#Laverna

[gbiechele]

Coastal Drama LaVerna Preserve, Bristol, Maine

Yashica Yashinon-DX 35mm f/2.8 Sony A7

[kiriozus]

For Barbie-book UA. Conflict between Laverna and Enchantress from Barbie Fairytopia.

[leoneliterary]

That last ask had me wondering about their sexual experience, if that is ok?

Sure! To be honest, I haven't really thought too much about it outside of plot points. So here is a quick overview. (I'm realizing now few ROs have experience in the cast...)

Merikh- He only had one real relationship that progressed to that point, and it made him not trust anyone enough to experience that kind of physical and emotional intimacy. So he's been out of action for years.

Laverna- Absolutely none. Not only would her family make sure that didn't happen, but Laverna hasn't really met anyone she'd be able to risk it for. She has read some saucy books, which she counts as experience though, haha!

Aretas- None, despite the nobles in the court practically throwing their daughters and even themselves at them. He's never experienced even being that interested in anyone, let alone gotten physical.

Sarai- I mean, Aretas's existence is kind of a giveaway, but she had no lovers after the death of Emperor Avith, so she's years out of the game.

Sutek- None. He doesn't want to sleep with his fellow guild members, and he finds it hard to believe that people are attracted to him and not just trying to get on his good side out of fear of the guild.

Desma- A substantial amount. She has a couple of people that she has a friendly, but physical relationship with, but if you ask her if she's ever taken a lover, she would say no. Several people count her as their horrible ex. She hits and runs.

Heka- Absolutely none. He's grown up in a secluded mountain temple, and although he's been flirted with, he's never realized it.

Nari- She has none, but growing up around soldiers means that she's not as sheltered as other young noble women her age would be. She hasn't had anyone express that type of interest in her and she wouldn't take them up on it if they had, because of her rank and title.

[oursecret87]

'23 Halloween Illustration: sso's Laverna Horse (his name's Phantom)

[half-blood-goods]

One thing I like about older Barbie movies is that the villains always served cunt

Ate and left zero crumbs

[andreadarcyart]

I might be the only one who ships these two and that is because of their interactions in Fairytopia. I'm sorry, but Laverna baked for her and Topaz loved those cakes 😤

[fleverian]

Mermay? Nah it's fairy time

Here's some close ups

Been thinking about Fairytopia. Gotta be one of my favorite Barbie movies. I've wanted to draw a young Laverna and Enchantress for a while.

I'm gonna rant about nearly 20 year old Barbie movies. Man, I wish we got some more lore for these movies. Instead we got Mariposa, which was ok and I liked it but I didn't really care for, idk what to call it, the aggressive girliness? Where they bring in fairies obsessed with fashion and everything had to be covered in glitter. But at least I could consider it as maybe just a story Elina was telling Bibble or somewhere far away from Fairytopia. But the the next one ruined it by having Mariposa just straight up fly through Fairytopia and now there's some crystal fairy kingdom right in the middle of the Magic Meadow and the aesthetics and fashion completely clash with the first three Fairytopia movies. I like how the outfits in Fairytopia look like they are made from flowers and natural things. But in Mariposa and The Fairy Princess the outfits look like generic glittery modern Barbie princess aesthetic. Absolutely hate it. To me, it is not canon.

The older Barbie movies are super dated looking probably were even when they just came out. But they all had such well designed outfits and environments. They kind of have a liminal feeling to them. I love the aesthetics of them. The modern Barbie movies improved a bit in the animation, but never to the point where it looked that great. To me they end up looking more uncanny than the older ones. Because the older ones at least had a style to them but the newer ones just look generic. The fashion the backgrounds everything is just so soulless to me. Idk, maybe I'm just old and miss my childhood lol.

Really wish Mattel would revisit some of the old Barbie movie characters though. With a movie, books, or picture books. I fear them making anything with them with the new animation though. I need them to dust off their old stuff and bring back the crappy mid 2000's Barbie cgi. I neeeed it. It would probably be cheaper for them too since it's outdated. I need to see a new Barbie movie in all it's old

glory.

I need to see my girl Elina again. I want some more Fairytopia and Mermaidia lore.

Would love to see some backstory of Laverna and The Enchantress. I feel like there's something there. It just needs to be expanded on. What's Laverna's deal and why is The Enchantress the most useless fairy in all Fairytopia. I have to know.

I designed some younger versions of them. I saw this and wanted to draw my own versions. Gave The Enchantress a name too, Elvina. Read it means "elf or magical friend or noble being" and thought it fits really well.

Decided to try a new coloring style with these. I think it works pretty well for fairy characters. I don't think I'll use it much with other things because it takes a while and I like to use a simpler style.

Here are some versions with no backgrounds since the wings are transparent

[snw-faatuatua]

My Barbie: Fairytopia redesigns so far~

[neverscreens]

— BARBIE FAIRYTOPIA: MAGIC OF THE RAINBOW.

Part One, 353 Screencaps.

Part Two, 353 Screencaps.

Like or reblog if it was useful, every interaction shows us that we should keep making screencaps for y'all ♡

[synergysilhouette]

Plotting out "Tam Lin" (Disney movie)

Link to the summarized post-renaissance rewrite here. My original concept for this was a bit different, so I'll probably edit that.

Background: Michael Eisner is NOT as bad as the OTL when it comes to business-making decisions, so the corporate struggle between him and Roy E. Disney is avoided and he allows for Disney to make the film. That said, the decision to make it a musical is met with some trepidation, as this is the fourth musical in a row (if you recall, "Brother Bear" is a musical here, followed by Rumplestiltskin and a musical version of "The Chronicles of Narnia"), but since they've all been successful and it'd be seen as weird for them to make a fairy tale without it being a musical, they go forward with it. As such, Roger Allers co-directs it with Kevin Lima, story imput is provided by Brenda Chapman, and Tim Rice and Alan Menken come in to do the music. To further distinguish the film from previous musicals, a clear setting is used, taking the Scottish setting of the original tale. The protagonist was originally going to be given red hair, but Disney opted against it, wanting Ariel to be unique in that regard for a while longer, and they decided to give the protagonist darker hair instead.

Plot

A young noblewoman left destitute attempts to catch a unicorn guarding a forest that she had been told held no life. The unicorn prevents her from entering, but in her dreams, she sleepwalks to the forest and finds herself trapped. The queen of the elves intends to make her her slave, and the young woman must find a way to evade her and free her soldier, who knows all her secrets (including a way to escape), from her grasp.

Characters

Máirín--A cunning young woman whose family is left destitute, she attempts to find a suitor in order to bring money back into the family, but is is rejected. On her way home, she sees a unicorn appear on the outskirts of a forest, and she tells to coachman to stop so she may approach it. The unicorn leads her to a thistle bush, and she picks some at it's behest. The unicorn prevents her from entering the forest, and when she arrives home, she dreams of a fairy queen who laughingly invites her back to the forest. Waking up, she realizes she is now inside the woods, and must work together with the elf in order to escape the forest and defeat the queen's hold over him.

Sachairi--The royal guard of the queen, he was once a king's knight who had the misfortune of entering the woods by accident on a dark knight, his horse and body being encased in thorns and tortured until his mind was given to her. He is her royal confidant, a seemingly thoughtless creature, as the fairies have used him mainly for their amusement and change him into all manners of things at their whims (including a unicorn), he still retains some autonomy, with his interactions with other humans bringing him back to his right mind, if for a while. He is originally aloof, but it's revealed that his traumatic experiences have made him reserved and somewhat shy, though Máirín's resilience matched with a deceptiveness that can rival the fairy court makes him believe she could be the one to save him. At times, he is able to cast his own magic, and takes the form of a red calf to spend time with Máirín and away from the cruel fairies.

Aileana--The queen of the fairies who has ruled the vast woods for hundreds of years. While fairies by nature have similar morality to humans, she is often appealing to her more malevolent side, using her magic to manipulate and entertain herself at the expense of humans, and sometimes her own kind. After capturing Sachairi, a royal knight, she expected to bag herself a king at some point, but it seems that no one knows where he's gone, or simply hasn't noticed. No matter. Breaking the human mind is a delectable experience that Aileana takes pride and joy in doing. When Máirín gets her attention, Aileana has plans to break her mind as well, particularly due to her obstinate character. But when she makes a miscalculation by tasking Sachairi with observing her in the forest, she fails to realize that she put both her greatest weapon and her greatest weakness in the palm of her enemy's hands.

Songs

Nothing Gained--Máirín bemoans her situation: her family is recently impoverished, and all eyes fell to her to rectify the situation by getting married. However, with no dowry and her assertive personality, she has no luck. While she states that her family has only found her "weak men," it's revealed that she also is a social climber and somewhat manipulative, and it's implied that her suitors picked up on this with time and this contributed to her rejection. The only consolation to all these rejections has been her ability to travel and explore.

The Ballad--After returning home and telling her family about the unicorn (and a bit about her recent rejection), her grandmother tells her a story about the woods she almost entered, and how all those who go inside the forest never return, and their spirits haunt their relatives who are still alive. The queen of the forest is said to take particular interest in beautiful humans.

Dance With Me--Máirín dreams of dancing in the woods with the fairies as the queen watches her with glee. The song ends so abruptly that it takes a moment for Máirín to realize that she's woken up in the middle of the forest in the dark of night.

One Night--In a momentary slip from Aileana's grasp, Sachairi's mind is his own again, and he informs Máirín that during a full moon, she should challenge Aileana to a game, one in which if Máirín wins, she and Sachairi will be free of her grasp and free of the forest.

Safe in the Woods--Aileana, sensing something is amiss when Máirín challenges her to a game, peers into her mind, seeing her unhappiness, and telling her that if Máirín throws the game, Aileana will name her princess of the fairies. Máirín contemplates this, especially considering that the forest always seems to change, and the fairies are all beautiful, interesting, and enticing.

Never Enough--Máirín fights with Sachairi following her contemplation to take Aileana's deal, and Sachairi confesses his feelings to her, his hope to be free now fading.

Time's Up--The game is here; the fairies will transform Saichairi into a number of things, and Máirín must not run from him no matter what. She must face him for five minutes, but the deal Aileana made is still in her mind. She must decide what she wants from life, especially since there's not just her life on the line.

Hope you enjoy this! Since I'm only making posts about original films from the post-renaissance era, I decided against making a "Chronicles of Narnia" post since I'd want the writing to pretty much parallel the 2005 film (except make Edmund slightly less cruel), so "Night and Day" is my last post for this era! Lemme know if you have any questions.

[darknoverse]

Helluva boss fans where you at I need to talk about my OCs real quick woooooo

I've been soooo hyper about the new ep had to actually start reworking on my OCs

Ok so tiny fact is that Zel and Xamm are adopted siblings .

Zel is a journalist imp, originally from wrath ring tho she's in sloth ring rn. She's dumb and silly AF and I love her sm .

Xamm is a hellhound .hehe poodle hellhound .he's big and scary but he wouldn't hurt a fly (unless said fly hurts people he cares about).

Laverna is a sinner back from the 1960s, used to be a singer in a saloon back then . Well she ended up being mixed with her killer and got sent to hell instead lol. Used to be in envy ring then switched to greed for business purposes( biggest lie I told yet)

Alsoooooo she believes in Charlie's redemption plan(important fact for later)

Also you can call me cringe oc x canon is my passion and this is my account and I can draw anything so-

That's all for now WOOOOOOOOOOO ignore my simping ass

[mariibu-art]

[barbiem-roberts]

something something…the plot of all three fairytopia movies-

[leoneliterary]

i have a feeling laverna is part of the noble family that killed the mcs mentors/parents..

Now that would be tragic...

[bluesilver]

Barbie Fairytopia: Mermaidia, Laverna —Aesthetic

Laverna's Character & Personality

Having been banished to the Bogs of the Hinterlands, Laverna is constantly whining about the heat. She now demands her henchmen constantly pamper her by fanning. Although Laverna can't leave her prison, she's still causes chaos through commanding others, including her pets, the Firebirds. Her second plan involves obtaining and eating the Immunity Berry to be invulnerable to all magic, regardless of time. Laverna made Fungus Maximus and the fungi under him kidnap the mer-prince. They then forced him to lead them to the berry, or they would destroy Mermaidia with a magical poison if he refused. Unfortunately, Laverna was transformed into a toad by a true self berry which was somehow painted with a red stripe to make it look like the Immunity Berry.

[kiriozus]

My copy of the Barbie-book UA with my work on Laverna and Enchantress