for the other to confess. My all time favorite WrightWorth rom com insanity. I don't feel bad at all. It will make you laugh so much.
A Fool for You - by bluemoodblue
Summary: Engaged but at the same time did we get married 4 months before the wedding? And it's not Vegas! This is just so romcom and just so good and sweet. I won't say anymore!
The PlayWright - by WingSongHalo
Summary: Miles visits a local theater where he meets a very intriguing actor who seems so much like someone. Really, really good. This is just one of my favorite WrightWorth fics.
Project: Matchmakers - by WingSongHalo
Summary: Literally everyone shipping Wrightworth and a club shipping WrightWorth and trying to get them together. Really adorable. Many cute parts. It has 3 parts found here. You will love the proposal on part 2 and part 3 is cute and lovely due to many reasons.
time goes by so slowly (and time can do so much) - by ohallows
Summary: AU AA magical universe Miles being a caseworker featuring Phoenix! Phoenix director of orphanage of magical pips. Really good!
Out of Order - by canolacrush
Summary: Falling in love backwards Phoenix style. Phoenix is sooo seduced that he runs from his husband who suddenly looks 100x hotter.
Chicago Noël by canolacrush
Summary: Mafia Miles and Baker Phoenix. This is also ooone monster fic. It's adorable and lovely in so Many levels. You will love the switch in roles for Miles and Phoenix. One of my fave fics! Forgot to tag this. I'm sorrry!
Earning it - by thebigeish
Summary: WrightWorth except Miles is his sugardaddy. It just hits me in a cute way.
all the ways to love - by hi_its_ellis
Summary: where Phoenix has his gay awakening and he figured it out late? Some internal homophobia. Really close to my heart.
Written - by Limey
Summary: Where Phoenix finds Edgeworth's fanfic.
The Opposing Counsel's Proposal - by the acegrace
Summary: Where WrightWorth tries to propose to each other with mix results. Really funny and you will love every second of foolishness of these two competitive dorks.
The Defense’s Proposal, Post Facto - by Kantayra
Summary: Where WrightWorth decided to get married during lunch because the paperwork drove them nuts. They pretend to try to be convinced but we all know how eager they both are.
The Perenial Pursuits - byDeiRyuu
Summary: Larry misunderstanding that whenever anything Phoenix related happens, Miles is the speed dial.
justice vs state - by sinkburrito
Summary: Apollo running errands for Phoenix and Miles over an envelope. Apollo at the same time being oblivious. Poor Pollo. Basically WrightWorth involving Apollo for their feud.
Sick of Leaving - by Jodalyn
Summary: WrightWorth sickfic. Miles POV. You would want to read this. It's adorable! Just wants to make you hug their sweetness.
they'll never love you like I can - by Jodalyn
Summary: Chief!Miles College Phoenix. Time Shenanigans. Miles meeting Phoenix. I'm so weark to Chief Miles meeting Baby College Feenie.
despite everything, it's still you - by orphan_account
Summary: AA novelization with analysis on how Phoenix and Miles view each other. There are a few aspects in this fic I could never forget which is just my favorite thing. Read it. You will love it. Spanning from childhood through Post AA6 I think.
Myths We Don’t Believe In - by hi_its_ellis
Summary: Cue Chief Prosecutor invites current BF and his not really exBF in the same room, in the morgue. Miles did this to himself. Sorry for langworth Miles. And Miles lost any braincells he had. Cue Jealous Miles.
Anytime, Anywhere, Again - by hi_its_ellis
Summary: Part two of Mythes We Don't Believe In. This is literally Phoenix roasting Miles on his decision. I love this one.
(confetti) (smile) (heart) - by lvl99arsene
Summary: Just Phoenix FINALLY upgrading his phone. This was just so cute and Phoenix being a menace! Feat Sugar Daddy Miles.
Change in Perspective - by chameleonwrites
Summary: Maya and Franziska having a betting contest on which brother is pinning for the other. Feat. Miles being the biggest victim of this spectacle. All betting fics are sooo fun. This is also one you shouldn't miss. Just feel sorry of Miles as the victim.
Phoenix von Karma - by Otoshigo
Summary: Canon Divergent AU where Phoenix had been declared all dead until He comes back with no memories and as a Prosecutor. One of my all time fave. If you want a german speaking Phoenix, read this! I love this for many reasons. Sadly, expect no Apollo or Trucy on this.
i can bring you to bathe in the river - by oredatte
Summary: on of my fave AUs. My fave trope for WrightWorth. To adopt Trucy, our lovable pair gets (platonically) legally married, moving in together, co-adopting an eight-year-old, and keeping it all a secret.
Of Haircuts, Pocketwatch Chains, Other Uninteresting and Undesireable Things, and Generic Wholecloth Christmas Magic - by ribbontype
Summary: Back to romcom WrightWorth gift-giving competition. One of my favorite fics due to how said men drive each other nuts.
Fixer Upper - by poodlepunk
Summary: Miles getting Phoenix's help to renovate his house. Renovating houses is just my guilty pleasure in fics. Domestic WrightWorth.
Tomorrow - by marttyyriroskis
Summary: From 7 Year gap through Spirit of Justice. There is so much angst here. Also cue the fluff and drama on AA4. You will love the way the writer handled the mess capcom made. I just love this fic due to some special moments. You will not regret reading this monster fic. Prepare all the tissues!
where are you going? (i've been looking everywhere for you) - by whackamacka
Summary: Kimi no Na Wa except WrightWorth style? This is it! Setting is between 3-1 to 3-4. feat BratFeen.
abracadabra! - by ohallows
Summary: Kay and Trucy shenanigans making WrightWorth dads panic. ahahah.
now i don't hate california after all - by ohallows
Summary: Kay and Trucy gossiping and plotting. Kay and Trucy are literally born to be sisters.
parallelogram - by zombiekittiez
Summary: A cute but nicer BratFeen Fic. Canon divergent au featuring Defense Attorney Miles and theater major Phoenix. It's Miles who Dahlia meets instead.
ticking time bomb in their chests - by harmony
Summary: Timetravel fic just so Phoenix finally gets the realization he needs. We all love time travel fics!
The lies we tell ourselves - by Danypooh80
Summary: A retelling of AA except of a surprise OC in this fic. I melt for this fic for all the time. You will love every second of this!
Everything Changes - by Danypooh80
Summary: More of a Edgeworth-Wright family fic? Direct sequel of The lies we tell ourselves. A must read for part 1. Just expounding on the first fic with so much fluff you will melt with the fluff!
Turnabout Ideals - by felicia_angel
Summary: AA but a magical AU? It's full of feels. Way too many Phoenix angst. This is part 1 of 6 Currently. Part 5 is my fave! Read all to understand the universe. Nulls and Voids series - series link!
Set Sail and Cannonballed - by Almod
Summary: WrightWorth navigating the beginnings of their relationship in their very busy life. Something about this fic hits me with how much I love it!
The "B" in Butz stands for "Bondage" - by JajaLala
Summary: Larry wants to learn bondage. Miles runs away, Phoenix appreciates the art. I love this for hilarious reasons.
bear trap - by ghostcatamount
Summary: feat Omega Phoenix. Were it not Phoenix, this would just be creepy about his pre-heat. SInce this is our fave Phoenix, he is just not so subtle and Miles being the oblivious Alpha is such a treat!
by the book - by zombiekittiez
Summary: Drunk Miles barging in at book clubs to confess. Miles being drunk is always a treat.
Rise from the Ashes, again and again - by theinkhiddenwithin
Summary: Romantic fairy tale featuring fated paired Miles and Phoenix. This is it!
Happy Accident - by Jodalyn
Summary: Phoenix had a rough day except Miles bought the wrong paint but Phoenix turns it around by changing his canvas.
we sleep and set fires - by fictitiousregrets
Summary: Dreamsharing WrightWorth. This is one beautiful incption like fic.
a crow's trial - by Charrelous
Summary: role reversal au featuring defense attorney Miles and Prosecutor Phoenix. one of my fave aus. Also my guilty pleasure tropes.
Through Time and Space - by Northernflicker
Summary: time traveler Phoenix and immortal Miles? You will love this, spanning through different eras of history.
Should be Pretty Mundane - by KrisseyCrystal (IceCreAMS)
Summary: Phoenix makes a discovery about himself that he is so embarrassed about. And Miles, of course, figures it out.
One step at a time - by OuterWilde (foreveraugust)
Summary: Post AAJ. Phoenix plans to reinstate himself as a lawyer and confess to Miles. Real cute lovely fic! Phoenix also being oblivious about how good he is as a lawyer.
take it like a man - by tudoo
Summary: Literally Phoenix is dramatic about suit shopping. Spanning 2 decade events. I love how dramatic Phoenix is and how endearing Mia and Miles are here.
co-signed - by tudoo
Summary: WrightWorth goes house hunting until angst ensues. Reaaaally adorable with a splash of angst.
Shear Luck - by TopazEstrella
Summary: Legit Pianist Phoenix and Barber Miles. The post-apocalyptic barbershop AU that no one asked for but we all secretly needed.
it's only love - by Jodalyn
Summary: Miles and Phoenix marriage through the eyes of Gregory Edgeworth. Makes you tear up!
Phoenix is Out of the Loop - by Living_Death
Summary: Miles decides to take up knitting until it drove Phoenix nuts! It's sooo adorable. There's literally a knitting club plus Apollo and Miles.
Change of Heart - by actual_goblin
Summary: Miles had an operation and Franziska and Maya happened.
Eavesdropping - by SapphireWine
Summary: Miles asleep and eavesdropping on Maya and Phoenix post Engarde trial. Quick and short but we just love how comfy Miles is in using Phoenix as a pillow.
Maybe In Time (you'll want to be mine) - by YourAverageBystander
Summary: Time loop shenanigans. aka: Phoenix's terrible, horrible, no good, very bad, 2,400 hour day. What something Phoenix picked up on is my fave part of this!
where there is a flame (someone's bound to get burned) - by Samioli
Summary: Love lessons by Phoenix. It's good but these two constipated lawyers are pinning while having these sessions. Cue the angst.
An Anniversary Like Any Other - by Kantayra
Summary: Married WrightWorth just banter through anniversaries til they reach their old age.
Drunk on Kisses - by Zhuletta
Summary: Miles 5 + 1 drunk on kisses and he admits it on the last one. Real cute and adorable!
Turnabout Dishwasher - by zuzsenpai
Summary: Trucy asking Miles to keep an eye on her dad while on a trip around the world. Very dialogue AA style. You will love it! literally 3 fics in 1 fic if that makes sense. Turnabout Exchange Chapters are other pairings basically. There are a lot of pairings in this fic!
Texts & Turnabouts - by YanagiKana
Summary: explored AA love. really lovely shots. While WrightWorth here being my favorite, there are other tons to love here.
the bookstore at the corner of 14th and fen - by kbots
Summary: feat bookstore owner Miles and Single dad Phoenix. Reaaaallly fluffy and adorable on so many levels. Artist Phoenix creeps up. Extra Cute Trucy is here!
New to the Neighborhood - by paxton1976
Summary: Literally Phoenix and Miles being neighbors except the noise drove Miles nuts. Composer/Pianist Phoenix. AA but without the crazy drama? Very domestic life!
Seeing Is Believing - by paxton1976
Summary: Miles gets new glasses and he finds Phoenix 100x beautiful. Miles realizing how he also loves Phoenix and also somewhat obsesses on Phoenix too.
The Wooing of Phoenix Wright - by crayoncompanion
Summary: We've seen lots of fics Phoenix chasing after Miles. This is where the opposite happens. It's literally the title. Expect some angst tho. And some tear jerker moments but worth every tissue. You will love it!
The Art of Seduction: Is for People Less Attractive than Miles Edgeworth - by crayoncompanion
Summary: feat Sexy/hot Miles dropping all the hints for Phoenix to make a move but he sort of waves it off and acts ignorant about it? This is sooo funny on so many levels. It never failed to crack me up.
Love, Lust, and Libraries - by crayoncompanion
Summary: library au. It's soo good feat Miles and Phoenix clashing so muuuuch before they get each other. How can library AUs not be fun?
Angel of the Screens, Demon of the Courtroom - by JustNerdyThings
Summary: AA1 but Phoenix as a famous actor who became a lawyer. All good stuff. Where there is smol range of death for AA1. Pure gold comedy. Famous celebrity Phoenix is a riot having that Feenieness to him with money to spare to drive the world mad. Mia and Miles are the best worsties at law.
Guilty As Charged - by JustNerdyThings
Summary: Our wrightworth is mooning, everyone is trying to matchmake but it's not really needed? Another gold comedy wrightworth fic. Or Just torture Apollo with matchmake shenanigans that's really not needed.
Of Unravelled Knots - by Ekat
Summary - Very wholesome? Some really angsty in some parts only at the start majority. This fic is stuck to me because Miles narrative is hilarious to me and everyone literally roasting his house and I love how much of a BI Phoenix is on him and the times he decides to be petty.
Miles Bunworth Petitioned Bunshot Extravaganza - Ophelia_Writes
Summary - Everyone petitioning Miles in a bunnysuit. A part of A Brief Rest for the Defense fic. Loosely. Only need to know Miles messed up and Maya and Franziska happened. Somewhat post AA3.
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carionto · 11 months ago
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Too tough for paradise
One peculiar side effect of Humans hailing from a Deathworld is that their biological well-being is partly dependent on some degree of microscopic hostility from the environment and what they consume.
It is normal among most species that, should their surroundings change to more hospitable conditions, their minds and bodies would feel relief and be under less stress. However, as with any changes, if they deviate too far too quickly from their normal, you risk damage from a sudden shock to the system.
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Abigail "Abby" Hostaz had been legally grounded by the Gyin-Trov due to her, ahem, "expansion of business" without the right permits. Not that she bothered to learn that nobody outside Human controlled space in the Galactic Coalition would allow the creation of a deadly asteroid race track AND let sentient beings directly pilot ships through it.
Hell, finding an Alien crazy enough to partake in an activity even most Humans consider insane is one in a trillion. She still did find seven non-Humans, so that math actually is within a reasonable margin. Everything else is not reasonable.
The local Gyin-Trov government learned of the true nature of her activities when a rogue asteroid suddenly appeared on their threat detection systems. The unnatural change of course quickly pointed to where she had set up her latest "thrill track", which the authorities rapidly dismantled, impounded her vessel, named "Victor", and put her under house arrest in the Human embassy awaiting the conclusion of the investigation and subsequent trial.
While station based embassies are effectively fully contained perfect habitats for the respective species, planet based ones tend to adopt a lot of the local elements and integrate what they can simply due to proximity and availability.
Humans, the resourceful buggers that they are, used everything the planet had to offer (that wasn't outright lethal to Humans, which in the case of the Gyin-Trov homeworld were only a few pollen producing crops found in the poles of the planet).
A combination of a almost perfect temperature range (near constant lows of 14C at night, highs of 21C mid-day), slightly higher moisture levels, and bio-engineered local flora that made the water into this somewhat thicker soup containing virtually every nutrient, vitamin and mineral a carbon-based lifeform could ever want, leaving little for the digestive system to tackle. Heck, just being within a field of such plants lets the body absorb everything for healthy survival.
In short, the Gyin-Trov homeworld, also named Gyin-Trov, is as close to Utopia as you can get.
Aaaaaaand Abby is not having a fun time there.
It's not like she was imprisoned - she was allowed to wander around the city and surrounding area under light supervision, she even had her cat, Hector, with her. But there just wasn't enough excitement to be found anywhere.
They had arcades and various physical activities, but she never felt her body grow tired after hours of competitive gaming and contests. No feeling of hunger or exhaustion ever disturbed her focus. The only thing that kept Abby from becoming, essentially, a zombie perpetually engaged in whatever activity was most fun at the moment was the inherent nature of the Human brain - it gets... wobbly after a while and needs sleep.
Not even a week had passed and people noticed Abby had become... different. No strong reactions to anything, no outbursts of some crazy ideas, just a general positive but not quite cheerful apathy. The Human ambassadors had experienced a much milder version of this, and it is theorized that they did not deem it as concerning due to the simple fact the ambassadors always had something to do, and more importantly - something that put their minds, if not bodies, to the test. Regular challenges, worries, and stress from work in general kept them on edge in some ways.
Abby was just waiting around, "put on vacation" as one of the ambassadors had put it. After a couple of more days of this peace, she seemed more like a automaton than anything else. Mindlessly going from place to place, trying out whatever activities were available, but clearly none offered anything close to the level of excitement and danger she had grown so used to. Not even the flawed thirty year old Human body she was in offered any surprises or discomforts.
Everything was just perfectly fine.
When the paperwork finally cleared and she was issued a fine and formally banned from engaging in any construction efforts in Gyin-Trov controlled space, she was reunited with Victor, and the personality changes she had undergone during her short time were seemingly instantly reversed.
Once she was in her ship and the self-diagnostics showed a few blinking lights, Abby immediately became energized and took action. Breathing in the recycled air with a hint of dry rust made that old bruise on her right side make itself known again. She pulled an all-nighter making repairs and "adjustments" to Victor and collapsed from exhaustion on the hard floor.
The next day, she was already near the border to neutral space when she noticed a dwarf planet with a rock formation in the shape of a trebuchet (very vaguely, if you squint really, really hard, and imagine half of the parts), and that gave her an idea.
All the while, Hector the cat did not exhibit any noticeable changes during his stay with Abby on Gyin-Trov. Maybe just a few more hours of sleep per day than normal.
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bearsintreesofficial · 1 year ago
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i'm having a bears in trees themed birthday party!!! do you have any suggestions of shenanigans we should get up to? (besides oat milk lattes and field frolicking of course)
gravel eating contest (first person to chip a tooth wins)
designate a friend as 'the doom' for the day. the doom must remind the other guests that someday, all of you will return to the soil once every hour. if they forget to do this, the doom role gets passed on to whoever's birthday is next
Steal A National Treasure Hour! (for legal reasons i cannot elaborate on this)
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snarksalon · 3 months ago
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In Defence of Tsuyu....
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The Hospital scene is, I think, one of the most misinterpreted scenes in the series and it fuelled a lot of Tsuyu hate. The scene is written clumsily, but the underlying point that Tsuyu is making isn't naive. Tsuyu is commenting on the separation between law and morality and demonstrating that the two in many circumstances may not overlap.
In Hero Society, both heroes and Villains exert force over the general population. The distinction is that Heroes are authorised to do so by law and submit themselves to a regime of laws that designate when they are permitted to exercise their powers. Heroes effectively operate in a similar vein to cops, soldiers, et cetera. In Hero Society, Heroes form a branch of the criminal justice system, which is important to note. Restrictions on Cops, Lawyers and Judges exist to ensure that the rule of law is respected and maintained. Often, nebulous moral questions arise. Take for example a police officer who decides to obtain evidence illegally due to their own belief in the guilt of a defendant. Even if the defendant was guilty, the police officer has exercised substantial impropriety and interfered with the defendant's opportunity to receive a fair trial.
There are also instances where a breach of a legal rule is indicative of criminal conduct. Many might claim that it is morally correct for a parent to lie on the stand to prevent their child from being convicted as parents generally have a duty to protect their children. This does not negate that the conduct is criminal and misleads the court. Obviously, there is substantial nuance here, but the point is that Tsuyu is highlighting the fact that a disparity exists between moral and legal obligations.
In Hero Society, Villains disregard the law. Of course, laws exist on spectrums and Jaywalking cannot be equated to Robbery (I do agree that Tsuyu is making a massive false equivalence in the panel). I think Tsuyu saying this post Stain Arc, is a realistic reflection of how she would feel following Stain's ideology becoming widespread. The Stain arc, demonstrates that some heroes are corrupt and directly calls into question the commitments of Heroes to moral good. Tsuyu makes this statement at a time when public scrutiny against Heroes is ESPECIALLY high, and where the boundary between Heroes and Villains is being contested. Later in the story Tsuyu's position on the matter changes, but this perspective was not an unreasonable or ill-conceived conceptualisation of the distinction between Heroes and Villains.
It is also reasonable that Tsuyu advises against taking action. One failure of the Kamino arc is the lack of consequences. Yes, All Might loses his powers but I think letting all of those who go to rescue Bakugo get away unscathed seriously lowered the stakes of the story. Class 1-A are first-year students and are relatively untrained. Even if they are being evasive, they should struggle against the leadership of the League of Villains. Out of all of Hori's writing failures, Kamino has always stuck with me. The rescue group put on objectively terrible disguises and Bakugo manages to hold his own quite successfully.
It is easier to critique Tsuyu's words because of a lack of consequence. If a member of the team had died or been seriously injured, no one would have taken issue with her objections. I think Kamino was a missed opportunity to raise the stakes in the Manga and to build upon the ideas raised in Stain's Arc. This is why Tsuyu's words fall flat, and why her subsequent rant makes little sense.
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This scene feels futile and pointless because there are NO consequences for their breach of the law. There isn't even a close call. Hori could have directly linked All Mights Demise to the rescue team messing up or being in the wrong place at the wrong time or generally being inexperienced. OBVIOUSLY, Tsuyu makes an incorrect equivalence but it is something which contains an interesting point and is completely mismanaged by Hori.
Tsuyu isn't wrong to criticise a decision made by her classmates, it is a decision that is reckless and could have endangered others. The rescue team knew nothing of the pro-heroes strategy to recover Bakugo and could have jeopardised that mission entirely. She also isn't wrong for reminding them that as Professional Heroes they are obliged to follow the law and may only use their powers when authorised. Though her delivery is blunt, and the equivalence is clunky (I blame Hori's writing here), she is making apt commentary on the limits of power.
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max1461 · 5 months ago
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The big thing that, imo, the local (to tumblr) online discourse seems to consistently leave out of discussions around indigenous rights here in Anglophone North America is like... a huge element of indigenous/Native/First Nations activism irl revolves around trying to get the colonial governments to honor their treaties with indigenous nations. This is an extremely big theme if you're even mildly plugged into this conversation, and reasonably so: the US and Canadian (and formerly British) governments initially had a nominal policy of dealing with indigenous nations as peers and entering into treaty agreements with them as they would with any other nation, but over the course of the colonial period a huge number of these treaties were either flatly ignored or were interpreted in very dubious ways in order to allow greater and greater colonial expansion. The call to "honor the treaties" seems to be one of the major, consistent rallying cries within indigenous activism here.
The disconnect wrt the online conversation is that, fundamentally, the call to honor contracts is a liberal principle. I'm not saying that leftists can't support these treaty rights (I'm a leftist and I certainly do), what I'm saying is that the orientation of the online conversation seems completely wrong to me, the way that these substantive demands have been parsed and translated into the world of online ideology shadowboxing seems deeply confused. I think this is part of a broader history in which "liberalism" has most often really meant "liberalism for whites only", and the extension of liberal principles to genuine universals has been slow and hotly contested. I've talked about this a number of times already in relation to (post-)Meiji Japan, who I see as one of the preeminent players in the 20th century shift towards a genuinely liberal international order. But another locus for this contestation, which sadly didn't move the needle as much but which seems just as conceptually important to me, has been the conversation around indigenous treaty rights (which now, very slowly, seems to be picking up at least a little bit of legal steam).
Anyway, I've probably said before that among ideology-enthusiasts, the ones who should be most aghast at colonialism in North America are the committed liberals, and it reflects very poorly on them that in general they are not.
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shsl-analyzer-guy · 8 months ago
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Disventure Camp headcanons because I can
Ellie is insecure about her singing voice and didn't want to sing at all in the musical ep. Gabby and Tess both knew this so they gave the boys way more lines in Piggyback. She used messing with Jake as an excuse in the confessional so her real insecurities wouldn't be put on display.
Ellie started working even more hours after the show and took up whatever extra odd jobs and paid interviews she could to afford a bigger living space for her, Gabby, and all of Gabby's animals
Gabby was the least popular contestant from season 1 in-universe, and got harassed online for 'wasting' her idol for a while. Ellie and Tom both defend her constantly
Gabby started a youtube channel where she talks about proper animal husbandry. It's done well enough that she could make it her full-time job, and despite the hate she gets for DC no one has ever been able to correct her on animal care
Grett attempted to reach out to Gabby to apologize not long after their first season ended, but Gabby blocked her on everything after the show and never saw the messages
Sofia doesn't fully understand that Aiden's life was actually in danger in the dc2 finale and thought it was part of the show. Rosa hasn't told her the truth yet
Rosa is hosting a watch party with Kai, Maggy, and their other out-of-game friends for the All Star season
Aiden, Maggy, and Rosa all got signed copies of Lake's book directly from her before its official release
Lake dedicated her book to Kristal for helping to free her from her parents. To this day, Kristal refuses to admit she cried upon seeing it
Kristal picked Aiden for DC2 specifically to spite the old hosts
Marcus, Emily, and Oliver made bets on who they think will win the all star season. Marcus bet on Hunter, Emily bet on Alec, and Oliver bet on Lake.
Derek knew Trevor liked him before Trevor knew Trevor liked him. He hasn't said anything bc he doesn't want to lose his best friend
Part of the reason Jake was so quick to distrust James and Aiden was because Jaiden ended up being more popular than Jam, and he took that personally
Despite never reaching out, Tom always kept up with Jake and Miriam's social medias. He bought tickets to see them when Miriam had a health scare, but was too afraid to follow through
Tom and Gabby met up a few times between seasons 1 and 3. He even helped her unpack after she moved
Before the interviews released, Ellie and Tom were on good terms for Gabby's sake. She tried to reach out afterwards to explain why she did the interviews, but he blocked her
When Fiore's parents found out she had an abnormally high IQ, they thought she was possessed and tried to exorcise her more than once
One of the nuns at Fiore's Catholic school helped her sign up for the show. If she got the money, she wanted to be legally emancipated from her family
Fiore was banned from watching DC2 because of the 'homosexuals' and thus, didn't know anything about any of the DC2 contestants going in
Fiore managed to get her hands on Lake's book and respects her for escaping
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