#Laura is in poet

[thenonbinarydetective]

Soldier, Poet, King Test for HB/ND

Ok, the test is going viral on TikTok, and I have thought about this for a while, but now I have an excuse. This is purely based on the quiz results and obviously things we know from various HB/ND canons.

Soldier: George Fayne, Nancy Drew

Poet: Bess Marvin, Joe Hardy

King: Frank Hardy, Ned Nickerson

I could honestly keep going; any other characters in mind?

[fawnsite]

[oldwinesoul]

“The winter though it darkens me, it is pure and clean and all I want.”

// Laura Marling, Darkness Descends.

[windspoem]

palmer

[evermoredeluxe]

sharp_stick: couldn't be more proud. listening and feeling all the electric energy we put into this album. tears from laughter and tears from pain. the emotional pendulum swings hard on TTPD.

@taylorswift @jackantonoff love you guys so much and forever grateful to be a witness to the magic and a part of the team that brings this music to life 🤍🤍🤍

@florence @postmalone @olijacobs1 @electricladystudios @jack_m_manning @mikeyfreedomhart @patrikbergerking @zemaudu @esmith109 @hutchdrums @mriddles @aarondessner @heyjonlow @esplanadestudios @rueboyer

🤍🤍🤍🤍🤍

engineered the following-

Fortnight

The Tortured Poets Apartment

My Boy Only Breaks His Favorite Toys

Down Bad

But Daddy I Love Him

Fresh Out the Slammer

Florida!!!

Guilty as Sin?

Who's Afraid of Little Old Me?

I Can Fix Him (No Really | Can)

lomi

I Can Do It With a Broken Heart

The Smallest Man Who Ever Lived

The Alchemy

The Black Dog

imgonnagetyouback

Thank You Aimee

I Look in People's Windows

[castial]

truth, dare, spin bottles

you know how to ball, I know Aristotle <3

[zot3-flopped]

Two months prior to its release, would-be doyens of Swift’s Tortured Poets Department have taken its barbed track listing very literally, leading to intense, often nefarious speculation regarding Swift’s six-year relationship with the British actor Joe Alwyn, which seemingly ended in early 2023.

The album’s title, revealed onstage at the Grammy awards, was quickly linked to a December, 2022 interview with Alwyn and Paul Mescal in which they revealed that Andrew Scott started their group chat, the Tortured Man Club. (“It hasn’t had much use recently,” Alwyn said: you wonder if it’s undergone a recent revival.) Swift revealed the leading track list a day later: My Boy Only Breaks His Favorite Toys, So Long, London, I Can Do It With a Broken Heart, The Smallest Man Who Ever Lived, to name a few, sending fans wild with speculation.

Swift, obviously, has every right to sing about her relationships however she wants to (no apologies to Eamonn Holmes). But in the absence of any music, some fans have spread baseless, dangerous and even libellous allegations about Alwyn’s conduct (which, for obvious reasons, I can’t repeat).

Last month, a brief fan-shot video of them dining in a New Orleans restaurant in December, 2022 was recirculated online with AI-doctored audio that made it sound as though Alwyn is saying “you don’t get to tell me about sad,” a line printed on the back of one of the new album’s four physical editions.

When Swift recently told a crowd that she was “lonely” when writing her 2020 album Folklore – some of which was co-written with Alwyn during the pandemic, a lonely time for most – fans took that as further confirmation of their theories. A live medley of three songs that all appear to reference cheating threw petrol on the fire.

Swift could make this stop. She is no stranger to airing her displeasure with the likes of Ticketmaster, Scooter Braun, Spotify and Apple Music, and, occasionally, politicians. Before she released Speak Now (Taylor’s Version) last year, she gave a veiled speech at one Eras tour date effectively asking fans not to go after John Mayer, whom she dated when she was 19 and he was 32 and is understood to be the subject of that album’s Dear John.

“I am not putting this album out so you should feel the need to defend me on the internet against someone you think I wrote a song about 14m years ago when I was 19,” she said in Minneapolis.

But for whatever reason – and obviously, no member of the public has any idea what transpired between her and Alwyn so far – this time she has opted to stay quiet.

Establishing a baseline for conduct is neither commercially risky nor unprecedented: just last week, Ariana Grande said, after the release of her post-divorce album Eternal Sunshine: “Anyone that is sending hateful messages to the people in my life based on your interpretation of this album is not supporting me and is absolutely doing the polar opposite of what I would ever encourage”.

It feels like the endgame of a cat-and-mouse act that’s gone too far. Swift’s gestures towards meaning have led every single thing she does to be considered a kind of marketing, a clue to be solved. It leaves a superstar who’s usually hot on her messaging open to misinterpretation: hints about her personal life are turned by some fans into witch-hunts for anyone perceived to have wronged her; her current silence on politics allows politicians to invoke her name, from the New South Wales police commissioner quoting Swift’s anti-haters lines while defending police to Joe Biden joking that the matter of her apparently much sought-after endorsement is “classified” on Late Night With Seth Meyers.

When Swift made a blandly neutral handwritten post encouraging US citizens to register to vote on Super Tuesday, some fans speculated that her unusual left-leaning handwriting was the real indication of her loyalties – suggesting they’re so starved of substance that they’re reading into empty messages because of this dynamic she has established. (The more likely explanation is the insane way she holds a pen.)

For Swift to only direct fans as to her wishes when it suits her, it weakens her status as a truth-teller. If the comparisons with Dickinson mean anything, she might remember that nothing in the world has as much power as a word feels like the endgame of a cat-and-mouse act that’s gone too far.

[thegentleintellectual]

I met you and now I am kind to myself in my sleep and how do you explain that?

TELL ME GENTLY by Laura Marris 

[danisbrainrot]

yellowjackets as taylor swift albums (I'm bored). this became deeper than I meant for it to go OMG. whoops, anyways, enjoy:

1. tai: reputation. oh my god this girl is soooo in love with van, and at the end of the day, that's what reputation is. a love album. yeah it's got a little revenge in it, but overall, it's about being in love with someone who was there for you at your most vulnerable. and who's always been there for tai, adult AND teen timeline? VAN!

2. van: 1989! it's nostalgic, fun, iconic but still has the emotional rawness that flows throughout all of taylor's albums. everyone thinks 1989 is just heaps of fun, but it has this emotional intensity to it that once you look closer to it, you realise how much of a masterpiece it is. also, it just gives me van vibes tbh.

3. jackie: lover. she's so insecure about being in a relationship with who she thinks is the love of her life (shauna) in case she fucks it up (spoiler alert, she does). taylor also wrote this album as a last hurrah, to prove she had more stories to tell, and I think that ties in nicely to jackie's character. her insecurity forces her to try and prove herself to shauna, and show her best friend how much she loves her.

4. shauna: she's a red girlie. taylor's most emotionally raw album (besides ttpd) and she just gives the vibes. this is taylor's first heartbreak album (like how jackie's death was shauna's first heartbreak), and it's so intense that it takes a few listens to understand, but once you do, you realise it's an album about a girl with big heart learning how to recover from the devastation of losing someone she loves deeply.

5. lottie: folklore!! I love my little baby. this album was written in isolation, and you can definitely hear it in some of taylor's lyrics, and I just feel like that's lottie's character. the isolated girl who's held up to a higher standard than everyone else.

6. nat: ttpd. okay, i was tossing up between giving this to nat or travis, but then I remembered the adult timeline and went with nat. when I first heard this album, it reminded me of her purposeless speech. it's also an album where taylor was going through a manic phase, and if that isn't nat, I don't know what is. she's just lost the love of her life, and then she's kidnapped by lottie's cult and promised so many wonderful things, that she believes it—only for it to end in tragedy.

7. misty: she gives off such speak now vibes. she has so much she wants to prove, and she's reeling from being in love with a man much older than her.

8. travis: evermore. he's such a tragic little guy, that the album suits him. I really just think of happiness, marjorie and right where you left me because he's stuck in the past. he literally kills himself (accidentally I know, I know) because he's so trapped in the wilderness despite being free from it. this album has always given me: depressed sad, compared to its sister albume: folklore, which gives me angry sad. and while he's definitely more angry then lottie, he's got this deep sadness in him that echoes evermore.

9. mari: midnights. okay I don't know how to explain it better than this is how I interpret mari. she's the first to throw herself into believing lottie because she's scared and when I think of midnights, I think of how scared taylor was at losing her relationship and joe that she ignores her feelings. and mari ignores her feelings because if she really thinks about it, I don't think she'd be able to handle herself, i.e. being trapped in the woods, eating jackie.

10. javi: taylor swift (debut). just the innocence and naïvety of the album. it's her first album, she wrote and released at 15/16 so there's a lot of childish beliefs and hopes, which I think javi has—but there's still an underlying feeling of heartbreak. he tries to be a kid, but is still traumatised.

11. laura lee: fearless!! this is purely based on the album title. I mean, learning to fly a plane just to save her friends? this album is probably my least favourite, so you're not going to get a lot of analysis, but the few times I've listened to it, I understand it's about having faith things will work out (this might be wrong, but that's what I'm choosing to believe about it). and her faith makes her believe she can do anything, including save her friends. omg I love her so much <333

[endlessdreamerxoxo]

I know what and who "But Daddy I Love him," could be about, but I'll pretend that it is only about Hellcheer because it's so Chrissy Cunningham vs. Hawkins about Eddie Munson

[bluryyyblu]

[wavesoutbeingtossed]

I’ve been thinking a lot about the photography for the album (as I am wont to do) and once again am amazed at how Taylor and Beth Garrabant came to work together by happenstance and it has unlocked yet another visual medium through which Taylor can tell the story of her work.

The fact that Taylor initially reached out to Beth for the folklore photoshoot in 2020 not just because she admired her work, but most importantly because she worked solo which was important during the initial Covid lockdown and adhering to safety protocols, and she liked the 35mm aesthetic. This could have easily been a one-off venture like I think most of her other shoots were, but something about Beth and her approach made Taylor feel safe enough to not only keep working with her, but expose herself with each one to more vulnerability and storytelling through the photos. They’ve captured lightning in a bottle together and I think it must speak to Beth’s talent as an artist and compassion as a person that Taylor has trusted her with this incredibly vulnerable side of herself she hasn’t really explored much until their partnership began.

Not to be all cupcake-y, but in some ways it feels like the universe took 2020 Taylor and said “I’m going to put you in the orbit of these creative collaborators who are going to throw a blanket on you and keep you warm” and that just catapulted her into the creative supernova we’ve seen since then. The collective she is part of now is just something to behold.

[soullust]

cameron would LOVE the two-headed calf poem

[mythoughttherapy]

“Courage does not have to be a loud thing. There is nothing softer than when sunrise wraps her arms around me, but it gives me the strength to get through another day.”

—Sabina Laura

[virtuouslibertines69]

"I despair of you; You carry so many fires To touch my secret places and desires, But not one spark flies back, to make you human. - Louise Labé, tr. by Annie Finch, from “Handsome Brown Eyes,” Art by Laura H. Rubin