#Le Brun

[papillon-de-mai]

Élisabeth Louise Vigée Le Brun — Self Portrait in a Straw Hat. 1782. detail

[living-history-lesson]

From left to right: Marie-Anne Pierrette Paulze, Élisabeth Vigée Le Brun, Germaine de Staël, Madame Marie-Jeanne 'Manon' Roland de la Platière, Marie-Anne Charlotte de Corday d'Armont, Olympe de Gouges

In 2022 opera on the women of the French revolution premiered! It is called GIRONDINES! It's an English language opera that premiered with Wilmington Concert Opera and will be having its West Coast premier with Mission Opera!

Album image for the original concert cast album

According to an February 2023 article by Broadway World: "The Original Wilmington Concert Opera Cast Album is now available! It features Kirsten C. Kunkle as Charlotte Corday, Ashley Becker as Olympe de Gouges, Marisa Robinson as Marie Anne Pierrette Paulze Lavoisier, Alyssa Maria Lehman as Manon Roland, Raffaella Lo Castro as Germaine de Staël, Tracy Sturgis as Élisabeth Louise Vigée Le Brun, Thuy Nguyen on Violin, Melissa Brun on Cello, and Sarah Van Sciver on Piano."

I have not yet listened but as someone into frev and opera I am very excited. It also looks like the original concert production may be available to watch on YouTube!

Promo image for the October production

So far it looks like these have been small scale productions, but everything starts somewhere! I need to listen to the music but I wish good things to come

[abwwia]

Élisabeth Louise Vigée Le Brun ( FR, 1755- 1842)

#bornonthisday Élisabeth Louise Vigée Le Brun ( FR, 1755- 1842) was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries. Via Wikipedia #PalianSHOW

[trinketsvault]

Carpet with landscapes, French, ca. 1673–81. Savonnerie Manufactory Royale (established 1663), after designs by Le Brun

[from-a-spiders-web]

Flowers in Her Hair

[fotograrte]

Frescos del techo del Salón de Venus (Palacio de Versalles)

Fresco del techo. Salón de Venus. Palacio de Versalles. París. Este salón, así como el Salón de Diana, constituía el principal acceso al Gran Aposento, ya que la gran escalera, conocida como “escalera de los Embajadores” (destruida en 1752) desembocaba en él. Durante las veladas de aposento, aquí se instalaban mesas cubiertas de cestas de flores, de pirámides de fruta fresca y singular como…

[weepingwidar]

Christopher Le Brun (British, 1951) - Brünnhilde, LXV (1994)

[lollobarcollomanonmollo]

women artists that you should know about!!

-Judith Leyster (Dutch, 1609-1660)

During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.

-Artemisia Gentileschi (Italian, 1593-1656)

"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.

In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".

-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)

She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.

-Augusta Savage (Afro-American, 1892-1962)

Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.

-Marie Ellenrieder (German,1791-1863)

She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.

-Berthe Marie Pauline Morisot (French,1841-1893)

Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.

-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)

Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.

-Marie Gulliemine Benoist (French, 1768-1826)

Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.

-Lavinia Fontana (Italian, 1552-1614)

She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.

-Elisabetta Sirani. (Italian, 1698-1665)

Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).

[cimmerianweathers]

Young Woman with Bird (detail), painted by a follower of Élisabeth Vigée Le Brun (1755-1842), unknown date. Oil on canvas.

[beatricecenci]

Élisabeth Vigée Le Brun (French, 1755-1842)

Martine-Gabrielle-Yoland de Polastron duchesse de Polignac

[art-portraits]

Self Portrait in a Straw Hat

Artist: Élisabeth Vigée Le Brun (French, 1755-1842)

Date: c. 1782

Medium: Oil on Canvas

Collection: National Gallery, London

Élisabeth Vigée Le Brun, the daughter of a minor painter, Louis Vigée, was born and brought up in Paris. She became a member of the Académie de St-Luc in 1774 and of the French Academy in 1783. She was a highly fashionable portrait painter, patronised particularly by Queen Marie Antoinette. Between 1789 and 1805 she travelled in Europe and visited Russia.

[vivacissimx]

🗡 Viserra, Alysanne, and Baelon Targaryen 🗡

fire & blood / franny choi, soft science / elisabeth le brun, julie le brun looking in a mirror (1787) / fire & blood / kim addonizio, queen of the game / marie laurencin, jeune filles et fleurs (1950) (with details) / milan kundera, the unbearable lightness of being (1984) / commissioned art of viserra and baelon by @chillyravenart / fire & blood / le mains négatives (1979) dir. marguerite duras / leo tolstoy, war and peace / mel ferrer as prince andrey bolkonsky in war and peace (1956) / ava gardner photographed posing before a mirror / richard siken, litany in which certain things are crossed out / laura makabrescu interspersed with a fire & blood snippet / the swanee review: thesmophoria by melissa fabos, interspersed with a fire & blood snippet / david thauberger, prairie thunder (2020) / fire & blood / virginia woolf, a writer's diary / peter paul rubens, deborah kip and her children (1630) / c.w. gluck's opera orfeo et eurydice / niki de saint phalle, altar of women (1964) / jon ware's 'i am in eskew' podcast

[diioonysus]

bows in art

[mayanhandballcourt]

Photographer Amelia Le Brun

[art-and-some-history]

Portrait of Maria Teresa of Naples and Sicily, after Élisabeth Vigée Le Brun, after 1790

[resplendentoutfit]

The Scandalous Chemise of Marie Antoinette

Elisabeth Louise Vigée Le Brun (French, 1783-) • Marie Antoinette in a Chemise Dress • 1783

Just as John Singer Sargent did some 100 years later, Elizabeth Vigée Le Brun often befriended her portrait subjects, engaging their trust so as to create authentic portraits that captured not just the likeness but the spirit of the sitter. Such was the case with Vigée Le Brun's Marie Antoinette in a Chemise Dress.

Vigée Le Brun was the official court painter. She painted Marie Antoinette approximately 30 times. For the "chemise dress" painting, it's unclear whose idea it was that the queen depart from traditional, more formal dress and wear a casual, unstructured dress instead. Perhaps Vigée Le Brun persuaded her to wear the white chemise or they arrived at the decision together.

The dress itself is made from cotton muslin instead of the French silk that royalty usually had their garments made from. It is tied comfortably at the waist with a yellow sash. The only ornamentation are the puffed sleeves and the ruffled neckline. Marie wears very little makeup and no jewelry.

Despite its simple elegance, the painting was met with much scorn and disapproval when it was shown at Vigée Le Brun's first Académie Salon. Though the garment was designed to be a dress, its lack of structure resembled an undergarment and was thus considred scandalous. Further, it was considered unpatriotic that the queen of France wore imported cotton rather than French Lyonnaise silk. Vigée Le Brun was forced to remove the portrait from the Salon and it was replaced with this one:

Élisabeth Louise Vigée Le Brun (French, 1755–1842). Marie Antoinette with a Rose • 1783

By the end of the 18th century, the chemise dress was hugely popular and worn for portraits by many prominent women in and outside of France. Marie Antoinette's fashion faux pas led to a fashion craze which is said by some historians to have been a catalyst for the slave trade, as the demand for cotton grew exponentially.

Right: Jacques Louis David (French, 1748-1825) • Antoine Laurent Lavoisier and His Wife • 1788.

Left: George Romney (British/English, 1734-1802) • Mrs. Billington as Saint Cecilia • 1787-88

The chemise dress was to evolve to an empire waist and a narrower skirt, creating the style we now call The Regency fashion era.