#Lakota Warrior
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Walking in the Hell Creek Formation, South Dakota Drawing
Work In Progress: Walking in the Hell Creek Formation, South Dakota.
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#adobe photoshop#ankylosaurus#artistatwork#Commissions Open#Concept Art#Dakotaraptor#Digital Art#digital drawing#DigitalPainting#dinosaur#Dinosaur Art#Environment Design#female warrior#hell creek#hell creek formation#Lakota#Lakota Tribe#Lakota Warrior#landscape#landscape art#Native American#paleontology#Palo Art#South Dakota#T-Rex#triceratops#Wacom Tablet#Workinprogress
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Lakota Warrior
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"Folks go missing in the park at night"
#the outsiders#the outsiders musical#johnny cade#sky lakota lynch#ralph macchio#warriors album#warriors musical#folks go missing in the park at night
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Shield by He Nupa Wanica/Joseph No Two Horns
Currently on display as part of the MET’s Art of Native America exhibit, this type of shield would have been carried into battle; it’s vision-inspired imagery offered spiritual protection. Joseph No Two Horns was one of the most prolific Plains artists and his artwork helps to identify the tribal history of the Lakota. His work depicts specific events in his own life as well as the lives of other Lakota people. A warrior by the age of fourteen, No Two Horns participated in at least 40 battles during his life, including the Battle of Little Big Horn. No Two Horns also kept his tribe’s winter count, a collection of pictographs recording 137 years of Lakota history.
Article on Joseph No Two Horns, American Indian Art Magazine, 1993
More information
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Wild West Show
Illustration I did of of a Wild West Show for the Warriors of the Lakota group. The excited young man in the grandstands is the founder of the group the first time he saw real Lakota warriors
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Lakota Trinity by the late artist Father John Giuliani
"In this image, the great Father—Wakan Tanka—appears with a full headdress of eagle feathers in a halo of light.
His open hands deliver the Son, a victorious Sioux warrior whose raised arms and open hands reflect a similar gesture of self-giving.
He wears a richly decorated buckskin war shirt—heavily fringed, beaded and painted with the four color circle of the universe as its breast plate.
The eagle represents the Holy Spirit and completes the spiral of trinitarian love and unity."
From the Catholic Extension Society.
#religion#christianity#catholicism#native american#trinity#holy trinity#god#trinity sunday#art#divinum-pacis
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The Man Who Married the Thunder Sister
The Man Who Married the Thunder Sister is a legend of the Cherokee nation about a young warrior who falls in love with a Thunder Sister and follows her home where he finds nothing is what it seems to be, not even the young woman. The story explores many themes common to Native American literature.
Ojibwe Shoulder Pouch Depicting Two Thunderbirds
Daderot (Public Domain)
Among these is the importance of following instructions and of faith. According to Cherokee belief, the Creator God Unetlanvhi, made the tri-level world with good spirits above, bad spirits below, and humanity in the middle world, tasked with maintaining balance. Spirits from either plane could manifest themselves on earth at any given time – sometimes threatening this balance -–and so people were encouraged to proceed, in anything, through faith in Unetlanvhi to discern what kind of entity they might be encountering, whether a threat to harmony or a guide in helping one maintain celestial and terrestrial balance.
In the case of the young warrior in this story, as he follows the young woman and her sister toward their home, he is shown that his senses are deceiving him and the waters he encounters on the journey are not as they appear, but upon reaching their cave, he forgets the lessons learned, abandons his faith, and relies on his own senses. According to some interpretations of the story, he has been tested and has failed in recognizing the sisters as beneficial guides. Trusting in his own judgment, instead of proceeding by faith, he is led astray.
He later fails to heed the instructions given to him by the sisters that he should tell no one where he had gone or what he had seen there, and he suffers the consequences. This theme appears in the legends and myths of many different Native American nations and is often repeated in a cycle of stories – such as the Wihio tales of the Cheyenne or the Iktomi tales of the Lakota Sioux – in which a character repeatedly fails to follow simple instructions and must then suffer for it. The importance of following instructions appears so often in Native American tales because it is a common cultural value. Part of maintaining balance in life is recognizing and honoring tradition and the rituals that are a part of that. Deviating from how something has always been done runs the risk of throwing an individual, or community, off balance.
Another theme central to the story is the danger of blindly trusting strangers, no matter how friendly or welcoming they may appear, as they might be ghosts or evil spirits who have appeared only to lure one into trouble or strike one with sickness or even death. This theme usually runs through Native American ghost stories as ghosts, even of loved ones, were thought to sometimes appear only to draw one with them into the afterlife, and before one's appointed time. In this story, the young man instantly engages with the two beautiful sisters, even though they have never been seen in the village before, and, ignoring the traditional wisdom of approaching strangers with caution, happily follows them home.
This is not to say the Cherokee – whether in the past or present – do not welcome strangers into their community, as they certainly did and still do, but it is thought prudent to proceed with caution, trusting in one's faith to discern bright energies or dark energies in a new acquaintance. Failure to do so, as seen in the stories of many different nations, always leads to serious problems. In this story, the young warrior never pauses for a moment to question who the young women are or where they have come from and so, unwittingly, is led to the home of the Thunder Beings.
Thunder Beings & Horned Serpents
The Thunder Beings, according to some Cherokee bands (not all) are storm spirits descended from Selu, the corn goddess, through her sons, the Thunder Boys (Wild Boy and Good Boy), all featured in the Cherokee myth, The Origin of Game and Corn. The Thunder Boys are trickster figures – often playing with people's perceptions of reality – and so it is no surprise that their children should do the same, as the women do with the young warrior in the story. The Thunder Beings live in the west, the cardinal point sometimes associated with death and the afterlife, but are life-giving spirits as they bring rain, which fills the streams and makes the crops grow. They are the personification of thunderstorms, as scholar Larry J. Zimmerman explains:
Native Americans believe that the forces of nature – which include summer, winter, rain, lightning, and "the four winds" – are controlled by elemental gods and spirits to whom the various powers of the Great Spirit are delegated. Many peoples of the Great Plains think in terms of spirits of earth, fire, water, or air (thunder, one of the mightiest forces, is an air god). Elemental entities feature in the lore of most tribes, but they are understood in divergent ways…The underworld spirits, headed by dragon-like deities that are usually represented as panthers or horned serpents, are generally regarded as malevolent.
(162)
The Thunder Beings in Cherokee lore correspond to the Thunderbird recognized by many of the Plains Indians as the bringer of storms. Scholar Adele Nozedar comments:
Every aspect of a storm was explained by the actions of the Thunderbird: thunder was the flapping of its wings; the storm cloud was caused by its approaching shadow. Its blinking eyes caused lightning. And rain poured down from the lake carried by the bird upon its back.
(479)
In this same way, a Thunder Being brought storms simply by moving from one place to another. In the following story, the brother of the two women arrives home with a clap of thunder, in keeping with the understanding of how a Thunder Being would announce himself. The Thunder Beings were to be respected, not feared, while the horned serpents Zimmerman references were always to be avoided.
Among the most terrifying of these serpents was Uktena, the great serpent with the powerful jewel in its forehead, featured in the Ulunsuti tales. When Uktena is taken up into the higher realm so that his activities can be monitored, he leaves behind smaller versions of himself, all possessing some of his immense chaotic power. This is the kind of snake the woman brings into the cave in The Man Who Married the Thunder Sister, and so the young warrior's reaction is justified, but, as he has already learned that he needs to walk in faith and not trust his senses, he should, by this point, understand that the "uktena snake" he thinks he sees is probably something else, most likely a horse.
Rock Art Depicting a Horned Serpent
E. Kay Luther (CC BY-SA)
As with all Native American stories, legends, and myths, The Man Who Married the Thunder Sister can be interpreted in various ways. Perhaps the young warrior fell under a spell to test his discernment and failed, or it could be that, until his lapse in not following instructions, he behaved as he should have in rejecting what is offered by elemental spirits he has no business dealing with. The story is as popular today as it was in the past, however, and, as noted, continues to lend itself to many different interpretations.
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[image description: gifs stacked vertically of Native American warriors of various tribes, in traditional attire and in the fashion of their tribe. Text overlays on top of each gif, labeled, in order: “Brave’s society of Young Warriors, Blackfoot.”, “Women Warrior’s Society, Cheyenne.”, “Black Knife Society, Comanche.”, “Okichitaw, Cree.”, “Crazy Dogs, Crow.”, “Koitsenko, Kiowa.”, “Kit Fox Society, Lakota.”, “Iruska, Pawnee.”. end image description.]
Plains Native American Warrior Societies
(not an exhaustive list)
#historyedit#history#native american#plains native#plains indian#ndn#indigenous#native american history#first nations history#american history#canadian history#justin's edits
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Watch ARK: The Animated Series!!!!
So, I binged ARK: The Animated series today. It's a TV show, which is based on a video game and not only is it great but, I swear to God, whoever wrote this set out with the intention of pissing off the Gamerbro crowd as much as humanly possible.
Stuff that will make the Gamerbros cry and whine like little babies: 01). Main Character is a Aboriginal Australian Lesbian (Voiced by an Aboriginal Australian Actress no less). 02). Main Character's wife is a blue haired women who works as a translator for a humanitarian air organization (voiced by Elliot Page). 03). Main Character is a neurodivergent paleontologist. 04). Main Character's mother was a civil rights activist. 05). There's a plot line revolving around protesting the taking of Aboriginal lands. 06). Another major character is a Chinese Warrior Woman who is also a great big lesbian (voiced my Michelle Yeoh). 07). Main villain is a Roman General (Voiced by Gerard Butler) 08). Secondary Villain is an 19th century British Scientist (Voiced by David Tenant) 09). Tertiary Villain is a female Roman Gladiator. 10). Another major character is a Lakota man from the 19th century who was abducted from his tribe and sent to one of the Indian boarding schools. 11). The Main Character is better at science than the 19th Century British Scientist guy.
Great things about the show: 01). It's very gay. Like, so gay. 02). The characters are freaking awesome. 03). There are freaking dinosaurs. So many dinosaurs. 04). It makes you feel. Just, seriously, it makes you fucking feel.
Cons: 01). Content Warning: Self Unaliving in episode 1 02). This show is fucking violent. Like, I get that there's this whole 'battle for survival' thing going on, but we're talking kind of gratuitous 03). levels of violence. Seriously, half the animation budget was spent on red paint. That much violence. 04). The show is predictable AF. Like, I don't mind that, but don't expect any real surprises or plot twists.
In conclusion: Watch the fuck out of this show, because cons aside, it was freaking amazing. It's not like, Arcane levels of perfection, but if you want a fun, gay, show to watch, this is a great choice. There is also a part too already filmed and in the can which will drop later this year, so we're definitely getting more, and even the preview for Part II has gay in it.
#ark the animated series#ark: the animated series#lesbian characters#lesbian tv#sapphic characters#sapphic tv#representation#minor spoilers#cw: blood#cw: gore#dinosaurs#ark tas
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𝐏𝐫𝐞𝐭𝐭𝐲 𝐍𝐨𝐬𝐞 🌻🌻
Pretty Nose : A Fierce and Uncompromising Woman War Chief You Should Know
Pretty Nose (c. 1851 – after 1952) was an Arapaho woman, and according to her grandson, was a war chief who participated in the Battle of the Little Bighorn in 1876.In some sources, Pretty Nose is called Cheyenne, although she was identified as Arapaho on the basis of her red, black and white beaded cuffs. The two tribes were allies at the Battle of the Little Bighorn and are still officially grouped together as the Cheyenne and Arapaho Tribes.
On June 25, 1876, a battalion of the 7th Cavalry, led by George Armstrong Custer, was wiped out by an overwhelming force of Lakota, Dakota, Northern Cheyenne, and Arapaho.
There are many stories that come from this most famous battle of the Indian Wars. However, the most overlooked account is of the women warriors who fought alongside their male counterparts.
Minnie Hollow Wood, Moving Robe Woman, Pretty Nose (pictured), One-Who-Walks-With-The-Stars, and Buffalo Calf Road Woman were among the more notable female fighters.
Pretty Nose fought with the Cheyenne/Arapaho detachment.
One-Who-Walks-With-The-Stars (Lakota) killed two soldiers trying to flee the fight.
Minnie Hollow Wood earned a Lakota war-bonnet for her participation, a rare honor.
Lakota Moving Robe Woman fought to avenge the death of her brother.
And Cheyenne Buffalo Calf Road Woman holds the distinction of being the warrior who knocked Custer off his horse, hastening the demise of the over-confident Lt. Colonel.
Pretty Nose's grandson, Mark Soldier Wolf, became an Arapaho tribal elder who served in the US Marine Corps during the Korean War. She witnessed his return to the Wind River Indian Reservation in 1952, at the age of 101.
#Pretty Nose#Lakota#Cheyenne/Arapaho#Woman War Chief#Battle of the Little Bighorn#1876#Other Lives#Past Times
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Walking in the Hell Creek Formation: South Dakota
South Dakota during the Twilight of the Dinosaurs
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#adobe photoshop#ankylosaurus#artistatwork#Commissions Open#Concept Art#Cretaceous period#Dakotaraptor#Digital Art#Digital Painting#dinosaur#Dinosaur Art#edmontosaurus#Environment Design#female warrior#hell creek formation#Lakota Sioux#Lakota Sioux Tribe#Lakota Tribe#Lakota Warrior#Landscape Painting#Native American#paleontology#Palo Art#prehistoric life#South Dakota#tyrannosaurus rex#Wacom Tablet
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The warrior is not someone who fights, for no one has the right to take another life. The warrior, for us, is the one who sacrifices himself for the good of others. His task is to take care of the elderly, the defenseless, those who cannot provide for themselves, and above all, the children, the future of humanity.
~ Sitting Bull, chief of the Lakota nation
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I should be sleeping rn
The crossover nobody asked for but I needed
#warriors album#warriors musical#lin manuel miranda#the outsiders#the outsiders musical#the outsiders johnny#johnny cade#folks go missing in the park at night#sky lakota lynch#ralph macchio
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On Dec 15th, we venerate Elevated Ancestor & Saint Tataηka Íyotake aka Chief Sitting Bull on the 133rd anniversary of his passing 🕊 [for our Hoodoos of First Nations descent]
Sitting Bull, of the Hunkpapa Lakota, was a fierce political leader & holy man known to be a great father, husband, & friend to all. Under him, all the Lakota bands united for survival in the Northern Plains, as he spearheaded their resistance against European invasion. He was known for his legendary courage, unyielding defiance toward U.S. military power, & contemptuous of the many broken U.S. political promises.
Tatáŋka Íyotake was born to a prominent family of chiefs on the Grand River in present-day South Dakota at a place called, "Many Caches" - known for its abundant food storage pits. He was given his name, which described a buffalo bull sitting intractably on his haunches. This, he would grow live up to.
As a young man, Tatáŋka Íyotake joined two prominent groups within his community. He became a distinguished member of the Silent Eaters (a group concerned with tribal welfare) & leader of the Strong Heart Warrior Society. At 14, he joined his father & uncles on a raid against the Crow. Here, he first encountered White soldiers as the U.S. Army had mounted a broad campaign in retaliation for the Santee Rebellion in Minnesota, enchanting the Lakota had no affiliation with. That following year, in 1816, Tatáŋka Íyotake fought U.S. troops again at the Battle of Killdeer Mountain. Later, in 1865, he led a siege against the newly established Fort Rice in North Dakota. Widely respected for his bravery & insight, in 1868, Tatáŋka Íyotake became Head Chief of Lakota Nation.
By 1874, the stage for war between Sitting Bull & the US Army was set once an expedition led by General George Armstrong Custer confirmed gold had been discovered in the Dakota Territory’s the Black Hills, an area sacred to the Lakota bands. This land was decreed off-limits to white settlement by the Fort Laramie Treaty of 1868. Despite this ban, prospectors began a rush to the Black Hills. Once U.S. government efforts to purchase the Black Hills failed, the Fort Laramie Treaty was dismissed. The commissioner of Indian Affairs decreed that all Lakota not settled on reservations by January 31, 1876, would be considered hostile.
Rightfully so, Sitting Bull and his people held their ground. In March, 3 lines of federal troops invaded the area. Sitting Bull summoned the Lakota and their allies, the Cheyenne, & Arapaho to his camp on Rosebud Creek in Montana Territory. There, he led them in the sundance ritual, offering prayers to Wakáŋ Táŋka (Great Spirit). Sitting Bull slashed his arms 100 times in sacrifice for his people. During this ceremony, he shared that he'd had a vision. He saw soldiers falling into the Lakota camp like grasshoppers falling from the sky.
Inspired by this vision, the Oglala Lakota leader, War Chief Crazy Horse, set out for battle with a band of 500 warriors at the Battle of the Rosebud. To celebrate this victory, the Lakota moved their camp to the valley of the Little Bighorn River. They were joined by 3,000 more Native warriors who had abandoned the reservations to follow Sitting Bull.
On June 25th, the U.S. 7th Cavalry launched their attack under George Armstrong Custer. They rushed the Indian encampment as if in fulfillment of Sitting Bull’s vision. Yet they were severely outnumbered & thus defeated. White outrage at this military catastrophe spurred thousands more cavalrymen to the area. Over the next year, they relentlessly pursued the Lakota bands.
Though many were forced into surrender, Sitting Bull remained defiant. In May 1877, he led his band to Canada, beyond the reach of the U.S. Army. When a U.S. General traveled north to audaciously offer him a pardon in exchange for settling on a reservation, Sitting Bull angrily dismissed him.
Four years later, in the wake of European invaders driving the Buffalo to near instinction, Sitting Bull found it nearly impossible to feed his people. So, he moved south to face surrender. On July 19, 1881, Sitting Bull’s young son handed his father’s rifle to the U.S. commanding officer of Fort Buford in Montana. Through this action, Sitting Bull hoped to teach his son “that he had become a friend of the Americans.” He also said, “I wish it to be remembered that I was the last man of my tribe to surrender my rifle.” He asked for the right to cross back & forth into Canada whenever he wished & for a reservation of his own on the Little Missouri River near the Black Hills. Instead, he was sent to Standing Rock Reservation. His warm reception there raised Army fears about a fresh uprising. So, Sitting Bull and his people were taken further down the Missouri River to Fort Randall. They were held as prisoners of war for nearly 2 more years.
Finally, on May 10, 1883, Sitting Bull rejoined his tribe at Standing Rock. The Indian Agent in charge of the reservation was determined to deny him any special privileges. And so, Sitting Bull was forced to work in the plantation fields. Yet when a delegation of U.S. Senators came to discuss opening part of the reservation to Whitea, he spoke forcefully, though futilely, against it.
In 1885, Sitting Bull was allowed to leave the reservation to join Buffalo Bill’s Wild West Show. He earned $50 a week for riding once around the arena. Sitting Bull also named his price for his autograph & picture. Unable to tolerate White society any longer, he stayed with the show for 4 months.
Returning to Standing Rock, Sitting Bull lived in a cabin near his birthplace on the Grand River; still rejecting the seeds of the colonialism - Christianity & giving up the traditional ways of life - as the reservation’s rules required. He did, however, send his children to a Christian school because he believed the next generation of Lakota would need the education of their oppressors to survive in the new world.
Here, he had another vision. He saw a meadowlark on a hillock beside him say,“Your own people, Lakotas, will kill you.” Nearly 5 years later, this vision would come to fruition.
In the fall of 1890, a Minŋecoŋjou Lakota named Kicking Bear came to Sitting Bull with news of the Ghost Dance, a ceremony that promised to rid the land of colonizers & restore the Indian way of life. Lakota had already adopted the ceremony at the Pine Ridge & Rosebud Reservations, and Indian Agents there had already called for troops to bring the growing movement under control.
At Standing Rock, the authorities feared Sitting Bull, still revered as a powerful spiritual leader, would join the Ghost Dancers as well. They sent 43 Lakota police officers to seize him. Before dawn on December 15th1890, the officers burst into Sitting Bull’s cabin & dragged him outside, where his followers were gathering to protect him. In the gunfight that followed, one of the Lakota police officers shot Sitting Bull in the head.
Today, Sitting Bull rests close to his birthplace near Mobridge, South Dakota. A granite shaft marks his grave.
"They claim this mother of ours, the Earth, for their own use, and fence their neighbors away from her, and deface her with their buildings and their refuse." - Sitting Bull.
We pour libations & give him💐 today as we celebrate him for his inspirational leadership, fearless figuring spirit, power in prayer, & his deep faith in Great Spirit.
Offering suggestions: a smoking pipe with tobacco, Lakota music, bison meat served with wild potatoes & prairie turnips
‼️Note: offering suggestions are just that & strictly for veneration purposes only. Never attempt to conjure up any spirit or entity without proper divination/Mediumship counsel.‼️
#hoodoo#hoodoos#atr#the hoodoo calendar#ancestor veneration#elevated ancestors#Sitting bull#Lakota Nation#Plains Indians#First Nations#Hunkpapa Lakota
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Warriors of the Lakota
A group dedicated to working with the Lakota People. My church has worked with this group, It was with a representitive of this group that I visited Pine Ridge reservation. I have done art work for this orginization. And was an instructor at an art camp on the reservation back in 2015.
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smithsonianmag.com
How Recovering the History of a Little-Known Lakota Massacre Could Heal Generational Pain
Tim Madigan
46–59 minutes
To reach the place known as Mni Tho Wakpala, the Blue Water, you drive west from the Nebraska hamlet of Lewellen, turning from Highway 26 onto a gravel road and turning again through a gate that leads to fenced pastureland. The ancient cottonwood, now known by the Lakota Sioux as the Witness Tree, still towers above the grasslands. Blue Water Creek cuts a crooked path through a broad valley, its waters still pristine.
Then, just after sunrise on September 3, 1855, 600 U.S. Army soldiers commanded by Brigadier General William S. Harney surrounded and ambushed the village, the first time in the Indian wars of the Northern Plains that the military attacked a camp full of families. Today the attack is often known, to the extent it is known at all, as the Blue Water Massacre, but for more than a century it was remembered in a few conventional histories as a particularly ruthless U.S. military victory—the Army’s first major salvo in a 35-year campaign against the Lakota, lords of the Northern Plains, the people of Red Cloud, Sitting Bull and Crazy Horse, which ended finally with their subjugation at Wounded Knee in 1890. That episode, where as many as 300 Lakota were slaughtered, is widely known.
The same cannot be said about Blue Water.
The bloody chain of events had begun a year earlier, in mid-August 1854, when a lame-footed cow belonging to a Mormon settler wandered into the camp of the Brulé, also known as the Sicangu, one of seven bands that make up the Lakota nation. There, along the North Platte River in what is now Wyoming, the animal was felled by the arrow of a warrior named High Forehead, who may have been hungry.
The Brulé Lakota chief, Conquering Bear, hurried to nearby Fort Laramie and offered the Mormon a horse from his own herd as restitution. The matter might have ended there were it not for the ill-fated ambition of Lieutenant John Grattan, a 24-year-old Army officer a year out of West Point. Grattan was determined to personally arrest High Forehead and make his reputation in the process. On August 19, Grattan, with a drunken interpreter and a detachment of 29 soldiers, began a ten-mile march to the Lakota camp. Frontiersmen and other civilians they met along the way pleaded with the lieutenant to reconsider, as a small city of more than 4,000 Lakota had grown up by the North Platte. “I don’t care how many there are,” Grattan told them. “With 30 men I can whip all the Indians this side of the Missouri.”
When Grattan and his men marched into the village, Conquering Bear tried to reason with him, but the young officer made clear he would not leave without his prisoner. “For all I tell you, you will not hear me,” Conquering Bear finally said. “Today you will meet something that will be very hard.”
Surrounded by hundreds of Lakota warriors, a panicked U.S. Army soldier fired the first shot. Grattan and all but one of his men were swiftly killed. (The last soldier eventually succumbed to his injuries.) Grattan’s body was riddled by 24 arrows. Conquering Bear, one of three Lakota who were wounded, died from his injuries several days later.
News of the killings became an object of national outrage, though in the months to come congressional and Army reports placed the blame for what happened squarely on Grattan. That November, three Brulé Lakota warriors, later identified as Spotted Tail, Red Leaf and Long Chin, close relatives of the slain chief, attacked a mail coach traveling near Fort Laramie, killing three men, wounding a fourth, and reportedly making off with thousands of dollars in gold, an act of revenge per Lakota custom.
By then, President Franklin Pierce and his secretary of war, Jefferson Davis, had already endorsed a retributive expedition of their own against the Lakota. To lead it, Davis turned to Harney, an old friend who had experience fighting Native Americans in Florida and Wisconsin. In a White House meeting, Pierce gave Harney, a barrel-chested man with a long white beard, simple orders. “Whip the Indians for us,” the president said.
In August 1855, Harney and his men, equipped with new, long-range Sharps rifles, set out from a frontier fort. “By God I am for battle,” Harney told a fur trapper as he departed. “No peace!” By September 2, the troops were camped along the North Platte near a place called Ash Hollow, a popular stopping point for westward-traveling emigrants on the Oregon Trail. Harney learned that Chief Little Thunder, who had succeeded Conquering Bear after his death, was camped about six miles north by Blue Water Creek, a tributary of the North Platte.
As soon as the Brulé glimpsed Harney’s troops the women began to strike tepees, loading lodge poles, skins and other belongings onto travois, sledges drawn by horses and dogs. Seeing the people flee north, Harney feared his cavalry had insufficient time to set the ambush. To stall, he sent a guide to request a parley with Little Thunder. The chief quickly obliged, galloping toward the soldiers with two of his most renowned warriors, Spotted Tail and Iron Shell. According to one account, Little Thunder approached Harney holding an umbrella as a makeshift white flag.
The conversation took place over a distance of 30 to 40 feet. The general shouted his outrage for the killings of Grattan and his soldiers and the murders of the three men in the mail coach robbery. “The day of retribution had come,” Harney said.
Thirty minutes later, feeling delay was no longer necessary, the general sent Little Thunder back to his people. He gave his soldiers the order to open fire, then took up a viewing position atop a nearby hill.
What happened next was documented in Army after-action reports, in the private letters and journals of American soldiers, and in interviews they gave late in their lives. There was also one recorded account from the perspective of a Lakota survivor, a woman named Cokawin who was in her 40s at the time and gave her testimony many years later to another Lakota woman named Susan Bordeaux Bettelyoun. “The smoke of the battle blinded her,” Bettelyoun wrote in her own memoir, With My Own Eyes. “As she looked all around, she could see the soldiers galloping after groups of old men, women and children who were running for their lives. Some were running across the valley only to be met by soldiers and shot right down.”
As Cokawin tried to flee, a soldier shot her in the stomach. “The bullet ripped her open for about six inches, a glancing shot. … Her bowels protruded from the wound as she fell.” To hide, Cokawin covered herself in tumbleweed and tore off a piece of her sleeve to use as a bandage. “There she lay all day listening to guns roar and to the hoofbeats of the horses, the shouting and yelling of the soldiers who came so near at times that she thought she would be discovered. Once in a while she could hear a Sioux war cry. At these times, Cokawin said she felt like singing and giving the trill.”
Perhaps the most complete account of the massacre comes from the journal of a U.S. Army officer named Lieutenant Gouverneur K. Warren. The 25-year-old West Point graduate was a noncombatant, attached to Harney’s expedition as a mapmaker and topographer. Apparently appalled by the brutality he witnessed, he devoted several diary pages to describing the day’s horrors, particularly what he saw at bluff-side caves where many Lakota had sought safety. Soldiers, giving chase, fired indiscriminately into the caves, a barrage that went on until the cries of a child were heard from inside.
Warren wrote:
Wounded women and children crying and moaning, horribly mangled by the bullets … Two Indian men were killed in the hole … Seven women were killed … and three children, two of them in their mothers’ arms. One young woman was wounded in the left shoulder … Another handsome young squaw was badly wounded just above her left knee and the same ball wounded her baby in the right knee … I had a litter made and put her and her child upon it. I found another girl of about 12 years lying with her head down in a ravine and apparently dead. Observing her breath, I had a man take her in his arms. She was shot through both feet. I found a little boy shot through the calves of his legs and through his hams … He had enough strength left to hold me round the neck.
Warren described his attempts to minister to the wounded and his distress at the sounds of a Lakota mother wailing for her dead baby. “The feeling of sympathy for the wounded women and children and deep regret for their being so, I found universal,” Warren wrote. “It could not be helped.”
The story of a dying grandmother and one little boy—the son of the chief—became something of a legend among the Brulé. In 2005, exactly 150 years later, that story was recounted near the site of the massacre by the boy’s great-granddaughter, a Lakota elder and activist named Rosalie Little Thunder. “His grandmother’s blood dripped on him, but he stayed still when he heard all the hoofbeats, gunshots, cries, shouts,” she said to a group of relatives and others who had gathered for a commemoration. “He finally emerged after some silence. The Army spotted him and gave chase. He ran until he got over a little hill and found a burrow surrounded by tall grass. He hid there and stayed there until just before daylight, when it’s coldest and the dew forms. He emerged from there and started his trek—200 miles north to Sicangu country—to take word of the massacre.”
When it was over, 86 Lakota had been killed, many of them women and children. Four U.S. soldiers died. Harney confiscated tepees and buffalo meat for his expedition. The rest of the Lakota belongings were plundered or burned. Then the general marched 70 survivors, mostly women and children, some 140 miles across the grasslands to Fort Laramie. There he insisted that the perpetrators of the mail coach attack surrender. If they did not, Harney threatened to turn his captives over to the Pawnee, the Lakota’s mortal enemy.
That was why the warriors Spotted Tail, Long Chin and Red Leaf trotted on their horses into Fort Laramie a few weeks later. They were dressed in their finest regalia and sang their death songs when they surrendered, expecting to die at the end of a wasichu rope. Instead, they were taken into custody and imprisoned at Fort Leavenworth in Kansas. The next year, at the urging of the region’s Indian agent, President Pierce pardoned the Lakota warriors.
The bloody episode had divergent impacts on the Lakota. For some leaders it was a radicalizing event, evidence that the government could never be trusted—that violent resistance was the only path to meaningful tribal autonomy. One such leader was Crazy Horse, who was a teenager in the Oglala village a few miles north of the Brulé camp, and who, coming upon the massacre site, saw firsthand its terrible aftermath. “Scattered along the rocky slope were lodge rolls, parfleches, robes, cradleboards and many other village goods, all trampled and torn and burnt,” Crazy Horse’s biographer Mari Sandoz wrote in 1942, “and among these lay dark places that were blood and darker ones that were the dead of his people.” The Lakota historian Victor Douville has written that the memory never left Crazy Horse, and many say he thought of Blue Water while leading the rout of Lieutenant Colonel George Custer at Little Bighorn in 1876.
For other Lakota leaders, such as Little Thunder and Spotted Tail, what they saw of the government’s cruelty and disproportionate firepower convinced them that their people’s best, or perhaps only, chance for survival was negotiation and eventual peace. Spotted Tail was sure the Lakota “could not win against the power of the Americans,” his biographer George E. Hyde wrote. Spotted Tail would become the chief lieutenant and eventual successor of Little Thunder, who was also wounded in the massacre but survived. Sensing the ultimate futility of resistance, the two men “prepared to lead their people down the path of peace and survival—a survival that included loss of their independence, and a forced residence on reservations,” the historian Paul N. Beck wrote in 2004.
In March 1856, Little Thunder was forced to shake hands with Harney, who had summoned leaders of the seven Lakota bands to Fort Pierre, in South Dakota, to dictate his terms for peace—essentially, obedience and docility. In return, Harney released the prisoners he had taken at Blue Water.
A period of relative quietude between the Lakota, some of their Native allies and the U.S. government ended in November 1864, when a U.S. military force attacked a Cheyenne and Arapaho camp near Sand Creek in Colorado, killing an estimated 230 people, most of them women and children. In the violent years to come, government promises to the Plains Indians were made and quickly broken. The Lakota and their allies won several military victories against the Army, most notably at the Little Bighorn, but as the years passed there was a sense of inevitability, culminating with the slaughter at Wounded Knee, which extinguished the last embers of armed Lakota resistance.
Little Thunder died in 1879, having handed over leadership of the Brulé to Spotted Tail in 1866, according to Douville. “He was shrewdly confident that his successor had the best qualification of securing his unfulfilled goal of accomplishing peace.”
I first came across the story of the Blue Water Massacre by accident, in early 2023, while researching a separate historical project about the American West. In the brutality of the violence and in the event’s bewildering obscurity, it immediately reminded me of another event, the Tulsa Race Massacre of 1921, when hundreds of African Americans were killed by a white mob in that city’s Greenwood community.
In 2001, I published a book about the Tulsa massacre, at a time when few people apart from survivors or their descendants knew much about it. What happened in Tulsa, I learned, was not a historical anomaly. Immersing myself in that history not only inspired in me greater compassion for people from different backgrounds, with different histories, but also gave me a more fulsome understanding of the origins of our nation’s racial and social fissures. By the time I returned to the subject of the Tulsa massacre on its 100th anniversary for a story in Smithsonian, the atrocity had become broadly known—and, perhaps not coincidentally, hopeful signs of racial reconciliation in Tulsa and elsewhere had begun to take hold.
Native American history has its own infamous gaps, but in recent generations many difficult truths have bubbled to the surface of the nation’s cultural awareness. Dee Brown’s 1970 landmark best seller, Bury My Heart at Wounded Knee, revealed for a broad audience the sanitized nature of mainstream Indigenous history. (Even still, the events at Blue Water received a single sentence.) The American Indian Movement, which flourished around the same time, fought publicly and militantly for unfulfilled treaty rights and the reclamation of tribal lands. In more recent decades, scholars, writers, filmmakers, artists, activists, political leaders and others, Native and non-Native, have filled in the picture more completely. They have highlighted the relatively overlooked history of the enslavement of Native Americans, for example, or challenged simplistic narratives about American colonial expansion to focus on the ways Indigenous people helped shape this country’s borders, history and culture.
Some of this work has broken through into popular culture. In just the past decade, David Grann’s Killers of the Flower Moon, adapted into a movie by Martin Scorsese, publicized the true story of the Osage Nation’s extraordinary wealth after oil was found beneath tribal land—and the string of murders by white settlers intent on stealing that wealth. The Ken Burns documentary The American Buffalo traced how deliberate U.S. policy all but eradicated the once abundant animal, with disastrous effects on the Plains Indians. The theme was explored by the Ojibwe writer David Treuer in his 2019 counter-history, The Heartbeat of Wounded Knee: Native America From 1890 to the Present. Without the buffalo, he wrote, the Plains tribes had little choice but to move onto reservations. “The reservations might have been designed as prisons, but now they became places of refuge.” In 2021, the Chippewa novelist Louise Erdrich was awarded the Pulitzer Prize for The Night Watchman, set on the Turtle Mountain Reservation in the 1950s, the latest of her celebrated books to draw from the realities of Native life and history. And the FX television series “Reservation Dogs” brought American viewers onto a reservation in the present day, following the sometimes comic, sometimes tragic travails of young Native Americans plotting their escape from reservation life for what they imagine is something better.
The U.S. government, meanwhile, under the direction of Interior Secretary Deb Haaland, the first Native cabinet secretary in U.S. history, has opened a federal investigation into the historical abuses of the Indian boarding school system. Haaland convened listening sessions across the country. She opened each session this way: “My ancestors endured the horrors of the Indian boarding school assimilation policies carried out by the same department that I now lead.”
In September 2023, in an effort to learn more about the massacre at Blue Water and its persistent impacts, I made the first of two long trips to the Rosebud Reservation, in south-central South Dakota, which has been a home for the Sicangu Oyate, as the Brulé now call themselves, since 1889. (Both the Lakota and French terms refer to “burnt thigh people,” a name apparently deriving from a terrible prairie fire long ago.) The reservation sprawls across more than 900,000 acres of grasslands, rolling hills and pine forests, and is dotted by small towns, smaller villages, and many ranches and farms. I met with Lakota residents carrying surnames like Little Thunder and Spotted Tail and with descendants of Iron Shell. They told me about their lives, introduced me to their songs, drums and prayers, and spoke about the importance of venerating their ancestors and keeping their ancient rituals and ceremonies. Not everybody was forthcoming. At one dinner, a Lakota elder named Phil Two Eagle, the executive director of Rosebud’s Sicangu Lakota Treaty Council, asked me succinctly: “Why are you here?” My answer had to do with an acquired belief that cultural healing is not possible without a full and honest accounting of the past.
The past and its sometimes grim legacies were evident at Rosebud. About one-third of the Sicangu’s 30,000 or so enrolled members live on the reservation. Of those, more than half live below the poverty line. The life expectancy is a decade less than the national average, suicide rates dwarf national figures, and substance abuse is an epidemic. And yet, for many residents, leaving the reservation is close to unimaginable. “It’s hard for any of us to leave, because we’re just real social beings, and we’re grounded here with all of our family,” Gale Spotted Tail, Rosebud’s program director of child care services and the great-great-granddaughter of the chief, told me. “We don’t look through the eyes of being impoverished. We look more at the values you have as a person. We still have that kind of connection.” I learned that many Lakota weren’t aware of the history of the Blue Water Massacre or didn’t feel it was particularly relevant to their lives. Most are simply too preoccupied with the realities of getting by, Gale Spotted Tail told me.
The first time I spoke with Karen Little Thunder, a great-great-granddaughter of the chief and the younger sister of Rosalie, who died in 2014, she explained that she saw in this effort a way to move beyond the interminable stasis of injustice. “They attacked in very early morning and just slaughtered us, and there was no time for anything except to survive,” she said. “Then the village was burned. Then the survivors were marched away to one of the forts and the women and children were taken and used as pawns. These traumas just kept happening and happening—and we’re still grieving. That’s the way it is, not just for Little Thunder relatives, but for our entire tribal people. We could not do anything except survive back then. Fast-forward 150 years, we’re still in survival mode.”
Karen Little Thunder, today a mother and grandmother at age 59, lives on the Rosebud Reservation in a white double-wide trailer on land that has been in her family for generations. She doesn’t remember hearing about Blue Water until her early 20s, when her father handed her a few photocopied pages from a book that described the massacre. At the time, as she struggled with alcohol addiction, the significance of what she read didn’t register.
In 2004, after several years of sobriety, she enrolled at the tribal university, where a fellow student told her that a professor named Peter Gibbs was talking about the Little Thunder family in his lectures. One day, Karen Little Thunder ran into Gibbs in the school’s Lakota studies building. “We stood in the hallway for 10 or 15 minutes,” she recalled. The topic of his lectures had been the Blue Water Massacre. “He told me in a nutshell what he was talking about in his class. I remember going through the rest of my day, like—mind blown. I needed to do something with all this information. I took as many classes as I could in the Lakota studies department, and in doing so was able to do my own research about the massacre.”
By chance, weeks later Karen Little Thunder received a letter from two sisters, Jean Jensen and Dianne Greenwald, who had grown up close to the Nebraska massacre site. As children they hunted for arrowheads while playing along Blue Water Creek. They had heard a battle had happened there but had only a vague sense of what that was. They finally learned about the atrocity as adults, after reading books about state and local history and talking to history buffs. Now they were writing blindly to any member of the Little Thunder family whose contact information they could find. With family members and local friends, the sisters decided to include the massacre in an event commemorating local history. In years past, the event usually focused on white pioneers on the Oregon Trail who traveled through that part of Nebraska. It was time, Jensen told me, “to tell the Lakota side of the story, to make it known.”
Not long afterward, Karen came across a photograph on the internet—a tiny doll, taken from the massacre site. She was haunted by the image. As a child, she’d learned that, where her ancestors were concerned, moccasins were never just moccasins, buckskin pants and feather bonnets and war shirts were more than mere physical objects. “My uncle Albert White Hat used to talk about how the essence of the person becomes attached to their belongings,” she said. “They are almost like living things themselves.”
And she eventually learned that the doll was hardly the only object plundered that day. Gouverneur K. Warren, the young officer who recorded his horror at the massacre, had apparently collected dozens of Lakota belongings from the site. Karen found a semi-obscure book called Little Chief’s Gatherings, written by a historian of the frontier named James A. Hanson, which had been published in 1996. (The name “Little Chief” derived from a dismissive Lakota nickname for Warren, a reference to his short stature.) Hanson described how Warren transported the Lakota belongings to the East Coast and, the next year, in 1856, quietly donated them, more than 60 items, to the Smithsonian, then a fledgling cultural institution in the nation’s capital.
Warren never spoke or wrote publicly about his contribution to the museum. “I believe he felt remorse and embarrassment for having looted the possessions of a vanquished foe, even though his motives were entirely for the good of science,” Hanson wrote. But the items made up “one of the most significant Plains Indians collections ever made,” Hanson noted, including “dozens of pony-beaded articles of clothing—dresses, leggings, a war shirt, a headdress, baby carriers and moccasins, as well as quilled robes, trade blankets, tepee bags, pipes, a bow case, a complete set of horse gear, a knife sheath, children’s toys including the earliest known Plains Indian doll.”
When I spoke with Hanson recently, he said he had come upon the objects by accident, as a graduate student in the early 1970s researching Sioux trade artifacts. Flipping through the card catalog in the anthropology department of the National Museum of Natural History, he recognized Warren’s name from books and western atlases he read as a boy. “Here’s a whole section of the real early stuff”—Native American artifacts—“that says, ‘Collected by G.K. Warren,’” Hanson told me. “I said, ‘My God, this is something I would love to research.’” Hanson tracked down Warren artifacts that had been scattered among hundreds of thousands of other items in storage throughout the museum. He learned that about 20 of the Warren items had once been on display, labeled as “examples of Lakota life in the 1850s.” But other than the musty references in the card catalog, there was no other written record of the collection or its provenance.
When Hanson’s book was published, it included a formal description of the massacre, a transcript of Warren’s diary and 58 photographs, many in color, of Lakota belongings. The most heartrending image was the child’s doll. Fashioned from tanned animal hide, with seeds for eyes and flowing locks made from black horsehair, it wore tiny moccasins and a blue wool cloth dress.
In 2010, Karen Little Thunder contacted the museum and was granted permission to come see the items in person. The museum’s storage facility was located in a Virginia suburb of the nation’s capital. She and her then husband, Clayton Wright Jr., passed through security and were met by a museum official named Bill Billeck. “When we started going down to where the items are actually stored, that’s where it became dark,” she remembered. “The storage cabinets were like those red toolboxes with shallow drawers. I’m wearing these little cloth gloves. We were able to go through and find and view and hold several items.” A number of the belongings appeared to be stained with blood. “It was good until we came upon what looked like a baby blanket, a wrap made out of buffalo hide. You could see a little hood for the child’s head. When I put my hand on that little baby wrap, that’s when it hit me really hard. I could see, I could feel, I could imagine a child in that wrap. I mean, it just hit me so hard. This is real. This is what happened. There was a baby in this blanket. I had to turn around and walk away. I just felt like screaming and crying and beating on somebody. It made me angry and sad at the same time.”
She composed herself and returned to the belongings. Afterward, she felt affirmed. The experience was a sign “that I’m following the right path,” she said. “It’s like when I hear a coyote or I see a beautiful eagle. Those things are answers as well.”
In 1999, Paul Soderman and his family were sorting through the belongings of a recently deceased aunt at her home on Long Island, New York, when they came across a remarkable letter. The letter was written by Soderman’s great-great-grandfather, James Harney Stover, in 1934, when he was in his 80s. In it, he told the story of visiting the White House with his family in April 1861, when he was 12 years old. President Lincoln himself entered the East Room and greeted Stover’s father by name. It turned out the two men had practiced law together in Illinois years before. “The tall president who was 6 feet 4 and a half inches, stooped down and shook hands with me,” Stover wrote. During the visit, it came up that Stover’s mother’s maiden name was Harney. In fact, Stover’s mother told Lincoln, she was the cousin of an Army general named William S. Harney. “And the president said, ‘Well, he is my general in St. Louis, and he and I were in the Black Hawk War together,’” Stover wrote.
During the next several years, he immersed himself in Lakota culture, history and language. By chance, he met another Boulder-area resident, a prominent jazz trumpeter named Brad Upton, who shared Soderman’s commitment to atonement. Upton was haunted by the fact that his great-great-grandfather, Colonel James W. Forsyth, had commanded the troops at Wounded Knee.
Soderman first connected with Karen Little Thunder on an internet message board, and he met her in person in 2014. A short time later, Karen told her cousin, Phil, that a relative of Harney wanted to meet him. Phil Little Thunder, a short, soft-spoken man, saw it as an opportunity to “count coup” on an enemy, the ancient Native practice of getting close enough to touch an adversary. Phil remembers thinking, “I’m going to shake his hand, and hold it real tight—and then I’m going to give him a left hook, because his ancestor did my people that way.” Then they met. “When I shook hands with him, instead of whupping him, he hugged me.”
Around that time, a Lakota elder and spiritual leader named Basil Brave Heart was leading a campaign to rename Harney Peak. As a seventh-generation descendant of Harney, Soderman publicly endorsed the effort. In August 2016, the U.S. Board on Geographic Names announced the Harney name would be removed, and the landmark would henceforth be known as Black Elk Peak, for the legendary Lakota warrior and holy man. “The initial emphasis was to get Harney Peak changed,” Soderman recalled. “When that was done, we started thinking, in collaboration with Karen and Phil, ‘What can we do now?’”
Not long afterward, the Little Thunders and their Nebraska friends gathered beneath the Witness Tree for a healing ceremony. When it was finished, Karen Little Thunder was approached by Shelie Hartman-Gibbs (no relation to Peter Gibbs), who had grown up near the Blue Water and remained active in historical commemoration there. The 150th anniversary of Nebraska’s statehood was approaching. Hartman-Gibbs and her sister had the idea of bringing part of the Warren collection back to Nebraska for a temporary exhibition. What did Karen think? “I only remember the overwhelming feeling that this was another piece of the puzzle,” Karen says.
After the women presented the plan to a large group of Little Thunder relatives, who endorsed the idea, the Smithsonian approved the loan of seven items from the Warren collection (deemed by curators as in the best condition to travel) for a three-day exhibition at the visitor center of the Ash Hollow State Historical Park. The center commemorates Ash Hollow’s significance to pioneers on the Oregon Trail, but it also sits atop a bluff overlooking Blue Water Creek and the valley where the massacre occurred.
The belongings were flown to Denver and driven to Nebraska, arriving at Ash Hollow late on a Wednesday afternoon in July 2017. Phil Little Thunder told me that he felt a sadness and a restlessness, like a caged wolf, when he first saw the belongings, which included the doll from Hanson’s book, plus a ceremonial rattle, a decorated saddle, a bag of porcupine quills, a bow, an ammunition pouch and a powder horn. But he couldn’t help but think about the rest of the items, which remained in vaults on the East Coast. “It was like a halfway apology,” he said.
In mourning over the items, he had let out a plaintive cry. “I’ll never forget the sound,” Soderman told me. “He’s done it a few times at the Witness Tree. That’s the connection between now and then, the sound of his grief. It’s real. That’s what I try to explain to my family and others who ask, ‘Why are you digging up the past? That happened 160 years ago.’ For Phil, it might as well have happened last week. That’s how connected they are.”
Karen Little Thunder spent the night in her van at the massacre site. “And I woke up the next morning and was just so happy,” she told the Lakota Times. “I could have been dancing by myself. I felt happy. I felt laughter. I felt peaceful. That told me things were good.”
Afterward, Karen and Phil Little Thunder and another cousin, Harry Little Thunder, together with Soderman, began to discuss the possibility of getting the entire Warren collection returned to the Lakota for good.
The timing for such an appeal felt right. Cultural institutions around the world have been reckoning, sometimes publicly, with the fact that many of their holdings were collected in ways that we now consider unethical. In the United States, federal agencies and many museums and institutions are already mandated by law to repatriate requested Native American human remains, burial artifacts and sacred objects held in their collections. The Warren collection objects don’t fall under these categories, but the Smithsonian has recently enacted a broader, Institution-wide policy called Shared Stewardship and Ethical Returns. Under the policy, which went into effect in 2022, artifacts of everyday life that Native groups deem of cultural importance may qualify to be returned. In certain cases, shared stewardship agreements allow the Institution to care for the items at the request of the original owners.
I spoke recently with Kevin Gover, the Smithsonian’s Under Secretary for museums and culture and a member of the Pawnee nation of Oklahoma, who served for 14 years as director of the National Museum of the American Indian. He was forthright about how much the Institution’s perspective has evolved. “Even if we have legal title for a given artifact, if it was acquired unethically, whether by us or whoever it was that acquired it originally, then we should give it back,” he said. He cited the Smithsonian’s recent return to Nigeria of 29 “Benin Bronzes” plundered by the British during an attack in 1897. “In our parlance, that was unethically acquired. That’s why we were not just willing but anxious to return those to Nigeria. I think the same would apply here,” he said, referring to the Warren collection. “If these artifacts were from a battlefield, even worse from a massacre, clearly they were unethically acquired, not necessarily by us, but by the U.S. Army and given to us. We have an obligation to return them.”
In August, the Little Thunder group formally applied under the new policy for the return of 69 items they believe came from the massacre site. Sarah Loudin, the National Museum of Natural History’s head registrar, told me that the process for reviewing the application will take time. As the museum gathers information, it will consider questions of standing, including, for example, whether the applicants are lineal descendants of the original owners of the belongings; are official representatives of the community where the items originated or are acting on its behalf; and whether there are competing requests for the objects.
Billeck shared Henry’s letter by email with Karen Little Thunder and Paul Soderman, writing that the letter made clear that “Warren obtained the objects at the Smithsonian and that they are from Ash Hollow or Blue Water Creek.” The Little Thunders included the letter as a part of their application to the Smithsonian.
The formal request is one step in an ongoing process of considerable cultural and spiritual complexity. For example, in the past, some Little Thunder family members expressed reservations about reclaiming the items, arguing that other Sicangu families descended from massacre survivors should be involved. There is also a question about what the Sicangu would do with the items if they are returned. Some Lakota elders would likely advocate ritual burning, per tradition, while others favor keeping them for educational and ceremonial purposes. That raises other practical considerations, such as where the Lakota would store the items and how they would pay for any associated costs.
In recent months, Karen Little Thunder, her cousins Phil and Harry, and Paul Soderman have been busy gathering support back home. They found an ally in Phil Two Eagle, the Sicangu treaty council executive director, who last December placed the Blue Water Massacre on the agenda for the annual conference of treaty councils from all seven Lakota bands.
In a hotel ballroom in Rapid City, South Dakota, the Little Thunders and Soderman appeared before the conference and spoke about what happened in 1855. Afterward, the elders stood and, singing an old Lakota honor song, shook their hands.
The next day, Phil Little Thunder read a resolution that Phil Two Eagle had helped draft. In the name of the Sicangu Oyate and the Blue Water families, it called not only for the return of the Warren collection, but also for a geophysical survey of the massacre site to identify and recover any remains of victims, and for the establishment of a memorial and interpretative center at the site. The resolution, while nonbinding, was unanimously endorsed by representatives of the seven Lakota bands.
Gale Spotted Tail, the descendant of the Sicangu chief, has become another important supporter. “I’m in favor of it, because it will bring attention to the Blue Water,” she told me. “A lot of people don’t know about it. Healing ceremonies would come with those belongings being returned. That kind of spiritual power will help our souls. It’s an opportunity for kids here to know their identity.”
Recently, the Rosebud Sicangu’s historic preservation office, along with representatives of the Little Thunder family, have been in discussions with Nebraska state officials about storing the items, should they be returned, at the Ash Hollow visitor center. Under the proposed agreement, the visitor center would host the items in a secure and managed environment for at least two years while the Sicangu work to decide on their final disposition. During that time, according to the proposal, descendants of massacre survivors and other Sicangu tribal members would have the right to privately view the collection.
Gover, when I spoke with him, recalled attending ceremonies as director of the National Museum of the American Indian when belongings were returned to their original owners. “People would just weep,” he said. “That made it a powerful experience for us as well. It’s not even making amends. In the Native view of the universe, that is a step toward restoring balance, just putting things right to return those things to the community where they originated. There is real power in that. There are a lot of these incidents from history that still need to be put right.”
The Blue Water valley has been in private hands for generations. Today it includes a patchwork of different owners, not all of them sympathetic to the Lakota or an organized effort to remember the massacre. A Nebraska rancher named Pat Gamet, who is 56, is an exception. He owns the acreage surrounding the Witness Tree and the area where the Lakota village once stood. He says he has kept the land as it was to protect it for the Lakota people and help honor their history there. “That’s my role in all of this. It’s a very humble one.”
On that hot afternoon last year, the 168th anniversary of the massacre, about 30 people gathered under the Witness Tree with the Little Thunders. Gamet was there, and the sisters, Jean Jensen and Dianne Greenwald, and their families. In the healing circle, Soderman and his wife, Cathie, who were ceremonially adopted into the Little Thunder family a few years ago, stood side by side with Brad Upton, all of them singing ancient Lakota healing songs. The echoes from Phil Little Thunder’s drum were carried off by the wind. Karen Little Thunder spoke up. “I would just like to say thank you to everybody for being here, for being here for us, for all of us,” she said. “You’re helping us to lighten this heavy load that we carry.”
The scene called to mind a favorite phrase of Basil Brave Heart, the Lakota spiritual leader, that has become a mantra of sorts for the people beneath the Witness Tree.
Taku wakan skan skan, the saying went. “Something sacred is in motion.”
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